Gay actors of the 1930's and 1940's? - Answers

Contents:

• FOUR CLASSIC MOVIE ACTORS YOU DIDN'T KNOW WERE GAYA HOLLYWOOD HISTORY {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}CELEBRIBY NEWNOWNEXT EDORSAUGT 24, 2017/8:00 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:574PX;WIDTH:1020PX;}MGMBY NEWNOWNEXT EDORSAUGT 24, 2017 / 8:00 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"FOUR CLASSIC MOVIE ACTORS YOU DIDN'T KNOW WERE GAY","THUMBNAILURL":","DATEPUBLISHED":"2017-08-24T12:00:59.000+0000","DATEMODIFIED":"2017-08-24T12:00:59.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"NEWNOWNEXT EDORS","ARTICLESECTN":"CELEBRI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}GAY PRI MONTH IS CELEBRATED NATNALLY JUNE, BUT YEAR-ROUND ’S IMPORTANT TO LET YOUNG LGBT PEOPLE, WHO MIGHT BE NFLICTED ABOUT THEIR SEXUAL ORIENTATN, KNOW THAT WE’VE ALWAYS BEEN AROUND — EVEN THE BACKGROUND OF CLASSIC {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HERE ARE FOUR ACTORS YOU MIGHT NOT HAVE KNOWN WERE GAY WHO ARE WORTH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RICHARD {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RICHARD HAYDN WAS BORN GEE RICHARD HAYDN LONDON ON MARCH 10, 1905. AS A YOUNG MAN, HE WORKED AS A MIC HALL ENTERTAER AND MANAGED A BANANA PLANTATN JAMAI BEFORE JOG A TOURG BRISH THEATER TROUPE. HIS FIRST APPEARANCE ON FILM WAS THE TV MOVIE PRODUCTN OF RED PEPPERS 1938. HE MOVED TO AMERI AND FIRST APPEARED ON BROADWAY THE 1939 PRODUCTN OF SET TO MIC, AND FOLLOWED THAT UP WH TWO FOR THE SHOW 1940. HE MA THE FIRST OF HIS MORE THAN 50 FILMS 1941 – CHARLEY’S {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS BETTER KNOWN FILMS CLU BALL OF FIRE, DEAR RUTH, THE LATE GEE APLEY, FOREVER AMBER, STG PRETTY, THE EMPEROR WALTZ, ALICE WONRLAND, MISS PTATATLOCK’S MILLNS, THE MERRY WDOW, JUPER’S DARLG, THE LOST WORLD, PLEASE DON’T EAT THE DAISI, FIVE WEEKS A BALLOON, MUTY ON THE BOUNTY, CLARENCE THE CROSS EYED LN, THE ADVENTUR OF BULLWHIP GRIFF, AND YOUNG FRANKENSTE. HE IS PERHAPS BT KNOWN FOR THE PLAYG THE ROLE OF MAX DETWEILER THE CLASSIC FILM THE SOUND OF MIC.20TH CENTURY-FOX/GETTY IMAGELEANOR PARKER AND RICHARD HAYDN ARE GREETED BY CHRISTOPHER PLUMMER A SCENE OM THE FILM 'THE SOUND OF MIC', 1965. (PHOTO BY 20TH CENTURY-FOX/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS MANY TV APPEARANC CLU THE TWILIGHT ZONE, SHIRLEY TEMPLE’S STORYBOOK, BURKE’S LAW, THE MAN FROM UNCLE, BONANZA, BEWCHED AND MCCLOUD. HAYDN WAS ALSO A EQUENT PERFORMER ON RAD, AND A REGULAR ON THE BURNS AND ALLEN RAD SHOW. RICHARD HAYDN WAS GAY. HE LIVED A QUIET PERSONAL LIFE, AND WAS WELL-KNOWN HOLLYWOOD FOR HIS CHERISHED, AND LAVISH FLOWER GARNS WHICH HE TEND AT HIS BEVERLY HILLS HOME. HIS FAL ACTG ROLE WAS PROVIDG THE VOICE OF BOOKWORM THE 1985 FILM THE HUGGA BUNCH. HAYDN SUFFERED A HEART ATTACK AT HIS HOME AND DIED LOS ANGEL ON APRIL 25, 1985. HE WAS 80 YEARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}VAN JOHNSONSILVER SCREEN COLLECTN/GETTY IMAGAMERIN ACTOR VAN JOHNSON (1916 - 2008) POSG ONT OF A TARTAN BACKGROUND, CIR 1955. (PHOTO BY SILVER SCREEN COLLECTN/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EMMY AWARD NOMATED SGER-DANCER-ACTOR VAN JOHNSON WAS BORN CHARL VAN DELL JOHNSON ON AUGT 25, 1916 NEWPORT, RHO ISLAND. HE WAS AN ONLY CHILD. HIS ALHOLIC MOTHER ABANDONED HIM WHEN HE WAS A CHILD. HE WAS RAISED BY HIS FATHER, WHO VAN SCRIBED AS “CHILLY.” AFTER GRADUATG OM HIGH SCHOOL, VAN MOVED TO NYC AND JOED THE OFF-BROADWAY REVUE, ENTRE NO 1935. HE TOURED A THEATER TROUPE AND MA HIS BROADWAY BUT NEW FAC OF 1936. IN 1939, HE APPEARED THE H BROADWAY MIL, TOO MANY GIRLS AND APPEARED THE FILM VERSN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE APPEARED THE BROADWAY MIL, PAL JOEY, 1940/41. HE WAS LURED BACK TO HOLLYWOOD BY HIS IEND, LUCILLE BALL, AND SIGNED A SIX-MONTH NTRACT WH WARNERS. HE MA SEVERAL FILMS THERE, BUT WASN’T UNTIL HE SIGNED WH MGM, THAT HE BEME A FULL FLEDGED SUPER STAR. WH HIS TALL, ALL-AMERIN GOOD LOOKS, VAN BEME ENORMOLY POPULAR WH THE FANS. HIS MOST POPULAR FILMS CLU THE HUMAN COMEDY, A GUY NAMED JOE (DURG THE MAKG OF THIS FILM HE WAS NEARLY KILLED A R ACCINT THAT LEFT HIM WH A METAL PLATE HIS FOREHEAD AND FACIAL SRS), TWO GIRLS AND A SAILOR, THE WHE CLIFFS OF DOVER, THIRTY SENDS OVER TOKYO, TILL THE CLOUDS ROLL BY, EASY TO WED, MOTHER IS A FRHMAN, AND IN THE GOOD OLD SUMMERTIME, AMONG MANY OTHERS. HE WAS ONE OF THE MOST POPULAR LEADG MEN DURG THE WWII YEARS. HIS ACCINT PREVENTED HIM OM SERVG DURG THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN 1945, HE WAS RATED #2 BOX OFFICE STAR AMERI, AND 1946, HE WAS RATED #3. VAN JOHNSON WAS GAY. HE MARRIED EVE ABBOTT WYNN ON JANUARY 25, 1947, ONE DAY AFTER HER DIVORCE OM ACTOR KEENAN WYNN. THE THREE HAD BEEN VERY CLOSE IENDS. IN 1948, THE UPLE HAD A DGHTER NAMED SCHUYLER, BUT LAGE VAN MATAED A CLOSE RELATNSHIP WH KEENAN WYNN. VAN AND EVE SEPARATED 1961, AND DIVORCED 1968. EVE JOHNSON SAID THAT THEIR MARRIAGE HAD BEEN ENGEERED BY LOUIS B. MAYER AT MGM. “THEY NEED THEIR BIG STAR TO MARRIED TO QUELL MORS ABOUT HIS SEXUAL PREFERENC, AND UNFORTUNATELY, I WAS — THE ONLY WOMAN HE WOULD MARRY.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}VAN WORKED STEADILY FILMS AND TV (PLAYG MORE THAN 125 ROL DURG HIS 52 YEAR REER). HE PERFORMED SUMMER STOCK AND REGNAL THEATER, AND NATNAL TOURS CLUDG THE MIL, SHOW BOAT. HE RETURNED TO BROADWAY FOR COME ON STRONG (1962), MATG DANCE (1965), AND 1986, THE MIL LA CAGE AUX FOLL, WHICH HE ALSO TOURED. VAN LIVED ON MANHATTAN’S EAST SI UNTIL 2002 WHEN HE MOVED TO AN ASSISTED RE FACILY NYACK, NEW YORK. VAN JOHNSON DIED ON DECEMBER 12, 2008 NYACK AT THE AGE OF 92. AT THIS TIME OF HIS ATH, HE WAS LONG TRANGED OM HIS ONLY CHILD. HE WAS LARGER THAN LIFE, UTTERLY CHARMG, HILAR, VERY FLIRTY, AND A TE MOVIE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN MEGNA WAS BORN JOHN INGOLIA ON NOVEMBER 9, 1952 QUEENS, NEW YORK CY. HIS FATHER WAS A PHARMACIST AND HIS MOTHER WAS A NIGHTCLUB SGER. HE WAS THE HALF BROTHER OF CONNIE STEVENS. JOHN MA HIS ACTG BUT 1958 ON BROADWAY THE MIL GREEENWILLOW. THE FOLLOWG YEAR HE STARRED ALL THE WAY HOME. HIS FIRST FEATURE FILM APPEARANCE WAS THE CLASSIC 1962 MOTN PICTURE TO KILL A MOCKGBIRD PLAYG THE ROLE OF THE “TOOTHY” SUMMER