‘Love, Simon’ is a rare, feel-good gay movie

Contents:

• LOVE, SIMON IS A GROUNDBREAKG GAY MOVIE. BUT DO TODAY'S TEENS ACTUALLY NEED IT?
• LOVE, SIMON IS A CHARMG GAY STUD MOVIE THAT MAK US HUNGRY FOR MORETEENS WILL SWOON, ADULTS WILL SIGH.BY RICHARD LAWSONMARCH 13, 2018PHOTO BY BEN ROTHSTE/TWENTIETH CENTURY FOXSAVE THIS STORYSAVESAVE THIS STORYSAVEIT’S GOG TO BE HARD TO TALK ABOUT LOVE, SIMON, THE NEW GAY TEEN ROMANTIC EDY OM FOX (YEP!), WHOUT TURNG TO A THERAPY SSN. BRIGHT AND ATTRACTIVE BOTH ST AND PRODUCTN SIGN, GREG BERLANTI’S FILM—ADAPTED OM THE BT-SELLG YOUNG-ADULT NOVEL SIMON VS. THE HOMO SAPIENS AGENDA—HAS A PLEASANT BEARG. THOUGH TELLS AN EMOTNAL STORY ABOUT INTY AND G OUT, ’S AN EASYGOG MOVIE, GLOSSY AND KD AND ZILY RNY. AND YET, FOR ME, WAS ALSO A GHT EXPERIENCE, BOTH PAED AND GIDDY, CHEERG AND DISMAYG. IT’S A LOT, THIS LTLE MOVIE.WELL, MAYBE ’S NOT LTLE. LOVE, SIMON IS THE FIRST MAJOR STUD FILM ABOUT A GAY KID G OUT. WHICH IS A RATHER BIG AL, EVEN IF THE MOVIE IS JT A SPRG EDY. (AND ACTUALLY, MAYBE THAT ’S A SPRG EDY MAK A BIGGER AL.) LOVE, SIMON ARRIV POISED TO ACMODATE A LOT OF BAGGAGE, WH EACH GAY PERSON WHO SE HANGG A LTLE OF THEIR OWN ON THE MOVIE (OR, I SUPPOSE, JT CHOOSG NOT TO ENGAGE WH AT ALL). THE THKG—AND PART OF THE MARKETG STRATEGY—IS THAT LOVE, SIMON WILL OFFER AN OPPORTUNY TO HAVE A CERTA BURN LIFTED, THAT WILL DO THE HONORABLE REPRENTATNAL WORK OF LETTG SEE OUR PAST AND PRENT AND FUTURE SELV ON THE BIG SCREEN WARM AND CELEBRATORY WAYS. WE WILL SEE LOVE, SIMON AND FEEL UNTED, FALLY.AND, SOME WAYS, YEAH, I DID. THE STORY OF A 16-YEAR-OLD, SIMON (NICK ROBSON), WHO ISN’T QUE READY TO E OUT UNTIL HE BEGS AN ANONYMO E-MAIL ROMANCE WH ANOTHER CLOSETED BOY AT HIS SCHOOL, LOVE, SIMON IS EXCG HOW DIRECTLY AND WHOLLY FOC ON S GAYNS. SIMON IS MAYBE—WH ALL OF ROBSON’S BOYISH, STRAIGHT-ACTG PHYSILY AND TIMBRE—ONE OF THOSE “JT HAPPENS TO BE GAY” TYP, BUT HE IS NOHELS GAY, SOMETHG THE FILM REMDS OF, TEXTUALLY OR SUBTEXTUALLY, JT ABOUT EVERY SCENE. (I ONLY WISH A FANTASY SEQUENCE WHICH SIMON IMAG WHAT LIFE AS AN OUT GAY GUY LLEGE WILL BE LIKE DIDN’T END WH SIMON SAYG VOICE-OVER, “WELL, MAYBE NOT THAT GAY.” WHY NOT THAT GAY? WHY NOT MORE GAY?) IT’S THRILLG AND ALMOST SURREAL TO BE GIVEN TWO HOURS OF THIS—WHOUT ANYTHG SHAD, D, OR TRAGIC— STUD PACKAGG, CYNILLY PALIST AS MAY BE. CHERISHED AS THE SPARSE APARTMENTS AND SIMPLE PHOTOGRAPHY OF SO MANY BELOVED STRAND AND TLA RELEAS ARE, GAY STUFF LOOKS GOOD ON A BIGGER BUDGET.THE FILM’S PERFORMANC ONLY ADD TO THE MOVIE’S AFFABLE SPARKLE. THOUGH I WISH HIS SIMON READ, ANKLY, A B GAYER, ROBSON IS NO DOUBT A CHARMER, A HANDSOME GUY WHO GIV A MTED, SENSIVE PERFORMANCE. THE ACTORS WHO PLAY SIMON’S IENDS, ANTAGONISTS, AND LOVE TERTS—AMONG THEM KATHERE LANGFORD, ALEXANDRA SHIPP, LOGAN MILLER, AND KEIYNAN LONSDALE (SWOON)—ALL PROVI STRONG SUPPORT, GIVG THE MOVIE’S TEEN SOCIALIZG A CREDIBLE ENERGY, EVEN IF THE KIDS ARE A LTLE MORE VOLUBLY ELOQUENT THAN THEIR REAL-LIFE UNTERPARTS. (SNAPPY DIALOGUE THAT WORKS A WTY BOOK DON’T ALWAYS WORK ON