How Gay Culture Blossomed Durg the Roarg Twenti | HISTORY

gay artist 1920

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Bgraphi and analysis of work by Lbian, Gay, Bisexual, and Transgenr+ intified artists, or works associated wh LGBT+ topics.

Contents:

HOW GAY CULTURE BLOSSOMED DURG THE ROARG TWENTI

Durg Prohibn, gay nightlife and culture reached new heights—at least temporarily. * gay artist 1920 *

The Begngs of a New Gay World“In the late 19th century, there was an creasgly visible prence of genr-non-nformg men who were engaged sexual relatnships wh other men major Amerin ci, ” says Chad Heap, a profsor of Amerin Studi at Gee Washgton Universy and the thor of Slummg: Sexual and Racial Enunters Amerin Nightlife, 1885-1940. By the 1920s, gay men had tablished a prence Harlem and the bohemian mec of Greenwich Village (as well as the seedier environs of Tim Square), and the cy’s first lbian enclav had appeared Harlem and the Village.

Each gay enclave, wrote Gee Chncey his book Gay New York: Genr, Urban Culture, and the Makg of the Gay Male World, 1890-1940, had a different class and ethnic character, cultural style and public reputatn.

HIDN PLA SIGHT: HOW GAY ARTISTS EXPRSED FORBIDN SIRE

* gay artist 1920 *

”At the same time, lbian and gay characters were beg featured a slew of popular “pulp” novels, songs and on Broadway stag (cludg the ntroversial 1926 play The Captive) and Hollywood—at least prr to 1934, when the motn picture dtry began enforcg censorship guil, known as the Hays Co. ” By the post-World War II era, a larger cultural shift toward earlier marriage and suburban livg, the advent of TV and the anti-homosexualy csas champned by Joseph McCarthy would help ph the flowerg of gay culture reprented by the Pansy Craze firmly to the natn’s rear-view mirror. Known gay men like Osr Wil (who was later imprisoned bee of his sexualy) married women for social pretense, and psychiatrists offered dangero nversn therapi to those sperate to alter their orientatn.

Durg the “Pansy Craze” om the 1920s until 1933, people the lbian, gay, bi, trans and queer (LGBTQ) muny were performg on stag ci around the world, and New York Cy’s Greenwich Village, Tim Square and Harlem held some of the most world-renowned drag performanc of the time.

