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kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="In Garth Greenwells dbut an Amerin is obssed wh a Bulgarian htler." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">In Garth Greenwell’s début, an Amerin is obssed wh a Bulgarian htler.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Mikkel Sommer</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">About a third of the way through Garth Greenwell’s first novel, “What Belongs to You” (Farrar, Strs & Giroux), there occurs one of those moments that have bee formulaic ntemporary fictn-makg: the protagonist is summoned home; his father is ill, “gravely” so, and wants his son to e back, spe the fact that they have not spoken years. Such requts are a vice, part of the machery whereby one character is forced to reckon wh homeg, and th forced to teract wh another character; often, this brgs an entire fay together. This particular protagonist, who is the novel’s narrator, is a young Amerin who has been teachg at an Amerin school the Bulgarian pal, Sofia. His father is back the Stat, and nventn promis a lovgly scribed return, full of sweet stggle, savory ambivalence. We have all read the ctomary fictns. (Rear, I wrote one.)</p><p class="paywall">Greenwell rists the nsolatns of ctom. The narrator walks out of the school, holdg a paper py of the e-mail that brought him the news. He wanrs through Sofia, rememberg the paful seri of events that rulted his father’s banishment of him. What he rells is vivid and hurtful; he has a full larr of grievance. When the narrator was a child, his father divorced and remarried; he has been chronilly unfahful. But the sharper memory has to do wh the father’s rponse to the disvery of his son’s homosexualy. As a schoolboy a Southern Republin state (so we surmise; the state is unspecified), the narrator got close to another boy, who is referred to simply as “K.” The two beme tenr iends, uned their shared solu, polics, and love of books. The narrator sentially fell love wh K. but was young enough to be still workg out the gravy of his feelgs for his iend, and whether those feelgs were likely to be reciproted. One night, the two boys embrace, touch each other’s naked torso, sleep next to each other. But they go no further than that, and the next morng K., who is feelg unwell, seems to put a new distance between the two of them. A few weeks later, as if to punish the narrator, K. announc that he has a girliend. In an extraordary and almost unbearable scene, K. asks the narrator to e over to his hoe, and mak him watch as he and his girliend have sex. The narrator unrstands that he is beg ed a triumphal lson: “I was there not as guard but as dience. I was there to see how different om me he was.” Walkg Sofia, the adult narrator remembers this early pa, and remembers, too, how his father me to read his diary, and how vlently he rpond to the revelatn of his son’s sexualy: “You disgt me, he said, do you know that, you disgt me, how uld you be my son?”</p><p class="paywall">In Sofia, the narrator has reached an area of scbby ground near Soviet-style apartment blocks. He cis that he will not return to Ameri: “I wouldn’t answer, I wouldn’t see my father aga, I wouldn’t mourn him or pour earth on him.” He balls up the paper and throws to a ltle urban stream that flows unexpectedly close to the apartments.</p><p class="paywall">This long swerve om and around nventn, which tak about forty pag, offers as good an example as any of the origaly and power of Garth Greenwell’s slim novel. Instead of returng to Ameri, the wrer stays si the narrator’s head: the walk through Sofia is sentially an extend stream of nscns (which ends when the narrator toss his memori to a real stream). It is rare to fd a first-time novelist who’s so sure of what to choose and what to abjure; the novel has enough social tail to do s work, but very ltle by the standards of ntemporary realism. We don’t know the narrator’s name, or where or when, exactly, he grew up. We don’t disver much else about his father; K. don’t appear aga; there is no superfluo backstory. The novel ntas no direct dialogue, only reported speech; scen are remembered by the narrator, not vented by an omniscient thor, which means that the wrg don’t have to volve self those feats of startup mimis that form the grammar, and gamble, of most novels. In an age of the sentence fetish, Greenwell thks and wr, as Woolf or Sebald do, larger uns of prehensn; so nsummate is the pacg and ntrol, seems as if he unrstands this sectn to be a sgle long sentence.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Rhythm, orr, mic, and lucid exposn: there is unniably a mandar qualy to the way that Greenwell narrows the ame of his quiry and then perfectly fills this rced space. But if the novel’s formal ntrol has a rare licy there is nothg at all hermetic about the story the narrator tells, which has a bter urgency. Not long after his arrival Sofia, the narrator enunters Mko, a handsome young Bulgarian htler. He pays him for sex, a transactn that gurat a relatnship of profound imbalance. On the one hand, the narrator has a greedy sexual hunger for Mko, and may ed be love wh him; his needs for someone who appears likely to abandon him seems helplsly bound up wh the trma of his father’s abandonment. On the other hand, the narrator enjoys a eedom and a privilege that Mko, who is a poor drifter and who seems “more or ls homels,” n only dream of. The asymmetry stas their relatnship. The narrator begs to bridle at Mko’s repeated requts for money and assistance. He tells the Bulgarian that he don’t want to be one of his clients. But Mko is a wily manipulator, motivated at tim, perhaps, by genue affectn for the narrator, and at other moments by a durable stct for self-protectn. He tells the narrator that he is a special iend, that their relatnship is about more than sex; but he do so wh clumsy threats, potg out that a mark of his affectn is the fact that he has not stolen thgs om him. The narrator asks him to leave.