SCREEN, SOMETHG SCREENWRERS ELIZABETH BERGER AND ISAAC APTAKER ARE HIP TO ABOUT HALF THE TIME.) AND JENNIFER GARNER AND JOSH DUHAMEL ARE CUDDLY AND GENERO AS SIMON’S DOTG PARENTS, WH GARNER PARTICULAR NAILG THE MOVIE’S MOST THOUGHTFUL, WELL-ARTICULATED SCENE.STORY-WISE, THE MOVIE MOV ALONG WELL, TELLG A SURPRISGLY TRITE TALE OF CSH AND SECRET INTI. SOME OF LOVE, SIMON‘S PLOT VELOPMENTS ARE STARTLGLY DARK—CHIEF AMONG THEM A BLACKMAILG SCHEME THAT PROV DISASTRO—AND WOULD BE NICE TO SEE THE FILM TERROGATE OR NTEXTUALIZE THAT A B MORE. MUCH OF SIMON’S ONLE ROMANCE IS JT THAT: ONLE. AND IS HARD TO DRAMATIZE E-MAILG ON FILM. SO SIMON’S RELATNSHIP TO “BLUE,” HIS INTER PARAMOUR, MAY FEEL RICHER BOOK FORM. BUT MOSTLY, THE FILM DO A GRACEFUL JOB OF ILLTRATG SIMON‘S NER TURMOIL—HIS FEAR NOT OF BEG GAY, BUT OF LIFE CHANGG TOO DRASTILLY WHEN HE ANNOUNC THAT HE IS—WHILE MATAG S SPIRED, FUNNY, HUMANE AIR. IT’S A CRGE-Y MOVIE, SO BEWARE IF YOU’RE AVERSE TO THAT SORT OF THG. (I AM, AND I SURVIVED.) B-STORI WEAVE WELL WH SIMON’S MA THROUGH-LE, AND THE MOVIE ENDS WH A SENSE OF EQUY FOR EACH OF S WELL-DRAWN KIDS. (EVEN IF LANGFORD’S CHARACTER SORTA GETS THE SHAFT. OR DON’T, SO TO SPEAK.)SO, ALL OF THAT IS GOOD. I LEFT THE THEATER A LTLE JUMPY AND LIGHTHEAD, LGHG WH A IEND ABOUT HOW SILLY AND FLHED WE FELT. LOVE, SIMON’S WELL-MEANG “FALLY!” IS A HEADY THG TO WNS, S CLOSG SCEN SO HAPPY AND AFFECTNATE THAT YOU WANT TO HUG SOMEONE. (OR KISS SOMEONE!)MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHTHE CAST OF OPPENHEIMER AND THE REAL PEOPLE THEY PLAYBY HILLARY BISSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYIT WAS A FLEETG HIGH, THOUGH. BY THE TIME I GOT HOME OM THE THEATER (O.K., MY IEND AND I HAD A UPLE OF DRKS TO LM DOWN—BUT AFTER THAT), SOMETHG HAD SOURED ME, AND THE FILM BEGAN TO TAKE ON A DARKER—OR AT LEAST MORE TROUBLED—EDGE. WHAT I’VE BEEN WRTLG WH THE PAST UPLE OF WEEKS IS HOW MUCH OF THAT IS THE FILM’S DOG, AND HOW MUCH OF IS A PRODUCT OF MY OWN STUFF. ALL THAT BAGGAGE I’D TEMPORARILY LENT TO LOVE, SIMON QUICKLY STARTED TO WEIGH ON ME AGA, EVEN FEELG A B HEAVIER THAN BEFORE.I THK HAS SOMETHG TO DO WH THE KD OF IMAGG WE GAY ADULTS ARE MA TO DO ABOUT A MOVIE LIKE THIS. “WHAT IF I’D HAD THAT WHEN I WAS A KID?” WE FD OURSELV SAYG WH AWE, WH WISTFULNS, WH MAYBE (FELY?) A PANG OF JEALOY. (AND, OF URSE, “WHAT IF I’D LIVED THAT?”) OR, AT LEAST, I DO. IT’S A BTERSWEET ACTIVY, THIS NOSTALGIA FOR A YOUTH WE WISH WE HAD, AND FOR A YOUTH WE HOPE GAY KIDS ARE HAVG NOW. BUT IS A HEALTHY ONE?OF URSE ADULTS OWE TO YOUNG PEOPLE TO TE THEM, TO PROVI FOR THEM, TO HELP CLARIFY THE EMOTNAL WORLD FOR THEM. AND, Y, A PART OF THAT DUTY MAY BE GIVG THEM A LIKABLE, SOMETIM TRATGLY UNGAY GAY TEEN EDY ABOUT A WEALTHY KID WHOSE NANCY MEYERS–IAN LIFE IS DLY DISPTED UNTIL ISN’T, AND HE’S MET WH BROAD AND UNQUTNABLY LOVG SUPPORT THROUGHOUT. JUDGG OM THE REACTN TO A RECENT TIME PIECE THAT HAD THE TEMERY TO ASK IF LOVE, SIMON’S PLEASGLY BLAND PICTN OF RELATIVELY NORMATIVE GAYNS WOULD APPEAL TO TODAY’S MORE SOCIALLY