A brief history of gay signalg, om hanky s to that 'what gay guys are actually like' vio

Contents:

• DICK LESCH’S GUI TO SEVENTI GAY SLANG
• A BRIEF HISTORY OF GAY SIGNALG, OM HANKY S TO THAT 'WHAT GAY GUYS ARE ACTUALLY LIKE' VIO
• GAY NETI
• THE HISTORY OF THE WORD “GAY”
• FROM CLOSET TALK TO PC TERMOLOGY : GAY SPEECH AND THE POLICS OF VISIBILY

DICK LESCH’S GUI TO SEVENTI GAY SLANG

Many untri around the world have their own versn of queer slang, om Brish gay slang rived om the rhymg slang Polari to beki – the Philipp’ queer language that borrows om a slew of sourc, cludg pop culture, Japane, Spanish, and the untry’s lol languag. But the Onle Slang Dictnary c 1960s gay male culture as the earlit known source, particularly rtoonist Joe Johnson’s characters “Miss Thg” and “Big Dick”, which appeared early issu of The Advote.

In the 60s, Lesch was the print of a gay rights anizatn lled the Mattache Society and me up wh the “Sip-In” – a monstratn held at New York Cy bars that banned service to out gay people. ”In 1959, when Lesch was twenty-four, he left his fay home, Kentucky, for New York Cy, where he found work as a pater, a bartenr, a rator, a journalist, and as the unpaid print of the Mattache Society, one of the first gay-rights anizatns.

A BRIEF HISTORY OF GAY SIGNALG, OM HANKY S TO THAT 'WHAT GAY GUYS ARE ACTUALLY LIKE' VIO

When the Stonewall rts broke out, three years later, he was the only openly gay reporter on the scene, verg the event for a new gay-focsed magaze lled The a recent Friday eveng, Lesch’s buzzer rang.

” Some of the fns were more nuanced: an “ntie, ” Lesch had wrten, was “an ageg or middle aged homosexual, offtim effemate character, ” or “a person of settled meanor who utns agast temperate acts. Photograph by Rebec FudalaNext up was Lesch’s llectn of magaz and newsletters, cludg After Dark (“Oh, bls you—they’re real llector’s ems, ” Bmann said); Christopher Street (“We have the archiv”); Female Mimics (“That’s fabulo”); the 1969 Time issue on homosexualy (“Cute”); and the monthly bullet for the Mattache Society. " While I n't nfirm or ny the accuracy of the clip's subject matter (still wag on clearance om the Gay Agenda), I n say that s edy is rooted a rich history of signalg, flaggg, and other forms of non-verbal munitn between gay Pulls a CharlottvilleThe vio fds actors/edians Brian Jordan Alvarez, Stephen Guaro, and Mch Silpa nng to one another their apartment buildg's regnizg one another's gayns, and realizg they're a space utterly void of heterosexualy, the three men lnch to some light nway……'80s face-molg 101……talog at-hangg……and low-key Bernatte-ery……wh a llective "Bnch!

)The need to navigate one's inty through different social suatns, mixed wh the sire for regnn, has led gay men (and women, obvly, but this article is foced on the male si of this phenomenon) to velop subtle, often wordls methods of munitn wh others the of the systems have been historilly ed to broadst sexual sir, like the hanky , which saw s peak age the 1970s and '80s. In Gay New York, Gee Chncey c red neckti as one of the major "fairy" signifiers of the 1890s, and the 1930s there was "practilly a homosexual monopoly" on dark brown and gray sue sho the 1930s.

GAY NETI

In the 1890s, the term “gey t” (a Sttish variant of gay) was ed to scribe a vagrant who offered sexual servic to women or a young traveler who was new to the road and the pany of an olr man. ” This le (ad-libbed by Grant) n be terpreted to mean that he was behavg a happy-go-lucky or lighthearted way but is accepted by many as the first e of gay to mean homosexual a mastream movie. When gay is ed today to mean stupid or unsirable ( has only been ed this way sce the 1990s), rri wh a history of negative judgment and rigid ias about who or what is acceptable.

Depuis l’époque où l’homosexualé éta synonyme perversn, voire dél, jqu’x actuell gay pris, la munté gay, lbienne, bisexuelle et transgenre n’a csé développer un langage distctif, le gayspeak. Milant tout tant que ludique, ce langage se vt également le défensr d’un certa style vie, cherchant à exprimer, manière la pl visible, poliquement rrecte et effice qui so, la richse s portements et s cultur du mon gay. This paper exam the extraordary plexy of sexual orientatns and subcultur as exprsed by “gay speech, ” an idm the lbian, gay, bisexual, and transgenr muny has veloped for self.

THE HISTORY OF THE WORD “GAY”

Sce the tim when homosexualy was a perversn to today’s vibrant Pris, gayspeak has been ed to exprs the needs of a group which, feelg socially reprsed, revented and subverted language.

2Funny and provotive as may seem, this msage posted on Kks & Queens, a gay Swedish webse, not only reveals a visibily and culture that the Lbian, Gay, Bisexual, and Transgenr muny was long pelled to hh, but also nfirms the existence of a lexin not que like standard English. From the darker ag when homosexualy was at s bt a s and/or a perversn until the prent environment of rabow flags and gay pris, gayspeak has been ed to transgrs social norms, articulate particular needs and emotns, as well as renstct, or re-terpret, realy.

Givg voice to new perceptns of genr inty while reclaimg offensive terms and a liftyle of their own, gayspeakers are liberately assertg cultural and, to some extent, ant ambns. When to elaborate polilly rrect fns of the « queer » universe, pk talk displays an extraordary plexy of sexual orientatns and subcultur, a possible means to pensate for lguistic ficiency and to claim a gay space on the social spectm. Most male homosexuals therefore kept their sexual orientatns very much the closet unls amidst their k when they lled each other female nam—« Miss Kten », « Cha Mary », « Primrose Mary », and « Dip-Candle Mary »3—, a practice still faiar among ntemporary gay men.

FROM CLOSET TALK TO PC TERMOLOGY : GAY SPEECH AND THE POLICS OF VISIBILY

Until World War Two, rearch on what was then labeled the « language of homosexualy » foced on genr versn, wh homosexualy beg regard as a pathology characterized as sexual viance or perversn: whereas heterosexual language equated wh the appropriate genr, homosexual language displayed equent aquaci between the physil genr and the lguistic genr of the speaker.

In the reprsive and secury-ncerned Cold War environment4, to talk about themselv, most gays and lbians relied upon phemisms such as « iends of Dorothy(‘s) », (after The Wizard of Oz, 1939, a classic mil popular wh gay dienc), « whoopsi », « (s)he’s is a ltle...