"Queer Art" beme a powerful polil and celebratory term to scribe the art and experience of gay, lbian+ people.
Contents:
- THE GAY FIGURE ARTISTS ARE REIMAGG THE MALE GAZE
- HIDN PLA SIGHT: HOW GAY ARTISTS EXPRSED FORBIDN SIRE
THE GAY FIGURE ARTISTS ARE REIMAGG THE MALE GAZE
In amassg work ma by the mostly overlooked gay artists who lived and died durg the crisis, a global group of llectors is refg what the Wtern non looks like. * western gay art *
AdvertisementSKIP ADVERTISEMENTWorkg largely outsi the gallery system, a group of illtrators is revivg the disciple and refg how queer bodi are reprented MacConnell, “Ernie” 2014, waterlor and pen on paperLAST FALL, IN a ty apartment downtown New York, a 30-year-old gay physique mol named Matthew Williams stood naked agast a whe backdrop ont of the gay artist John MacConnell.
Over the next 2, 000 years, pturg the naked male form beme an sential artistic skill, one that reached s apotheosis Wtern culture durg the Italian Renaissance, when homosexual sire was subtly exprsed Donatello’s bronze “David” (cir 1440) and Caravagg’s patg “The Micians” (1597), where the tradnal female me is replaced wh a band of boys, partially robed togas, referencg a Greek and Roman perd which homoeroti was a part of society. Classics profsor Andrew Lear, 59, who now ns Osr Wil Tours, a pany that offers excursns foced on implicly gay art and history major while some old masters fetishized the male body barely d ways, the ia of an openly queer artist exprsg his sir om a queer perspective was only born the last century. (It’s perhaps not cintal that Alan Hollghurst’s latt novel, “The Sparsholt Affair, ” a gay retellg of Bra the 20th century, clus a 1940s-era artist tryg to pursue a classmate at Oxford by drawg his figure.
HIDN PLA SIGHT: HOW GAY ARTISTS EXPRSED FORBIDN SIRE
) Frato, “Tangere” 2016, lored pencil on paper, urty of the artist and Antoe Levi, Paris; Jordan Mejias, “Dare Me, ” 2017, monochromatic waterlor on paper, om the book “Of Art and Men” (Photograph: Hans-Ge Pospischil) © Jordan MejiasIN THE YEARS after Cadm, other gay perspectiv on the male body found their way to visual culture, though they’ve typilly been nsired taboo or hypersexual.
And spe the “queer enlightenment” of the 1970s and ’80s, when Robert Mapplethorpe, the photographer Rotimi Fani-Kayo and others brought man-on-man sex to the mm, there rema few celebratory imag of openly gay men Wtern visual art. Williams’s afternoon ssn wh MacConnell, fact, is part of a recent revival of male figure drawg among ntemporary gay artists — cludg Kou Shou, Mart Bedolla and Stephen McDermott — who all specialize stripped-down reprentatns of largely young whe men. Gay figure artists are followg the homoerotic tradn tablished by Mizer, Fland and the artist Tom Bianchi, whose photographic nus have seen a renaissance after he published “Fire Island P, Polaroids 1975-1983” 2013.