NSC TEENS (A GOOD AND FAIR QUTN WORTH ENGAGG WH BEYOND THE PIECE’S HEADLE, FOLKS), THERE SEEMS TO BE A MAND, AN EAGER ANTICIPATN FOR THIS MOVIE. SO IF LOVE, SIMON DO SOMETHG—ENTERTAS, ELAT, TRANSPORTS—FOR THOSE QUEER KIDS NEED OF , THEN ’S ALL WORTH .THERE’S STILL A PART OF ME THAT WONRS IF KIDS NOW, WH YOUTUBE AND INSTAGRAM OFFERG UP A PLETHORA OF GAY PEERS TO LOOK ON, ARE QUE AS STARVED FOR THIS MOVIE AS OLR GENERATNS WERE. BUT WHETHER OR NOT GEN Z-ERS FD SOMETHG NOURISHG AND OF VALUE THE MOVIE, WHAT ARE WE GAY ADULTS TO DO WH ? DO EVEN MATTER WHAT WE DO WH ?WHAT I’VE BEEN SORT OF DANCG AROUND HERE IS THIS: A FEW HOURS AFTER SEEG LOVE, SIMON, I FELT KDA PRSED. ALL THAT SWEET LONGG FOR A TEENAGEHOOD I NEVER HAD—AND A MOVIE THAT I NEVER GOT—HARNED TO A REGRET, A BTERNS. THE SAME GO, SOME WAYS, FOR CALL ME BY YOUR NAME, THOUGH THAT FILM’S MEDATIVE WHISPERS HAVE PROVEN A MORE LASTG BALM THAN LOVE, SIMON’S QUICK AND CLUMSY BURST OF POIGNANCY. I THK I MIGHT JT BE A LTLE TIRED—FOR THE MOMENT—OF THKG MELANCHOLILLY ABOUT WHAT ULD HAVE BEEN, TIRED OF TILLG THE EARTH OF MY TEENAGE YEARS AND IMBUG WH THE FANTASI, AND THEN ASSUMG THAT MEANS I’VE BEEN FULFILLED, THAT I’VE BEEN SATISFYGLY REPRENTED CEMA.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHTHE CAST OF OPPENHEIMER AND THE REAL PEOPLE THEY PLAYBY HILLARY BISSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYLOVE, SIMON IS NOT BEG MARKETED TO GAY ADULTS EXPRSLY, BUT PLENTY OF GAY ADULTS WILL SEE —HUNGRY FOR THIS FIRST MOVIEGOG EXPERIENCE, THE ONE LARGELY NIED TO THEM AS KIDS. WHICH IS GOOD. I HOPE THEY LOVE , AND THAT S TEND DIENCE OF TEENS LOV , AND THAT THE MOVIE MAK A BOATLOAD OF MONEY. AND I HOPE SOME OF THAT MONEY WILL THEN BE ED TO MAKE STUD MOVI ABOUT, AND FOR, GAY ADULTS, AND GAY OLD PEOPLE, AND GAY PEOPLE WHO ARE GAYER THAN NICK ROBSON, AND GAY MOVIE CRICS STARG DOWN THE BARREL OF THEIR 35TH BIRTHDAY. ALL KDS OF GAY PEOPLE!I—AND MANY OTHERS, I’M SURE—ULD BENEF OM A REMR THAT GAY LIV ARE NOT SOLELY FED BY PRIMAL DISVERY, THAT THEY EXIST LONG PAST FIRST BLH. FIRST BLH ARE GREAT, AND WE’VE BEEN BLSED WH SEVERAL GOOD FILMS ABOUT THEM RECENTLY, CLUDG LOVE, SIMON. BUT AS MUCH AS LOVE, SIMON’S WNG, IF SLIGHTLY BOWDLERIZED, G-OUT STORY IALLY MA ME YEARN FOR AN ALTERED YOUTH, ’S SCE MA ME YEARN EVEN MORE FOR STORI THAT REFLECT MY GAY LIFE TODAY, OR MY GAY LIFE AS MIGHT BE YEARS OM NOW. (AND YOUR GAY LIFE, AND YOUR GAY LIFE, AND YOUR GAY LIFE.) HERE’S HOPG FOR THOSE MOVI THE NEAR FUTURE. THK OF THIS WAY: IF THOSE FILMS GET MA NOW, THEY’LL BE THERE WAG FOR TODAY’S TEENS—SOON TO BE SMTEN WH SIMON—WHEN THEY EVENTUALLY GET OLR AND GROW HUNGRY FOR SOMETHG MORE. DO FOR THEM, HOLLYWOOD. AND FOR , TOO.RICHARD LAWSON
• AUTHOR BECKY ALBERTALLI ON ‘LOVE, SIMON,’ THE GROUNDBREAKG ADAPTATN OF HER GAY TEEN ROMANCE
• 'LOVE, SIMON' IS A GOTDAMN LIGHTFUL ROM, AND 'S GAY AS HELL
• ‘LOVE, SIMON’ IS A RARE, FEEL-GOOD GAY MOVIE
• LOVE, SIMON? DON’T LOVE, SIMON?: A DEBATE ON THE LTLE GAY MOVIE THAT COULD
• LOVE, SIMON. A GAY MOVIE FOR STRAIGHT PEOPLE

