bars</tle><g id="el_oZ84Hna1GC_65hRV2Qwn" class="css-1fxvzwo" data-animator-group="te" data-animator-type="0"><g id="el_oZ84Hna1GC_ILVvi2tqx" class="css-1wnday1" ata-animator-group="te" data-animator-type="2"><g id="el_oZ84Hna1GC"><rect x="34" width="6" height="36" id="el_qw_T_tngXw"></rect></g></g></g><g id="el_mYVjkduhMU_p_9Pm85Ac" class="css-fwki7z" data-animator-group="te" data-animator-type="0"><g id="el_mYVjkduhMU_WxG3R40yd" class="css-t3i5e6" data-animator-group="te" data-animator-type="2"><g id="el_mYVjkduhMU"><rect x="22.67" width="6" height="36" id="el_lf9GrROk6j"></rect></g></g></g><g id="el_o-EuxhgoAw_kYNRGDfcw" class="css-t9te0w" data-animator-group="te" data-animator-type="0"><g id="el_o-EuxhgoAw_3c3bzSjOJ" class="css-1r5375t" ata-animator-group="te" data-animator-type="2"><g id="el_o-EuxhgoAw"><rect x="11.33" width="6" height="36" id="el_-iueO8klO0"></rect></g></g></g><g id="el_F7mSMPhqpC_y_fKcpSxn" class="css-qknaag" data-animator-group="te" data-animator-type="0"><g id="el_F7mSMPhqpC_R6bNB6_Ys" class="css-1vd04" ata-animator-group="te" data-animator-type="2"><g id="el_F7mSMPhqpC"><rect width="6" height="36" id="el_dS5TKNZZ5w"></rect></g></g></g></svg></div><div><div class="css-1t7yl1y">0:00<!-- -->/<!-- -->1:23</div><div class="css-og85jy">-<!-- -->0:00</div></div></div></div></hear><div class="css-uzyn7p"><div class="css-1vxyw"><p class="css-1nng8z9">transcript</p><h2 class="css-9wqu2x">Read T a Poem | Michael Benjam Washgton</h2><h4 class="css-qsd3hm">The actor reads "The Unsung" by Keenan Teddy Smh.</h4></div><dl class="css-p98d0w"><dt class="css-xx7kwh"></dt><dd class="css-4gvq6l"><p class="css-8hvvyd">For the Old Port built and built aga: I am sure you are different to me. We are k, though; we are both refuge and warmth, petn and hope, nnected by seas. your boats here are plentiful, but your huddled mass are greater; I feel no one sgs the songs of our kd anymore, no one not our role safe passage. Five me if I’ve been too vted, too ialistic about our sisterhood. Perhaps ’s our shared brownns, our shared tis, our shared rilience agast time and the ficklens of men that ma so nnected as if I uld leap om notre dame and scend to wh love, our songs and sorrows guidg me over rooftops and fé smoke plum. Unsung sats, lyg open for the world, if the lost and found won’t buttrs wh honor, we shall always hold each other.</p></dd></dl></div></div></div></div><script type="applitn/ld+json">{"@ntext":","@type":"VioObject","@id":","scriptn":"The actor reads \"The Unsung\" by Keenan Teddy Smh.","url":","name":"Read T a Poem | Michael Benjam Washgton","thumbnailUrl":[",","],"embedUrl":","ntentUrl":","uploadDate":"2018-02-26T05:05:13.000Z","transcript":"For the Old Port built and built aga: I am sure you are different to me. We are k, though; we are both refuge and warmth, petn and hope, nnected by seas. your boats here are plentiful, but your huddled mass are greater; I feel no one sgs the songs of our kd anymore, no one not our role safe passage. Five me if I’ve been too vted, too ialistic about our sisterhood. Perhaps ’s our shared brownns, our shared tis, our shared rilience agast time and the ficklens of men that ma so nnected as if I uld leap om notre dame and scend to wh love, our songs and sorrows guidg me over rooftops and fé smoke plum. Unsung sats, lyg open for the world, if the lost and found won’t buttrs wh honor, we shall always hold each other.","duratn":"PT1M23.709S"}</script></div><div class="css-1cueeje" style="paddg-bottom:56.25%;transn:opacy 300ms ease--out"><div class="css-1ihorw"><img src=" alt="Vio player loadg"/></div><div class="css-ew1078"><div class="css-ptry2i"><div></div><div></div></div></div></div></div></div></div><figptn class="css-1ifea e1maroi60"><span class="css-1p4ky1 e13ogyst0">The actor reads "The Unsung" by Keenan Teddy Smh.</span><span class="css-cch8ym"><span class="css-1dv1kvn">Cred</span><span class="css-f4bmw8 e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Cred...</span><span>Brendan Stumpf</span></span></span></figptn></figure></div><div class="css-s99gbd StoryBodyCompannColumn"><div class="css-53u6y8"><p class="css-at9mc1 evys1bk0">There’s an irony this, as the same quali that ma those classics classic also ma them, their origal ns, almost impossible to stage. No one wanted to touch “The Boys the Band” at first: no producers, no theater owners, no actors. When Luckbill, then 33, agreed to play Hank — the “straightt” of the gay men, who’d left his wife and children — his agent said he might as well bid goodbye to his reer. She was, md you, the play’s agent too, a lbian herself. But so heavy and lgerg was the perfume of gayns g off the project that even a heterosexual actor like Luckbill was thought to be mtg theatril suici to book . Mostly out of iendship for Crowley, a llege chum, he did.</p><p class="css-at9mc1 evys1bk0">Luckbill went on to have a very full reer onstage and on screen — and so, to everyone’s surprise, did “The Boys the Band.” As the sixth-row prence of Jackie and Groucho suggts, crossed over to mastream awarens and even found succs, nng for 1,001 performanc. William Friedk’s fahful <a class="css-yywogo" href=" tle="">movie versn</a>, released 1970 and starrg the entire stage st, turned to a touchstone of gay style and sufferg for gays and straights well beyond New York. As such, is whout doubt the first play the Amerin gay male theatril non.</p><p class="css-at9mc1 evys1bk0">I wre that admirg many of s spirual forebears, om Tennsee Williams’s “The Glass Menagerie” 1945 to Robert Anrson’s “Tea and Sympathy” 1953 to the early works of Doric Wilson, Lanford Wilson, Robert Patrick and many others who helped spark an efflorcence of downtown gay drama centered at Caffe Co, wh s makhift k-crate stage, startg 1958.