KGOV's List of Gay Mass Murrers |

Contents:

• LAST CALL: BEHD THE TERRIFYG UNTOLD STORY OF NEW YORK'S GAY BAR KILLER
• SERIAL KILLER WHO PREYED ON GAY MEN, WAS DUBBED 'I-95 KILLER' IS EXECUTED FLORIDA
• THE GAY MEN FREQUENTED MANHATTAN PIANO BARS. SO DID THEIR KILLER.
• THE SERIAL KILLER WHO PREYED UPON GAY NEW YORKERS
• KGOV'S LIST OF GAY MASS MURRERS
• QUEER CRIME: HOW HOMOPHOBIA HELPED 4 GAY SERIAL KILLERS CONTUE TO KILL
• THE CHILLG CONFSNS OF A COP TURNED SERIAL KILLER OF GAY MENTHE FACE OF EVILHARRY DEMPSTER/DAILY EXPRS/HULTON ARCHIVE/GETTYTHE NETFLIX DOC “MEMORI OF A MURRER: THE NILSEN TAP” NTAS CREEPY TERVIEWS WH DENNIS NILSEN, A MADMAN WHO ADMTED TO KILLG 15 RENT BOYS OVER A FIVE-YEAR PERD.NICK SCHAGERENTERTAMENT CRICUPDATED AUG. 17, 2021 5:42AM EDT / PUBLISHED AUG. 17, 2021 5:01AM EDT KILLERS DON’T LIKE TO GET UGHT, BUT ONCE CTODY, THEY SURE DO LIKE TO TALK, AS EVINCED BY A RAFT OF TE-CRIME EFFORTS—CONVERSATNS WH A KILLER: THE TED BUNDY TAP, CONONTG A SERIAL KILLER, THE CONFSN KILLER, THE SONS OF SAM: A DCENT INTO DARKNS AND ELIZE MATSUNAGA: ONCE UPON A CRIME, AMONG OTHERS—CENTERED AROUND TAPED NVERSATNS WH NOTOR FIENDS. TO THAT LIST ONE N NOW ADD MEMORI OF A MURRER: THE NILSEN TAP, A NON-FICTN FILM WHOSE PRIMARY DRAW IS A RAFT OF PERSONAL RERDGS MA BY DENNIS NILSEN, THE STTISH MADMAN WHO TERRORIZED LONDON DURG THE 1980S, AND WHOSE KILLG SPREE, AND ATTEMPT TO AVOID RCERATN, WAS RECENTLY IMMORTALIZED BY A SUNDANCE NOW DRAMATIC SERI STARRG DAVID TENNANT.HELMED BY FIRST-TIME DIRECTOR MICHAEL HARTE, WHO’S PREVLY EDED DON’T F**K WH CATS: HUNTG AN INTER KILLER AS WELL AS THREE INTIL STRANGERS, MEMORI OF A MURRER: THE NILSEN TAP (AUG. 18, ON NETFLIX) BEGS WH NILSEN SLAMMG THE NOTN THAT HE LIBERATELY SOUGHT IMMORTALY, AS WAS CLAIMED BY A NEWSPAPER ARTICLE THAT SURMISED HE HAD A HUNGER FOR THE SPOTLIGHT OM THE HANNIBAL LECTER POSTER HANGG HIS JAIL CELL. NILSEN’S PROTTS, HOWEVER, DON’T JIBE WH THE MANY D TAP HE MA WHILE PRISON. INTEND TO FORM THE FOUNDATN OF HIS TOBGRAPHY (SELF AN ATTENTN-URTG VANY PROJECT), THE RERDGS FD THE MURRER EXPOUNDG ON HIS LIFE AND CIRCUMSTANC WH AN ELOQUENCE THAT REEKS OF AFFECTED SMUGNS—A QUALY THAT’S ALSO TE OF HIS EVERYMAN SCHTICK, AS IF ANYONE WOULD BUY FOR A