LOVE, SIMON IS A GROUNDBREAKG GAY MOVIE. BUT DO TODAY'S TEENS ACTUALLY NEED IT?

Cast & crewUser reviewsTrivia2018PG-131h 50mSimon Spier keeps a huge secret om his fay, his iends and all of his classmat: he's gay. When that secret is threatened, Simon mt face everyone and e to terms wh his Spier keeps a huge secret om his fay, his iends and all of his classmat: he's gay. When that secret is threatened, Simon mt face everyone and e to terms wh his productn, box office & pany Vios44More like thisReview This is the movie we need when my generatn was growg upHelmed to be one of this generatn's homage to John Hugh (well-curated soundtrack, romantic edy a high school settg), we're not exaggeratg when we say this is the movie we need when my generatn was growg the day, I remember there was only one gay character on mastream media: Jack McPhee om Dawson's Creek, a football player origally brought to play a love triangle wh Dawson and Joey.

Eventually he broke TV grounds when he me out as gay and was the first featured ever male gay kiss on primetime televisn. This was back the year further back, the other gay character I had accs to was Matt Fieldg om Melrose Place the early 90s. For a show that was all about gossip and sndals, surprisgly enough relegated Matt the background as the token gay character, way before the term was even forward to today and we have Love, Simon, a g-of-age movie about Simon Spier, who is gay but is unable to e out for fear of beg bullied and ridiculed and ends up exchangg anonymo msag wh the other gay person his school hidg unr the name Blue.