</p><p class="css-at9mc1 evys1bk0">But while buildg on those — and, Crowley says, on Arthur Lrents’s screenplay for Aled Hchck’s 1948 film, “Rope,” which two gay men murr a classmate for sport — “The Boys the Band” has had the more nsequential gay trajectory. If you doubt , look at the nam volved the 50th-anniversary revival: Jim Parsons plays the party’s host, Michael; Matt Bomer is Donald, Michael’s ambivalent ex; Zachary Quto is Harold, the “ugly pockmarked Jew fairy” birthday boy; and Andrew Rannells is Larry, one half of the play’s only tablished (if iffy) uple. They and the rt of the starry st are succsful, openly gay men, as are the producers, Ryan Murphy and David Stone, and the director, Joe Mantello.</p></div><asi class="css-ew4tgv" aria-label="pann lumn"></asi></div><div></div><div class="css-s99gbd StoryBodyCompannColumn"><div class="css-53u6y8"><p class="css-at9mc1 evys1bk0">This was a liberate statement, meant to acknowledge how far the world has e sce 1968. “The guys that are the leads,” Murphy says, “are the first generatn of <a class="css-yywogo" href=" tle="">gay actors</a> who said, ‘We’re gog to live thentic liv and hope and pray our reers rema on track’ — and they have. I fd that profound.”</p><div class="css-79elbk" data-ttid="photoviewer-wrapper"><div class="css-z3e15g" data-ttid="photoviewer-wrapper-hidn"></div><div data-ttid="photoviewer-children" class="css-1a48zt4 e11si9ry5"><figure class="img-sz-small css-nss59b e1g7ppur0" aria-label="media" role="group"><div class="css-zgakxe erfvjey0"><span class="css-1ly73wi e1tej78p0">Image</span><div class="css-nwd8t8" data-ttid="lazy-image"><div data-ttid="lazyimage-ntaer" style="height:247.46666666666667px"></div></div></div><figptn class="css-1ybnr6m ewdxa0s0"><span aria-hidn="te" class="css-1p4ky1 e13ogyst0">A still om the set of William Friedk’s 1970 film versn of “The Boys the Band,” which starred the entire theatril st.</span><span class="css-f4bmw8 e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Cred...</span><span><span aria-hidn="false">Mptv Imag</span></span></span></figptn></figure></div></div><p class="css-at9mc1 evys1bk0">Crowley uld never have predicted that. In 1968 he sent his play to a world that, however much might lgh at his gay zgers, seemed likely to rema forever and fundamentally hostile. Mantello pots out the startlg paradox that all the gay members of the origal pany felt pelled to stay the closet “even though they were a groundbreakg play about gay men.”</p><p class="css-at9mc1 evys1bk0">But the way the world se gay people and the way gay people see themselv have changed so much, and of late so fast, that plays om even jt a few years ago n seem like Ken Burns documentari. In one sense, then, the classic gay plays are tnal: remdg a placent generatn of the stggl and tragedi (and fabulons) that unrlie the glossy image of rapid progrs. The normalizatn of gayns that has most ways been a boon has also shnk the historil eye to, well, another peephole. Further progrs, much need, requir a fuller view. And who’s to say the momento chang of the last 50 years n’t be swiftly undone?</p><p class="css-at9mc1 evys1bk0">“The Boys the Band” helped ce those chang, allowg for s reappearance now as a triumph of liberatn stead of an embarrassment to the liberators. The mistake the play’s many gay crics have ma is thkg that transformative art should be a form of boosterism. Rather, transformative art is needlg, Cassandra-like, tellg unfortable tths you ignore at your peril. “The Boys the Band,” once seen, uldn’t be unseen. “The people who cricize the play have the luxury to do so <em class="css-2fg4z9 e1gzwzxm0">bee</em> of the play,” Mantello says.</p></div><asi class="css-ew4tgv" aria-label="pann lumn"></asi></div><div></div><div class="css-s99gbd StoryBodyCompannColumn"><div class="css-53u6y8"><p class="css-at9mc1 evys1bk0">Ined, part of the reason “The Boys the Band” so clearly marks the start of the non is the way was swallowed up almost stantly by what helped to spawn. In the aftermath of the Stonewall rts of 1969, while the play still ran, s portrayal of gay male life me to be seen as unterrevolutnary, which was exactly backward, if unrstandable light of the rebrandg unrway. The characters’ promiscuo, boa-flgg, “Oh, Mary”-spoutg, drown-your-troubl--a-vodka-bottle histrnics were distctly off-msage durg the years when gay men were tryg to cultivate lawmakers and police wh their new imag as activists or pillars of the muny, not of Sodom. Even Albee, who Crowley spects vted secretly the origal productn, once tarred the play as “a highly skillful work that I spised” bee “did ser damage to a burgeong gay rpectabily movement.”</p><p class="css-at9mc1 evys1bk0">Were there not nelli at Stonewall? In any se, when rpectabily me, me at an awful price. AIDS, which drove the last nail the play’s reputatnal ff, also killed off most of s st. Between 1984 and 1993, five of the gay men the origal productn, as well as the director, Robert Moore, and the producer, Richard Barr, died of the disease.</p></div><asi class="css-ew4tgv" aria-label="pann lumn"></asi></div><div><div class="css-79elbk" data-ttid="photoviewer-wrapper"><div class="css-z3e15g" data-ttid="photoviewer-wrapper-hidn"></div><div data-ttid="photoviewer-children" class="css-1a48zt4 e11si9ry5"><figure class="img-sz-full css-1kwayi3 e1g7ppur0" aria-label="media" role="group"><div class="css-1xdhyk6 erfvjey0"><span class="css-1ly73wi e1tej78p0">Image</span><div class="css-nwd8t8" data-ttid="lazy-image"><div data-ttid="lazyimage-ntaer" style="height:257.77777777777777px"></div></div></div><figptn class="css-o5l7z4 ewdxa0s0"><span aria-hidn="te" class="css-1p4ky1 e13ogyst0">From left: Rannells. Watks. Actor ZACHARY QUINTO a Salvatore Ferragamo at, price on requt. Actor MATT BOMER a Sat Lrent by Anthony Vacrello jacket, $4,890, <a href="></a>, Ermenegildo Zegna polo, $565, (212) 421-4488, and Mr P. pants, $250, <a href="></a>. Actor CHARLIE CARVER a vtage Lee jacket, Office Générale T-shirt, $117, and Simon Miller jeans, $375, <a href="></a>.