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ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/chris-norris">Chris Norris</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2015-08-13T17:50:28-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">Augt 13, 2015</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path 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kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="In the early neteeneighti micians such as Aika Bambaataa embraced the 808 as a primary stment effectively..." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">In the early neteen-eighti, micians such as Aika Bambaataa embraced the 808 as a primary stment, effectively creatg a new, more potent meang for the word “dms.”</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">Last Friday, a Stradivari vl that had been stolen 1980 was returned to fay members of the ceased virtuoso Roman Totenberg. It had been ma by Anton Stradivari 1734, purchased by the Totenberg 1943, and served as his reer stment before vanishg thirty-five years ago. On Saturday, a different set of classicists memorated their own thirty-five year tone: the 1980 arrival of another paragon mil-stment nstctn. They chose the celebratn’s exact date, 8/08, for the vice’s numeril name; they sang Roland’s TR-808 dm mache. Saturday was 808 Day.</p><p class="paywall">The 808 spired events Los Angel and New York. On Central Park’s SummerStage, the South Bronx d.j. and producer Aika Bambaataa performed his 1983 electro-funk h “Pla Rock”—the 808 heard round the world. Post-hip-hop neologisms such as “mash-up” and “curator” probably bt scribe both this song and s creator—an extremely open-md d.j. whose blend of a Kraftwerk song, a U.K. prog-rock cut, and a Japane electronic posn was wrought, tensified, and fed by the producer Arthur Baker’s emphatic e of the 808. While digal petors already livered more thentic snare, cymbal, and bass-dm sounds, an ascendant, more budget-md terie embraced the 808 as a primary stment, effectively creatg a new, more potent meang for the word “dms.”</p><p class="paywall">“Pla Rock” began a revolutn that is breathlsly narrated by Alex Dunn’s new documentary, “808,” which scrib “a movement mic, head by the 808.” You have to wonr if this movement’s members actually nsired a piece of d gear their Dear Lear, but this summary of the 808’s impact do forhadow a sentiment that is mon today’s electronic-dance-mic scene, whose lumari, such as David Guetta, cred their genre’s novatns to tech upgras. The troductn of Roland’s magic box was disputably the Big Bang of pop’s great age of disptn, om 1983 to 1986. The 808’s fiantly anic timbr—robot handclaps, turn-signal wbells, a prsed-air punchg snare—sketched out the doma of a new world of mic, s effective atlas beg the self-tled 1984 début album by Run-D.M.C. While most of the 808’s sounds dated stantly, s bass kick had a life of s own. Ls a product of engeerg than a force of nature, this bass-rollg subsonic boom has e to be what people mean when they refer to “an 808.” Siar to the oceanic crcendo that ns through Wagner’s Vorspiel to “Das Rhegold,” this bass is felt before ’s heard, the downbeat swoong to fill a space, tuned to s own harmonic center.</p><p class="paywall">This 808 sound was also crowd-sourced, wh artists buildg on one another’s modifitns of the vice. One of the first major novatns me about 1984, by the producer Strafe, who, the film, scrib fe-tung the 808’s low equenci and further wing s bass kick dm to create the sound of an unrground ne tt, heard on his 1984 h “Set It Off.” The song’s origal mix, by the dis producer Walter Gibbons, lacked Strafe’s low-end ntributn bee, acrdg to Strafe, the born-aga Gibbons felt “that bass was an stment of the Devil.” He was probably right. The tremblg feelg of that sound, boomg down boulevards  Oakland, the Bronx, and Detro are part of Ameri’s cultural DNA, the ghost of Reagan-era blight.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The moment was brief, jt more than three years long. The twenty-year-old Rick Rub tried to replite the experience of a hip-hop club on the T La Rock sgle “It’s Yours” by g an 808 his NYU dorm room. He tweaked the bass-dm settg to win the tone and stretch the y, creatg a new reference pot for 808 ers ever sce. After -foundg Def Jam, Rub produced a strg of albums by the Beastie Boys, Run-D.M.C., and LL Cool J, equently g the hoe 808 of Chatown’s Chung Kg Studs, which had been purchased by the Beastie Boy Adam Horovz. “If you don’t have , ’s not thentic,” the producer Hank Shocklee tells the filmmakers “808.” Shocklee based Public Enemy’s revolutnary noise brilage on a sample of the filtered, procsed 808 kick om Rub’s “It’s Yours.” “It’s not hip-hop whout that sound,” Shocklee says.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">But Shocklee was already workg the post-sampler age of eternal recursn, when an 808 kick was a highly attenuated versn of what uld be found as a pre-set on the Roland vice. It’s te that the 808’s sound and terface begat styl of mic around the globe, as Brish, Belgian, and Swedish stars of electro, techno, hoe, and synth-pop attt “808.” But, by the late neti, the dm mache that replaced s own referent had acced other, non-mil meangs Southern rap styl such as bounce, cnk, and trap fed s omo bass wh lyrics patg the dg-tra liftyle the neon and gold-flashg hu of “Srface,” relnchg the vtage bass sound natnally while upgradg s latent menace. Today, this 808 is the bedrock of the urban-youth-culture soundtrack, particularly for trap artists, who mix s avenue-shudrg bass wh verbal threats om hip-hop tracks, handgun clicks, bursts of mache-gun fire, and other adrenale triggers. In five sends, an apt of this style n turn a packed nightclub to a joyful enzy of stage-divg, rhythmic gymnastics.