J.C. LEYENCKER: NORMAN ROCKWELL, BUT FIRST AND MAKE IT GAYIN HIS TIME ONE OF AMERI'S MOST CELEBRATED ILLTRATORS, LEYENCKER FAD OM NSCNS AFTER HIS ATH, BUT HE'S MAKG A {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}LIFEBY JEFF TAYLOROCTOBER 23, 2019/4:52 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:955PX;WIDTH:731PX;}LEYENCKER/SATURDAY EVENG POSTBY JEFF TAYLOROCTOBER 23, 2019 / 4:52 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"J.C. LEYENCKER: NORMAN ROCKWELL, BUT FIRST AND MAKE IT GAY","THUMBNAILURL":","DATEPUBLISHED":"2019-10-23T20:52:19.000+0000","DATEMODIFIED":"2019-10-23T20:52:19.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"JEFF TAYLOR","KEYWORDS":"LGBTQ HISTORY MONTH, ART","ARTICLESECTN":"LIFE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHANC ARE YOU'VE HEARD THE NAME NORMAN ROCKWELL, FAMED PATER OF IDYLLIC AMERINA SCEN THAT GRACED THE VERS OF HUNDREDS OF EDNS OF THE SATURDAY EVENG POST DURG THE 1900S, BUT JT AS LIKELY YOU HAVEN'T HEARD OF HIS PRECSOR: ONE JOSEPH CHRISTIAN (J.C.) LEYENCKER.PUBLIC DOMAPORTRAS OF ARTISTS OM ARCHIV OF AMERIN ART, SMHSONIAN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PORTRAS OF ARTISTS OM ARCHIV OF AMERIN ART, SMHSONIAN INSTUTN (PUBLIC DOMA, PHOTOGRAPHER UNKNOWN){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ROCKWELL SAW LEYENCKER AS ONE OF HIS MA SPIRATNS, AND HE IS REGULARLY LLED ROCKWELL'S "MENTOR." HE TOO CREATED HUNDREDS OF VERS FOR THE SATURDAY EVENG POST, AND CREATED ADVERTORIAL ILLTRATNS, MOST NOTABLY THE FAMO "ARROW COLLAR MAN," AND THE "CHTERFIELD MAN," BOTH OF WHICH WERE SEEN AS THE ULTIMATE MALE SEX SYMBOL THEIR DAY, PECIALLY THE FORMER, WHO WAS LIVERED WH A MIX OF GGEDNS AND REFEMENT THAT HELPED FE THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN FACT, 'S BELIEVED THE ARROW COLLAR MAN IS WHO IS BEG REFERENCED BY DAISY THE GREAT GATSBY WHEN SHE TELLS THE NOVEL'S NAMAKE THAT HE LOOKS "SO OL," REMBLG "THE ADVERTISEMENT OF THE MAN."2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHASE, ARROW COLLAR, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ROCKWELL WAS SO TAKEN BY LEYENCKER AND HIS WORK THAT HE DID EVERYTHG HE ULD TO ABSORB THE MAN'S ARTISTIC STYLE, AND EVEN HIS VERY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS HE WROTE HIS TOBGRAPHY, MY ADVENTUR AS AN ILLTRATOR, WHERE HE SAID HE, AS AMERIN ILLTRATORS GALLERY SUMMARIZED, "FOLLOWED LEYENCKER AROUND NEW ROCHELLE, NEW YORK, EMULATG LEYENCKER’S SWAGGER, OR LIMP AS WERE, AND 'ATTU.'"LEYENCKER/(C) 2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, NYRERD TIME, COOL SUMMER COMFORT —HOE OFKUPPENHEIMER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RERD TIME, COOL SUMMER COMFORT—HOE OF KUPPENHEIMER ADVERTISEMENT, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHILE ROCKWELL WAS TRANSPARENT ABOUT HIS FLUENCE, AND WHILE LEYENCKER WAS WELL KNOWN HIS DAY, HIS NAME HAS BEEN LARGELY FOTTEN, WH ROCKWELL'S WORK