SEND THAT, BEE OF HIS ORDARY APPEARANCE AND MEANOR, HE WASN’T A DANGERO PREDATOR. THERE’S NO NYG THAT NILSEN’S NONSCRIPT EXTERR—LANKY AME, GLASS, SCHOOLBOY HAIRCUT—WAS PART OF WHAT MA HIM SUCH A MABRE SPECTACLE. LIKE TED BUNDY BEFORE HIM AND JEFEY DAHMER AFTER, NILSEN DIDN’T F THE TYPIL HOMICIDAL-MANIAC PROFILE (HE HAD EVEN SERVED, FOR A TIME, AS A POLICE OFFICER). NOHELS, HE WAS AS LD-BLOOD AS THEY E, A RAGG SOCPATH WHO ADMTED TO KILLG 15 MEN DURG A FIVE-YEAR SPAN OM 1978-1983, AND WHO WAS ONLY UGHT WHEN AN ENGEER WAS LLED TO FIX A CLOGGED DRA AT HIS CRANLEY GARNS APARTMENT PLEX NORTH LONDON, AND DISVERED THAT THE E OF THE BACK-UP WAS AN ENORMO AMOUNT OF HUMAN FLH AND BONE. NEIGHBORS CLAIMED THAT THEY’D SEEN NILSEN NEAR THAT DRA AROUND MIDNIGHT THE PREV EVENG, AND WHEN HE RETURNED HOME OM HIS JOB AT THE LOL JOB CENTRE, HE LED VTIGATORS TO HIS FLAT, WHERE THE STENCH WAS FETID THANKS TO TWO GIANT GARBAGE BAGS THAT, HE NFSED, NTAED THE REMAS OF NUMERO VICTIMS.THE TAILS THAT SOON EMERGED WERE GRISLY. NILSEN’S MOD OPERANDI VOLVED PICKG UP MALE DRIFTERS AND “RENT BOYS” AND BRGG THEM BACK TO HIS HOME, WHERE HE’D KILL THEM. AT CRANLEY GARNS, THE DRA PIPE WAS A CENTRAL MEANS OF BODY DISPOSAL, WHEREAS AT HIS PRR RINCE AT 195 MELROSE AVENUE HE’D STASHED RPS BENEATH THE FLOORBOARDS—AND BURNED THEIR BODI BONFIR A REAR GARN—UNTIL HE RAN OUT OF SPACE AND HAD TO MOVE. THIS RMATN, AS WELL AS THE FACT THAT NILSEN WAS GAY AND OFTEN PREYED UPON HOMOSEXUAL MEN, BEME PRIME FODR FOR THE MEDIA, AND BBC RRPONNT BILL HATON IS ONE OF MULTIPLE TERVIEWE TO STATE, MEMORI OF A MURRER: THE NILSEN TAP, THAT HE GOT A SENSATNALISTIC THRILL OUT OF LEARNG ABOUT NILSEN’S HORRIFIC CRIM. NILSEN DON’T REALLY DISCS THE PARTICULARS OF HIS GOME PASTIME; HIS THOUGHTS ON THAT SUBJECT ARE NVEYED BY DIRECTOR HARTE VIA TRANSCRIBED MENTARY, AND POLICE AND URT RERDS PRENTED AS TYPEWRER TEXT. WH REGARD TO HIS NOTORIETY, HOWEVER, HE DO STATE THAT “A CLEARLY PREJUDICED PICTURE HAD BEEN ALLOWED TO FORM THE PUBLIC’S MD, EVEN BEFORE I WAS CHARGED WH ANY FENSE, GIVG THE MEDIA FULL LATU TO K THEIR PROPERTY. THIS ALLOWED THE IMAGE OF MONSTROSY TO TAKE FULL FLIGHT, TO WHET THE PROFABLE PUBLIC IMAGATN.” HE’S TECHNILLY RRECT THIS ASSSMENT. YET MEMORI OF A