LOVE, SIMON IS A CHARMG GAY STUD MOVIE THAT MAK US HUNGRY FOR MORETEENS WILL SWOON, ADULTS WILL SIGH.BY RICHARD LAWSONMARCH 13, 2018PHOTO BY BEN ROTHSTE/TWENTIETH CENTURY FOXSAVE THIS STORYSAVESAVE THIS STORYSAVEIT’S GOG TO BE HARD TO TALK ABOUT LOVE, SIMON, THE NEW GAY TEEN ROMANTIC EDY OM FOX (YEP!), WHOUT TURNG TO A THERAPY SSN. BRIGHT AND ATTRACTIVE BOTH ST AND PRODUCTN SIGN, GREG BERLANTI’S FILM—ADAPTED OM THE BT-SELLG YOUNG-ADULT NOVEL SIMON VS. THE HOMO SAPIENS AGENDA—HAS A PLEASANT BEARG. THOUGH TELLS AN EMOTNAL STORY ABOUT INTY AND G OUT, ’S AN EASYGOG MOVIE, GLOSSY AND KD AND ZILY RNY. AND YET, FOR ME, WAS ALSO A GHT EXPERIENCE, BOTH PAED AND GIDDY, CHEERG AND DISMAYG. IT’S A LOT, THIS LTLE MOVIE.WELL, MAYBE ’S NOT LTLE. LOVE, SIMON IS THE FIRST MAJOR STUD FILM ABOUT A GAY KID G OUT. WHICH IS A RATHER BIG AL, EVEN IF THE MOVIE IS JT A SPRG EDY. (AND ACTUALLY, MAYBE THAT ’S A SPRG EDY MAK A BIGGER AL.) LOVE, SIMON ARRIV POISED TO ACMODATE A LOT OF BAGGAGE, WH EACH GAY PERSON WHO SE HANGG A LTLE OF THEIR OWN ON THE MOVIE (OR, I SUPPOSE, JT CHOOSG NOT TO ENGAGE WH AT ALL). THE THKG—AND PART OF THE MARKETG STRATEGY—IS THAT LOVE, SIMON WILL OFFER AN OPPORTUNY TO HAVE A CERTA BURN LIFTED, THAT WILL DO THE HONORABLE REPRENTATNAL WORK OF LETTG SEE OUR PAST AND PRENT AND FUTURE SELV ON THE BIG SCREEN WARM AND CELEBRATORY WAYS. WE WILL SEE LOVE, SIMON AND FEEL UNTED, FALLY.AND, SOME WAYS, YEAH, I DID. THE STORY OF A 16-YEAR-OLD, SIMON (NICK ROBSON), WHO ISN’T QUE READY TO E OUT UNTIL HE BEGS AN ANONYMO E-MAIL ROMANCE WH ANOTHER CLOSETED BOY AT HIS SCHOOL, LOVE, SIMON IS EXCG HOW DIRECTLY AND WHOLLY FOC ON S GAYNS. SIMON IS MAYBE—WH ALL OF ROBSON’S BOYISH, STRAIGHT-ACTG PHYSILY AND TIMBRE—ONE OF THOSE “JT HAPPENS TO BE GAY” TYP, BUT HE IS NOHELS GAY, SOMETHG THE FILM REMDS OF, TEXTUALLY OR SUBTEXTUALLY, JT ABOUT EVERY SCENE. (I ONLY WISH A FANTASY SEQUENCE WHICH SIMON IMAG WHAT LIFE AS AN OUT GAY GUY LLEGE WILL BE LIKE DIDN’T END WH SIMON SAYG VOICE-OVER, “WELL, MAYBE NOT THAT GAY.” WHY NOT THAT GAY? WHY NOT MORE GAY?) IT’S THRILLG AND ALMOST SURREAL TO BE GIVEN TWO HOURS OF THIS—WHOUT ANYTHG SHAD, D, OR TRAGIC— STUD PACKAGG, CYNILLY PALIST AS MAY BE. CHERISHED AS THE SPARSE APARTMENTS AND SIMPLE PHOTOGRAPHY OF SO MANY BELOVED STRAND AND TLA RELEAS ARE, GAY STUFF LOOKS GOOD ON A BIGGER BUDGET.THE FILM’S PERFORMANC ONLY ADD TO THE MOVIE’S AFFABLE SPARKLE. THOUGH I WISH HIS SIMON READ, ANKLY, A B GAYER, ROBSON IS NO DOUBT A CHARMER, A HANDSOME GUY WHO GIV A MTED, SENSIVE PERFORMANCE. THE ACTORS WHO PLAY SIMON’S IENDS, ANTAGONISTS, AND LOVE TERTS—AMONG THEM KATHERE LANGFORD, ALEXANDRA SHIPP, LOGAN MILLER, AND KEIYNAN LONSDALE (SWOON)—ALL PROVI STRONG SUPPORT, GIVG THE MOVIE’S TEEN SOCIALIZG A CREDIBLE ENERGY, EVEN IF THE KIDS ARE A LTLE MORE VOLUBLY ELOQUENT THAN THEIR REAL-LIFE UNTERPARTS. (SNAPPY DIALOGUE THAT WORKS A WTY BOOK DON’T