VISOR, DILL HARRIS.UNIVERSAL/GETTY IMAGROSEMARY MURPHY STG WH MARY BADHAM, PHILLIP ALFORD AND JOHN MEGNA A SCENE OM THE FILM 'TO KILL A MOCKGBIRD', 1962. (PHOTO BY UNIVERSAL/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS MANY TV APPEARANC CLU TARGET: THE CORPTORS, NAKED CY, THE ALED HCHCK HOUR, DR. KILDARE, BEN CASEY, STAR TREK, I SPY, THE DANNY THOMAS HOUR, THE BLUE KNIGHT, AND POLICE WOMAN. HE APPEARED THE PROVOTIVE MA-FOR-TV MOVI I WANT TO KEEP MY BABY, AND THE BOY THE PLASTIC BUBBLE. HE STARRED AS “LTLE ADAM” A SERI OF TNAL SHORT ANIMATED FILMS TLED THE BIG WORLD OF LTLE ADAM THAT WERE PRODUCED BY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN’S OTHER FILMS CLU HH…HH SWEET CHARLOTTE, BLD FOLD, FOLLOW THE BOYS, THE GODFATHER PART II, GO TELL THE SPARTANS, SUNNY SI, BUTCH AND SUNDANCE: THE EARLY DAYS, SMOKEY AND THE BAND II, AND THE CANNONBALL RUN. AS A YOUNG MAN, JOHN GRADUATED OM CORNELL UNIVERSY ITHA, NEW YORK. HE MAJORED PERFORMG ARTS. IN HIS LATER LIFE, HE TGHT ENGLISH, SPANISH AND HISTORY THE LOS ANGEL PUBLIC SCHOOL SYSTEM. HE WAS THE FOUNDG DIRECTOR OF THE NONPROF THEATER GROUP, L.A. ARTS. HIS FAL ACTG ROLE WAS THE 1984 TV MOVIE THE RATGS GAME. JOHN WAS GAY. HE NTRACTED HIV, AND DIED OF AIDS RELATED ILLNS ON SEPTEMBER 4, 1995 AT MIDWAY HOSPAL LOS ANGEL. MEGNA WAS 42 YEARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANTON WALBROOKGENERAL FILM {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANTON WALBROOK WAS BORN ADOLF ANTON WILHELM WOHLBCK VIENNA, ATRIA ON NOVEMBER 19, 1896. HE ME OM A FAY OF ENTERTAERS, CLUDG CIRC PERFORMERS. ANTON STUDIED WH MAX REHARDT FOR SEVERAL YEARS AND WORKED ATRIAN THEATER AND FILM. IN 1936, HE TRAVELED TO HOLLYWOOD TO RE-SHOOT SOME SCEN FOR THE 1937 FILM, THE SOLDIER AND THE LADY. ANTON WALBROOK WAS GAY. HE DID NOT RETURN TO ATRIA, BUT BEE HIS MOTHER WAS JEWISH, HE QUALIFIED FOR THE NUREMBERG LAWS AS “HALF-JEWISH,” AND HE WAS ALLOWED TO SETTLE ENGLAND WHERE HE LATER FED A SOLID FILM REER. HIS FIRST FILM WAS MARTEN 1915. HE MA 19 FILMS ATRIA AND GERMANY, BEFORE MAKG HIS TRANSN TO AMERIN AND BRISH FILMS.GENERAL FILM {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS LATER FILMS CLU THE SOLDIER AND THE LADY, VICTORIA THE GREAT, GASLIGHT, DANGERO MOONLIGHT, 49TH PARALLEL, THE LIFE AND DEATH OF COLONEL BLIMP, THE MAN OM MOROC, THE QUEEN OF SPAS, LA RON, KG FOR ONE NIGHT, SAT JOAN, AND I ACCE!, AMONG OTHERS. HE IS BT KNOWN FOR PLAYG THE ROLE OF BORIS LEMONTOV THE 1948 DANCE CLASSIC THE RED SHO. IN THE LATE 1950S, HE RETIRED OM FILMS AND WORKED ON THE EUROPEAN STAGE AND TELEVISN. HIS FAL ACTG ROLE WAS THE GERMAN TV MOVIE, ROBERT UND ELISABETH 1966. ANTON WALBROOK DIED GARATSHSEN, BAVARIA, GERMANY ON AUGT 9, 1967 AFTER SUFFERG A HEART ATTACK. WALBROOK WAS 70 YEARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A VERSN OF THIS ARTICLE ORIGALLY APPEARED ON WE ARE {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS
• GAY HOLLYWOOD THE 1930S
• GAY HOLLYWOOD: 45 OUT AND PROUD LGBT STARS (PHOTOS)
• GAY ACTORS OF THE 1930'S AND 1940'S?
• B OF GAY ACTOR GIV RICH PORTRA OF '20S {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}WISECRACKER: THE LIFE AND TIMES OF WILLIAM HAINES, HOLLYWOOD'S FIRST OPENLY GAY STAR BY WILLIAM J. MANN 444 PP., $29.95 {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}SANNAH R. MANL, CRIMSON STAFF {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}WILLIAM HA WAS NOT A VERY GOOD ACTOR, BUT HE WAS A VERY POPULAR ONE, AND HOLLYWOOD OF THE 1920S THE PRRI WERE THE SAME AS THOSE OF HOLLYWOOD TODAY--'S THE BOX OFFICE THAT UNTS. HA IS ONE OF THE NOW-FOTTEN STARS OF THE SILENT SCREEN: HANDSOME, WTY AND GOOD-NATURED, BETWEEN 1926 AND 1931 HE WAS ONE OF THE BIGGT BOX-OFFICE DRAWS HOLLYWOOD, TOP ON MGM'S ROSTER OF STARS AND ADORED BY WOMEN FILM FANS EVERYWHERE. SPECIALIZG PLAYG THE ROLE OF THE "WISECRACKER," A JOKG, LIKABLE TRICKSTER HERO WHO STARTS OUT A B OF A LOUT BUT ALWAYS LEARN HIS LSON BY THE END OF THE FILM, HA MA HIS ON-SCREEN NAME AS A ROMANTIC HERO AND HIS OFF-SCREEN REPUTATN AS ONE OF THE MOST OUTGOG, CHARISMATIC AND POPULAR FIGUR HOLLYWOOD.HA WAS ALSO GAY, AND HE SET A TREND HOLLYWOOD BY LIVG OPENLY WH HIS LOVER, JIMMIE SHIELDS. WHEN THE POLIL WATERS CHANGED AROUND THE EARLY 1930S, HA REFED TO PLAY THE STUD "GAME"--TO REPUDIATE JIMMIE, TO ENTER TO A SHAM MARRIAGE AS SO MANY OTHER ACTORS DID, TO PRETEND TO BE WHAT HE WASN'T. AND IS THIS THAT PRECIPATED HIS EARLY EX OM THE MOVI, AROUND 1934. NOW THE BGRAPHER AND JOURNALIST WILLIAM J. MANN, FASCATED BY HA'S LORFUL RISE AND FALL THE FILM WORLD AND HIS UNIQUE REFAL TO VE TO THE STUD MANDS, HAS SHAPED AROUND HIS LIFE AN TRIGUG EXPLORATN OF FIFTY YEARS OF SHIFTG TSELTOWN MOR.MANN, TAKG AN AFFECTNATE BUT REFULLY CRIL VIEW OF THE HERO OF HIS BOOK, TRAC HA'S LIFE THROUGH S MULTIPLE METAMORPHOS. ONE OF THE BOOK'S CENTRAL REVELATNS IS THAT HOLLYWOOD THE 1920S WAS A PLACE WHERE WAS POSSIBLE TO BE OPENLY GAY. HOMOSEXUALY WAS SIMPLY ACCEPTED; GAY AND STRAIGHT PEOPLE MGLED SOCIALLY AS WELL AS PROFSNALLY, AND THERE WAS A LE DIVIDG THE ON-SCREEN PERSONA OF AN ACTOR OM HIS PRIVATE LIFE. BUT WH THE ADVENT OF SOUND AND THE NSERVATIVE REACTNISM OF THE 1930S WHICH ACPANIED THE START OF THE GREAT DEPRSN, A CRACKDOWN ENSUED ON BOTH THE NTENT OF THE FILMS AND THE PRIVATE LIV OF THEIR STARS.MANN SHOWS BOTH THE LONG-TERM EFFECT OF THE FORC UPON THE MOVI--THE FAMO HAYS MORALY , WHICH NSTRAED THE MOVI TO REPRENTG A RIGIDLY FED VALUE SYSTEM WHOSE IRON GRIP DID NOT BEG TO LOOSEN UNTIL THE 1960S AND '70S--AND THE VERY PERSONAL IMPACT UPON THE ACTORS HOLLYWOOD. THE STUDS CLARED THAT BEG GAY WAS NO LONGER OKAY HOLLYWOOD, THEREBY AVOIDG THE HARSH CRICISM OF THE ROMAN CATHOLIC CHURCH AND OTHER RELIG GROUPS, AND PROVIDG SP NTROL ON THE GOSSIP NEWSPAPERS THAT WERE RAPIDLY TAKG ON AN ALARMG PENNCE. ACTORS WHO WERE MORED TO BE HOMOSEXUAL WERE ORRED TO GET MARRIED AND GIVE THE PUBLIC WHAT WANTED: A PERSONA WHO F THE ON-SCREEN IMAGE OF AN ACCEPTABLY "MANLY" MAN OR "FEME" WOMAN. MOST ACTORS ACQUICED, TO ONE GREE OR ANOTHER. WHEN HA TOLD MGM STUD HEAD LOUIS B. MAYER, A SCENE THAT HAS BEE LEGEND, THAT HE WAS ALREADY MARRIED--TO HIS LOVER, JIMMIE SHIELDS--HE FOUND HIMSELF "BOOTED OUT" OF THE MOVIE DTRY.HA'S LIFE BOTH THE MOVI AND AFTERWARD, AS "RATOR TO THE