Marv Gaye’s Top 30 Songs on the Billboard Hot 100 – Billboard

Contents:

• MARV GAYE’S 30 TOP SONGS ON THE BILLBOARD HOT 100
• THE 10 BT MARV GAYE SONGS
• TOP MARV GAYE SONGS
• MARV GAYE
• MARV GAYE
• MARV GAYE SONGS FOR WEDDGS & DANCG – TOP 10
• MARV GAYE – 10 OF THE BT
• TOP 10 MARV GAYE SONGS

MARV GAYE’S 30 TOP SONGS ON THE BILLBOARD HOT 100

Marv Gaye 1973.

Marv Gaye was one of the greatt sgers of all time, who rerd some of the ft ever soul songs a short perd of time. Taken far too soon, Marv Gaye's mic took on var styl, om upliftg duets to heartbreakg ballads to socially-nsc anthems.We've taken his 10 very bt songs for the ultimate Marv Gaye troductn:.

THE 10 BT MARV GAYE SONGS

Marv Gaye “How Sweet It Is” Live At Montrx Jazz Ftival 1980 HD. Wrten by the famo Holland–Dozier–Holland tr at Motown, this gave Marv Gaye his biggt h at the time 1964.The song's tle was spired by one of Jackie Gleason's signature tchphras: "How Sweet It Is!"The love song was later rerd as a famo ver versn by Jam Taylor 1975.

TOP MARV GAYE SONGS

Released on Motown's Tamla label 1966, this duet between Marv and Kim Wton scrib var thgs life - such as dreams, love and wish - beg far better wh two people stead of one.Read more: The tragic story of Marv Gaye and the untimely ath of a soul legendIn 1990, Rod Stewart and Ta Turner teamed up for a ver versn, takg to number five the UK. Origally by Dn, this song was a tribute to four inic Amerins who were assassated: Abraham Lln, Mart Luther Kg Jr, John F Kennedy and Robert Kennedy.Marv Gaye vered the song 1970, and was one of his first experiments socially-nsc mic, a year before his What's Gog On? A't No Mounta High Enough (extra HQ) - Marv Gaye & Tammi Terrell.

Songwrers Ashford & Simpson scribed this song as their 'goln egg' which got them their first Motown gig.Dty Sprgfield wanted to rerd first, but the duo turned her down so that they uld secure Motown, and land wh Marv and Tammi Terrell, who sred a big h wh their origal 1967.Read more: Tammi Terrell - The tragic life story of a Motown sger and how Marv Gaye never got over her athThree years later, Diana Ross achieved her first solo US number one wh a ver versn g a different arrangement. Marv Gaye - Mercy Mercy Me (From "Live at Montrx 1980" DVD). Album, this song is one of mic's most poignant anthems regardg the environment.It was a ln-seller, and was later vered by Robert Palmer 1990 as part of a medley wh Gaye's song 'I Want You'.

Marv Gaye - Let's Get It On. This was the song that saw Marv Gaye bee a sex symbol for the rt of his life. How uld not?The tle track of his 1973 album, beme Marv's biggt h and one of his sgature songs.Co-wrten wh Ed Townsend, was origally nceived as a relig song after Townsend had recently fished rehab, before Gaye transformed to an emotnal plea about love and sexual liberatn.

MARV GAYE

Marv Gaye - What's Gog On (Official Vio 2019). This song was -wrten by Renaldo 'Obie' Benson, Al Cleveland, and Marv Gaye, and produced by Gaye himself.It marked Gaye's parture om the Motown Sound of his prev output, towards more personal material.Read more: The Story of... Gaye asked himself: "'Wh the world explodg around me, how am I supposed to keep sgg love songs?'".

Marv Gaye - Sexual Healg. Marv Gaye - Heard It Through The Grapeve (Live at Montrx).

The Miracl first rerd 'I Heard Through the Grapeve', and was first a h for Gladys Knight and the Pips.However, is Marv Gaye's versn om 1968 that beme the most inic, spe the fact that Motown chief Berry Gordy was not nvced would be a h at first.Read more: Marv Gaye's isolated vols om 'I Heard Through the Grapeve' will give you tglIt beme a h for a send time 1985, after s e the inic Levi's advert featurg a certa Nick Kamen at a lndrette. On April 1, 1984, Marv Gaye was killed, shot ad by his father Marv Gay, Sr.

MARV GAYE

Gaye was one of Motown’s most soulful and socially aware artists, standg tall amongst peers and label mat like Stevie Wonr by igng spirs wh polilly charged cuts like “What’s Gog On” and equally providg heat for timate tim wh songs like “Let’s Get It On. Unlike some of his Motown label mat, Marv Gaye was not only a nuanced, soulful volist, but an expert songwrer, pable of craftg betiful, medative ballads as well as thumpg dance floor numbers. Gaye was posthumoly ducted to the Songwrers Hall of Fame and the Rock and Roll Hall of Fame for his lible impact on popular mic and culture.

Marv Gaye, "Mic" Peak Posn: 22 | Peak Date: 7/14/2001.

Marv Gaye & Mary Wells, "What's the Matter Wh You, Baby" Peak Posn: 17 | Peak Date: 7/4/1964. Marv Gaye & Mary Wells, "Once Upon a Time" Peak Posn: 19 | Peak Date: 6/6/1964.

MARV GAYE SONGS FOR WEDDGS & DANCG – TOP 10

Marv Gaye & Kim Wton, "It Tak Two" Peak Posn: 14 | Peak Date: 3/4/1967.

MARV GAYE – 10 OF THE BT

Marv Gaye & Tammi Terrell, "A't No Mounta High Enough" Peak Posn: 19 | Peak Date: 7/15/1967. Diana Ross & Marv Gaye, "My Mistake (Was to Love You)" Peak Posn: 19 | Peak Date: 5/4/1974. Diana Ross & Marv Gaye, "You're a Special Part of Me" wh Diana Ross Peak Posn: 12 | Peak Date: 11/17/1973.

Marv Gaye & Tammi Terrell, "If I Could Build My Whole World Around You" Peak Posn: 10 | Peak Date: 1/20/1968. Marv Gaye & Tammi Terrell, "A't Nothg Like the Real Thg" Peak Posn: 8 | Peak Date: 5/25/1968. Marv Gaye & Tammi Terrell, "You're All I Need to Get By" Peak Posn: 7 | Peak Date: 9/14/1968.

TOP 10 MARV GAYE SONGS

Marv Gaye & Tammi Terrell, "Your Prec Love" Peak Posn: 5 | Peak Date: 11/4/1967. Would Marv Gaye have mataed his stat as one of the preement voic soul mic even amid the risg ti of hip-hop and harr edged R&B?

While the other two artists mentned above make harr to make any absolute claims about their imaged futur, I thk ’s a ltle easier to image that Gaye would have found a way to thrive even while his peers were phed to mercial rndancy or started makg mic that felt beneath their abili. Gaye is one of the few Motown artists who me up through the ranks of that label’s star-makg system and ntued to evolve wh the tim up until his untimely ath one day shy of his 45th birthday. After some dabblgs doo-wop early on, Gaye posned himself as a crooner of pop standards like “My Funny Valente” and “How High The Moon, ” before quickly embracg the new sound of R&B and soul.

When the mood turned psychelic, so did Gaye, puttg his own sp on Dn and Beatl tun.