ALWAYS WORK ON SCREEN, SOMETHG SCREENWRERS ELIZABETH BERGER AND ISAAC APTAKER ARE HIP TO ABOUT HALF THE TIME.) AND JENNIFER GARNER AND JOSH DUHAMEL ARE CUDDLY AND GENERO AS SIMON’S DOTG PARENTS, WH GARNER PARTICULAR NAILG THE MOVIE’S MOST THOUGHTFUL, WELL-ARTICULATED SCENE.STORY-WISE, THE MOVIE MOV ALONG WELL, TELLG A SURPRISGLY TRITE TALE OF CSH AND SECRET INTI. SOME OF LOVE, SIMON‘S PLOT VELOPMENTS ARE STARTLGLY DARK—CHIEF AMONG THEM A BLACKMAILG SCHEME THAT PROV DISASTRO—AND WOULD BE NICE TO SEE THE FILM TERROGATE OR NTEXTUALIZE THAT A B MORE. MUCH OF SIMON’S ONLE ROMANCE IS JT THAT: ONLE. AND IS HARD TO DRAMATIZE E-MAILG ON FILM. SO SIMON’S RELATNSHIP TO “BLUE,” HIS INTER PARAMOUR, MAY FEEL RICHER BOOK FORM. BUT MOSTLY, THE FILM DO A GRACEFUL JOB OF ILLTRATG SIMON‘S NER TURMOIL—HIS FEAR NOT OF BEG GAY, BUT OF LIFE CHANGG TOO DRASTILLY WHEN HE ANNOUNC THAT HE IS—WHILE MATAG S SPIRED, FUNNY, HUMANE AIR. IT’S A CRGE-Y MOVIE, SO BEWARE IF YOU’RE AVERSE TO THAT SORT OF THG. (I AM, AND I SURVIVED.) B-STORI WEAVE WELL WH SIMON’S MA THROUGH-LE, AND THE MOVIE ENDS WH A SENSE OF EQUY FOR EACH OF S WELL-DRAWN KIDS. (EVEN IF LANGFORD’S CHARACTER SORTA GETS THE SHAFT. OR DON’T, SO TO SPEAK.)SO, ALL OF THAT IS GOOD. I LEFT THE THEATER A LTLE JUMPY AND LIGHTHEAD, LGHG WH A IEND ABOUT HOW SILLY AND FLHED WE FELT. LOVE, SIMON’S WELL-MEANG “FALLY!” IS A HEADY THG TO WNS, S CLOSG SCEN SO HAPPY AND AFFECTNATE THAT YOU WANT TO HUG SOMEONE. (OR KISS SOMEONE!)MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHTHE CAST OF OPPENHEIMER AND THE REAL PEOPLE THEY PLAYBY HILLARY BISSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYIT WAS A FLEETG HIGH, THOUGH. BY THE TIME I GOT HOME OM THE THEATER (O.K., MY IEND AND I HAD A UPLE OF DRKS TO LM DOWN—BUT AFTER THAT), SOMETHG HAD SOURED ME, AND THE FILM BEGAN TO TAKE ON A DARKER—OR AT LEAST MORE TROUBLED—EDGE. WHAT I’VE BEEN WRTLG WH THE PAST UPLE OF WEEKS IS HOW MUCH OF THAT IS THE FILM’S DOG, AND HOW MUCH OF IS A PRODUCT OF MY OWN STUFF. ALL THAT BAGGAGE I’D TEMPORARILY LENT TO LOVE, SIMON QUICKLY STARTED TO WEIGH ON ME AGA, EVEN FEELG A B HEAVIER THAN BEFORE.I THK HAS SOMETHG TO DO WH THE KD OF IMAGG WE GAY ADULTS ARE MA TO DO ABOUT A MOVIE LIKE THIS. “WHAT IF I’D HAD THAT WHEN I WAS A KID?” WE FD OURSELV SAYG WH AWE, WH WISTFULNS, WH MAYBE (FELY?) A PANG OF JEALOY. (AND, OF URSE, “WHAT IF I’D LIVED THAT?”) OR, AT LEAST, I DO. IT’S A BTERSWEET ACTIVY, THIS NOSTALGIA FOR A YOUTH WE WISH WE HAD, AND FOR A YOUTH WE HOPE GAY KIDS ARE HAVG NOW. BUT IS A HEALTHY ONE?OF URSE ADULTS OWE TO YOUNG PEOPLE TO TE THEM, TO PROVI FOR THEM, TO HELP CLARIFY THE EMOTNAL WORLD FOR THEM. AND, Y, A PART OF THAT DUTY MAY BE GIVG THEM A LIKABLE, SOMETIM TRATGLY UNGAY GAY TEEN EDY ABOUT A WEALTHY KID WHOSE NANCY MEYERS–IAN LIFE IS DLY DISPTED UNTIL ISN’T, AND HE’S MET WH BROAD AND UNQUTNABLY LOVG SUPPORT THROUGHOUT. JUDGG