</span><span class="css-f4bmw8 e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Cred...</span><span><span aria-hidn="false">Photograph by Inez and Voodh. Styled by Jay Massacret</span></span></span></figptn></figure></div></div></div><div class="css-s99gbd StoryBodyCompannColumn"><div class="css-53u6y8"><h3 class="css-emk09r e1gnsphs0" id="lk-4af067d1"><span>Act II. The Canon</span></h3><p class="css-at9mc1 evys1bk0">AND YET AIDS, wh s gdy ironi, would create the ndns that turned a “rpectabily movement” to a civil rights revolutn. It would also create the ndns that produced — even necsated — most of the disputably nonil gay plays that succeed “The Boys the Band.” Bee both the disease and the revolutn were centered New York, the untry’s theatril pal, mak sense that those plays are all set the cy. And bee I’m wrg about plays that have shaped gay male life, ’s not surprisg that all the playwrights I name are gay men.</p><p class="css-at9mc1 evys1bk0">It hardly needs argug that one of them is Tony Khner, whose play “Angels Ameri: A Gay Fantasia on Natnal Them,” <a class="css-yywogo" href=" tle="">opened on Broadway</a> 1993. A revival, starrg Nathan Lane and Andrew Garfield, opens on March 25 — but unlike “The Boys the Band,” “Angels” never really went away, never suffered a Siberian holiday of polil retn. Perhaps that’s bee Khner, puttg so much to , ensured would always have somethg to put out. If you don’t like the story of fahls Louis leavg his lover, Prr, who velops AIDS, there’s the one about the closeted lawyer (and Tmp fixer) Roy Cohn, nyg the disease outright. Or perhaps you prefer somethg more aerontil? There’s one of those tle angels for that, bearg a cryptic missn for mankd. Pl a heroic drag queen, a dg-addled wife, rabbis, Mormons and Ethel Rosenberg.</p></div><asi class="css-ew4tgv" aria-label="pann lumn"></asi></div><div></div><div class="css-s99gbd StoryBodyCompannColumn"><div class="css-53u6y8"><p class="css-at9mc1 evys1bk0">It’s what I ll a goulash work, though Khner prefers the term lasagna: a dish that almost melts the borrs of form s qut for sublimy. It is also, s more timate scen, so funny and argumentative, so vatic, so sharp and so unncerned wh gay rpectabily that you n see a straight le leadg back to “The Boys the Band.” Both plays, after all, are about closet s and fily and gay men takg re of one another — or not.</p><p class="css-at9mc1 evys1bk0">I retract the “straight le,” though; more aptly, ’s a bent one, passg through other nonil plays, each ntributg an element of style or stagecraft along the way. In the 25 years between “The Boys the Band” and “Angels Ameri” there are two, or possibly three, by my acuntg. The two are Harvey Fierste’s “Torch Song Trilogy,” a llectn of three related one-act plays first seen on Broadway 1982, and Larry Kramer’s “<a class="css-yywogo" href=" tle="">The Normal Heart</a>,” om 1985. The third is Pl Rudnick’s “<a class="css-yywogo" href=" tle="">Jefey</a>,” which — a 1992 replay of Crowley’s 1968 experience — uld not at first fd a producer, a theater or a st.</p></div><asi class="css-ew4tgv" aria-label="pann lumn"></asi></div><div><figure class="sizeMedium css-sx232s" aria-label="media" role="group" data-ttid="VioBlock"><div class="css-1xb94ky"><span class="css-1dv1kvn">Vio</span><div><div class="css-n27z15" style="paddg-bottom:56.25%"><div class="css-mm3pwi"><div class="css-1g7y0i5 e1drnplw0"><button tabx="100" class="css-1rtlxy" type="button" aria-label="close"><svg width="60" height="60" viewBox="0 0 60 60" fill="none"><circle cx="30" cy="30" r="30" fill="whe" fill-opacy="0.9"></circle><path fill-le="evenodd" clip-le="evenodd" d="M38.4844 20.1006L39.8986 21.5148L21.5138 39.8996L20.0996 38.4854L38.4844 20.1006Z" fill="black"></path><path fill-le="evenodd" clip-le="evenodd" d="M21.5156 20.1006L20.1014 21.5148L38.4862 39.8996L39.9004 38.4854L21.5156 20.1006Z" fill="black"></path></svg></button><div class="css-rdbib0 e1drnplw1"></div><div class="css-18ow4sz e1drnplw2"><div aria-labelledby="modal-tle" role="regn"><hear class="css-1bzlfz"><div class="css-mln36k" id="modal-tle">transcript</div><button type="button" class="css-1igvuto"><div class="css-f40pzg"></div><span>Back</span></button><div class="css-f6lhej" data-ttid="transcript-playback-ntrols"><div class="css-1ialerq"><button tabx="99" type="button" class="css-1t9gw" aria-label="play"><svg xmlns=" width="20" height="20" viewBox="0 0 20 20" fill="none"><path fill-le="evenodd" clip-le="evenodd" d="M8 13.7683V6L14.5 9.88415L8 13.7683Z" fill="var(--lor-ntent-sendary,#363636)"></path><circle cx="10" cy="10" r="9.25" stroke="var(--lor-stroke-primary,#121212)" stroke-width="1.5"></circle></svg></button><div class="css-1701swk"><svg xmlns=" viewBox="0 0 40 36" id="el_0kpS9qL_S"><tle>bars</tle><g id="el_oZ84Hna1GC_65hRV2Qwn" class="css-1fxvzwo" data-animator-group="te" data-animator-type="0"><g id="el_oZ84Hna1GC_ILVvi2tqx" class="css-1wnday1" ata-animator-group="te" data-animator-type="2"><g id="el_oZ84Hna1GC"><rect x="34" width="6" height="36" id="el_qw_T_tngXw"></rect></g></g></g><g id="el_mYVjkduhMU_p_9Pm85Ac" class="css-fwki7z" data-animator-group="te" data-animator-type="0"><g id="el_mYVjkduhMU_WxG3R40yd" class="css-t3i5e6" data-animator-group="te" data-animator-type="2"><g id="el_mYVjkduhMU"><rect x="22.67" width="6" height="36" id="el_lf9GrROk6j"></rect></g></g></g><g id="el_o-EuxhgoAw_kYNRGDfcw" class="css-t9te0w" data-animator-group="te" data-animator-type="0"><g id="el_o-EuxhgoAw_3c3bzSjOJ" class="css-1r5375t" ata-animator-group="te" data-animator-type="2"><g id="el_o-EuxhgoAw"><rect x="11.33" width="6" height="36" id="el_-iueO8klO0"></rect></g></g></g><g id="el_F7mSMPhqpC_y_fKcpSxn" class="css-qknaag" data-animator-group="te" data-animator-type="0"><g id="el_F7mSMPhqpC_R6bNB6_Ys" class="css-1vd04" ata-animator-group="te" data-animator-type="2"><g id="el_F7mSMPhqpC"><rect width="6" height="36" id="el_dS5TKNZZ5w"></rect></g></g></g></svg></div><div><div class="css-1t7yl1y">0:00<!