</p><p class="paywall">In one way or another, both lerally and symbolilly, Mko—the only character the story to be given a name—is always announcg to the narrator, “You owe me.” Greenwell subtly lays bare the tormentg dynamic of a relatnship stctured by equaly. The two men speak Bulgarian, which means that the narrator, whose Bulgarian is poor, n’t always unrstand Mko, and exprs himself basilly, whout “any of my ual fens.” Sometim the narrator wants to “save” Mko; sometim he reils om him, or is menaced by him. Always, he sir him. He nclus that Mko has never been anythg other than “alien” to him, bee love is not merely “a matter of lookg at someone . . . but also of lookg wh them, of facg what they face.”</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Once aga, the novel habs nventnal motifs orr to renovate them. Stori about htlers or prostut are monplace both straight and gay fictn. But Greenwell tells a new story about client and prostute. Mko and the narrator vlently part pany, but are brought back together when the Bulgarian turns up one night at the narrator’s pleasant apartment to tell him that he has syphilis, and that the narrator should probably get himself tted. For the narrator, the news reviv memori of the <em class="small">AIDS</em> era, when he was growg up: “Disease was the only story anyone ever told about men like me where I was om, and flattened my life to a moraly tale, which I uld be eher chaste or nmned.” But he seems to fd hard to pe the moraly tale. He remembers gettg tted for H.I.V. when he was young, and beg given the all-clear, and feelg almost “disappotment. . . . Maybe was jt that I wanted the world to have meang, and that the meang I wanted to have was chastisement.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">The rear n’t help makg a nnectn wh the narrator’s earlier story about K., who felt ill the morng after the two boys first embraced. When the narrator’s father drove K. home, the r smelled of “foulns”—K. had thrown up, and the odor still clung to him. In the rearview mirror, the narrator’s father was watchful, as if he spected somethg. But the narrator felt that K. was turng agast him, allyg himself wh the father: “In that foul air I felt him intify me as foulns. It was as though he felt my father was health and I ntagn, and I was at once bewilred by this and unsurprised.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="2dw5xn"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="mxsnf4"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Greenwell knows what he is dog, and knows the long history of the implied relatnship, both risted and exploed by gay wrers, between homosexualy and disease or disabily: the sectn about the syphilis revelatn is entled “Pox.” Greenwell’s novel is brilliantly self-aware, and may be animatg the ghost of J. R. Ackerley, whose father died of syphilis, and whose novel, “We Thk the World of You,” ncerns a gay middle-class narrator and the love he has for an elive workg-class man. “What Belongs to You” is fairly explicly about shame, punishment, and disgt, among other thgs. What is unual is not the prence of the them but the book’s plited embrace of “foulns,” and a barely supprsed longg for punishment, a longg embodied the narrator’s relatnship wh Mko. Greenwell’s novel imprs for many reasons, not least of which is how perfectly fulfills s tentns. But gas a different power om s uneasy atmosphere of psychic stabily, of nfsn and penence, of difficult forc acknowledged but barely mastered and beyond the nsc ntrol of even this gifted novelist.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Darryl Pckney’s send novel, “Black Dtschland” (Farrar, Strs & Giroux), too, sends s gay narrator abroad, and , too, has a watchful apprehensn of s lerary antecents. Jed Goodfch, a young, middle-class black Chigoan, has e to Wt Berl the early neteen-eighti. Jed, like the German cy, is full of self-nsc historicy. He is search of Christopher Isherwood’s Berl, of urse, and also search of a distguished, pre-ma inty—“that person I so admired, the black Amerin expatriate.” Much of the edy and poignancy of the pirque story has to do wh Jed’s failure to rise to the challenge of this rather exalted notn of inty. Unlike Isherwood, Jed is not obvly a wrer. Unlike his Chigo Ruthanne, nicknamed Cello, a brilliant classil pianist who now liv succsfully Berl wh her wealthy German hband and their four children, and who, while growg up Chigo, “reprented Negro Achievement,” Jed droops wh woe. A young man, he’s already a fuck-up emer, a former addict and alholic, h om rehab. In Berl, he is largely unsuccsful love, squanrg his affectns first on a German, Maned, who is straighter than he is gay, and then on a French Wt Ain man who leav him for someone else. The one element of his life that sparkl, at least termtently, is that he has wangled his way to a job wh Wt Berl’s celebry archect and theorist, the gdily named N. I. Rosen-Montag.</p><p class="paywall">Pckney’s narrator, who has tctur of another fictnal Chigo dreamer, Augie March, is engaged that great ic pirque stggle, which is to brg the by si of his head to workable alignment wh objective realy: “I’d lived my life mpg out other people’s stori, wag for my own to beg, but unable to get out of the great head and to my actual.” He don’t achieve that, but history forc a kd of renciliatn, for Jed’s sojourn Wt Berl spans the neteen-eighti, so that we beg the book a cy set apart for fantasy and self-projectn and end as the Wall down, wh the actual forcg s btal way onto the streets. The cy whose ma bs had seemed to be culture and partyg—“the floatg island of neon and pleasure ep si Communist terrory,” “the ee zone of stayg up all night,” a place stuck “the goln age of cha smokg”—is changg, and our flailg hero mt leave to fd another arena.