OM THE REACTN TO A RECENT TIME PIECE THAT HAD THE TEMERY TO ASK IF LOVE, SIMON’S PLEASGLY BLAND PICTN OF RELATIVELY NORMATIVE GAYNS WOULD APPEAL TO TODAY’S MORE SOCIALLY NSC TEENS (A GOOD AND FAIR QUTN WORTH ENGAGG WH BEYOND THE PIECE’S HEADLE, FOLKS), THERE SEEMS TO BE A MAND, AN EAGER ANTICIPATN FOR THIS MOVIE. SO IF LOVE, SIMON DO SOMETHG—ENTERTAS, ELAT, TRANSPORTS—FOR THOSE QUEER KIDS NEED OF , THEN ’S ALL WORTH .THERE’S STILL A PART OF ME THAT WONRS IF KIDS NOW, WH YOUTUBE AND INSTAGRAM OFFERG UP A PLETHORA OF GAY PEERS TO LOOK ON, ARE QUE AS STARVED FOR THIS MOVIE AS OLR GENERATNS WERE. BUT WHETHER OR NOT GEN Z-ERS FD SOMETHG NOURISHG AND OF VALUE THE MOVIE, WHAT ARE WE GAY ADULTS TO DO WH ? DO EVEN MATTER WHAT WE DO WH ?WHAT I’VE BEEN SORT OF DANCG AROUND HERE IS THIS: A FEW HOURS AFTER SEEG LOVE, SIMON, I FELT KDA PRSED. ALL THAT SWEET LONGG FOR A TEENAGEHOOD I NEVER HAD—AND A MOVIE THAT I NEVER GOT—HARNED TO A REGRET, A BTERNS. THE SAME GO, SOME WAYS, FOR CALL ME BY YOUR NAME, THOUGH THAT FILM’S MEDATIVE WHISPERS HAVE PROVEN A MORE LASTG BALM THAN LOVE, SIMON’S QUICK AND CLUMSY BURST OF POIGNANCY. I THK I MIGHT JT BE A LTLE TIRED—FOR THE MOMENT—OF THKG MELANCHOLILLY ABOUT WHAT ULD HAVE BEEN, TIRED OF TILLG THE EARTH OF MY TEENAGE YEARS AND IMBUG WH THE FANTASI, AND THEN ASSUMG THAT MEANS I’VE BEEN FULFILLED, THAT I’VE BEEN SATISFYGLY REPRENTED CEMA.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHTHE CAST OF OPPENHEIMER AND THE REAL PEOPLE THEY PLAYBY HILLARY BISSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYLOVE, SIMON IS NOT BEG MARKETED TO GAY ADULTS EXPRSLY, BUT PLENTY OF GAY ADULTS WILL SEE —HUNGRY FOR THIS FIRST MOVIEGOG EXPERIENCE, THE ONE LARGELY NIED TO THEM AS KIDS. WHICH IS GOOD. I HOPE THEY LOVE , AND THAT S TEND DIENCE OF TEENS LOV , AND THAT THE MOVIE MAK A BOATLOAD OF MONEY. AND I HOPE SOME OF THAT MONEY WILL THEN BE ED TO MAKE STUD MOVI ABOUT, AND FOR, GAY ADULTS, AND GAY OLD PEOPLE, AND GAY PEOPLE WHO ARE GAYER THAN NICK ROBSON, AND GAY MOVIE CRICS STARG DOWN THE BARREL OF THEIR 35TH BIRTHDAY. ALL KDS OF GAY PEOPLE!I—AND MANY OTHERS, I’M SURE—ULD BENEF OM A REMR THAT GAY LIV ARE NOT SOLELY FED BY PRIMAL DISVERY, THAT THEY EXIST LONG PAST FIRST BLH. FIRST BLH ARE GREAT, AND WE’VE BEEN BLSED WH SEVERAL GOOD FILMS ABOUT THEM RECENTLY, CLUDG LOVE, SIMON. BUT AS MUCH AS LOVE, SIMON’S WNG, IF SLIGHTLY BOWDLERIZED, G-OUT STORY IALLY MA ME YEARN FOR AN ALTERED YOUTH, ’S SCE MA ME YEARN EVEN MORE FOR STORI THAT REFLECT MY GAY LIFE TODAY, OR MY GAY LIFE AS MIGHT BE YEARS OM NOW. (AND YOUR GAY LIFE, AND YOUR GAY LIFE, AND YOUR GAY LIFE.) HERE’S HOPG FOR THOSE MOVI THE NEAR FUTURE. THK OF THIS WAY: IF THOSE FILMS GET MA NOW, THEY’LL BE THERE WAG FOR TODAY’S TEENS—SOON TO BE SMTEN WH SIMON—WHEN THEY EVENTUALLY GET OLR AND GROW HUNGRY FOR SOMETHG MORE. DO FOR THEM, HOLLYWOOD. AND FOR , TOO.RICHARD LAWSON