STARS," PROVIS A KEYHOLE THROUGH WHICH WE N GET A VERY TIMATE GLIMPSE OF HOLLYWOOD LIFE, GAY AND STRAIGHT, AS ONCE EXISTED BEHD THE VEIL OF SECRECY. HA KNEW EVERYONE (AND SEEMS TO HAVE HAD AFFAIRS WH MANY OF THEM). THROUGH HIS EY, AS RENSTCTED BY MANN, WE SEE THE CREASGLY HIDN WORLD OF EARLY GAY HOLLYWOOD: THE ACTORS--CARY GRANT AND RANDOLPH STT, CLTTE COLBERT AND MARLENE DIETRICH, GRETA GARBO AND RAMON NOVARRO--AND THE PEOPLE BEHD THE SCEN, SUCH AS DIRECTOR GEE COR AND JET-SETTG POSER COLE PORTER, THE TWO FOL POTS OF GAY MALE HOLLYWOOD SOCIETY THE 1930S AND 40S.THE WILLIAM HA STORY IS ALSO A LOVE STORY, ALTHOUGH S POIGNANCY DO NOT BEE FULLY APPARENT UNTIL VERY LATE HIS BGRAPHY. BOTH HA AND JIMMIE SHIELDS SEEM TO HAVE BEEN REMARKABLY PRIVATE MEN; SPE THE HUNDREDS OF HA QUOTATNS AND REMISCENC BY IENDS THAT MANN HAS DRAWN ON, MOST OF HA' MENTS TO THE WORLD FEEL LIKE "WISECRACKS"--HIS TRAMARK BRAND OF FENSIVE HUMOR--AND 'S HARD TO GET A FEELG THAT WE UNRSTAND THIS MAN'S NER LIFE. EVEN LS RMATN REMAS ABOUT SHIELDS, AND WHAT REMISCENC HIS IENDS DO OFFER SOUND RATHER MORE BOORISH THAN ENARG. (RUMOR HAS THAT HA' TRANGEMENT OM COLE PORTER, FOR STANCE, WAS PRECIPATED BY PORTER'S TCHG JIMMIE UNROLY HAVG SEX WH A SAILOR THE BH DURG ONE OF HIS ELEGANT SOIRE.)THE BGRAPHY OF WILLIAM HA IS A REMARKABLY RICH DOCUMENT OF 50 YEARS OF CHANGG HOLLYWOOD MOR, AND MANN HAS SUCCEED ADMIRABLY HIS STATED GOAL OF SHEDDG LIGHT ON THE TOO-LONG-NEGLECTED WORLD OF EARLY HOLLYWOOD GAY LIFE AND CULTURE. BUT 'S THE OTHER THREADS NNG THROUGH HA' LIFE WHICH GIVE THE BOOK S IMPACT: HA' CHANGG IENDSHIPS, HIS PASSNATE LOVE FOR HIS TERR SIGN BS, HIS TTY TREATMENT BY THE SNDAL PRS AND HIS VOTN TO JIMMIE. THROUGH THAT TIMATE, PERSONAL STORY, MANN IS ABLE TO SUCCSFULLY BRG HOME THE IMPACT OF WHAT STARTED OUT AS HIS BOOK'S CENTRAL NARRATIVE: THE SOCPOLIL STORY OF THE "STUTNALIZATN OF THE HOLLYWOOD STORY OF HOW AN DTRY CHANGED, HOW A MUNY OF ARTISTS AND EE THKERS TURNED S BACK ON S OWN THE FACE OF ANIZED, TRADNALIST PRSURE." BUT 'S THE PERSONAL TAILS THAT H HOME THIS STORY OF AN ENARG IF IMPERFECT WISECRACKER, ONE WHOSE FEW REMAG IENDS TODAY REMEMBER HIM, ABOVE ALL ELSE, NOT FOR HIS JOK BUT FOR HIS QUIET {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? SUBSCRIBE TO OUR EMAIL {MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;PADDG:20PX 20PX;BORR-TOP:1PX SOLID #CCC;BORR-BOTTOM:1PX SOLID #CCC;MARG:20PX TO;}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;MARG:0PX TO;}@MEDIA (MAX-WIDTH:425PX){{-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;-WEBK-ALIGN-EMS:FLEX-START;-WEBK-BOX-ALIGN:FLEX-START;-MS-FLEX-ALIGN:FLEX-START;ALIGN-EMS:FLEX-START;}}{DISPLAY:BLOCK;MARG-RIGHT:20PX;FONT:0.85EM/1.5EM 'COLABORATE LIGHT';TEXT-TRANSFORM:UPPERSE;}{GRID-LUMN-START:2;GRID-ROW-START:3;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;WIDTH:100%;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:4;BOX-SIZG:BORR-BOX;GRID-LUMN-START:1;GRID-LUMN-END:2;}}{GRID-ROW-START:2;GRID-ROW-END:4;GRID-LUMN-START:3;POSN:RELATIVE;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:3;GRID-LUMN-START:1;}}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}}{MARG:0 TO;OPACY:0.3;MARG-TOP:50PX;} .SPNER{MARG:0 TO;WIDTH:70PX;TEXT-ALIGN:CENTER;} .SPNER > DIV{WIDTH:18PX;HEIGHT:18PX;BACKGROUND-LOR:#333;BORR-RADI:100%;DISPLAY:LE-BLOCK;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;} .SPNER .BOUNCE1{-WEBK-ANIMATN-LAY:-0.32S;-WEBK-ANIMATN-LAY:-0.32S;ANIMATN-LAY:-0.32S;} .SPNER .BOUNCE2{-WEBK-ANIMATN-LAY:-0.16S;-WEBK-ANIMATN-LAY:-0.16S;ANIMATN-LAY:-0.16S;}@-WEBK-KEYAM SK-BOUNCELAY{ 0%, 80%, 100%{-WEBK-TRANSFORM:SLE(0);} 40%{-WEBK-TRANSFORM:SLE(1);}}@-WEBK-KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}@KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{MARG-TOP:20PX;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG-TOP:20PX;}}{GRID-ROW-START:2;GRID-ROW-END:3;GRID-LUMN-START:1;GRID-LUMN-END:2;}@MEDIA (MAX-WIDTH:950PX){{DISPLAY:NONE;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;}{MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:NONE;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{DISPLAY:NONE;MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:BLOCK;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{LE-HEIGHT:1.3EM;BACKGROUND:#A50A0E;} .NTAER{MAX-WIDTH:1000PX;MARG:0 TO;} LI{LIST-STYLE:NONE;PADDG:20PX 76PX 0PX;} A{FONT-SIZE:1.5EM;FONT-FAY:'BIG MOORE';} .TABLISHED{FONT-SIZE:10PX;PADDG:0 76PX 5PX;MARG:0;} {MAX-WIDTH:1000PX;MARG:0PX TO;PADDG:20PX 60PX 0PX 60PX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;FONT-FAY:'ROBOTO',SANS-SERIF;BOX-SIZG:BORR-BOX;} .PYRIGHT{PADDG-BOTTOM:20PX;FONT-SIZE:12.4PX;LE-HEIGHT:18.72PX;TEXT-ALIGN:CENTER;}@MEDIA (MAX-WIDTH:600PX){ LI{PADDG:20PX 60PX 0PX;} {-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;PADDG:0PX 60PX 0PX 60PX;}} {MARG:TO;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;MARG-BOTTOM:10PX;MAX-WIDTH:200PX;} SVG{HEIGHT:31PX;WIDTH:100%;} {-WEBK-FLEX:1 1 0;-MS-FLEX:1 1 0;FLEX:1 1 0;} A{LOR:WHE;} H1{LOR:WHE;} {BACKGROUND:#790B0B;} A{LOR:WHE;} .TABLISHED{LOR:WHE;} .PYRIGHT{LOR:WHE;}THE HARVARD CRIMSONTHE UNIVERSY DAILY, EST. {HEIGHT:-WEBK-M-NTENT;HEIGHT:-MOZ-M-NTENT;HEIGHT:M-NTENT;-WEBK-BOX-FLEX:1;-WEBK-FLEX-GROW:1;-MS-FLEX-POSIVE:1;FLEX-GROW:1;-WEBK-FLEX-BASIS:150PX;-MS-FLEX-PREFERRED-SIZE:150PX;FLEX-BASIS:150PX;MARG-BOTTOM:50PX;} H1{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:800;FONT-SIZE:13PX;TEXT-TRANSFORM:UPPERSE;LE-HEIGHT:0.95EM;MARG:0;PADDG-LEFT:16PX;PADDG-BOTTOM:5PX;PADDG-TOP:4PX;} UL{LIST-STYLE:NONE;PADDG:0;MARG:0;FONT-WEIGHT:300;} UL A{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:300;FONT-SIZE:14PX;LE-HEIGHT:20PX;} UL LI{PADDG:3PX 0;PADDG-LEFT:16PX;}@MEDIA (MAX-WIDTH:600PX){{TEXT-ALIGN:LEFT;-WEBK-FLEX-BASIS:0PX;-MS-FLEX-PREFERRED-SIZE:0PX;FLEX-BASIS:0PX;BORR-BOTTOM:1PX SOLID WHE;PADDG-TOP:15PX;PADDG-BOTTOM:15PX;MARG-BOTTOM:10PX;} H1{PADDG-LEFT:0;FONT-SIZE:15PX;CURSOR:POTER;} UL LI{PADDG-LEFT:0;}(:FIRST-OF-TYPE){BORR-LEFT:NONE;} {MAX-HEIGHT:0;OVERFLOW:HIDN;-WEBK-TRANSN:MAX-HEIGHT 0.2S EASE-OUT;TRANSN:MAX-HEIGHT 0.2S EASE-OUT;}}SECTNS
• RYAN MURPHY’S (KDA) TE ‘HOLLYWOOD’ STORY: 1940S MEETS GAY STARS, INTERRACIAL ROMANCE AND (GASP!) A FEMALE STUD CHIEF
• HOW GAY CULTURE BLOSSOMED DURG THE ROARG TWENTI

