Quent Taranto’s ‘Top Gun’ Gay Film Monologue: Bckheimer Reacts – IndieWire

Contents:

• GAY FIGHT
• ALL MEM › SWORD PLAY - PK SWORD - GAY
• JERRY BCKHEIMER WEIGHS ON TARANTO’S ‘TOP GUN’ GAY FILM MONOLOGUE: ‘A COMPLIMENT’

GAY FIGHT

The gay porn vio featured a lot of fellat, tons of anal sex, and a few swordfights. I was really dnk one time and I went to the bathroom where this gay guy my at was jt fishg showerg.

The origal vio of this 'Gay nerds fightg' meme. Sword play - pk sword - gay Blank GIF Template. Of urse there are a few thgs you should take to nsiratn, would be unfair to have different sized swords so a strap on is ually need unls you and your iends have really close dick siz, that se is very effective to wear a ndom bee you don't want to risk the big gay.

This which to fight jtice, Zorro: The Gay Bla More clips of this movie. “Top Gun” producer Jerry Bckheimer celebrated the film’s 35th anniversary this month by reflectg on the movie’s unexpected legacy as a gay film an terview wh Vulture.

ALL MEM › SWORD PLAY - PK SWORD - GAY

This readg of the film was immortalized by Quent Taranto, who has a sgle scene the 1994 movie “Sleep wh Me” which he appears to give a monologue explag why the Tom Cise-starrg “Top Gun” is really “a story about a man’s stggle wh his own homosexualy. They’re gay, they reprent the gay man, all right?

And they’re sayg, go, go the gay way, go the gay way. They’re sayg no, go the gay way, be the gay way, go for the gay way, all right? Taranto’s monologue and the blatant homoerotic unrton of the film’s signature oiled-up beach volleyball game have long kept “Top Gun” at least tangentially related to gay cema.

JERRY BCKHEIMER WEIGHS ON TARANTO’S ‘TOP GUN’ GAY FILM MONOLOGUE: ‘A COMPLIMENT’

Asked by Vulture what he mak of the homoerotic readg of “Top Gun, ” Bckheimer said he embrac even if that was not the specific tentn of the filmmakg team. Dpe a 1978 Time Magaze article notg their e among a small subset of “avant-gar heterosexuals, ” the chemil (amyl nre and s var offshoots) is typilly associated wh queer people, pecially gay men. Sce their wispread adoptn gay circl the mid-20th century, poppers have bee a qutsential facet of gay nightlife and sexual pleasure — small bursts of chemil ecstasy that have retaed a murky legaly the US and UK, spe beg (dubly) tied to the HIV/AIDS his book-length exploratn of the substance, Deep Sniff: A History of Poppers and Queer Futur, out now om Repeater Books, Brish wrer Adam Zmh explor the role of poppers mercializg gay inty, spurrg HIV/AIDS fears, and tighteng the straightjacket of hyper-macho gay masculy — an experience Zmh himself has wrtled wh for much of his is a natural f to narrate the dg’s plited legacy.

” More than jt a survey of the past, Zmh’s text aims to employ queer history to help image new spac where all of n feel the sh of eedom and pleasure approximated (momentarily) by dgs like Zmh criqu poppers’ ti to narrow visns of gay masculy, elsewhere the text his attentn turns to their utopic potential, most notably picted Leo Herrera’s 2020 film, The Fathers Project. An alternate historil drama which the AIDS crisis never happened, Herrera’s work rests poppers as an STI-protectg dg distributed crowd gay clubs.