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THE GAY HARLEM RENAISSANCE

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Another 2 men abducted the gay sex cult. Quiet as ’s kept, along wh Cullen, a number of the brightt lights of the Harlem Renaissance fell somewhere along the LGBT (lbian, gay, bisexual and transgenr) rabow spectm. Cl McKay, Wallace Thurman, Ala Locke, Richard Bce Nugent, Angela Weld Grimké, Alice Dunbar-Nelson and Langston Hugh, all lumari of the New Negro lerary movement, have been intified as anywhere om openly gay (Nugent) to sexually ambiguo or myster (Hugh).

In a 1993 say, “The Black Man’s Burn, ” Henry Louis Gat Jr., The Root‘s edor--chief, not that the Renaissance “was surely as gay as was black. The book Gay Voic of the Harlem Renaissance (2003), by A.

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Next month Cleis Prs will re-release Black Like Us: A Century of Lbian, Gay and Bisexual Ain-Amerin Fictn, which clus a meaty sectn on the Renaissance. “As Gay as It Was Black”.

The Harlem of the 1920s, which produced a flowerg of art, mic and wrg, was disputably gay. The 1983 say “T’At Nobody’s Bizns: Homosexualy 1920’s Harlem, ” by Eric Garber, puts sharp foc:. At the begng of the twentieth century, a homosexual subculture, uniquely Ao-Amerin substance, began to take shape New York’s Harlem.

Throughout the so- lled Harlem Renaissance perd, roughly 1920 to 1935, black lbians and gay men were meetg each other [on] street rners, socializg barets and rent parti, and worshipg church on Sundays, creatg a language, a social stcture, and a plex work of stutns. He ntributed the blatantly homoerotic short story “Smoke, Lili and Ja” to the black lerary journal Fire!!

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