-- -->/<!-- -->0:56</div><div class="css-og85jy">-<!-- -->0:00</div></div></div></div></hear><div class="css-uzyn7p"><div class="css-1vxyw"><p class="css-1nng8z9">transcript</p><h2 class="css-9wqu2x">Read T a Poem | Joe Mantello</h2><h4 class="css-qsd3hm">The director reads "Morng Scene" by Jamon Fzpatrick.</h4></div><dl class="css-p98d0w"><dt class="css-xx7kwh"></dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Oppose him at this table aga and through the wdows the cy glterg, surreal as a sle mol, the cy miature – only mov a real way, bee is real. One of the wdows is open, some nstctn down on the street dron like a distant vacuum. It’s warm for January. Still his apartment has that dreamlike qualy of feelg like home though I know ’s not. Not me anymore – but how many people get to vis the past whout hurtg anythg? To e back and drk the same ffee om the same never-que-clean cup.</p></dd></dl></div></div></div></div><script type="applitn/ld+json">{"@ntext":","@type":"VioObject","@id":","scriptn":"The director reads \"Morng Scene\" by Jamon Fzpatrick.","url":","name":"Read T a Poem | Joe Mantello","thumbnailUrl":[",","],"embedUrl":","ntentUrl":","uploadDate":"2018-02-26T05:05:19.000Z","transcript":"Oppose him at this table aga and through the wdows the cy glterg, surreal as a sle mol, the cy miature – only mov a real way, bee is real. One of the wdows is open, some nstctn down on the street dron like a distant vacuum. It’s warm for January. Still his apartment has that dreamlike qualy of feelg like home though I know ’s not. Not me anymore – but how many people get to vis the past whout hurtg anythg? To e back and drk the same ffee om the same never-que-clean cup.","duratn":"PT56.682S"}</script></div><div class="css-1cueeje" style="paddg-bottom:56.25%;transn:opacy 300ms ease--out"><div class="css-1ihorw"><img src=" alt="Vio player loadg"/></div><div class="css-ew1078"><div class="css-ptry2i"><div></div><div></div></div></div></div></div></div></div><figptn class="css-1ifea e1maroi60"><span class="css-1p4ky1 e13ogyst0">The director reads "Morng Scene" by Jamon Fzpatrick.</span><span class="css-cch8ym"><span class="css-1dv1kvn">Cred</span><span class="css-f4bmw8 e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Cred...</span><span>Brendan Stumpf</span></span></span></figptn></figure></div><div class="css-s99gbd StoryBodyCompannColumn"><div class="css-53u6y8"><p class="css-at9mc1 evys1bk0">What mak “Jefey” jt a possible third? It’s a edy, and edi, short of Shakpeare’s or Wil’s, are unstable. Over time, they seem to pose more easily than dramas, revealg off flavors. Te, “Jefey” is not an ordary edy; ’s a edy about AIDS, and a romantic edy at that — a genre that shouldn’t have been possible, and wasn’t until Rudnick cid was need. “Comedy is often the only feasible antidote to a pletely jtifiable, but not very entertag hopelsns,” he once wrote. “Sometim, a wisecrack is a weapon.”</p><p class="css-at9mc1 evys1bk0">So “Jefey,” which ran for two years Off Broadway and was ma to a movie 1995, is crafted like a drama, squeezg patible thgs together a small space and forcg them to lli. But bee Rudnick’s characters — an terr rator, a bartenr, a chos boy “Cats” — are profsnally amg, so is the rult. Jefey himself is a gay ter-waer his 30s who, rather than worry about what is safe, cis to rema celibate forever. Everyone around him is horrified at this “one real blasphemy — the refal of joy,” even as one of his iends is dyg. “How dare you give up sex,” says a prit, “when there are children Europe who n’t get a date!”</p></div><asi class="css-ew4tgv" aria-label="pann lumn"></asi></div><div></div><div class="css-s99gbd StoryBodyCompannColumn"><div class="css-53u6y8"><p class="css-at9mc1 evys1bk0">“Jefey” is full of merriment but you always unrstand that the domtic problems faced by upl straight romantic edi have here been raised to an existential plane. “If you want edi to be really funny you have to have the biggt possible obstacl,” Rudnick says. “And that’s what AIDS hand me and everyone else.”</p><p class="css-at9mc1 evys1bk0">In a way, then, “Jefey” is the verse of Kramer’s “The Normal Heart” and a ccial unterweight to . When “The Normal Heart” opened at the Public Theater jt four years after the first reports of what would soon be lled AIDS, felt ls like a play than like war reportg. Kramer was nothg if not embedd; this was his own story, lightly fictnalized the character of Ned Weeks and happeng real time. Emphasizg that, the set sign by Eugene Lee and Keh Raywood featured on the theater’s walls a nng list of the nam of the ad, along wh the mountg ath toll, subtotaled by state.