MURRER: THE NILSEN TAP MAK CLEAR THAT HIS FAMO REPUTATN WAS WELL-EARNED, AND LISTENG TO HIM ARROGANTLY PRATTLE ON THIS WAY PROV LS UNNERVG THAN SIMPLY FURIATG.NILSEN’S SIRE TO P THE BLAME FOR HIS NDUCT ON AN UNRG MOTHER AND A PEDOPHILIC GRANDFATHER MIGHT BE MORE CREDIBLE IF NOT FOR HIS WHOLALE DUPLICY AND UNTSTWORTHS, AND MEMORI OF A MURRER: THE NILSEN TAP WISELY DON’T BUY EVERYTHG THE KILLER PEDDL. THROUGH TERVIEWS WH VTIGATORS, JOURNALISTS, FAY MEMBERS OF HIS VICTIMS AND ONE MAN, MARTYN, WHO NARROWLY PED HIS CLUTCH, EXPLAS HOW NILSEN EXPLOED 1980S LONDON’S RAMPANT HOMOPHOBIA ORR TO GET AWAY WH HIS HEO CRIM. REGNIZG THAT NO ONE WOULD MISS HIS YOUTHFUL DOWN-AND-OUT TARGETS, AND THAT HOMOSEXUAL MEN PARTICULAR WOULD BE APT TO STAY SILENT OUT OF FEAR OF PUBLIC REPRISALS FOR THEIR SEXUAL ORIENTATN, NILSEN LIBERATELY WENT AFTER SOCIETY’S MOST HELPLS AND MARGALIZED, AND HIS ABILY TO REMA UNTECTED FOR AS LONG AS HE DID IS A POWERFUL DICTMENT OF THE CLIMATE OF THE ERA. “NILSEN LIBERATELY WENT AFTER SOCIETY’S MOST HELPLS AND MARGALIZED, AND HIS ABILY TO REMA UNTECTED FOR AS LONG AS HE DID IS A POWERFUL DICTMENT OF THE CLIMATE OF THE ERA.” DIRECTOR HARTE SKIMS OVER SOME OF THE NUTS AND BOLTS OF NILSEN’S SAGA, AND HE MOSTLY KEEPS NILSEN’S FACE OFF-SCREEN DURG MEMORI OF A MURRER: THE NILSEN TAP. THANKFULLY, THE LONGER HIS DOCUMENTARY PROCEEDS, THE LS ONE ALSO HAS TO HEAR OM THE KILLER. COMPRISED OF THE UAL ARRAY OF ARCHIVAL TV NEWS BROADSTS, TEXTUAL GRAPHICS, IMAG OF D TAP, AND TALKG-HEAD TERVIEWS—WHICH ARE NDUCTED DIMLY-L ROOMS WHERE THE PAT IS OFTEN PEELG OFF THE WALL, FOR CREEPY ATMOSPHERIC EFFECT—THE FILM ISN’T TERTED BREAKG NEW FORMAL GROUND. STILL, AS WH SO MANY OF S STREAMG-SERVICE TE-CRIME BRETHREN, S NVENTNAL ATHETIC APPROACH ALLOWS TO ACHIEVE S FUNCTNAL ENDS.BETTER IS THAT DIRECTOR HARTE GIV VOICE TO THOSE WHO WERE VICTIMIZED, BOTH DIRECTLY BY NILSEN AND DIRECTLY BY A BRISH CULTURE THAT TOLD THEM THEY HAD NO WORTH, THAT THEY SHOULD BE ASHAMED OF THEIR HERENT NATURE, AND THAT THEY EHER WEREN’T VICTIMS AT ALL OR GOT WHAT THEY SERVED. IN THOSE PASSAG, MEMORI OF A MURRER: THE NILSEN TAP BE A PORTRA OF AN EVIL DIVIDUAL AND A CRIQUE OF THE LARGER ENVIRONMENT THAT ALLOWED HIM TO FLOURISH. NICK SCHAGER