FOUR CLASSIC MOVIE ACTORS YOU DIDN'T KNOW WERE GAYA HOLLYWOOD HISTORY {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}CELEBRIBY NEWNOWNEXT EDORSAUGT 24, 2017/8:00 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:574PX;WIDTH:1020PX;}MGMBY NEWNOWNEXT EDORSAUGT 24, 2017 / 8:00 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"FOUR CLASSIC MOVIE ACTORS YOU DIDN'T KNOW WERE GAY","THUMBNAILURL":","DATEPUBLISHED":"2017-08-24T12:00:59.000+0000","DATEMODIFIED":"2017-08-24T12:00:59.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"NEWNOWNEXT EDORS","ARTICLESECTN":"CELEBRI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}GAY PRI MONTH IS CELEBRATED NATNALLY JUNE, BUT YEAR-ROUND ’S IMPORTANT TO LET YOUNG LGBT PEOPLE, WHO MIGHT BE NFLICTED ABOUT THEIR SEXUAL ORIENTATN, KNOW THAT WE’VE ALWAYS BEEN AROUND — EVEN THE BACKGROUND OF CLASSIC {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HERE ARE FOUR ACTORS YOU MIGHT NOT HAVE KNOWN WERE GAY WHO ARE WORTH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RICHARD {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RICHARD HAYDN WAS BORN GEE RICHARD HAYDN LONDON ON MARCH 10, 1905. AS A YOUNG MAN, HE WORKED AS A MIC HALL ENTERTAER AND MANAGED A BANANA PLANTATN JAMAI BEFORE JOG A TOURG BRISH THEATER TROUPE. HIS FIRST APPEARANCE ON FILM WAS THE TV MOVIE PRODUCTN OF RED PEPPERS 1938. HE MOVED TO AMERI AND FIRST APPEARED ON BROADWAY THE 1939 PRODUCTN OF SET TO MIC, AND FOLLOWED THAT UP WH TWO FOR THE SHOW 1940. HE MA THE FIRST OF HIS MORE THAN 50 FILMS 1941 – CHARLEY’S {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS BETTER KNOWN FILMS CLU BALL OF FIRE, DEAR RUTH, THE LATE GEE APLEY, FOREVER AMBER, STG PRETTY, THE EMPEROR WALTZ, ALICE WONRLAND, MISS PTATATLOCK’S MILLNS, THE MERRY WDOW, JUPER’S DARLG, THE LOST WORLD, PLEASE DON’T EAT THE DAISI, FIVE WEEKS A BALLOON, MUTY ON THE BOUNTY, CLARENCE THE CROSS EYED LN, THE ADVENTUR OF BULLWHIP GRIFF, AND YOUNG FRANKENSTE. HE IS PERHAPS BT KNOWN FOR THE PLAYG THE ROLE OF MAX DETWEILER THE CLASSIC FILM THE SOUND OF MIC.20TH CENTURY-FOX/GETTY IMAGELEANOR PARKER AND RICHARD HAYDN ARE GREETED BY CHRISTOPHER PLUMMER A SCENE OM THE FILM 'THE SOUND OF MIC', 1965. (PHOTO BY 20TH CENTURY-FOX/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS MANY TV APPEARANC CLU THE TWILIGHT ZONE, SHIRLEY TEMPLE’S STORYBOOK, BURKE’S LAW, THE MAN FROM UNCLE, BONANZA, BEWCHED AND MCCLOUD. HAYDN WAS ALSO A EQUENT PERFORMER ON RAD, AND A REGULAR ON THE BURNS AND ALLEN RAD SHOW. RICHARD HAYDN WAS GAY. HE LIVED A QUIET PERSONAL LIFE, AND WAS WELL-KNOWN HOLLYWOOD FOR HIS CHERISHED, AND LAVISH FLOWER GARNS WHICH HE TEND AT HIS BEVERLY HILLS HOME. HIS FAL ACTG ROLE WAS PROVIDG THE VOICE OF BOOKWORM THE 1985 FILM THE HUGGA BUNCH. HAYDN SUFFERED A HEART ATTACK AT HIS HOME AND DIED LOS ANGEL ON APRIL 25, 1985. HE WAS 80 YEARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}VAN JOHNSONSILVER SCREEN COLLECTN/GETTY IMAGAMERIN ACTOR VAN JOHNSON (1916 - 2008) POSG ONT OF A TARTAN BACKGROUND, CIR 1955. (PHOTO BY SILVER SCREEN COLLECTN/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EMMY AWARD NOMATED SGER-DANCER-ACTOR VAN JOHNSON WAS BORN CHARL VAN DELL JOHNSON ON AUGT 25, 1916 NEWPORT, RHO ISLAND. HE WAS AN ONLY CHILD. HIS ALHOLIC MOTHER ABANDONED HIM WHEN HE WAS A CHILD. HE WAS RAISED BY HIS FATHER, WHO VAN SCRIBED AS “CHILLY.” AFTER GRADUATG OM HIGH SCHOOL, VAN MOVED TO NYC AND JOED THE OFF-BROADWAY REVUE, ENTRE NO 1935. HE TOURED A THEATER TROUPE AND MA HIS BROADWAY BUT NEW FAC OF 1936. IN 1939, HE APPEARED THE H BROADWAY MIL, TOO MANY GIRLS AND APPEARED THE FILM VERSN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE APPEARED THE BROADWAY MIL, PAL JOEY, 1940/41. HE WAS LURED BACK TO HOLLYWOOD BY HIS IEND, LUCILLE BALL, AND SIGNED A SIX-MONTH NTRACT WH WARNERS. HE MA SEVERAL FILMS THERE, BUT WASN’T UNTIL HE SIGNED WH MGM, THAT HE BEME A FULL FLEDGED SUPER STAR. WH HIS TALL, ALL-AMERIN GOOD LOOKS, VAN BEME ENORMOLY POPULAR WH THE FANS. HIS MOST POPULAR FILMS CLU THE HUMAN COMEDY, A GUY NAMED JOE (DURG THE MAKG OF THIS FILM HE WAS NEARLY KILLED A R ACCINT THAT LEFT HIM WH A METAL PLATE HIS FOREHEAD AND FACIAL SRS), TWO GIRLS AND A SAILOR, THE WHE CLIFFS OF DOVER, THIRTY SENDS OVER TOKYO, TILL THE CLOUDS ROLL BY, EASY TO WED, MOTHER IS A FRHMAN, AND IN THE GOOD OLD SUMMERTIME, AMONG MANY OTHERS. HE WAS ONE OF THE MOST POPULAR LEADG MEN DURG THE WWII YEARS. HIS ACCINT PREVENTED HIM OM SERVG DURG THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN 1945, HE WAS RATED #2 BOX OFFICE STAR AMERI, AND 1946, HE WAS RATED #3. VAN JOHNSON WAS GAY. HE MARRIED EVE ABBOTT WYNN ON JANUARY 25, 1947, ONE DAY AFTER HER DIVORCE OM ACTOR KEENAN WYNN. THE THREE HAD BEEN VERY CLOSE IENDS. IN 1948, THE UPLE HAD A DGHTER NAMED SCHUYLER, BUT LAGE VAN MATAED A CLOSE RELATNSHIP WH KEENAN WYNN. VAN AND EVE SEPARATED 1961, AND DIVORCED 1968. EVE JOHNSON SAID THAT THEIR MARRIAGE HAD BEEN ENGEERED BY LOUIS B. MAYER AT MGM. “THEY NEED THEIR BIG STAR TO MARRIED TO QUELL MORS ABOUT HIS SEXUAL PREFERENC, AND UNFORTUNATELY, I WAS — THE ONLY WOMAN HE WOULD MARRY.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}VAN WORKED STEADILY FILMS AND TV (PLAYG MORE THAN 125 ROL DURG HIS 52 YEAR REER). HE PERFORMED SUMMER STOCK AND REGNAL THEATER, AND NATNAL TOURS CLUDG THE MIL, SHOW BOAT. HE RETURNED TO BROADWAY FOR COME ON STRONG (1962), MATG DANCE (1965), AND 1986, THE MIL LA CAGE AUX FOLL, WHICH HE ALSO TOURED. VAN LIVED ON MANHATTAN’S EAST SI UNTIL 2002 WHEN HE MOVED TO AN ASSISTED RE FACILY NYACK, NEW YORK. VAN JOHNSON DIED ON DECEMBER 12, 2008 NYACK AT THE AGE OF 92. AT THIS TIME OF HIS ATH, HE WAS LONG TRANGED OM HIS ONLY CHILD. HE WAS LARGER THAN LIFE, UTTERLY CHARMG, HILAR, VERY FLIRTY, AND A TE MOVIE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN MEGNA WAS BORN JOHN INGOLIA ON NOVEMBER 9, 1952 QUEENS, NEW YORK CY. HIS FATHER WAS A PHARMACIST AND HIS MOTHER WAS A NIGHTCLUB SGER. HE WAS THE HALF BROTHER OF CONNIE STEVENS. JOHN MA HIS ACTG BUT 1958 ON BROADWAY THE MIL GREEENWILLOW. THE FOLLOWG YEAR HE STARRED ALL THE WAY HOME. HIS FIRST FEATURE FILM APPEARANCE WAS THE CLASSIC 1962 MOTN PICTURE TO KILL A MOCKGBIRD PLAYG THE ROLE OF THE “TOOTHY” SUMMER VISOR, DILL HARRIS.UNIVERSAL/GETTY IMAGROSEMARY MURPHY STG WH MARY BADHAM, PHILLIP ALFORD AND JOHN MEGNA A SCENE OM THE FILM 'TO KILL A MOCKGBIRD', 1962. (PHOTO BY UNIVERSAL/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS MANY TV APPEARANC CLU TARGET: THE CORPTORS, NAKED CY, THE ALED HCHCK HOUR, DR. KILDARE, BEN CASEY, STAR TREK, I SPY, THE DANNY THOMAS HOUR, THE BLUE KNIGHT, AND POLICE WOMAN. HE APPEARED THE PROVOTIVE MA-FOR-TV MOVI I WANT TO KEEP MY BABY, AND THE BOY THE PLASTIC BUBBLE. HE STARRED AS “LTLE ADAM” A SERI OF TNAL SHORT ANIMATED FILMS TLED THE BIG WORLD OF LTLE ADAM THAT WERE PRODUCED BY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN’S OTHER FILMS CLU HH…HH SWEET CHARLOTTE, BLD FOLD, FOLLOW THE BOYS, THE GODFATHER PART II, GO TELL THE SPARTANS, SUNNY SI, BUTCH AND SUNDANCE: THE EARLY DAYS, SMOKEY AND THE BAND II, AND THE CANNONBALL RUN. AS A YOUNG MAN, JOHN GRADUATED OM CORNELL UNIVERSY ITHA, NEW YORK. HE MAJORED PERFORMG ARTS. IN HIS LATER LIFE, HE TGHT ENGLISH, SPANISH AND HISTORY THE LOS ANGEL PUBLIC SCHOOL SYSTEM. HE WAS THE FOUNDG DIRECTOR OF THE NONPROF THEATER GROUP, L.A. ARTS. HIS FAL ACTG ROLE WAS THE 1984 TV MOVIE THE RATGS GAME. JOHN WAS GAY. HE NTRACTED HIV, AND DIED OF AIDS RELATED ILLNS ON SEPTEMBER 4, 1995 AT MIDWAY HOSPAL LOS ANGEL. MEGNA WAS 42 YEARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANTON WALBROOKGENERAL FILM {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANTON WALBROOK WAS BORN ADOLF ANTON WILHELM WOHLBCK VIENNA, ATRIA ON NOVEMBER 19, 1896. HE ME OM A FAY OF ENTERTAERS, CLUDG CIRC PERFORMERS. ANTON STUDIED WH MAX REHARDT FOR SEVERAL YEARS AND WORKED ATRIAN THEATER AND FILM. IN 1936, HE TRAVELED TO HOLLYWOOD TO RE-SHOOT SOME SCEN FOR THE 1937 FILM, THE SOLDIER AND THE LADY. ANTON WALBROOK WAS GAY. HE DID NOT RETURN TO ATRIA, BUT BEE HIS MOTHER WAS JEWISH, HE QUALIFIED FOR THE NUREMBERG LAWS AS “HALF-JEWISH,” AND HE WAS ALLOWED TO SETTLE ENGLAND WHERE HE LATER FED A SOLID FILM REER. HIS FIRST FILM WAS MARTEN 1915. HE MA 19 FILMS ATRIA AND GERMANY, BEFORE MAKG HIS TRANSN TO AMERIN AND BRISH FILMS.GENERAL FILM {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS LATER FILMS CLU THE SOLDIER AND THE LADY, VICTORIA THE GREAT, GASLIGHT, DANGERO MOONLIGHT, 49TH PARALLEL, THE LIFE AND DEATH OF COLONEL BLIMP, THE MAN OM MOROC, THE QUEEN OF SPAS, LA RON, KG FOR ONE NIGHT, SAT JOAN, AND I ACCE!, AMONG OTHERS. HE IS BT KNOWN FOR PLAYG THE ROLE OF BORIS LEMONTOV THE 1948 DANCE CLASSIC THE RED SHO. IN THE LATE 1950S, HE RETIRED OM FILMS AND WORKED ON THE EUROPEAN STAGE AND TELEVISN. HIS FAL ACTG ROLE WAS THE GERMAN TV MOVIE, ROBERT UND ELISABETH 1966. ANTON WALBROOK DIED GARATSHSEN, BAVARIA, GERMANY ON AUGT 9, 1967 AFTER SUFFERG A HEART ATTACK. WALBROOK WAS 70 YEARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A VERSN OF THIS ARTICLE ORIGALLY APPEARED ON WE ARE {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

