Old School R&B on LiveOne. Old School R&B is the statn that will put a gli your stri and a dip your hip! You'll hear all the classics om Marv Gaye, Diana Ross and Motown, to Earth, Wd and Fire, The Gap Band and Kool and the Gang, to Michael Jackson, Prce and Rick Jam, to Mariah Carey, Ja Jackson and Boyz II Men. Old School R&B will not only keep you sgg along wh a se on your face but will make you get up and shake .
Contents:
- MARV GAYE
- ARTIST APPRECIATN: MARV GAYE (PLAYLIST)
- R & B SGER MARV GAYE WAS SHOT & KILLED - 1984
MARV GAYE
Marv Gaye, Amerin soul sger-songwrer-producer who, to a large extent, hered the era of artist-ntrolled popular mic of the 1970s. Among his h songs were ‘I Heard It Through the Grapeve,’ ‘A’t Nothg Like the Real Thg,’ ‘What’s Gog On,’ ‘Let’s Get It On,’ and ‘Sexual Healg.’ * old school r&b marvin gaye *
Marv Gaye, byname of Marv Pentz Gay, Jr., (born April 2, 1939, Washgton, D. Gaye sang his father’s Evangelil church Washgton, D.
When doo-wop dissipated the late 1950s, Gaye had already absorbed Fuqua’s lsons close harmony. After disbandg the Moonglows, Fuqua took the 20-year-old Gaye to Detro, where Berry Gordy, Jr., was formg Motown Rerds.
ARTIST APPRECIATN: MARV GAYE (PLAYLIST)
by Michael Thomas Barry On this date crime history – April 1, 1984, R & B sger Marv Gaye was shot and killed by his father. * old school r&b marvin gaye *
Gaye, who also played dms and piano, bucked the Motown system and s emphasis on teen hs. Gaye also enjoyed a seri of succsful duets, most notably wh Tammi Terrell (“A’t Nothg Like the Real Thg” [1968]).
R & B SGER MARV GAYE WAS SHOT & KILLED - 1984
Blsed wh an exceptnally wi range that enpassed three distct vol styl—a piercg falsetto, a smooth mid-range tenor, and a ep gospel growl—Gaye bed great technil prows wh rare mil dividualy. Gaye also displayed dazzlg virtuosy by overdubbg (buildg sound track by track onto a sgle tape) his own voice three or four tim to provi his own rich harmony, a technique he would employ for the rt of his reer. ”Other major artists—most importantly Stevie Wonr—followed Gaye’s lead and acted as producer of their own efforts.
In 1972 Gaye wrote the soundtrack for the film Trouble Man, wh lyrics that mirrored his own sense of secury. Let’s Get It On, released 1973, displayed Gaye’s sensuo si.