Lucian Frd (1922–2011), wily regard as the greatt figurative pater of our time, spent seven months patg a portra of the art cric Mart Gayford. The daily narrative of their enunters tak to that most private place, the artist’s
Contents:
- MAN WH A BLUE SRF: ON STG FOR A PORTRA BY LUCIAN FRD, BY MART GAYFORD
- MAN WH A BLUE SRF: ON STG FOR A PORTRA BY LUCIAN FRD BY MART GAYFORD
MAN WH A BLUE SRF: ON STG FOR A PORTRA BY LUCIAN FRD, BY MART GAYFORD
Mart Gayford creat a portra of an anarchic pater wh views on everythg om Leonardo's failgs to Prcs Margaret's voice , wr <strong>Lra Cummg</strong> * martin gayford man with a blue scarf *
There is a ic scene, about halfway through art cric Mart Gayford's patient acunt of stg for Lucian Frd for seven punishg months, when the two men are speedg down Bayswater Road a taxi.
Frd sudnly asks Gayford where he n buy bathroom sl, anx that he may have gaed a pound or two weight. Gayford is taken aback, until the artist explas that every ounce unts when you spend 10 hours a day on your feet dartg back and forth before the nvas.
MAN WH A BLUE SRF: ON STG FOR A PORTRA BY LUCIAN FRD BY MART GAYFORD
It mt ed take stama, Gayford reflects, to be a tly great pater like Frd.
And no matter how fascatg s revelatns of the artist's workg life and his pungent views on patg, what rri the narrative is this dialogue between the two, which Frd is vividly surprisg, potent and dynamic, while Gayford is steadily attentive and rpectful, ocsnally worryg about his appearance a mock‑Pooterish Frd famoly guards his privacy, avoidg the prs, visg mms by night and givg only two TV terviews, to my knowledge, the last quarter-century. And though he has talked to other art crics over the years, notably Robert Hugh and William Feaver, Gayford is the first to rerd the daily rual of stg.
Gayford is a reful scribe, notg everythg said wh plsible tegry (even though, prumably, no tape rerr was ed, sce he only cid to wre the book after the patg was fished).