The gay subculture of early Hollywood has gaed more attentn recently thanks to the Netflix seri Hollywood.

GAY HOLLYWOOD THE 1930S

Knowg as much as we do about some LGBT stars is a feat nsirg how much rewrg and verg up the Hollywood stud heads did to everyone they managed, whether gay or straight. In his own words, he felt “pafully isolated, strand between the sual homophobia of most ‘normal’ people and the flagrantly gay Hollywood subculture – where [he] was even ls fortable and ls accepted. Five years before Hunter beme a star, he was arrted along wh several other men for “lewdns, ” a mon charge for men showg any signs of homosexualy public.

No one wanted to believe that Ameri’s goln boy uld be a gay man.

Cor’s mansn, rated by gay former actor William Ha, beme the center of LGBT society Hollywood.

GAY HOLLYWOOD: 45 OUT AND PROUD LGBT STARS (PHOTOS)

It was a well-known fact that Cor was gay, even though he never publicly spoke about . Cor may have never been able to explicly talk about his sexualy, but he helped solidify the gay muny Hollywood.

He also stggled to accept his homosexualy thanks to his strict Roman Catholic upbrgg. Kelly is one of the very few women to explicly talk about her homosexualy durg her reer om the 1930s to the 1940s. Incintally, the film is noted for s untentnal homoerotic unrton.

Clift never publicly talked about , but close iend Elizabeth Taylor admted he was gay at the 2000 GLAAD Media Awards. The two acted three movi together, cludg Sudnly, Last Summer, which had Clift play a gay man.

GAY ACTORS OF THE 1930'S AND 1940'S?

In 1939 he married Osr-wng actrs Ja Gaynor, to whom he remaed wed until his ath 1959. Rumors about both Adrian and Gaynor’s sexualy have been hard to prove. Their marriage is believed to be a lavenr marriage, which was an arrangement ma to bunk mors that they were both gay.