LAST CALL: BEHD THE TERRIFYG UNTOLD STORY OF NEW YORK'S GAY BAR KILLER

In fact, the people who were most at risk – this se, gay men who met for hook-ups at New York Cy bars that served the muny – were given no staed or amplified warngs by eher the thori or the media, creatg a safe space for the murrer to ntue to wreak havoc.

In fact, the se got so ltle attentn relative to s horror that today few remember , even wh the gay, three s after the murrs, journalist Elon Green has wrten a book tled Last Call: A Te Story of Love, Lt, and Murr Queer New York that go beyond the facts of the story to reveal the larger issu that surround them.

Worse, that perd reprented the height of ignorance and fear about Aids, as well as the peak ath toll the gay muny the wt, greatly impactg how the muny was viewed. Between 1987 and 1994 the cy saw a greater number of killgs than any other stretch more than half a that benighted era, gay bars were often ‘the one refuge om the perils of everyday life’, says Green. In that same time ame, a close iend was gay-bashed to unnscns by a gang of young men, g a days-long stay the hospal, and I was punched so hard the stomach outsi a gay dance club I thought the guy mt have ed a hammer.

SERIAL KILLER WHO PREYED ON GAY MEN, WAS DUBBED 'I-95 KILLER' IS EXECUTED FLORIDA

Several years later, on a sunny day on Christopher Street (then the center of New York’s gay life), a man g an anti-gay ephet smashed my bt iend the head wh a rock. ”Meanwhile, the officer did story at the re of Last Call ptur a time the cy, and the liv of gay men, that seem far removed om the current one.

THE GAY MEN FREQUENTED MANHATTAN PIANO BARS. SO DID THEIR KILLER.

As to why he elud jtice the s, Green said, “most likely the jury believed that this was a gay man attackg another gay man and they didn’t re about the circumstanc.

Given a chance to acqu, they took ” the same time, Green said that he “ultimately realized that the killer (who was himself gay) was laborg unr the same societal nstrats his victims were. — Gary Ray Bowl, a serial killer who preyed on olr gay men durg an eight-month spree that left six ad, was executed by lethal jectn Thursday at Florida State sentence was rried out at 10:58 p. Jt 22 years after clash wh police outsi the Stonewall Inn Greenwich Village opened a promisg new ont the ongog fight for LGBTQ+ rights, AIDS was cimatg the queer muny and hate crim were on the rise, no small part due to the tragilly wispread misperceptn of the vis as a gay disease and lack of unrstandg about how was transmted.

THE SERIAL KILLER WHO PREYED UPON GAY NEW YORKERS

Last Call: When a Killer Stalked Queer New York, a four-part HBO seri premierg July 9, lv to the grisly murrs and a not-so-distant past when blatant homophobia was still the norm and queer bars, as one activist puts the show, "were one of the few plac the muny where we uld e and feel safe. "And even then, adds Bea Hanson, who served as a liaison between the NYC Gay & Lbian Anti-Vlence Project and police, "There was always this sort of 'you've got to watch your back at the same time too' sort of feelg. Tony Brooks, a 26-year-old ndidate for cy uncil at the time, told police he and Anrson had gone to Manhattan together the night of May 3 to attend a fundraiser at the Central Park Wt home of Robert Browne, a proment gay rights activist.

KGOV'S LIST OF GAY MASS MURRERS

"Sometim he went for male pannship, " rells former New Jersey State Police Detective Nick Theodos, who not the seri that Mulhy's murr was the first se that brought him to close ntact wh the gay muny.

Sakara, an openly gay 56-year-old who equented the Five Oaks piano bar the Wt Village, where he was last seen alive on July 30, 1993, acrdg to vtigators. Both victims — olr, whe-llar profsnal men, wh the heterosexual vtments of marriag and children — had last been seen at an upsle Midtown Manhattan gay piano bar lled the begs Elon Green’s terrific, harrowg, te-crime acunt of an elive serial killer who preyed upon gay men the 1990s, perfidly turng the safe havens of gay bars to huntg grounds, and semi-anonymo late-night hookups to an opportuny to kill wh impuny.

QUEER CRIME: HOW HOMOPHOBIA HELPED 4 GAY SERIAL KILLERS CONTUE TO KILL

The most prolific serial killers explo the vulnerabili of the social orr; the “Last Call Killer” took advantage of gay men’s need for discretn and the enmic homophobia of law enforcement. Gay men prsured to hi their sexualy at the height of the AIDS epimic are particularly sceptible to all-nsumg tragic seems to anticipate this journalistic nundm. Wh great passn, he wins his spe to explore the social value of gay bars to the queer muny and the val work of grass-roots groups like the New York Cy Anti-Vlence Project, which fought for fair treatment for gay crime victims durg a perd when they were often treated like reer crimals.

However, the pellg hook of Anthony Caronna and Howard Gertler’s four-part HBO vtigatn (July 9) is that ’s both a whodun and a soclogil crique of the era and environment which s tale took place: early 1990s New York Cy, whose climate of homophobia facilated s villa’s homicis. Wh anti-gay and trans legislatn currently sweepg the natn, ’s an all-too-relevant story about persecutn and vlence, and the way which public rhetoric—and actn—fosters further hate.