</p><div class="css-79elbk" data-ttid="photoviewer-wrapper"><div class="css-z3e15g" data-ttid="photoviewer-wrapper-hidn"></div><div data-ttid="photoviewer-children" class="css-1a48zt4 e11si9ry5"><figure class="img-sz-small css-nss59b e1g7ppur0" aria-label="media" role="group"><div class="css-zgakxe erfvjey0"><span class="css-1ly73wi e1tej78p0">Image</span><div class="css-nwd8t8" data-ttid="lazy-image"><div data-ttid="lazyimage-ntaer" style="height:311.9111111111111px"></div></div></div><figptn class="css-1ybnr6m ewdxa0s0"><span aria-hidn="te" class="css-1p4ky1 e13ogyst0">Actors on stage at Theater Four New York cir 1969.</span><span class="css-f4bmw8 e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Cred...</span><span><span aria-hidn="false">Photo by Martha Swope / the New York Public Library</span></span></span></figptn></figure></div></div><p class="css-at9mc1 evys1bk0">The actn largely tracks Kramer’s fur battle to get the ernment, the medil tablishment and gay men themselv to pay attentn to the disaster that was jt begng to engulf them. But Kramer was also battlg the gay theatril tradn, which he saw, even before AIDS, as petty, artificial and sufficiently polil. (He cricized “The Boys the Band” for s “ternalized homophobia.”) “The Normal Heart” is a fierce rrective to those perceived flts, but ’s not merely the rant some people remember. The story of Ned’s public efforts is mirrored his private effort to save his lover, Felix, a closeted New York Tim wrer dyg of AIDS. The play ends wh their “marriage” at Felix’s athbed — a marriage quot bee wouldn’t have been legal New York for another quarter century.</p><p class="css-at9mc1 evys1bk0">“The Normal Heart” is nonil not jt for s anger and prcience, though the should be enough to nonize Kramer. The play saved liv, srg s dienc to realy a way that the vague public-health rmatn of the time utterly failed to do. It also reamed the way we would forever look at gay men and gay theater. That did not mean abjurg love as a subject, but rather ennoblg while unrstandg s limatns. Hence the tle, taken om a passage Aun’s poem “September 1, 1939” about the “error bred the bone / Of each woman and each man.” That error is much adlier than mere disease. It is the impossible cravg of the “normal heart”: “Not universal love / But to be loved alone.”</p></div><asi class="css-ew4tgv" aria-label="pann lumn"></asi></div><div></div><div class="css-s99gbd StoryBodyCompannColumn"><div class="css-53u6y8"><p class="css-at9mc1 evys1bk0">Aun, a poet, shows the driv as divergent; Kramer, a dramatist, looks at how they nverge. For him as for most playwrights, the njot them of society and self — twed an embrace that is timate yet suffotg — are the basis of all great theater. Whout the “self” part, a play is rarely engagg. Whout the “society” part, is (no matter how engagg) nsequential.</p><p class="css-at9mc1 evys1bk0">That’s why my non starts when do. For gay playwrights wrg before 1960, the lk between self and society was severed by homophobia: The self uld not engage openly wh society, or not, at least, <em class="css-2fg4z9 e1gzwzxm0"> ont of</em> society. Which don’t mean there were no great plays wh gay characters by gay playwrights: Look aga at “The Glass Menagerie.” Tom — as the performanc by Quto and Mantello the two most recent Broadway revivals make pla — n only be unrstood as a furtive homosexual. But Tom’s crypto-proto-gayns don’t make “The Glass Menagerie” a gay play; ’s merely a great one.</p><p class="css-at9mc1 evys1bk0">Turns out those celebri slummg at “The Boys the Band” mattered. Jt as whe bons vivants had been cultivatg (some might say appropriatg) black Harlem for generatns, the straights and A-listers headg to Theater Four their limos helped rry the news, like a vis, back wh them. I don’t mean to be snarky; this was not always a cultural safari, a hunt for the most exotic new trophi. Some me to learn, to be changed. And yet one of the thgs “The Boys the Band” (and the other plays I’m wrg about) did was to show nongay dienc jt how gay their liv already were. Their sufferg, their hubris, their sens of humor were more faiar than not. Who, after all, had been dog their hair?</p></div><asi class="css-ew4tgv" aria-label="pann lumn"></asi></div><div><figure class="sizeMedium css-sx232s" aria-label="media" role="group" data-ttid="VioBlock"><div class="css-1xb94ky"><span class="css-1dv1kvn">Vio</span><div><div class="css-n27z15" style="paddg-bottom:56.25%"><div class="css-mm3pwi"><div class="css-1g7y0i5 e1drnplw0"><button tabx="100" class="css-1rtlxy" type="button" aria-label="close"><svg width="60" height="60" viewBox="0 0 60 60" fill="none"><circle cx="30" cy="30" r="30" fill="whe" fill-opacy="0.9"></circle><path fill-le="evenodd" clip-le="evenodd" d="M38.4844 20.1006L39.8986 21.5148L21.5138 39.8996L20.0996 38.4854L38.4844 20.1006Z" fill="black"></path><path fill-le="evenodd" clip-le="evenodd" d="M21.5156 20.1006L20.1014 21.5148L38.4862 39.8996L39.9004 38.4854L21.5156 20.1006Z" fill="black"></path></svg></button><div class="css-rdbib0 e1drnplw1"></div><div class="css-18ow4sz e1drnplw2"><div aria-labelledby="modal-tle" role="regn"><hear class="css-1bzlfz"><div class="css-mln36k" id="modal-tle">transcript</div><button type="button" class="css-1igvuto"><div class="css-f40pzg"></div><span>Back</span></button><div class="css-f6lhej" data-ttid="transcript-playback-ntrols"><div class="css-1ialerq"><button tabx="99" type="button" class="css-1t9gw" aria-label="play"><svg xmlns=" width="20" height="20" viewBox="0 0 20 20" fill="none"><path fill-le="evenodd" clip-le="evenodd" d="M8 13.7683V6L14.5 9.88415L8 13.7683Z" fill="var(--lor-ntent-sendary,#363636)"></path><circle cx="10" cy="10" r="9.25" stroke="var(--lor-stroke-primary,#121212)" stroke-width="1.5"></circle></svg></button><div class="css-1701swk"><svg xmlns=" viewBox="0 0 40 36" id="el_0kpS9qL_S"><tle>bars