B OF GAY ACTOR GIV RICH PORTRA OF '20S {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}WISECRACKER: THE LIFE AND TIMES OF WILLIAM HAINES, HOLLYWOOD'S FIRST OPENLY GAY STAR BY WILLIAM J. MANN 444 PP., $29.95 {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}SANNAH R. MANL, CRIMSON STAFF {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}WILLIAM HA WAS NOT A VERY GOOD ACTOR, BUT HE WAS A VERY POPULAR ONE, AND HOLLYWOOD OF THE 1920S THE PRRI WERE THE SAME AS THOSE OF HOLLYWOOD TODAY--'S THE BOX OFFICE THAT UNTS. HA IS ONE OF THE NOW-FOTTEN STARS OF THE SILENT SCREEN: HANDSOME, WTY AND GOOD-NATURED, BETWEEN 1926 AND 1931 HE WAS ONE OF THE BIGGT BOX-OFFICE DRAWS HOLLYWOOD, TOP ON MGM'S ROSTER OF STARS AND ADORED BY WOMEN FILM FANS EVERYWHERE. SPECIALIZG PLAYG THE ROLE OF THE "WISECRACKER," A JOKG, LIKABLE TRICKSTER HERO WHO STARTS OUT A B OF A LOUT BUT ALWAYS LEARN HIS LSON BY THE END OF THE FILM, HA MA HIS ON-SCREEN NAME AS A ROMANTIC HERO AND HIS OFF-SCREEN REPUTATN AS ONE OF THE MOST OUTGOG, CHARISMATIC AND POPULAR FIGUR HOLLYWOOD.HA WAS ALSO GAY, AND HE SET A TREND HOLLYWOOD BY LIVG OPENLY WH HIS LOVER, JIMMIE SHIELDS. WHEN THE POLIL WATERS CHANGED AROUND THE EARLY 1930S, HA REFED TO PLAY THE STUD "GAME"--TO REPUDIATE JIMMIE, TO ENTER TO A SHAM MARRIAGE AS SO MANY OTHER ACTORS DID, TO PRETEND TO BE WHAT HE WASN'T. AND IS THIS THAT PRECIPATED HIS EARLY EX OM THE MOVI, AROUND 1934. NOW THE BGRAPHER AND JOURNALIST WILLIAM J. MANN, FASCATED BY HA'S LORFUL RISE AND FALL THE FILM WORLD AND HIS UNIQUE REFAL TO VE TO THE STUD MANDS, HAS SHAPED AROUND HIS LIFE AN TRIGUG EXPLORATN OF FIFTY YEARS OF SHIFTG TSELTOWN MOR.MANN, TAKG AN AFFECTNATE BUT REFULLY CRIL VIEW OF THE HERO OF HIS BOOK, TRAC HA'S LIFE THROUGH S MULTIPLE METAMORPHOS. ONE OF THE BOOK'S CENTRAL REVELATNS IS THAT HOLLYWOOD THE 1920S WAS A PLACE WHERE WAS POSSIBLE TO BE OPENLY GAY. HOMOSEXUALY WAS SIMPLY ACCEPTED; GAY AND STRAIGHT PEOPLE MGLED SOCIALLY AS WELL AS PROFSNALLY, AND THERE WAS A LE DIVIDG THE ON-SCREEN PERSONA OF AN ACTOR OM HIS PRIVATE LIFE. BUT WH THE ADVENT OF SOUND AND THE NSERVATIVE REACTNISM OF THE 1930S WHICH ACPANIED THE START OF THE GREAT DEPRSN, A CRACKDOWN ENSUED ON BOTH THE NTENT OF THE FILMS AND THE PRIVATE LIV OF THEIR STARS.MANN SHOWS BOTH THE LONG-TERM EFFECT OF THE FORC UPON THE MOVI--THE FAMO HAYS MORALY , WHICH NSTRAED THE MOVI TO REPRENTG A RIGIDLY FED VALUE SYSTEM WHOSE IRON GRIP DID NOT BEG TO LOOSEN UNTIL THE 1960S AND '70S--AND THE VERY PERSONAL IMPACT UPON THE ACTORS HOLLYWOOD. THE STUDS CLARED THAT BEG GAY WAS NO LONGER OKAY HOLLYWOOD, THEREBY AVOIDG THE HARSH CRICISM OF THE ROMAN CATHOLIC CHURCH AND OTHER RELIG GROUPS, AND PROVIDG SP NTROL ON THE GOSSIP NEWSPAPERS THAT WERE RAPIDLY TAKG ON AN ALARMG PENNCE. ACTORS WHO WERE MORED TO BE HOMOSEXUAL WERE ORRED TO GET MARRIED AND GIVE THE PUBLIC WHAT WANTED: A PERSONA WHO F THE ON-SCREEN IMAGE OF AN ACCEPTABLY "MANLY" MAN OR "FEME" WOMAN. MOST ACTORS ACQUICED, TO ONE GREE OR ANOTHER. WHEN HA TOLD MGM STUD HEAD LOUIS B. MAYER, A SCENE THAT HAS BEE LEGEND, THAT HE WAS ALREADY MARRIED--TO HIS LOVER, JIMMIE SHIELDS--HE FOUND HIMSELF "BOOTED OUT" OF THE MOVIE DTRY.HA'S LIFE BOTH THE MOVI AND AFTERWARD, AS "RATOR TO THE STARS," PROVIS A KEYHOLE THROUGH WHICH WE N GET A VERY TIMATE GLIMPSE OF HOLLYWOOD LIFE, GAY AND STRAIGHT, AS ONCE EXISTED BEHD THE VEIL OF SECRECY. HA KNEW EVERYONE (AND SEEMS TO HAVE HAD AFFAIRS WH MANY OF THEM). THROUGH HIS EY, AS RENSTCTED BY MANN, WE SEE THE CREASGLY HIDN WORLD OF EARLY GAY HOLLYWOOD: THE ACTORS--CARY GRANT AND RANDOLPH STT, CLTTE COLBERT AND MARLENE DIETRICH, GRETA GARBO AND RAMON NOVARRO--AND THE PEOPLE BEHD THE SCEN, SUCH AS DIRECTOR GEE COR AND JET-SETTG POSER COLE PORTER, THE TWO FOL POTS OF GAY MALE HOLLYWOOD SOCIETY THE 1930S AND 40S.THE WILLIAM HA STORY IS ALSO A LOVE STORY, ALTHOUGH S POIGNANCY DO NOT BEE FULLY APPARENT UNTIL VERY LATE HIS BGRAPHY. BOTH HA AND JIMMIE SHIELDS SEEM TO HAVE BEEN REMARKABLY PRIVATE MEN; SPE THE HUNDREDS OF HA QUOTATNS AND REMISCENC BY IENDS THAT MANN HAS DRAWN ON, MOST OF HA' MENTS TO THE WORLD FEEL LIKE "WISECRACKS"--HIS TRAMARK BRAND OF FENSIVE HUMOR--AND 'S HARD TO GET A FEELG THAT WE UNRSTAND THIS MAN'S NER LIFE. EVEN LS RMATN REMAS ABOUT SHIELDS, AND WHAT REMISCENC HIS IENDS DO OFFER SOUND RATHER MORE BOORISH THAN ENARG. (RUMOR HAS THAT HA' TRANGEMENT OM COLE PORTER, FOR STANCE, WAS PRECIPATED BY PORTER'S TCHG JIMMIE UNROLY HAVG SEX WH A SAILOR THE BH DURG ONE OF HIS ELEGANT SOIRE.)THE BGRAPHY OF WILLIAM HA IS A REMARKABLY RICH DOCUMENT OF 50 YEARS OF CHANGG HOLLYWOOD MOR, AND MANN HAS SUCCEED ADMIRABLY HIS STATED GOAL OF SHEDDG LIGHT ON THE TOO-LONG-NEGLECTED