REPLACG HIS THE LLECTIVE AMERIN NSCNS AS THE QUTSENTIAL 20TH CENTURY AMERIN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PART OF THIS NEWFOUND TERT THE MAN AND HIS WORK HAS LED TO A EPER DISCSN OF HIS PERSONAL LIFE, CLUDG THE FACT THAT HE WAS GAY.J.C. LEYENCKER/LIBRARY OF CONGRS/CORBIS/VCG VIA GETTY IMAG"ARROW COLLARS & SHIRTS" ADVERTISG POSTER BY JOSEPH CHRISTIAN LEYENCKER (PHOTO BY LIBRARY OF CONGRS/CORBIS/VCG VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARROW COLLARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER, WHO EMIGRATED TO THE UNED STAT OM GERMANY WH HIS FAY, WHICH CLUD HIS BROTHER, FRANK XAVIER (F.X.) LEYENCKER—A TALENTED ILLTRATOR HIS OWN RIGHT, WHO IS ALSO BELIEVED TO HAVE BEEN GAY—MET 17-YEAR-OLD MOL CHARL BEACH WHEN HE WAS 29. HE WAS TAKEN BY THE YOUNG MAN'S GOOD LOOKS AND BEGAN G HIM HIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE WOULD BEE THE PROTOTYPE FOR THE ARROW COLLAR MAN, AND ALSO BE ED AS A REFERENCE MOL FOR A NUMBER OF HIS OTHER PROJECTS. THE TWO WOULD GO ON TO LIVE TOGETHER FOR THE MAJORY OF THEIR ADULT LIV, PRUMED TO BE PARTNERS. BEACH WOULD ALSO SERVE AS LEYENCKER'S BS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHILE LEYENCKER'S ILLTRATNS MIGHT SEEM TAME BY TODAY'S STANDARDS, HIS LOVE FOR THE MALE FORM AND MASCULY GENERALLY IS EVINT. HE WAS FOND OF PICTG MEN ATHLETIC AND HEROIC SCEN, AND MANY OF HIS WORKS HAVE BEEN NOTED FOR NTAG MEN ENGAGED WHAT SOME HAVE READ AS LONGG GAZ.LEYENCKER/ARROW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARROW ADVERTISEMENT ILLTRATN, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN A PIECE ON THE ARTIST FOR THE LOS ANGEL TIM, PUBLISHED 2008 AND PROMPTED BY THE PUBLITN OF THE BOOK J.C. LEYENCKER: AMERIN IMAGIST, REPORTER CAROLYN KELLOGG OFFERS SOME SIGHT TO HOW HE PTURED THE PHYSIQUE OF HIS BELOVED "MANLY MEN":{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER’S EARLY STYLE—A CROSSHATCHED BSH STROKE THAT TURNED SOFT SURFAC TO SHARP PLAN—RERCED BEACH’S CHISELED GOOD LOOKS. WHEN HIS DYNAMIC CROSSHATCHG FAD TO SOFTER FILLS, LEYENCKER ENHANCED THE MANLS OF HIS SUBJECTS OTHER WAYS: HE L A SGLE LIGHT AND OILED THE MCL OF HIS MOLS FOR DRAMATIC NTOURG. IN AN EARLY MOCK-UP OF AN IVORY SOAP AD, AN ERECTN IS PROMENT THE FOLDS OF A BATHROBE. DES BEFORE FEMIST LRA MULVEY WROTE ABOUT THE MALE GAZE OBJECTIFYG WOMEN, LEYENCKER TURNED HIS GAZE TOWARD HANDSOME MEN AND CREATED WILY CIRCULATED INS OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"WHAT YOU DO NOT FD LEYENCKER’S WORK IS THE NAKED FEMALE BODY," LLECTOR ALEDO VILLANUEVA-COLLADO HAS NOTED. "IT IS NEVER SHOWN ANYWHERE. AND ’S TERTG BEE ONE OF HIS FLUENC WAS ALPHONSE MUCHA, WHO DID MANY SEMI-EXPOSED WOMEN, BUT LEYENCKER DID NOT. I’VE LOOKED AT ENOUGH OF HIS WORK TO SAY THIS WH A GREE OF CERTATY."2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, NY. ATHLETE BEFORE A MOSAIC, C. 1910, OIL ON {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ATHLETE