Otherwise, however, there was ltle eful physil evince procured om the ems, so ps shifted their attentn to Mulhy’s movements the days and hours leadg up to his they soon learned, Mulhy had last been seen on July 8, 1992, at midtown Manhattan’s Townhoe Bar, an upsle gay waterg hole where olr well-to-do gentlemen often met younger suors. Cops, meanwhile, found difficult to nvce people and around this tablishment to talk to them, sce 1992, the relatnship between the police and the gay muny was fed by distst, if not outright antipathy, much of born om the former’s history of prejudiced harassment and hostily.

THE CHILLG CONFSNS OF A COP TURNED SERIAL KILLER OF GAY MENTHE FACE OF EVILHARRY DEMPSTER/DAILY EXPRS/HULTON ARCHIVE/GETTYTHE NETFLIX DOC “MEMORI OF A MURRER: THE NILSEN TAP” NTAS CREEPY TERVIEWS WH DENNIS NILSEN, A MADMAN WHO ADMTED TO KILLG 15 RENT BOYS OVER A FIVE-YEAR PERD.NICK SCHAGERENTERTAMENT CRICUPDATED AUG. 17, 2021 5:42AM EDT / PUBLISHED AUG. 17, 2021 5:01AM EDT KILLERS DON’T LIKE TO GET UGHT, BUT ONCE CTODY, THEY SURE DO LIKE TO TALK, AS EVINCED BY A RAFT OF TE-CRIME EFFORTS—CONVERSATNS WH A KILLER: THE TED BUNDY TAP, CONONTG A SERIAL KILLER, THE CONFSN KILLER, THE SONS OF SAM: A DCENT INTO DARKNS AND ELIZE MATSUNAGA: ONCE UPON A CRIME, AMONG OTHERS—CENTERED AROUND TAPED NVERSATNS WH NOTOR FIENDS. TO THAT LIST ONE N NOW ADD MEMORI OF A MURRER: THE NILSEN TAP, A NON-FICTN FILM WHOSE PRIMARY DRAW IS A RAFT OF PERSONAL RERDGS MA BY DENNIS NILSEN, THE STTISH MADMAN WHO TERRORIZED LONDON DURG THE 1980S, AND WHOSE KILLG SPREE, AND ATTEMPT TO AVOID RCERATN, WAS RECENTLY IMMORTALIZED BY A SUNDANCE NOW DRAMATIC SERI STARRG DAVID TENNANT.HELMED BY FIRST-TIME DIRECTOR MICHAEL HARTE, WHO’S PREVLY EDED DON’T F**K WH CATS: HUNTG AN INTER KILLER AS WELL AS THREE INTIL STRANGERS, MEMORI OF A MURRER: THE NILSEN TAP (AUG. 18, ON NETFLIX) BEGS WH NILSEN SLAMMG THE NOTN THAT HE LIBERATELY SOUGHT IMMORTALY, AS WAS CLAIMED BY A NEWSPAPER ARTICLE THAT SURMISED HE HAD A HUNGER FOR THE SPOTLIGHT OM THE HANNIBAL LECTER POSTER HANGG HIS JAIL CELL. NILSEN’S PROTTS, HOWEVER, DON’T JIBE WH THE MANY D TAP HE MA WHILE PRISON. INTEND TO FORM THE FOUNDATN OF HIS TOBGRAPHY (SELF AN ATTENTN-URTG VANY PROJECT), THE RERDGS FD THE MURRER EXPOUNDG ON HIS LIFE AND CIRCUMSTANC WH AN ELOQUENCE THAT REEKS OF AFFECTED SMUGNS—A QUALY THAT’S ALSO TE OF HIS EVERYMAN SCHTICK, AS IF ANYONE WOULD BUY FOR A SEND THAT, BEE OF HIS ORDARY APPEARANCE AND MEANOR, HE WASN’T A DANGERO PREDATOR. THERE’S NO NYG THAT NILSEN’S NONSCRIPT EXTERR—LANKY AME, GLASS, SCHOOLBOY HAIRCUT—WAS PART OF WHAT MA HIM SUCH A MABRE SPECTACLE. LIKE TED BUNDY BEFORE HIM AND JEFEY DAHMER AFTER, NILSEN DIDN’T F THE TYPIL HOMICIDAL-MANIAC PROFILE (HE HAD EVEN SERVED, FOR A TIME, AS A POLICE OFFICER). NOHELS, HE WAS AS LD-BLOOD AS THEY E, A RAGG SOCPATH WHO ADMTED TO KILLG 15 MEN DURG A FIVE-YEAR SPAN OM 1978-1983, AND WHO WAS ONLY UGHT WHEN AN ENGEER WAS LLED TO FIX A CLOGGED DRA AT HIS CRANLEY GARNS APARTMENT PLEX NORTH LONDON, AND DISVERED THAT THE E OF THE BACK-UP WAS AN ENORMO AMOUNT OF HUMAN FLH AND BONE. NEIGHBORS CLAIMED THAT THEY’D SEEN NILSEN NEAR THAT DRA AROUND MIDNIGHT THE PREV EVENG, AND WHEN HE RETURNED HOME OM HIS JOB AT THE LOL JOB CENTRE, HE LED VTIGATORS TO HIS FLAT, WHERE THE STENCH WAS FETID THANKS TO TWO GIANT GARBAGE BAGS THAT, HE NFSED, NTAED THE REMAS OF NUMERO VICTIMS.THE TAILS THAT SOON EMERGED WERE GRISLY. NILSEN’S MOD