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HBO's new serial killer doceri "Last Call" re-exam New York Cy’s yearslong search for a murrer who targeted gay men the early 1990s.

Contents:

THE BT GAY HOOK-UP SPOTS NYC

The bt gay bars, parti and events New York to h up if you want to meet someone new. * gay play nyc *

AdvertisementSKIP ADVERTISEMENTCric’s NotebookIn recent shows, ias of gayns are expandg, bg and disappearg all at WisemanI don’t know whether was bee my parents were jt generally open-md, or bee they had a specific, kdly yet mortifyg agenda, but one of the first Broadway plays they took me to, June of 1977, was way too gay for fort.

WHAT’S NEXT FOR THE GREAT GAY PLAY? EVERYTHG.

In recent shows, ias of gayns are expandg, bg and disappearg all at once. * gay play nyc *

Some, like “A Strange Loop” and “Fat Ham, ” dramatize how the experience of racism amplifi that of homophobia, and vice fy expectatns by makg sexual orientatn a distctly sendary ncern among characters who “happen to be” gay or lbian, as “A Case for the Existence of God” and “At the Weddg. When a (male) love tert enters the picture, and they sg Katy Perry’s “I Kissed a Girl” as a duet, you feel somethg new has happened, as ntroversy melts to a blissful cloud of nonbary bubble is the equalizg, homogenizg fluence of pop culture at work — an fluence that some queer people unrstandably mistst.

THE 10 BT GAY MILS OF ALL TIME

Playhoe is a full-service gay bar and lounge loted the historic Wt Village NYC terg to all the LGBT+ muny. * gay play nyc *

Jackson’s “A Strange Loop” go further, makg the cross-pollatn of inty the prime source of s nflict, as the ma character nonts both the homophobia of his Black fay and the racism of his queer one.

THE 10 BEST NEW YORK CY GAY CLUBS & BARSGAY CLUBS & BARS NEW YORK CY

Gay-themed Broadway mils have e a long way the past fifty years. The on are the bt. * gay play nyc *

) Its body, race and orientatn issu are left a kd of stalemate that suggts what might happen if a foundatnal gay play like “The Boys the Band” (which had only one Black character) were multiplied fun hoe mirrors ad fum.

THE 30 BT GAY BARS NYC

Top New York Cy Gay Clubs & Bars: See reviews and photos of Gay Clubs & Bars New York Cy, New York on Tripadvisor. * gay play nyc *

That the Hamlet figure, lled Juicy, is Black and gay, wh an termtent csh on a Laert-like iend, suggts that the queer theme will domate, yet don’t; “Fat Ham” is really a play about Black masculy and, even more broadly, the vlent herance all men mt renounce.

A BRIEF HISTORY OF GAY THEATER, THREE ACTS

How Gay and LGBTQ Plays have changed over the s. * gay play nyc *

” Beltran portrays a gay Black man hopg to adopt the young girl he’s been Klwich/The New York TimMy other favore queer plays of the past year likewise offer no bands; their gay characters (there are still far too few lbian on) operate as if their gayns were mostly ternal and pletely irrelevant. Hunter’s heartbreakg “A Case for the Existence of God, ” that turns out to be an illn, as a gay Black man, after fosterg a ltle girl for more than three years, fds his plan to adopt her undone at the last mute.

TOM HOLLAND’S GAY SEX SCENE 'THE CROWD ROOM' DEFEND BY FANS

Drk and dance the night away at the bt gay bars NYC, offerg everythg om drag shows to chill nights and happy hours. * gay play nyc *

If there are subtle ways which their sexual inti affect their character or behavr, they were too subtle for me; miss a le or two and you may not even know that gayns is a part of their makp at mak sense plays about cris that threaten to oblerate a person entirely: genr, race, orientatn and all. Francis, the closeted llege stunt “Gemi, ” probably did; if he lived through AIDS, I expect he achieved full five-star gay privilege, plete wh marriage, children and Crate & Barrel chee boards. 27 plac sorted by traveler favorBars & Clubs • Gay BarsDowntown Manhattan (Downtown)Bars & Clubs • Gay BarsDowntown Manhattan (Downtown)Gay BarsDowntown Manhattan (Downtown)Bars & Clubs • Gay BarsDowntown Manhattan (Downtown)What travelers are saygDgn1010Dungannon, UK392 ntributnsSo ol to be drkg such a historil bar.

SERIAL KILLER DOCERI 'LAST CALL' RECKONS WH NYC'S HISTORY OF ANTI-GAY VLENCE

* gay play nyc *

I went to a few gay bars, and by far this was the bt place to dance and the mic was the bt here, varied, and not too much dance mic like you got your head bangg a fish bowl! There are plenty of gay bars up and down 9th ave and there's no reason to spend money at a place that will treat you like total trash, threaten you, and be unnecsarily belligerent and make you feel unsafe jt bee they're on some kd of power trip.

AS A GAY MAN, I’LL NEVER BE NORMAL

The crease the number of visible gay and trans people is sometim treated as a cursy or a e for ncern by crics, but ’s not a surprise. It’s normal. * gay play nyc *

To judge only om Broadway, New York theatre is experiencg a Renaissance of old gay plays, wh starry revivals of three landmark dramas that are now perd piec: The Boys the Band om the '60s, the soon-to-open Torch Song om the '80s and Angels Ameri om the '90s. "My latt play is the most up-ont gay play I've ever wrten -- maybe there's somethg the air, " says Jordan Harrison about Log Cab, currently nng at Playwrights Horizons. Tera Lotz's She Calls Me Firefly at Soho Playhoe foc on a young man a gay bar Kentucky facg up to his mons but, unlike gay plays past, his homosexualy has nothg to do wh his problems.

Acrdg to Gelman, Afterglow is a "queer" play, not a gay one, bee, "I nsir a gay play as havg a checklist: Someone dyg of HIV/AIDS; someone alg wh g out; someone alg wh discrimatn or gay bashg, " he explas.

Harrison didn't learn about The Boys the Band, about a group of gay men at a birthday party that scends to self-loathg, until he was at Stanford Universy, where he me out hman year. He also not that all 15 of his plays (cludg Marjorie Prime, Maple and Ve and The Amatrs) "have at least one gay character, whether or not the other characters know they're gay. In wrg , Crowley had liberately taken up the challenge tossed down by the theater cric Stanley Kffmann, who a 1966 New York Tim say headled “Homosexual Drama and Its Disguis” asked why that era’s most famo gay playwrights — meang Edward Albee, Tennsee Williams and William Inge — didn’t wre about themselv and leave straights alone.

