Thirty years sce he passed, Vtage Style remember the revolutnary style and sound of Marv Gaye
Contents:
- STYLE HERO: 1970S MARV GAYE
- HOW MARV GAYE’S ‘WHAT’S GOG ON’ CHANGED THE SOUND OF R&B FOREVER
- MARV GAYE
- MARV GAYE AND 5 R&B ARTISTS OM THE ’60S AND ’70S
- MARV GAYE: THE PRCE OF SOUL
- MARV GAYE
- MARV GAYE 70S FASHN GIF
STYLE HERO: 1970S MARV GAYE
Marv Gaye's classic "What's Gog On," released 50 years ago today, changed the sound of R&B forever. Here's why. * marvin gaye 70s fashion *
Marv Gaye rerdg at Goln Wt Studs Los Angel, 1973.
HOW MARV GAYE’S ‘WHAT’S GOG ON’ CHANGED THE SOUND OF R&B FOREVER
Marv Gaye, Curtis Mayfield, Stevie Wonr, Diana Ross, and more are on this playlist of socially nsc R&B mic om the 1970s * marvin gaye 70s fashion *
When asked a 1983 vio terview about why he exiled to Europe, Marv Gaye. Gaye is btally hont his rellg of this story, as he was throughout his. Often misunrstood, Gaye’s shy sensivy and fierce telligence was overshadowed.
MARV GAYE
Marv Gaye is a renowned Amerin sger-songwrer and mician who was well known for his ntributns to the genr of rhythm and blu, soul, funk and * marvin gaye 70s fashion *
at all is a ttament to Gaye’s relentls drive to brg about social change, or at the very least awarens,. Gaye admted: “In 1969 or 1970, I began to re-evaluate my whole ncept of what I.
In an act of fiance and self-belief, Gaye released the song behd Gordy’s back, and the weeks to. Marv Gaye’s life was plited and short-lived – he was shot ad by his father.
MARV GAYE AND 5 R&B ARTISTS OM THE ’60S AND ’70S
* marvin gaye 70s fashion *
Gaye’s. today, would Marv Gaye exile to Europe through choice given Ameri’s current state of affairs?
Then along me Marv Gaye’s “What’s Gog On, ” a 1971 game-changer that turns 50 on May 21.
It would bee the first Top 10 LP for Gaye, a major rerdg artist who’d had many h sgl but hadn’t reached higher than number 33 on the Top 200 album chart.
MARV GAYE: THE PRCE OF SOUL
Marv Gaye, Jam Brown, Stevie Wonr – Bce W Talamon photographed them all. His imag, llected a new book, pture an era before publicists ntrolled their stars * marvin gaye 70s fashion *
The album was unlike anythg prevly released by a Black superstar: Wrten and produced by Gaye (a first for any Motown artist not named Smokey Robson) and clockg at jt over 35 mut, secured his spot as one of mic’s leadg Black trs of the . He wasn’t the first Black artist to produce challengg mic after assumg plete creative ntrol — Jam Brown had done and so had former Imprsns lear Curtis Mayfield — but Gaye, who butted heads hard wh Motown orr to pursue a new artistic directn (he was signed to the Motown imprt Tamla), was the first to do wh such a thematilly and milly hive statement.
If he had wanted to, Gaye probably uld have spent years astg on the 1968 succs of “I Heard It Through the Grapeve, ” a chart-toppg smash that, at one pot, was Motown’s bt-sellg sgle of all time.
That probably would have helped Motown head Berry Gordy, who has said that he was “terrified” when Gaye first said he wanted to make a “prott album, ” sleep easier at night. But stead of vg to creative expectatns, Gaye cid to challenge himself and his dience by embarkg on a stunng mic reventn that rivaled what The Beatl had done a half- earlier wh “Rubber Soul.
MARV GAYE
Marv Gaye, Amerin soul sger-songwrer-producer who, to a large extent, hered the era of artist-ntrolled popular mic of the 1970s. Among his h songs were ‘I Heard It Through the Grapeve,’ ‘A’t Nothg Like the Real Thg,’ ‘What’s Gog On,’ ‘Let’s Get It On,’ and ‘Sexual Healg.’ * marvin gaye 70s fashion *
” Gaye, who had once harbored aspiratns to be the Black Frank Satra, thoroughly transformed his sound and image, creatg a new chameleonic mil persona that would rry him through the ‘70s.
MARV GAYE 70S FASHN GIF
From “What’s Gog On” to “Let’s Get It On” to “I Want You” to “Here, My Dear, ” no Gaye album would sound que like the one that preced . In addn to reposng and rebrandg Gaye s before “rebrandg” beme a thg, “What’s Gog On” blend the polil and the relig a way no sger had managed to do sce Sam Cooke’s “A Change Is Gonna Come” seven years earlier.
Lookg both ward and outward, Gaye ventured to areas like social jtice, environmental awarens, dg addictn, war, and fah. ” John Lennon rerd “Image” about a week after the release of “What’s Gog On, ” and although the former Beatle had already been tacklg polil them his solo work, ’s easy to image him beg fluenced and spired by Gaye’s foray to social nscns. The followg year, Gaye’s Motown labelmate Stevie Wonr would, like Gaye, assume creative ntrol of his reer and release “Talkg Book, ” which end a ne-year Top 10 dry spell on the album chart and began his n of ‘70s classics.
Cyndi Lper, Robert Palmer, and Angela Wbh all enjoyed chart hs wh remak of “What’s Gog On” tracks; the Strok vered “Mercy Mercy Me” as a B-si; and when D’Angelo burst onto the R&B scene 1995 wh his “Brown Sugar” album, he sound like the rernatn of Gaye, who was killed by his father 1984, on the day before his 45th birthday.