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THE GAY HARLEM RENAISSANCE

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No Gay. Another 2 men abducted the gay sex cult. Quiet as ’s kept, along wh Cullen, a number of the brightt lights of the Harlem Renaissance fell somewhere along the LGBT (lbian, gay, bisexual and transgenr) rabow spectm.

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Cl McKay, Wallace Thurman, Ala Locke, Richard Bce Nugent, Angela Weld Grimké, Alice Dunbar-Nelson and Langston Hugh, all lumari of the New Negro lerary movement, have been intified as anywhere om openly gay (Nugent) to sexually ambiguo or myster (Hugh). In a 1993 say, “The Black Man’s Burn, ” Henry Louis Gat Jr., The Root‘s edor--chief, not that the Renaissance “was surely as gay as was black. The book Gay Voic of the Harlem Renaissance (2003), by A.

Next month Cleis Prs will re-release Black Like Us: A Century of Lbian, Gay and Bisexual Ain-Amerin Fictn, which clus a meaty sectn on the Renaissance. “As Gay as It Was Black”. The Harlem of the 1920s, which produced a flowerg of art, mic and wrg, was disputably gay.

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The 1983 say “T’At Nobody’s Bizns: Homosexualy 1920’s Harlem, ” by Eric Garber, puts sharp foc:. At the begng of the twentieth century, a homosexual subculture, uniquely Ao-Amerin substance, began to take shape New York’s Harlem.

Throughout the so- lled Harlem Renaissance perd, roughly 1920 to 1935, black lbians and gay men were meetg each other [on] street rners, socializg barets and rent parti, and worshipg church on Sundays, creatg a language, a social stcture, and a plex work of stutns. He ntributed the blatantly homoerotic short story “Smoke, Lili and Ja” to the black lerary journal Fire!! Everybody who was anybody — gay and straight, black and whe, uptown and downtown — knew about the famo homosexual hnt the Clam Hoe on 133rd Street.

J., was pecially fond of homosexuals, not award-wng thor David Leverg Lewis his book When Harlem Was Vogue.

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