THE COCKSEE ALL THGS TO DO{"@TYPE":"LOLBS","NAME":"THE COCK","URL":"\","ADDRS":{"@TYPE":"POSTALADDRS","STREETADDRS":"93 2ND AVE ","ADDRSLOLY":"NEW YORK CY","ADDRSREGN":"NEW YORK","ADDRSCOUNTRY":"UNED STAT","POSTALCO":"10003-8352"},"AGGREGATERATG":{"@TYPE":"AGGREGATERATG","RATGVALUE":"3.0","REVIEWCOUNT":17},"OPENGHOURS":["MO-TU 11:00-04:00","WE-SU 18:00-04:00"],"IMAGE":"HTTPS:\U002F\\U002FMEDIA\U002FPHOTO-O\U002F0F\U002F1B\U002FCF\U002F55\","@NTEXT":"HTTP:\U002F\"}SEE ALL THGS TO DOTHE COCK317 REVIEWS#594 OF 791 NIGHTLIFE NEW YORK CYBARS & CLUBS • GAY BARS • DANCE CLUBS & DISSREAD MORECLOSED NOW6:00 PM - 4:00 AMMONDAY11:00 AM - 4:00 AMTUDAY11:00 AM - 4:00 AMWEDNDAY6:00 PM - 4:00 AMTHURSDAY6:00 PM - 4:00 AMFRIDAY6:00 PM - 4:00 AMSATURDAY6:00 PM - 4:00 AMSUNDAY6:00 PM - 4:00 AMCALLWRE A REVIEWWHAT PEOPLE ARE SAYGBY SOUTTO“WATCH OUT”DEC 2021WATCH OUT THE BARTENR (TATTOOED GUY). HE TAK ADVANTAGE OF YOU IF HE THKS YOU ARE DNK. I ASK FOR 2 DRKS ($10) AND I GAVE HIM 2 BILLS ($10 AND $1), I TURNED AROUND AND HE LLED ME SAYG I GAVE HIM 3 DOLLAR BILLS. I WASN’T DNK AND I REALLY KNEW HOW MUCH I WAS RRYG. IS NOT ABOUT THE MONEY BUT HE DON’T SERVE THE JOB. FIRST AND LAST TIME I WAS THERE.“DARK AND DIVEY ALL THE RIGHT WAYS”SEP 2021WE WENT HER TWICE ON ONE NIGHT, EARLY ON FOR DRKS A QUIET BAR, AND LATER AS THGS PICKED UP AND THE DOWNSTAIRS OPENED. KNOW WHAT YOU ARE GETTG TO HERE - THE BAR IS DARK, VERY DIVEY, AND ONE OF THE FEW PLAC LEFT WHERE PEOPLE ENGAGE THE FULL RANGE OF BEHAVRS THAT ED TO HAPPEN DARK BASEMENTS LIKE THIS BAR HAS. DON'T EXPECT PREC CKTAILS AND 47 CRAFT BEERS. BE PREPARED FOR WHAT N HAPPEN THE DARK, STAY SAFE, AND KNOW WHAT YOU ARE PREPARED TO DO OR NOT DO. WE ENJOYED THE BANTER WH OUR BAR TENR EARLY ON AND THIS IS THE KD OF PLACE YOU WILL REMEMBER - ONE WAY OR ANOTHER.SUGGT EDS TO IMPROVE WHAT WE SHOW.IMPROVE THIS LISTGFULL VIEWALL PHOTOS (5)TOP WAYS TO EXPERIENCE NEARBY ATTRACTNSNEW YORK CATABS BY CANDLELIGHT1,487REMEND92% OF TRAVELERS REMEND THIS EXPERIENCE. THIS NUMBER IS BASED ON THE PERCENTAGE OF ALL TRIPADVISOR REVIEWS FOR THIS PRODUCT THAT HAVE A BUBBLE RATG OF 4 OR HIGHER.HISTORIL TOURSOM $37.00 PER ADULTSPECIAL OFFERNYC: THE STORY OF LOWER EAST SI'S FOOD CULTURE572REMEND96% OF TRAVELERS REMEND THIS EXPERIENCE. THIS NUMBER IS BASED ON THE PERCENTAGE OF ALL TRIPADVISOR REVIEWS FOR THIS PRODUCT THAT HAVE A BUBBLE RATG OF 4 OR HIGHER.FOOD & DRKOM $84.49 $76.04 PER ADULT (PRICE VARI BY GROUP SIZE) NEW YORK CY GHOST TOUR OF GREENWICH VILLAGE171REMEND94% OF TRAVELERS REMEND THIS EXPERIENCE. THIS NUMBER IS BASED ON THE PERCENTAGE OF ALL TRIPADVISOR REVIEWS FOR THIS PRODUCT THAT HAVE A BUBBLE RATG OF 4 OR HIGHER.GHOST TOURSOM $35.94 PER ADULTLIKELY TO SELL OUT*LOWER MANHATTAN TOUR: THE REMNANTS OF DUTCH NEW AMSTERDAM!57REMEND100% OF TRAVELERS REMEND THIS EXPERIENCE. THIS NUMBER IS BASED ON THE PERCENTAGE OF ALL TRIPADVISOR REVIEWS FOR THIS PRODUCT THAT HAVE A BUBBLE RATG OF 4 OR HIGHER.ARCHECTURE TOURSOM $39.00 PER ADULTSEMI-PRIVATE MEATPACKG DISTRICT, CHELSEA MARKET, AND HIGH LE WALKG TOUR42REMEND100% OF TRAVELERS REMEND THIS EXPERIENCE. THIS NUMBER IS BASED ON THE PERCENTAGE OF ALL TRIPADVISOR REVIEWS FOR THIS PRODUCT THAT HAVE A BUBBLE RATG OF 4 OR HIGHER.FOOD & DRKOM $47.00 PER ADULTNEW YORK HELIPTER TOUR: MANHATTAN, BROOKLYN AND STATEN ISLAND196REMEND96% OF TRAVELERS REMEND THIS EXPERIENCE. THIS NUMBER IS BASED ON THE PERCENTAGE OF ALL TRIPADVISOR REVIEWS FOR THIS PRODUCT THAT HAVE A BUBBLE RATG OF 4 OR HIGHER.ARCHECTURE TOURSOM $379.00 PER ADULTGANGSTERS AND GHOSTS TOUR NYC117HISTORIL TOURSOM $35.00 PER ADULTNYC UNRGROUND SUBWAY WALKG TOUR158ARCHECTURE TOURSOM $39.00 PER ADULTNEW YORK WALKG FOOD TOUR WH SECRET FOOD TOURS504REMEND99% OF TRAVELERS REMEND THIS EXPERIENCE. THIS NUMBER IS BASED ON THE PERCENTAGE OF ALL TRIPADVISOR REVIEWS FOR THIS PRODUCT THAT HAVE A BUBBLE RATG OF 