BEFORE A MOSAIC, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH HIS REER BOOMG, LEYENCKER AND BEACH THREW LAVISH PARTI WH FAMO GUTS ATTENDG. WHILE THEY MIGHT HAVE BEEN RTRAED SOME REGARDS DUE TO THE HOMOPHOBIA AT THE TIME, THEY WERE CLEARLY NOT LIVG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE GOOD TIM WERE NOT TO LAST, HOWEVER, WH MISSNS BEGNG TO DWDLE OVER TIME. BY THE LATE 1930S AND EARLY 1940S, WH TAST CHANGG, HE WAS BARELY GETTG ANY WORK. WHEN HE DIED 1951 OF A HEART ATTACK, AT THE AGE OF 77, HE HAD LTLE THE WAY OF WEALTH PARED WH HIS HEYDAY. HIS ASSETS WERE SPL BETWEEN BEACH, WHO DIED NOT LONG AFTER, AND HIS TRANGED SISTER—HIS BROTHER HAVG DIED 1924 OM A DG OVERDOSE.LEYENCKER/SATURDAY EVENG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"LIFEGUARD, SAVE ME!"—SATURDAY EVENG POST COVER, AUGT 9, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ACRDG TO COLLECTORS WEEKLY, MANY OF HIS ORIGAL PATGS WERE SOLD AT A MMAGE SALE FOR $75 {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT RECENT YEARS, LEYENCKER HAS BEGUN TO REEMERGE AS AN IMPORTANT ARTIST AND CULTURAL FIGURE, WH EXHIBNS OF THE ARTIST'S WORK POPPG UP AROUND THE UNTRY, CLUDG ONE CURRENTLY TAKG PLACE RALEIGH, NORTH CAROLA, AT REYNOLDA HOE MM OF AMERIN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MORE OF HIS WORK FOLLOWS.LEYENCKER, PHOTO BY SWIM K 2/CORBIS VIA GETTY IMAGTHE DISC THROWER ILLTRATN BY J.C. LEYENCKER (PHOTO BY SWIM K 2/CORBIS VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DISC THROWER, 1906J.C. LEYENCKER/JOHN KANU PHOTOGRAPHY/SPORTS STUD PHOTOS/GETTY IMAGUNDATED: VTAGE FOOTBALL ILLTRATN. 1913 FOOTBALL ILLTRATN BY JOSEPH CHRISTIAN LEYENCKER OM THE SATURDAY EVENG POST. (PHOTO BY JOHN KANU PHOTOGRAPHY/SPORTS STUD PHOTOS/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOOTBALL PLAYERS, 1913J.C. LEYENCKER/BETTMANN/GETTY IMAG1920 ADVERTISEMENT FOR CHTERFIELD CIGARETT FEATURG AN EDDIE RICKENBACKER-TYPE AVIATOR, SIGNED BY JOSEPH CHRISTIAN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHTERFIELD CIGARETTE ADVERTISEMENTJ.C. LEYENCKER/UNIVERSAL HISTORY ARCHIVE/UNIVERSAL IMAG GROUP VIA GETTY IMAGWORLD WAR ONE US MAR POSTER TLED 'SOLDIERS OF THE SEA' ENURAGG MEN TO ENLIST. CREATED BY JOSEPH CHRISTIAN LEYENCKER (1874-1951) PREEMENT AMERIN ILLTRATORS. DATED 1917. (PHOTO BY: UNIVERSAL HISTORY ARCHIVE/UNIVERSAL IMAG GROUP VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SOLDIERS OF THE SEA, 1917LEYENCKER/SWIM INK 2, LLC/CORBIS/CORBIS VIA GETTY IMAGAMERI CALLS RECMENT POSTER BY JOSEPH CHRISTIAN LEYENCKER (PHOTO BY �� SWIM INK 2, LLC/CORBIS/CORBIS VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AMERI CALLS RECMENT POSTERLEYENCKER/INTERWOVEN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER INTERWOVEN SOCKS ADVERTISEMENT, CIR {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}LGBTQ HISTORY {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

