Weimar culture by Peter Gay, 1970, Harper & Row edn,
Contents:
SUMMARY OF PETER GAY'S WEIMAR CULTUREYAZAN DISTILL BOOKSSLENDIREN AI MAXWELLYAYıNEVI DISTILL BOOKSÜCRETSIZ NEÖRNEKSüRE 36DKDIL İNGILIZCEFORMATKATEGORITARIHPLEASE NOTE: THIS DBOOK HAS BEEN CREATED G AI VOICE. PLEASE NOTE: THIS IS A PANN VERSN & NOT THE ORIGAL BOOK. SAMPLE BOOK INSIGHTS: #1 THE WEIMAR REPUBLIC WAS AN IA SEEKG TO BEE REALY. THE CISN TO HOLD THE NSTUENT ASSEMBLY THERE WAS MA PRIMARILY FOR PNTIAL REASONS, BUT ALSO SYMBOLIZED A HOPE FOR A NEW START. #2 THE WEIMAR REPUBLIC WAS HOSTILE TO THE MORN MOVEMENT. THE UNIVERSI WERE NURSERI OF A ARIST IALISM AND CENTERS OF RISTANCE TO THE NEW ART OR THE SOCIAL SCIENC. JEWS, MOCRATS, AND SOCIALISTS WERE KEPT OUT OF THE SACRED PRECCTS OF HIGHER LEARNG. #3 THE EXPRSNISTS WERE A BAND OF OUTSIRS. THEY WERE TERMED AND ACTIVE, AND THEY WANTED TO RISE ABOVE THE BOMBAST OF THEIR SURROUNDGS TO CULTIVATE THEIR NER LIFE AND SATISFY THEIR DIM LONGG FOR HUMAN AND CULTURAL RENEWAL. #4 THE MORN MOVEMENT WAS ALREADY UNRWAY BEFORE THE WAR, AND WAS LARGELY EE OM THE POLIL QUARREL THAT THE WAR BROUGHT. THE REPUBLIC CREATED LTLE, AND STEAD LIBERATED WHAT WAS ALREADY THERE.© 2022 DISTILL BOOKS (SLI KAP): 9798350052169YAYıN TARIHISLI KAP: 31 EKIM 2022DAHA FAZLA GöSTERANA SAYFAKAPLARTARIHÜCRETSIZ NEÖRNEKSUMMARY OF PETER GAY'S WEIMAR CULTURE
WEIMAR CULTURE : Gay, Peter: Kap * peter gay weimar culture türkçe *
I had the sense too of Gay wrg to the USA sayg 'this is me and my cultural hterland, this is where I am g om, read and weep oh ye philist! ', but perhaps that is me and my over active key pots are then that this is a short book (152 pag pl a 23 page history of the Republic as an appendix) which draws attentn to Gay's idsyncrasi - a lengthy six or seven pag given over to The Magic Mounta and his theme -The Outsir as Insir a visn of the Weimar republic as domated by forc and perspectiv which had been prent Imperial Germany but which had then been on the peripheri, as you n image such circumstanc the big story is the centre ground strikg back, and the centre ground this se was anti-Republin, Monarchist, Authorarian and generally polilly right-wg (particularly noticeable he pots out among the judiciary who gave light sentenc to polil crimals om the polil Right, but heavy on to those om the polil Left) early years were years of civil war, then 1929 the wall street crash brought down such polil stabily as there had been (a revolvg door of temperamental aln ernments which mostly managed to last about a year or so before they need to be broken apart and reassembled like buildg blocks).
For Gay the artistic movements of the tim mirrored the polil velopments as illtrated by the brief life of the Bhs (though gets ls space than The Magic Mounta, only Thomas Mann gets a reasonable amount of space - though other cultural figur are name checked, this is a book that might help build up the sense of the cultural amework of the Weimar era but which do not fill the tails, he was bt I thought on lerary wrers who wh the exceptn of Thomas Mann he sums up quickly and mov on, generally a few sharp words, a b tty, but not pletely unfair (Hermann Hse he scrib as wrg about puberty wh "a psychoanalytil twist" (p. Peter Gay’s book is an extend say about this velopment.
Over the urse of a half-dozen chapters, he offers a perceptive analysis of German culture the 1920s, one that asss the shap took and how reflected the tumultuo events surroundg Gay scrib amounts to an explosn of cultural exploratn the aftermath of the mise of the German empire 1918. Yet Gay mak clear that to thk of Weimar culture exclively terms of Exprsnism and the Bhs school is false, as he shows the equally important ntributn ma by nservative tellectuals who sought to e to terms wh Germany’s circumstanc their own works.
Weimar culture by Peter Gay, 1974, Pengu edn, English * peter gay weimar culture türkçe *
In the short term their ntributns proved more relevant, as the rightward turn of German youth the early 1930s that Gay scrib fueled the rapid growth of the Nazi-led right, the triumph of which brought an end to the cultural experimentatn of the Weimar one of the 20th century’s foremost cultural historians Gay left behd an imprsive body of sightful works. As a refugee om Nazi Germany, Gay was a personal wns to the aftermath of the era he scrib, one that giv his book an almost elegiac tone s scriptn of a culture doomed to extctn. Yet is one that anyone seekg to unrstand terwar German history mt e to terms wh, thanks to Gay’s graceful prose and his peratg judgments of his 14 books101 followersDecember 28, 2017Peter Gay's short book--he lls an say--on the cultural unrpngs of the Weimar Republic is an excellent primer on why failed: tastrophic enomic difficulti imposed by both Versaill-mandated reparatns and the Great Deprsn, a lack of nvictn on the part of the German tellectual ele, an electorate actured to too many plac om right to left, and the simmerg-to-boilg rentment of Germans who uld not accept rponsibily for the nsequenc of WWII moral terms, i.
2, 086 reviews688 followersJanuary 17, 2018What I did not like about Peter Gay's Weimar Culture: The Outsir as Insir is that ignored many of the aspects of Weimar Culture which terted me and ncentrated, stead, heavily on the polics.
* peter gay weimar culture türkçe *
There was, for stance, almost no mentn of the horrible flatn that gripped Germany, nor of the baret life that had such a great fluence throughout Europe and the U., I was dismayed to fd that Gay did not thk anythg of Frz Lang and went to nsirable lengths to nigrate his silent masterpiece Metropolis (1927).
Wrg 1968, Gay was ncerned to make his work also a msage to the current generatn, many of whom were spired by artistic and lerary trends wh their roots terwar Germany (Dada, Exprsnism, the Bhs and Bertolt Brecht, to name jt a few). In some ways, Gay's book is a remr and a warng about what followed, and a nsiratn of the ways which the movements failed to prevent the llapse of eedom to a totalarian horror. At the same time, is clear that Gay himself is fascated by the diversy and breadth of Weimar cultural exprsn, and he is far om unsympathetic to many of the participants, which is part of how his wrg draws the rear 's this for this short work is simple: durg the perd after the fall of Imperial Germany, people who had always felt themselv to by "outsirs" to the mastream beme the "sirs.