OPERANDI VOLVED PICKG UP MALE DRIFTERS AND “RENT BOYS” AND BRGG THEM BACK TO HIS HOME, WHERE HE’D KILL THEM. AT CRANLEY GARNS, THE DRA PIPE WAS A CENTRAL MEANS OF BODY DISPOSAL, WHEREAS AT HIS PRR RINCE AT 195 MELROSE AVENUE HE’D STASHED RPS BENEATH THE FLOORBOARDS—AND BURNED THEIR BODI BONFIR A REAR GARN—UNTIL HE RAN OUT OF SPACE AND HAD TO MOVE. THIS RMATN, AS WELL AS THE FACT THAT NILSEN WAS GAY AND OFTEN PREYED UPON HOMOSEXUAL MEN, BEME PRIME FODR FOR THE MEDIA, AND BBC RRPONNT BILL HATON IS ONE OF MULTIPLE TERVIEWE TO STATE, MEMORI OF A MURRER: THE NILSEN TAP, THAT HE GOT A SENSATNALISTIC THRILL OUT OF LEARNG ABOUT NILSEN’S HORRIFIC CRIM. NILSEN DON’T REALLY DISCS THE PARTICULARS OF HIS GOME PASTIME; HIS THOUGHTS ON THAT SUBJECT ARE NVEYED BY DIRECTOR HARTE VIA TRANSCRIBED MENTARY, AND POLICE AND URT RERDS PRENTED AS TYPEWRER TEXT. WH REGARD TO HIS NOTORIETY, HOWEVER, HE DO STATE THAT “A CLEARLY PREJUDICED PICTURE HAD BEEN ALLOWED TO FORM THE PUBLIC’S MD, EVEN BEFORE I WAS CHARGED WH ANY FENSE, GIVG THE MEDIA FULL LATU TO K THEIR PROPERTY. THIS ALLOWED THE IMAGE OF MONSTROSY TO TAKE FULL FLIGHT, TO WHET THE PROFABLE PUBLIC IMAGATN.” HE’S TECHNILLY RRECT THIS ASSSMENT. YET MEMORI OF A MURRER: THE NILSEN TAP MAK CLEAR THAT HIS FAMO REPUTATN WAS WELL-EARNED, AND LISTENG TO HIM ARROGANTLY PRATTLE ON THIS WAY PROV LS UNNERVG THAN SIMPLY FURIATG.NILSEN’S SIRE TO P THE BLAME FOR HIS NDUCT ON AN UNRG MOTHER AND A PEDOPHILIC GRANDFATHER MIGHT BE MORE CREDIBLE IF NOT FOR HIS WHOLALE DUPLICY AND UNTSTWORTHS, AND MEMORI OF A MURRER: THE NILSEN TAP WISELY DON’T BUY EVERYTHG THE KILLER PEDDL. THROUGH TERVIEWS WH VTIGATORS, JOURNALISTS, FAY MEMBERS OF HIS VICTIMS AND ONE MAN, MARTYN, WHO NARROWLY PED HIS CLUTCH, EXPLAS HOW NILSEN EXPLOED 1980S LONDON’S RAMPANT HOMOPHOBIA ORR TO GET AWAY WH HIS HEO CRIM. REGNIZG THAT NO ONE WOULD MISS HIS YOUTHFUL DOWN-AND-OUT TARGETS, AND THAT HOMOSEXUAL MEN PARTICULAR WOULD BE APT TO STAY SILENT OUT OF FEAR OF PUBLIC REPRISALS FOR THEIR SEXUAL ORIENTATN, NILSEN LIBERATELY WENT AFTER SOCIETY’S MOST HELPLS AND MARGALIZED, AND HIS ABILY TO REMA UNTECTED FOR AS LONG AS HE DID IS A POWERFUL DICTMENT OF THE CLIMATE OF THE ERA. “NILSEN LIBERATELY WENT AFTER SOCIETY’S MOST HELPLS AND MARGALIZED, AND HIS ABILY TO REMA UNTECTED FOR AS LONG AS HE DID IS A POWERFUL DICTMENT OF THE CLIMATE OF THE ERA.” DIRECTOR HARTE SKIMS OVER SOME OF THE NUTS AND BOLTS OF NILSEN’S SAGA, AND HE MOSTLY KEEPS NILSEN’S FACE OFF-SCREEN DURG MEMORI OF A MURRER: THE NILSEN TAP. THANKFULLY, THE LONGER HIS DOCUMENTARY PROCEEDS, THE LS ONE ALSO HAS TO HEAR OM THE KILLER. COMPRISED OF THE UAL ARRAY OF ARCHIVAL TV NEWS BROADSTS, TEXTUAL GRAPHICS, IMAG OF D TAP, AND TALKG-HEAD TERVIEWS—WHICH ARE NDUCTED DIMLY-L ROOMS WHERE THE PAT IS OFTEN PEELG OFF THE WALL, FOR CREEPY ATMOSPHERIC EFFECT—THE FILM ISN’T TERTED BREAKG NEW FORMAL GROUND. STILL, AS WH SO MANY OF S STREAMG-SERVICE TE-CRIME BRETHREN, S NVENTNAL ATHETIC APPROACH ALLOWS TO ACHIEVE S FUNCTNAL ENDS.BETTER IS THAT DIRECTOR HARTE GIV VOICE TO THOSE WHO WERE VICTIMIZED, BOTH DIRECTLY BY NILSEN AND DIRECTLY BY A BRISH CULTURE THAT TOLD THEM THEY HAD NO WORTH, THAT THEY SHOULD BE ASHAMED OF THEIR HERENT NATURE, AND THAT THEY EHER WEREN’T VICTIMS AT ALL OR GOT WHAT THEY SERVED. IN THOSE PASSAG, MEMORI OF A MURRER: THE NILSEN TAP BE A PORTRA OF AN EVIL DIVIDUAL AND A CRIQUE OF THE LARGER ENVIRONMENT THAT ALLOWED HIM TO FLOURISH. NICK SCHAGER