</p><p class="paywall">What’s tly new about the ntemporary embrace of Roland’s ur-dm-set is how quickly aligned so many artists around s sound. The blend of electronic dance mic and retro-hip-hop that the mache has helped to create riv om digal sound and social media rather than any geographic regn or artistic movement, s hyphenated sub-genr signifyg batns of sound, mood, tempo, pacg, lyric ntent—all of cut, pasted, curated. It’s effectively a crowd-sourced mic genre that embrac and fetishiz the “iller,” “sicker,” cheaper sound of street mic om the past. Te visnari saw this g s ago. “Whatever you now fd weird, ugly, unfortable, and nasty about a new medium will surely bee s signature,” Brian Eno wrote 1996’s “A Year Wh Swollen Appendic_._” He predicted that CD distortn, digal vio jter, and crappy 8-b sound would be “cherished and emulated as soon as they n be avoid.” The sound of the 808, one of early hip-hop’s most cherished signatur, was avoidable nearly as soon as arrived.</p><p class="paywall">The film “808” clos by givg viewers an dience wh the Creator. Roland’s wan founr, Ikutaro Kakehashi, ss at a sk a navy su wearg nasal oxygen tub and, labored, heavily accented and subtled English, sps a faiar yarn. He claims that the 808’s distctive sizzle was produced by the flty transistors that he chose for the sound generator. As seminductor improvements ma them impossible to rtock, “we uld no longer buy the fective transistor,” he says. “So, no way to e back!” The film’s closg tl reveal that, s three years of productn, Roland ma only twelve thoand TR-808s, a fact of ltle practil signifince but tremendo ronance as a cultural myth. Some of those twelve thoand box created the most dynamic sounds of the past century. Countls micians still hope to njure the ghost the analog mache.</p><p class="paywall">Amulets, charms, and picks of sty appear many styl of mic. Jazz hopefuls still seek out Selmer’s vnted Mark VI tenor saxophone, whose ltro sound is heard on nonil Blue Note and Impulse! albums. Rock alchemists extol the germanium transistors the distortn pedal Hendrix played at Monterey, stg this semi-metallic element as the goln key to the guar god’s warm yet edgy sound. Even the peerls Stradivari has an oddly 808 myth to .</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="lvwwp"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="johsxk"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">In September of 2010, a study nducted at Indianapolis’s Internatnal Vl Competn tted some of the world’s éle vlists for their actual, unbiased preference for eher a rare, antique Italian or a high-qualy new vl. The <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">study</a> ed two Stradivari and one l Gù, whose bed worth of ten ln was a hundred tim higher than the new vls that turned out to be the most wily preferred. (One of the Stradivari was the least preferred.) No rrelatn was found between age, value, and the stment’s tonal qualy or exprsivens. “Notwhstandg all the above,” the published study reported, “the particular visual bety and historil importance of old Italian vls will no doubt mata their hold on the imagatn of vlists and their dienc for a long time to e.”</p><p class="paywall">The same lson rounds a chapter om 808 history. By 1982, Marv Gaye had fled dg, money, and fay problems to the small Belgian cy of Ostend, severg his ti wh Motown. Fragile and paranoid, Gaye began workg on new mic, gravatg to an stment that would prerve his isolatn. “He wanted to e synthizers and dm mach so he uld do all himself,” the engeer Frank Butcher says the documentary. “He didn’t want anyone else volved.” Butcher rells Gaye phg buttons, settg levels, programmg beats and cueg rhythms, whout sgg or sayg a thg. Once he was fished buildg the song, Gaye phed “play” and sang the vol le to the song “Sexual Healg.” It was the hight-chartg h of his reer and sounds nothg like hip-hop or techno, spe beg ma almost entirely wh an 808. That song sounds like do bee was Marv Gaye g the 808. Surprisgly often, the ghost this mache is the human standg bi .</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="le73ba"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/electronic-dance-mic" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Electronic Dance Mic</span></a><a href="/tag/rap" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Rap</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Onward and Upward wh the Arts</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2014/07/28/mil-gold" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Mil Gold</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2014/07/28/mil-gold" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Mil Gold" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Can three amb siblgs turn old vls to a new vtment strategy?</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Rebec Mead</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2014/03/24/berl-nights" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Berl Nights" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Letter om Germany</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2014/03/24/berl-nights" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Berl Nights</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2014/03/24/berl-nights" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Berl Nights" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The thrall of techno.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Nick Pmgarten</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2012/04/30/sound-mache" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz 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src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">How did a pop band end up a mm?</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Sasha Frere-Jon</span></span></p></div></div></div></div></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div 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