Andy Cohen Reveals Anrson Cooper As 'Gay Shark' In BravoCon Surprise

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Gay Shark, a fixture on Cohen’s "Watch What Happens Live" program, showed a crowd this week that a faiar face was si the stume.

Contents:

IS THIS SHARK GAY?

* shark gay *

That’s the only way I n expla a wrg assignment that clud the stctns: “I need you to go to a movie and fd out whether the shark is gay. A gay shark don’t make any sense-unls ’s a movie for children.

Ramon Johnson, wrg for Gay Life on, says the movie “sends a msage of hope to closeted gay men who live their liv feelg different and out of touch. Johnson go on, “The siari between Lenny and some gay men is even more apparent when he cross-drs as a dolph. While there are some classic them we all agree on (“Do what is right”), there are others we don’t (“Gay is OK”).

ANDY COHEN REVEALS ANRSON COOPER AS 'GAY SHARK' IN BRAVOCON SURPRISE

Do 'Shark Tale' have a pro-gay msage? Do 'The Incredibl' mock schools where everyone's 'special'? Should anyone re? * shark gay *

Rachael Stt, reviewg for the web magaze, prais the movie for beg possibly “the first animated film to portray a ‘gay’ character. ” Lenny is “a vegetarian-a clear phemism for beg gay. ” Pl Clton, reviewg for, agre that “Lenny’s ‘otherns’ uld very easily be read as beg gay” and “his overall meanor is as subtle as a rabow flag at a Republin nventn.

Lenny is more giddy than gay.

IS THIS SHARK GAY? KIDDIE CARTOONS AND THE CULTURE WARS

"They're absolutely a gay uple and we're proud of that." * shark gay *

If their tentn was to munite a pro-gay msage to children, they failed; not many reviewers got , eher. But to Ed Vagliano of the Amerin Fay Associatn Journal, this wasn’t a double-entendre pched at grownups, but a sneaky attempt to teach children acceptance of homosexualy.

GAY SHARKS

“The way Vagliano se , any rtoon shark that don’t eat meat is clearly HOMOSEXUAL.