Clearly, someone was killg gay men after meetg them at clubs, and bee of his mod operandi, the assailant was dubbed by The New York Daily News as the “Last Call Killer. Jt as ptivatg, though, ’s a vivid snapshot of s particular moment, narrated large part by two dividuals who were on the ontl of the fight for equal LGTBQ+ rights: The New York Gay & Lbian Anti-Vlence Project’s Bea Hanson and Matt Foreman. Rellg a time when gay Amerins were both emergg om the shadows force (pecially NYC) and facg creased antagonism and threats (cludg om the ragg AIDS epimic), Hanson and Foreman offer timate and passnate first-hand acunts of the cultural and polil atmosphere of the early ’90s.

Employg plentiful archival material, Last Call is a simultaneoly vibrant and sorrowful look backwards, s nostalgia for the burgeong gay movement lored by the fear that so many felt bee of homophobia and the mortal danger posed—as well as the anger that was a direct byproduct of beg ignored, slanred, and opprsed. Still om Last Call: When a Serial Killer Stalked Queer New YorkHBO In separate terviews wh different tectiv, Last Call highlights police officers’ ignorance about the gay muny and their reticence to relate to the murrs. The Last Call Killer preyed on gay men New York Cy the Eighti — and he seems to be an spiratn for Ryan Murphy's latt season of the horror show.