WORLD OF EARLY HOLLYWOOD GAY LIFE AND CULTURE. BUT 'S THE OTHER THREADS NNG THROUGH HA' LIFE WHICH GIVE THE BOOK S IMPACT: HA' CHANGG IENDSHIPS, HIS PASSNATE LOVE FOR HIS TERR SIGN BS, HIS TTY TREATMENT BY THE SNDAL PRS AND HIS VOTN TO JIMMIE. THROUGH THAT TIMATE, PERSONAL STORY, MANN IS ABLE TO SUCCSFULLY BRG HOME THE IMPACT OF WHAT STARTED OUT AS HIS BOOK'S CENTRAL NARRATIVE: THE SOCPOLIL STORY OF THE "STUTNALIZATN OF THE HOLLYWOOD STORY OF HOW AN DTRY CHANGED, HOW A MUNY OF ARTISTS AND EE THKERS TURNED S BACK ON S OWN THE FACE OF ANIZED, TRADNALIST PRSURE." BUT 'S THE PERSONAL TAILS THAT H HOME THIS STORY OF AN ENARG IF IMPERFECT WISECRACKER, ONE WHOSE FEW REMAG IENDS TODAY REMEMBER HIM, ABOVE ALL ELSE, NOT FOR HIS JOK BUT FOR HIS QUIET {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? SUBSCRIBE TO OUR EMAIL {MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;PADDG:20PX 20PX;BORR-TOP:1PX SOLID #CCC;BORR-BOTTOM:1PX SOLID #CCC;MARG:20PX TO;}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;MARG:0PX TO;}@MEDIA (MAX-WIDTH:425PX){{-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;-WEBK-ALIGN-EMS:FLEX-START;-WEBK-BOX-ALIGN:FLEX-START;-MS-FLEX-ALIGN:FLEX-START;ALIGN-EMS:FLEX-START;}}{DISPLAY:BLOCK;MARG-RIGHT:20PX;FONT:0.85EM/1.5EM 'COLABORATE LIGHT';TEXT-TRANSFORM:UPPERSE;}{GRID-LUMN-START:2;GRID-ROW-START:3;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;WIDTH:100%;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:4;BOX-SIZG:BORR-BOX;GRID-LUMN-START:1;GRID-LUMN-END:2;}}{GRID-ROW-START:2;GRID-ROW-END:4;GRID-LUMN-START:3;POSN:RELATIVE;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:3;GRID-LUMN-START:1;}}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}}{MARG:0 TO;OPACY:0.3;MARG-TOP:50PX;} .SPNER{MARG:0 TO;WIDTH:70PX;TEXT-ALIGN:CENTER;} .SPNER > DIV{WIDTH:18PX;HEIGHT:18PX;BACKGROUND-LOR:#333;BORR-RADI:100%;DISPLAY:LE-BLOCK;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;} .SPNER .BOUNCE1{-WEBK-ANIMATN-LAY:-0.32S;-WEBK-ANIMATN-LAY:-0.32S;ANIMATN-LAY:-0.32S;} .SPNER .BOUNCE2{-WEBK-ANIMATN-LAY:-0.16S;-WEBK-ANIMATN-LAY:-0.16S;ANIMATN-LAY:-0.16S;}@-WEBK-KEYAM SK-BOUNCELAY{ 0%, 80%, 100%{-WEBK-TRANSFORM:SLE(0);} 40%{-WEBK-TRANSFORM:SLE(1);}}@-WEBK-KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}@KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{MARG-TOP:20PX;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG-TOP:20PX;}}{GRID-ROW-START:2;GRID-ROW-END:3;GRID-LUMN-START:1;GRID-LUMN-END:2;}@MEDIA (MAX-WIDTH:950PX){{DISPLAY:NONE;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;}{MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:NONE;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{DISPLAY:NONE;MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:BLOCK;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{LE-HEIGHT:1.3EM;BACKGROUND:#A50A0E;} .NTAER{MAX-WIDTH:1000PX;MARG:0 TO;} LI{LIST-STYLE:NONE;PADDG:20PX 76PX 0PX;} A{FONT-SIZE:1.5EM;FONT-FAY:'BIG MOORE';} .TABLISHED{FONT-SIZE:10PX;PADDG:0 76PX 5PX;MARG:0;} {MAX-WIDTH:1000PX;MARG:0PX TO;PADDG:20PX 60PX 0PX 60PX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;FONT-FAY:'ROBOTO',SANS-SERIF;BOX-SIZG:BORR-BOX;} .PYRIGHT{PADDG-BOTTOM:20PX;FONT-SIZE:12.4PX;LE-HEIGHT:18.72PX;TEXT-ALIGN:CENTER;}@MEDIA (MAX-WIDTH:600PX){ LI{PADDG:20PX 60PX 0PX;} {-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;PADDG:0PX 60PX 0PX 60PX;}} {MARG:TO;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;MARG-BOTTOM:10PX;MAX-WIDTH:200PX;} SVG{HEIGHT:31PX;WIDTH:100%;} {-WEBK-FLEX:1 1 0;-MS-FLEX:1 1 0;FLEX:1 1 0;} A{LOR:WHE;} H1{LOR:WHE;} {BACKGROUND:#790B0B;} A{LOR:WHE;} .TABLISHED{LOR:WHE;} .PYRIGHT{LOR:WHE;}THE HARVARD CRIMSONTHE UNIVERSY DAILY, EST. {HEIGHT:-WEBK-M-NTENT;HEIGHT:-MOZ-M-NTENT;HEIGHT:M-NTENT;-WEBK-BOX-FLEX:1;-WEBK-FLEX-GROW:1;-MS-FLEX-POSIVE:1;FLEX-GROW:1;-WEBK-FLEX-BASIS:150PX;-MS-FLEX-PREFERRED-SIZE:150PX;FLEX-BASIS:150PX;MARG-BOTTOM:50PX;} H1{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:800;FONT-SIZE:13PX;TEXT-TRANSFORM:UPPERSE;LE-HEIGHT:0.95EM;MARG:0;PADDG-LEFT:16PX;PADDG-BOTTOM:5PX;PADDG-TOP:4PX;} UL{LIST-STYLE:NONE;PADDG:0;MARG:0;FONT-WEIGHT:300;} UL A{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:300;FONT-SIZE:14PX;LE-HEIGHT:20PX;} UL LI{PADDG:3PX 0;PADDG-LEFT:16PX;}@MEDIA (MAX-WIDTH:600PX){{TEXT-ALIGN:LEFT;-WEBK-FLEX-BASIS:0PX;-MS-FLEX-PREFERRED-SIZE:0PX;FLEX-BASIS:0PX;BORR-BOTTOM:1PX SOLID WHE;PADDG-TOP:15PX;PADDG-BOTTOM:15PX;MARG-BOTTOM:10PX;} H1{PADDG-LEFT:0;FONT-SIZE:15PX;CURSOR:POTER;} UL LI{PADDG-LEFT:0;}(:FIRST-OF-TYPE){BORR-LEFT:NONE;} {MAX-HEIGHT:0;OVERFLOW:HIDN;-WEBK-TRANSN:MAX-HEIGHT 0.2S EASE-OUT;TRANSN:MAX-HEIGHT 0.2S EASE-OUT;}}SECTNS

