Marv Gaye, Amerin soul sger-songwrer-producer who, to a large extent, hered the era of artist-ntrolled popular mic of the 1970s. Among his h songs were ‘I Heard It Through the Grapeve,’ ‘A’t Nothg Like the Real Thg,’ ‘What’s Gog On,’ ‘Let’s Get It On,’ and ‘Sexual Healg.’
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MARV GAYE
* marvin gaye b sides *
Marv Gaye. Marv GayeMarv Gaye. Marv Gaye (April 2, 1939 – April 1, 1984), born Marv Pentz Gay, Jr., was an Amerin sger-songwrer and mician whose reer spanned more than two s.
Gaye branched out to secular mic as a teenager, jog the doo-wop group The Marque, after returng om an honorable discharge om the Uned Stat Air Force, before the group was hired by Harvey Fuqua to be Harvey & The Moonglows. Followg the band's separatn 1960, Gaye began workg as a ssn dmmer for the Detro mic label, Anna, before signg wh Motown Rerds 1961, addg an "e" to his s… more ».
Wrten by: Anna Gaye, Marv Gaye, Jam Nyx, Elgie Rose Stover.
TAG: MARV GAYE
Marv Gaye, byname of Marv Pentz Gay, Jr., (born April 2, 1939, Washgton, D. Gaye sang his father’s Evangelil church Washgton, D. When doo-wop dissipated the late 1950s, Gaye had already absorbed Fuqua’s lsons close harmony.
After disbandg the Moonglows, Fuqua took the 20-year-old Gaye to Detro, where Berry Gordy, Jr., was formg Motown Rerds.
MARV GAYE
Gaye, who also played dms and piano, bucked the Motown system and s emphasis on teen hs. Gaye also enjoyed a seri of succsful duets, most notably wh Tammi Terrell (“A’t Nothg Like the Real Thg” [1968]).
Blsed wh an exceptnally wi range that enpassed three distct vol styl—a piercg falsetto, a smooth mid-range tenor, and a ep gospel growl—Gaye bed great technil prows wh rare mil dividualy. Gaye also displayed dazzlg virtuosy by overdubbg (buildg sound track by track onto a sgle tape) his own voice three or four tim to provi his own rich harmony, a technique he would employ for the rt of his reer. ”Other major artists—most importantly Stevie Wonr—followed Gaye’s lead and acted as producer of their own efforts.
In 1972 Gaye wrote the soundtrack for the film Trouble Man, wh lyrics that mirrored his own sense of secury. Let’s Get It On, released 1973, displayed Gaye’s sensuo si. Here, My Dear (1979) brilliantly alt wh Gaye’s divorce om Gordy’s sister Anna (the first of the sger’s two tumultuo divorc)’s growg addictn to e exacerbated his psychologil stggl.
HOW MARV GAYE’S ‘WHAT’S GOG ON’ CHANGED THE SOUND OF R&B FOREVER
On April 1, 1984, durg a fay dispute, Gaye iated a vlent fight wh his father, who shot him to ath. Gaye, who ced his chief fluenc as Ray Charl, Cly McPhatter, Rudy Wt (lead sger for the doo-wop group the Five Keys), and Ltle Willie John, was ducted to the Rock and Roll Hall of Fame 1987.
He received a Grammy Award for lifetime achievement an artist who employed urban soul mic to exprs social and personal ncerns, as well as a sger of exquise sensivy and romantic grace, Gaye left a legacy that has wined sce his mise, and his mic has bee a permanent fixture Amerin pop.
Then along me Marv Gaye’s “What’s Gog On, ” a 1971 game-changer that turns 50 on May 21. It would bee the first Top 10 LP for Gaye, a major rerdg artist who’d had many h sgl but hadn’t reached higher than number 33 on the Top 200 album chart.