THE OUTG OF AN ANIMATED {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}CLT J. FROEHLICH, FROEHLANCE {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}NARRATIV OF MARGALIZATN HAVE BEEN CCIAL TO THE THEMATIC NSCNS OF ANIMATED FILMS OM SNOW WHE AND THE SEVEN DWARFS TO THE SLICK CG KIDDIE FILMS OF TODAY. SUBVERSN OF SOCIAL ‘TRADN’ AND THE TRANSCENSN OF ADVERSIVE SOCIETAL ELEMENTS ARE KEY PARTS OF THIS EQUATN. THE GO-GIRL BUTT-KICKG HEROICS OF DISNEY’S MULAN AND THE ODD-MAN-OUT SUBTEXTS OF FILMS AS SEEMGLY DIVERSE AS ALADD AND FDG NEMO ARE PRIME EXAMPL OF THIS DISNEY-FIED SOCIAL FLAVORG.BUT AS GOOD-TENTNED AS THEY MAY BE, THE MOST TRATG ASPECT OF THIS NARRATIVE TROPE IS THE SUFFOTG BATHG OF ALLEGORY MANY OF THE CHARACTERS RECEIVE. THE MOST RECENT EXAMPLE OF THIS PROBLEMATIC TREND IS DREAMWORKS’ SHARK TALE, WHICH HAS A PROMENT CHARACTER SO METAPHORILLY DRENCHED SUB-MEANG THAT PPOTS WH ACCINTAL EXACTNS WHAT IS WRONG WH THE NTEMPORARY HOLLYWOOD POLIL PRAXIS.ONE OF SHARK TALE’S MA CHARACTERS, LENNY (A SHARK VOICED BY JACK BLACK) IS SO OBVLY MEANT TO BE A DOPPELGANGER FOR A HOMOSEXUAL MAN THAT FIVE-YEAR-OLDS ARE LIKELY PICKG UP ON WELL BEFORE THE SCENE WHICH LENNY HAS A GARISH PERFORMANCE FULL DRAG AS A DOLPH (THE PEACEFUL, SENSIVE CREATUR OF THE FILM’S WORLD).THE CHARACTERIZATN OF LENNY THE NTEXT OF THE FILM IS IMPORTANT HERE. HE HAS A DOMEERG, ALPHA-MALE FATHER (NATURALLY VOICED BY ROBERT DE NIRO), A MORONIC BROTHER WHO BEHAV LIKE A PULSIVE AT BOY AND EATS ANYTHG THAT MOV AND ADDN HE INTIFI HIMSELF AS A VEGETARIAN, A LOVER OF ALL THGS LIVG, AND AS “DIFFERENT OM OTHER SHARKS.” SHARKS THE WORLD OF SHARK TALE ARE THE PATRIARCHAL KEEPERS OF THE SEA, THE TOP OF THE FOOD CHA. LENNY’S REFAL TO KILL AND BE “LIKE OTHER SHARKS” MAK HIM THE ODD FISH OUT. THEY’RE ALSO ITALIAN-AMERIN GANGSTERS, A QUASI-RACIST TOUCH TO A FILM RIFE WH PROBLEMATIC ETHNIC REPRENTATNS (THE FILM’S STEREOTYPIL REPRENTATN OF AIN-AMERIN CULTURE IS ANOTHER TOPIC ENTIRELY).I DON’T SEE THE POT OF LVG TO ‘EVINCE’ OF LENNY’S SEXUALY AS IS IMPLIC THE FILM. ANY REAR WHO DOUBTS THE OBVNS OF THE TEND MEANG OF LENNY’S CHARACTER SHOULD SEE THE FILM IMMEDIATELY. IT’S DOUBTFUL YOU’LL DISAGREE. WHAT SHARK TALE ULTIMATELY REPRENTS, AND WHAT MAK SO EMENTLY AGGRAVATG, IS HOLLYWOOD’S STATIC VIEW OF HOMOSEXUALY AS SOMETHG THAT MT BE HIDN OM THE PUBLIC. IN A POLIL ATMOSPHERE WHICH QUEERS ARE CREASGLY GAG AGENCY AND WNG UNTLS VICTORI THE MARRIAGE BATE, HOLLYWOOD THKS SELF SNEAKY AND SUBVERSIVE BY THROWG A CHARACTER TO A KIDDIE MOVIE THAT ULD BE READ AS (HOLD YOUR BREATH!) GAY. MEMO TO DREAMWORKS: IN 2004, YOUR DIENCE GETS .THE EPER PROBLEM IS THAT HOLLYWOOD N’T PE THE AG-OLD RIGHT-WG DICTUM THAT HOMOSEXUALY IS A PERVERSN. IT’S NOT THAT THE PREDOMANTLY LIBERAL NIZENS OF THE WORLD’S DOMATG FILM DTRY ARE HOMOPHOBIC. THE PROBLEM IS THAT BY HIDG REPRENTATNS OF QUEERS, BE THEM HUMAN OR SHARK, UNR A (PATHETILLY TRANSPARENT) VEIL OF ALLEGORY RERC QUEER-DOM CULTURE AS SOMETHG THAT IS ADULT, PORNOGRAPHIC AND TOO NTROVERSIAL TO ADDRS DIRECTLY. THE QUTN IS, WHY N’T LENNY JT BE GAY? SHARK TALE’S MAKERS ALREADY HAVE HIM DRAG AND TRYG TO CUDDLE WH WILL SMH, SO WHAT’S THE PROBLEM?THE ANSWER IS, NATURALLY, SEX. HOLLYWOOD HAS A LONG, TROUBLOME HISTORY OF REPRENTG HOMOSEXUALY AS AN ALL-ENPASSG INTY. IF YOU’RE A GAY CHARACTER A TELEVISN SHOW OR A MASTREAM FILM, THE ONLY THG YOU’RE ALLOWED TO DISCS ON SCREEN DIRECT RELATN TO YOUR INTY IS THE FACT THAT YOU HAVE A PENCHANT FOR NGHTS WH THOSE OF YOUR OWN GENR. IN OTHER WORDS, HOLLYWOOD SAPS QUEERS OF ANY NOTN OF A FLUIDY OF INTY—THEY MT BE GAY EVERY SGLE SEND. EVERY MOTIVATN OR ACTN BY A QUEER CHARACTER MT BE ROOTED EASILY DISCERNIBLE, UALLY STEREOTYPIL ‘GAYNS.’TH, LENNY THE SHARK N ACT JT AS GAY AS JACK “WILL AND GRACE,” BUT REMEMBER—THIS IS A CHILDREN’S FILM. THE FACT THAT JACK LIK MEN IS FE, BUT MEN LIKG MEN IS A CIDLY ADULT NARRATIVE ELEMENT HOLLYWOOD, AND “WILL AND GRACE” IS MARKETED TO ADULTS. IT’S FE THAT ANGELA JOLIE’S FISH SHARK TALE IS EXPLICLY PRENTED AS A GOLD-DIGGG, SEXUALLY CHARGED VIXEN, BUT HOLLYWOOD FEARS THAT THE MERE MENTN OF, SAY, LENNY THE SHARK LIKG BOY SHARKS WOULD SEND PARENTS TO A POPRN-THROWG OUTRAGE.THE KEY PROBLEM IS THE UNRTIMATN OF DIENC. HOLLYWOOD MAY BE LIBERAL, BUT ONLY THE MOST POLILLY RRECT SENSE. IT IS A REACTNARY DTRY, AND BIS A BRIEF STT THE EARLY ’70S (WHICH WAS ENOMILLY MOTIVATED), HAS NEVER BEEN POLILLY PROGRSIVE BEYOND THE MOST AGREEABLE OF . SOME MAY THK THAT HAVG SUCH AN OBV ALLEGORY LIKE LENNY A MASTREAM CHILDREN’S FILM IS A STEP FORWARD. BUT ’S REALLY NOTHG NEW. A REAL STEP FORWARD WOULD BE DIRECTLY SHOWG KIDS THAT QUEERS AREN’T ALL SEX-CRAZED, CLUB-KID HEATHENS. AT THE MOMENT, HOWEVER, THAT’S ABOUT AS LIKELY AS A THEATRIL SEQUEL TO SPIR: STALLN OF THE {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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That's the only way I n expla a wrg assignment that clud the stctns: "I need you to go to a movie and fd out whether the shark is gay. A gay shark don't make any sense-except, seems, a movie for children. Ramon Johnson, wrg for Gay Life on, says the movie "sends a msage of hope to closeted gay men who live their liv feelg different and out of touch.

*BEAR-MAGAZINE.COM* SHARK GAY

Is This Shark Gay? - Freri .

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