Diana McLellan mentns this her book The Girls and the uple’s relatnship is heavily analyzed William Mann’s Behd the Screen: How Gays and Lbians Shaped Hollywood, 1910-1969. Actor Bob Cummgs is quoted the book as sayg, “Ja Gaynor’s hband was Adrian, the MGM fashn signer. Gaynor and Adrian were succsful durg a time when any sort of evince of their homosexualy would have hurt their reers, so ’s not surprisg that there isn’t ncrete evince about the tth of their relatnship.

Hudson’s homosexualy was kept a secret for most of his life. We often thk of Hollywood as beg acceptg of homosexual men and women.

Hollywood has also given great films about same-sex relatnships and gay rights such as Brokeback Mounta to Milk. But there was a darker time Hollywood when homosexual stars had to keep their sexualy as private as possible. ” Durg his short life, there were mors that Dean was gay.

RYAN MURPHY’S (KDA) TE ‘HOLLYWOOD’ STORY: 1940S MEETS GAY STARS, INTERRACIAL ROMANCE AND (GASP!) A FEMALE STUD CHIEF

When asked to discs the matter, he reportedly said, “No, I’m not homosexual, but I am also not gog through life wh one hand tied behd my back.

He accepts a gay in and perhaps if tim are different he is more open about his feelgs for men. Were you aware that the two great sex symbols were likely secretly homosexual? Before we tell you even more about old Hollywood stars who were secretly homosexual, please like this vio and subscribe to our channel for more unique and fascatg stori.

HOW GAY CULTURE BLOSSOMED DURG THE ROARG TWENTI

Bowers is famo as the pimp for servicg Hollywood’s closeted homosexuals. So how did the allegedly homosexual Spencer Tracy have a relatnship wh actrs Kathare Hepburn? But what did Brando himself thk about homosexualy?

In his 1976 tobgraphy, the actor claimed that homosexualy had bee so “ fashn” that was no longer news. He further stated that he had many ‘homosexual experienc’ and that he wasn’t ashamed to adm and that he uldn’t re ls about what others thought of him. Marlon Brando showed that he was very ahead of his time by boldly statg that he didn’t have any opposn to homosexualy.