</p><p class="paywall">Where Greenwell ratns his effects, Pckney stters, cuts, digrs. The text equently jumps back to Jed’s childhood and adolcence Chigo, mov forward to Wt Berl, and then back aga to rell Jed’s parents and siblgs. Jed breaks off to me on historil parallels. There are equent riffs on great black figur, like Du Bois, Armstrong, Jam Brown, Ella Fzgerald, and the functn a ltle like the European masters of thought and actn voked “The Adventur of Augie March,” at once private goads and ironic measur of prent failure. The Berl part of Jed’s story n seem shapels, even herent plac, though is never whout charm. Sometim one has the sense—this is the very oppose of Greenwell’s novel—of a stream of nscns whout a stream. Or perhaps is a nscns that is missg: Jed n seem an amorpho wns, never que prent his own sentenc. The book’s form, like s prose, is amb, risky, and tak a ltle gettg ed to. Pckney evintly wants to enact and embody some of the Dada-like surrealy of Wt Berl, and needs his quick jump cuts: “Stravsky had three face-lifts, Hayn said.” Or: “Maned prsed my left hand flat between his hands and said that I had a Balzac thg gog wh ffee.” Or: “No fact ever killed off a myth, they say. Cello was boilg eggs.” Sentenc expand, even at the st of some stra, orr to absorb as much of Berl as possible: “I had no trouble seeg the jtice of Maned’s cricisms when we discsed Rosen-Montag over cigarett by the Hansa warehoe slated to bee a children’s clic.”</p><p class="paywall">The novel is full of wondro thgs—several genial character portras, funny and exact pictns of Wt Berl (bars, hippie mun, radil tyranny, bourgeois bohemianism), betiful evotns of Chigo (“I uld feel Lake Michigan. You uld feel all of the Great Lak and their nspiraci of ice crystals and surface wds”). Dpe the gravy of Jed’s burns and dilemmas (race, succs, sany, Ameri, Germany), the book’s tone is ic, pleasgly spry, and the prose breaks naturally to wty one-lers: “Maned had a type: the most attractive woman the room.” Or this piece of perfected wisdom: “One of the surpris of growg up was fdg out what thgs had been about.” Jed’s charismatic, self-volved parents—his father by nng a clg black newspaper, his mother off dog charable works—are tenrly drawn (and have a stronger fictnal valy than s watchful narrator). Chigo is a cy full of people “who uld not get away.” Berl, by ntrast, belongs to those who have jt arrived, to the young. It is a place where—like this novel—time n be manipulated, “eher stretched or disunted,” bee no one, or no one Jed’s crowd, ever go to sleep. It exists for experiment and self-fashng, an expansn and easement all the more prec to a young, gay Ain-Amerin who has been nied that eedom at home. Even if, pecially if, is jt the eedom to fail. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="5xy1wt"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2016/02/08" data-reactroot="">Febary 8 & 15, 2016</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/jam-wood">Jam Wood</a>, a staff wrer at The New Yorker sce 2007, teach at Harvard. 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summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2011/10/31/realy-ttg" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Realy Ttg" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2011/10/31/realy-ttg" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Realy Ttg</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2011/10/31/realy-ttg" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Realy Ttg" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">A first novel about poetry and imposture Spa.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jam Wood</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2011/02/07/a-dogs-life-joan-acella" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="A Dog’s Life" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2011/02/07/a-dogs-life-joan-acella" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">A Dog’s Life</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2011/02/07/a-dogs-life-joan-acella" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="A Dog’s Life" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">How a wrer disvered his greatt subject.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Joan Acella</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On the Run wh Tmp’s “Billn-Dollar Lawyer”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Billn-Dollar Jogger</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">On the Run wh Tmp’s “Billn-Dollar Lawyer”</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On the Run wh Tmp’s “Billn-Dollar Lawyer”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">What do the former Print have mon wh Gucci Mane, Cardi B, and Waka Flocka? They’ve all had Drew Fdlg, an Atlanta trial lawyer, on retaer.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Charl Bethea</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Briefly Noted" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Briefly Noted</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Briefly Noted" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">“Rhythm Man,” “Last Call at Coogan’s,” “Dykette,” and “Retrospective.”</div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm fvDIAb ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="gjvcjf"></div></div></div><div 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