Michael Schulman on “Do I Sound Gay?,” a documentary by David Thorpe that explor how vol nc are associated wh sexualy.
Contents:
- THE GAY VOICE
- A LGUISTIC INVTIGATN OF "THE GAY VOICE"
- OF LISPS AND LGUISTICS: THE POWER OF THE GAY VOICE
- IS THERE A “GAY VOICE”?
- GAY LGUISTICS
- SPEECH ATIC FEATUR: A COMPARISON OF GAY MEN, HETEROSEXUAL MEN, AND HETEROSEXUAL WOMEN
THE GAY VOICE
If you've ever wonred why some men "sound gay," take a few mut to watch this. * gay voice linguistics *
After intifyg phoic characteristics that seem to make a man’s voice sound gay, their bt hunch is that some gay men may subnscly adopt certa female speech patterns.
They want to know how men acquire this manner of speakg, and why – pecially when society so often stigmatiz those wh gay-soundg voic.
Rogers and Smyth are also explorg the stereotyp that gay men sound effemate and are regnized by the way they speak.
A LGUISTIC INVTIGATN OF "THE GAY VOICE"
In 'Do I Sound Gay?', David Thorpe exam the myster orig of the "gay voice" while tryg—and failg—to rid himself of his own gayish flectn * gay voice linguistics *
The straightt-soundg voice the study was fact a gay man, and the sixth gayt-soundg voice was a straight man. (And if you don't know what I mean when I refer to a "gay voice, " watch the trailer for The Birdge and listen to the male voic, particularly Rob Williams, who -swch based on circumstance.
When Universy of Toronto rearchers Ron Smyth and Henry Rogers nducted a study on the so-lled “gay voice” the early 2000s, they me to an unsurprisg ncln. When openly gay humour wrer David Sedaris lls down to the ont sk at a hotel, for example, he is often addrsed as “ma’am, ” by the ncierge; a mischaracterizatn that lights him, but also fills him wh ep shame.
OF LISPS AND LGUISTICS: THE POWER OF THE GAY VOICE
* gay voice linguistics *
Sedaris expounds on this feelg Do I Sound Gay?, an Amerin documentary starrg Brooklyn filmmaker David Thorpe that premiered this week at Doc NYC, and was featured at the Toronto Internatnal Film Ftival September.
Thorpe, who directed the film and promoted at TIFF wh sex lumnist Dan Savage (who also mak an appearance the film), wanted to explore this shame and answer a qutn that has been on his md his entire adult life: Why do so many gay men who are seemgly fortable wh their sexualy hate the way their voic sound? Thorpe never liked the sound of his own slightly effemate voice, but was the sound of other gay men’s voic that propelled him to make the film. “I was on a tra ri to Fire Island [off Long Island] and I heard all the gay voic around me, and I was repelled, ” he says.
“I uldn’t believe that after 20 years of beg out and fightg to create a gay muny, I was repulsed by my own people, and by myself. In Do I Sound Gay?, Thorpe not only exam the myster, unrolved orig of the gay voice (characterized by a lisp and the elongatn of certa syllabl), but tri and fails, to rid himself of his own gayish flectn. He practis a variety of voice epeng, speech therapy exercis—employed equently we learn, by closeted gay actors who want to butch up their voic for a straight dience.
IS THERE A “GAY VOICE”?
From Regency England to 1920s Harlem to Miss Piggy, gay vernacular has given voice to homosexual inty and sire a hostile world. In some parts, still do. * gay voice linguistics *
Savage, whose sex advice lumn is syndited ternatnally, says he se this distaste for the stereotypil gay voice progrsive straight muni, too.
Savage often gets mail om straight people who are happy to accept their newly out, gay male iends, but who are equally annoyed by how “mpy” they sound. “I’ll get letters om straight men and women sayg, ‘I love my gay iend but why do he have to act this way? But ’s also easy to see why a closeted gay kid might want to -swch for other, more unrstated reasons, too.
GAY LGUISTICS
But is rare, even today, that a good, virtuo character has an explicly gay-soundg voice a kid’s movie. In the end, the greatt irony about the arguably misogynistic aversn to the gay voice—as a sign of meekns and spelsns—is how strong one has to be to actually e .
“To leave the hoe as the credibly swishy, fierce gay hairdrser tak a lot more urage than to leave the hoe as Jason Colls, ” says Savage, referrg to the NBA player who ma history earlier this year when he me out of the closet.
Not long after Thorpe broke up wh his boyiend, he began thkg about the way he speaks, and the way other gay men speak, and why both sudnly bothered him so much.
SPEECH ATIC FEATUR: A COMPARISON OF GAY MEN, HETEROSEXUAL MEN, AND HETEROSEXUAL WOMEN
”This is how he scrib the moment his documentary “Do I Sound Gay?, ” which opens this weekend at the IFC Center.
He terviews gay public figur, cludg David Sedaris, Tim Gunn, Don Lemon, and Gee Takei, who have had to listen to themselv for a livg. Gay adolcents, Thorpe pots out, often learn that the “tell” of their sexualy is their voic, even more so than physily—a limp wrist is easier to straighten out than an flectn. Even wh the gay datg muny (and gay porn), hyper-masculy is habually prized, so self-disgt gets easily turned back outward.
Thorpe talks to a straight iend who sounds “gay” (he grew up on an ashram, surround by women), and a gay iend who sounds “straight” (he has jock brothers). Obvly, the ncln—the film’s, and me—is to dissociate the “gay voice” om shame and reattach to pri, but isn’t so easy. “For many gay men, that’s the last vtige, that’s the last chunk of ternalized homophobia, is this hatred of how they sound, ” Dan Savage tells Thorpe.