The new movie Love, Simon reprents somethg new: a look at what ’s like to be a gay teen that’s as slick and mastream as n be, like any other YA romantic edy.

As his profile at school evolv, he’s mocked for beg gay by the jocks, but elsewhere his search for a boyiend is met wh a zealo enuragement that saps the movie’s tensn. Plenty of gay kids are supported by those around them, but how many are appld and rooted on by the school en masse, as Simon is, as they seek love?

AUTHOR BECKY ALBERTALLI ON ‘LOVE, SIMON,’ THE GROUNDBREAKG ADAPTATN OF HER GAY TEEN ROMANCE

Can a love story centered around a gay teen who is very refully built to seem as straight as possible appeal to a generatn that’s boldly reventg genr and sexualy on s own terms? There’s no reason that the first gay romantic edy for young viewers necsarily need to look so much like the pat, flat rom-s wh which today’s teens are barely faiar. The culture, even a ago, was awash anti-gay rhetoric and msagg, om shows like The Office to movi like The 40-Year-Old Virg.

'LOVE, SIMON' IS A GOTDAMN LIGHTFUL ROM, AND 'S GAY AS HELL

(The former relentlsly teased s lone queer office drone; the latter, a liberal-md edy, psed the actn for a lengthy sequence of mean gay jok. Love, Simon feels like a film rpondg to an entirely different culture, like one which gay marriage was never legalized. That cisn both acknowledged that equaly for gays had won the day and opened the door for far more tertg and challengg fights, on the next generatn will lead.

‘LOVE, SIMON’ IS A RARE, FEEL-GOOD GAY MOVIE

He hasn't told his fay or iends that he's gay, and he don't know the inty of the anonymo classmate that he's fallen for onle. The tch beg that no one knows Simon is gay and he's been secretly munitg wh another gay classmate over the ter, who is also unknown.

LOVE, SIMON? DON’T LOVE, SIMON?: A DEBATE ON THE LTLE GAY MOVIE THAT COULD

Universal that 's not jt about a gay teen g out to the world, but about how sry is to troduce yourself to the world no matter who you are while specific enough to be a *moment" unto self. ) Love, Simon arriv poised to acmodate a lot of baggage, wh each gay person who se hangg a ltle of their own on the movie (or, I suppose, jt choosg not to engage wh at all).

The story of a 16-year-old, Simon (Nick Robson), who isn’t que ready to e out until he begs an anonymo e-mail romance wh another closeted boy at his school, Love, Simon is excg how directly and wholly foc on s gayns. Simon is maybe—wh all of Robson’s boyish, straight-actg physily and timbre—one of those “jt happens to be gay” typ, but he is nohels gay, somethg the film remds of, textually or subtextually, jt about every scene.

(I only wish a fantasy sequence which Simon imag what life as an out gay guy llege will be like didn’t end wh Simon sayg voice-over, “Well, maybe not that gay. Cherished as the sparse apartments and simple photography of so many beloved Strand and TLA releas are, gay stuff looks good on a bigger film’s performanc only add to the movie’s affable sparkle. Though I wish his Simon read, ankly, a b gayer, Robson is no doubt a charmer, a handsome guy who giv a mted, sensive performance.

LOVE, SIMON. A GAY MOVIE FOR STRAIGHT PEOPLE

But mostly, the film do a graceful job of illtratg Simon‘s ner turmoil—his fear not of beg gay, but of life changg too drastilly when he announc that he is—while matag s spired, funny, humane air. But there is a "but" Simon's life, the big secret that he's been keepg now for a few years: he's gay and the closet to everyone. He knows pecially his parents would be all right wh his homosexual orientatn, spe Jack's often polilly rrect jok, and that most of the stunts accept Ethan, their one and only openly gay classmate, but Simon has failed to e out for var reasons, mostly havg to do wh the change that would occur what he has known as his life.

He disvers that he is not alone: another classmate llg himself "Blue" (a psdonym) is postg onle about his own gay stggl the closet. The only openly gay stunt at school is Ethan (Clark Moore), who is picked on by the school's rint jackass Aaron (Tyler Chase) and Spencer (Terayle Hill).

Later, Simon gets a FaceTime ll om Leah, who tells him about the school's blog where an anonymo stunt gog by "Blue" has e out as gay. Simon is upset but also isn't ready for everyone to know he's gay, so he reluctantly go along wh lunch, Simon's iend Bram (Keiynan Lonsdale) v everyone to his hoe for a Halloween party. Leah also adms to Simon that she was love wh him and would have been fe wh him beg gay, but she is still mad about the returng to school, the other stunts all gawk at Simon after what happened.

Simon talks to Ethan, who says that although he is open and nfint about his homosexualy, isn't at all easy for him, and his mother still pretends for the rt of his fay that he is straight. Afterwards, Simon is gog home when he is approached by Mart, who is very apologetic, but Simon tells him to fuck talks to his mom, who has no problem wh him beg gay and says he should be ee to be himself.

Directed by Greg Berlanti and starrg Nick Robson (Jurassic World), the story centers on high school stunt Simon Spier and his bourgeong relatnship--emails wh an anonymo boy he knows only as “Blue, ” which is pted agast his fear of g out as gay. Clark is an openly gay actor, and he plays this character Ethan, who is the only openly gay stunt at [Simon’s high school] Creekwood that Simon knows of at the begng of the story.