Aloof, gay waifs appear as persistently Hernan Bas’s patgs as sats a thedral. * gay artist 1920 *

“They didn’t see a nflict between not beg openly gay at work and sort of only beg gay durg their leisure time, ” says Heap, addg that a person’s class was likely ditive of how you might participate gay and lbian culture at the time. “The were moments when workg class gay men and women uld more eely explore their sexualy, sir, and terts cross drsg, but probably no doctor or lawyer is gog to drs up drag at the events, out of risk of beg exposed. ” In the mid ‘30s, productn s were put to effect that rtricted and prevented performanc of openly gay characters film or theater, and the followg s, thoands of LGBTQ people were arrted post WWII for equentg their own clubs.

I know om all my nversatns wh him that [Joe] plored what he regard as, the hypocril nature of the tablished English view of homosexualy … and mataed that they would turn a bld eye to all kds of suatns if sued them. Baker also served as a spy for the French durg World War II, passg along secrets she heard while performg for German Herich Ulrichs Ulrichs is regard by some as the pneer of the morn gay movement and the first person to publicly “e out. Cárnas helped start the stggle agast gay prejudice Mexi and fought for equal rights for everyone, no matter their NkoliSimon Nkoli is seen by many as the central hero of the gay and lbian stggle South Ai.

LGBTQ+ CelebriLists of lbian, gay, bisexual, trans, queer, and all other kds of celebs workg the entertament dtry and the public long as people have been makg art, LGBTQ+ artists have been patg om their perspective. From gay paters like Leonardo da Vci and Andy Warhol to bisexuals like Frida Kahlo and trans artists like Lili Elbe and Jefey Cathere Jon, the rabow of great LGBTQ+ paters stretch around the world. Born on May 8, 1920 – Tom of Fland (Too Laaksonen) created some of the most lible (and erotic) imag of twentieth-century homo-eroti that have fueled the fantasi of generatns of gay men born  the village of Kaara, Fland.

HAPPY TOM OF FLAND DAY! MAY 8, 1920: INIC GAY ARTIST TOM OF FLAND (TOO LAAKSONEN) BORN.

1920s Gay Culture: ✓ Meang ✓ Laws ✓ Homosexualy ✓ LGBTQIA ✓ Vaia Origal * gay artist 1920 *

The edor was lighted wh the work and featured Laaksonen’s drawg of a lumberjack on the ver of the magaze’s Sprg 1957 issue This at a time when an actn as simple as gog to a gay bar uld mean a night jail for homosexuals, the openns and visibily of Tom’s pictns were groundbreakg. His work parallels the gay liberatn movement (and the relaxatn of censorship the face of the sexual revolutn of the 1960s and 1970s)  that progrs to pict nudy, the fully erect penis, leather acutrements, and eventually S&M scen. In 1979, wh his iend and bs manager Durk Dehner, Laaksonen found the Tom of Fland Company, which led 1986 to the creatn of the Tom of Fland Foundatn, which is the official archive of Tom’s work and a llectn of gay male erotic art and to support and enurage emergg erotic artists the Foundatn also holds petns which provis an exhibn of their work, publicy, and awards and has produced three Tom of Fland Retrospectiv.

Tom of Fland Day is an opportuny for dividuals and anizatns to celebrate the artist’s legacy and the impact that his work has had such a huge impact on gay culture and a tribute to an artist who helped to shape . Legislatn has long centered on gay men, maly avoidg mentng female LGBTQIA 1919 Frankl D Roosevelt, as Assistant Secretary, had begun an operatn to terme if men spected of beg homosexual through ercn to m physil acts by way of vtigators planted wh the navy.

1920S GAY CULTURE

"Queer Art" beme a powerful polil and celebratory term to scribe the art and experience of gay, lbian+ people. * gay artist 1920 *

1920s Gay Culture - Key TakeawaysThe 1920s were a time of self-exprsn through mic, art, and the public eye, the LGBTQIA muny was still Harlem Jazz scene bed wh the LGBTQIA movement as they both were alternative cultur to mastream U. Summary of Queer ArtAny art that n be nsired "queer" refers to the re-appropriatn of the term the 1980s, when was snatched back om the homophob and opprsors to bee a powerful polil and celebratory term to scribe the experience of gay, lbian, bisexual, transgenr, and tersex people.

Sce the late 19th century, cultural and legal rpons to homosexualy have evolved, but was only the send half of the 20th century that many of the laws crimalizg homosexual acts were overturned.

THE GAY HARLEM RENAISSANCE

Key Ias & Acplishments Bee of the early crimalizatn of homosexual acts and the social stigma nnected to homosexualy, much Queer Art employs d visual language that would not aroe spicn among the general public but would allow those faiar wh the trop of the subculture to glean the hidn the rise of activism the wake of the Civil Rights protts and the AIDS epimic, Queer Art beme more ank and polil s subject matter, forcg the viewers to regnize queer culture and to unrsre the stutnal equi and hypocrisy that fueled Inty Polics surroundg Queer Art has sparked much bate, wh some artists embracg Inty Polics and other chewg as not important for their work.

GAY RIGHTS

Mapplethorpe's photography pictg still lif of flowers, celebry and Royal Fay portraure, and pictur of children are well-loved, but his powerful and subversive imag of homoerotic subjects are most notable their power to dramatilly alter perceptns and ph boundari. Later, she wanted to prent ordary pictur of queer life as a retort to the notn that the gay liftyle was somehow viant, and dog so she produced sightful and timate portraure that has been wholly absent om mastream media.

*BEAR-MAGAZINE.COM* GAY ARTIST 1920

1920s Gay Culture: Movement & Summary | Vaia .

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