4 OR HIGHER.FOOD & DRKOM $85.00 PER ADULT (PRICE VARI BY GROUP SIZE)LIKELY TO SELL OUT*PRI TOURS NYC'S LGBTQ HISTORIL WALKG TOUR21REMEND100% OF TRAVELERS REMEND THIS EXPERIENCE. THIS NUMBER IS BASED ON THE PERCENTAGE OF ALL TRIPADVISOR REVIEWS FOR THIS PRODUCT THAT HAVE A BUBBLE RATG OF 4 OR HIGHER.HISTORIL TOURSOM $30.00 PER ADULTGREENWICH VILLAGE SMALL-GROUP HNTED GHOST TOUR, NYC89WALKG TOURSOM $30.00 PER ADULTSKIP THE LE NYC SPEAKEASY WALKG TOUR TICKET159NIGHTLIFEOM $35.00 PER ADULTPROHIBN HISTORY & DRKS TOUR NEW YORK CY65REMEND90% OF TRAVELERS REMEND THIS EXPERIENCE. THIS NUMBER IS BASED ON THE PERCENTAGE OF ALL TRIPADVISOR REVIEWS FOR THIS PRODUCT THAT HAVE A BUBBLE RATG OF 4 OR HIGHER.FOOD & DRKOM $36.00 PER ADULTBATEX NEW YORK PREMIER DNER CISE209FOOD & DRKOM $199.88 PER ADULTLIKELY TO SELL OUT*MANHATTAN EVENG JAZZ CISE33REMEND96% OF TRAVELERS REMEND THIS EXPERIENCE. THIS NUMBER IS BASED ON THE PERCENTAGE OF ALL TRIPADVISOR REVIEWS FOR THIS PRODUCT THAT HAVE A BUBBLE RATG OF 4 OR HIGHER.MIC CLASS OM $108.00 PER ADULT (PRICE VARI BY GROUP SIZE)THE AREA ADDRS93 2ND AVE, NEW YORK CY, NY 10003-8352NEIGHBORHOOD: DOWNTOWN MANHATTAN (DOWNTOWN)READ MOREHOW TO GET THERE2ND AVE • 5 M WALKASTOR PLACE • 6 M WALKFULL VIEWBT NEARBYRTRANTS10,000 WH 3 SPOT DSERT BAR3000.2 MI$$ - $$$ • DSERT • VEGETARIAN FRIENDLY • VEGAN OPTNSVIA DELLA PACE988381 FT$$ - $$$ • ITALIAN • PIZZA • VEGETARIAN FRIENDLYPYLOS4080.2 MI$$ - $$$ • MEDERRANEAN • GREEK • VEGETARIAN FRIENDLYBUENOS AIR4780.3 MI$$ - $$$ • STEAKHOE • LAT • ARGENTEANVELKA1,0640.2 MI$$ - $$$ • SOUPS • EASTERN EUROPEAN • UKRAIANRS & DGHTERS1,1950.3 MI$$ - $$$ • AMERIN • DELI • EASTERN EUROPEANMIGHTY QUN'S BARBEQUE668308 FT$$ - $$$ • AMERIN • SOUTHWTERN • BARBECUECAFE MOGADOR5690.2 MI$$ - $$$ • MOROCN • MEDERRANEAN • MIDDLE EASTERNMOMOFU KO4190.2 MI$$$$ • INTERNATNAL • ASIAN • FNVENIERO'S PASTICCERIA & CAFFE5750.3 MI$$ - $$$ • BAKERI • ITALIAN • CAFESEE ALLATTRACTNS1,618 WH 6 COOPER UNN FOUNDATN BUILDG25494 FTHISTORIC S • ARCHECTURAL BUILDGSUKRAIAN MM240.1 MISPECIALY MMSLA MAMA E.T.C.11328 FTTHEATERSTHE BRONX BREWERY EAST VILLAGE1388 FTBREWERIORPHM THEATRE240.1 MITHEATERSMERCHANT'S HOE MM3150.2 MIHISTORY MMSST. GEE UKRAIAN CATHOLIC CHURCH20.1 MICHURCH & CATHEDRALSNEW YORK CY MARBLE CEMETERY10.1 MICEMETERINEW YORK MARBLE CEMETERY70.2 MICEMETERITHEATRE 80 SAT MARKS120.2 MITHEATERSSEE ALLCONTRIBUTEWRE A REVIEWUPLOAD A PHOTOREVIEWSQ&AFILTERSENGLISHMOST RECENTDETAILED REVIEWS: REVIEWS ORR RMED BY SCRIPTIVENS OF ER-INTIFIED THEM SUCH AS CLEANLS, ATMOSPHERE, GENERAL TIPS AND LOTN RMATN.3.017 REVIEWSEXCELLENT3VERY GOOD4AVERAGE4POOR1TERRIBLE5SOUTTOBOSTON, MA11 NTRIBUTNS3WATCH OUTDEC 2021 • FRIENDSWATCH OUT THE BARTENR (TATTOOED GUY). HE TAK ADVANTAGE OF YOU IF HE THKS YOU ARE DNK. I ASK FOR 2 DRKS ($10) AND I GAVE HIM 2 BILLS ($10 AND $1), I TURNED AROUND AND HE LLED ME SAYG I GAVE HIM 3 DOLLAR BILLS. I WASN’T DNK AND I REALLY KNEW HOW MUCH I WAS RRYG. IS NOT ABOUT THE MONEY BUT HE DON’T SERVE THE JOB. FIRST AND LAST TIME I WAS THERE.READ MOREWRTEN DECEMBER 31, 2021THIS REVIEW IS THE SUBJECTIVE OPN OF A TRIPADVISOR MEMBER AND NOT OF TRIPADVISOR LLC. TRIPADVISOR PERFORMS CHECKS ON REVIEWS AS PART OF OUR DTRY-LEADG TST & SAFETY STANDARDS. READ OUR TRANSPARENCY REPORT TO LEARN MORE.SHAWN HWASHGTON DC, DC380 NTRIBUTNS4DARK AND DIVEY ALL THE RIGHT WAYSSEP 2021WE WENT HER TWICE ON ONE NIGHT, EARLY ON FOR DRKS A QUIET BAR, AND LATER AS THGS PICKED UP AND THE DOWNSTAIRS OPENED. KNOW WHAT YOU ARE GETTG TO HERE - THE BAR IS DARK, VERY DIVEY, AND ONE OF THE FEW PLAC LEFT WHERE PEOPLE ENGAGE THE FULL RANGE OF BEHAVRS THAT ED TO HAPPEN DARK BASEMENTS LIKE THIS BAR HAS. DON'T EXPECT PREC CKTAILS AND 47 CRAFT BEERS. BE PREPARED FOR WHAT N HAPPEN THE DARK, STAY SAFE, AND KNOW WHAT YOU ARE PREPARED TO DO OR NOT DO. WE ENJOYED THE BANTER WH OUR BAR TENR EARLY ON AND THIS IS THE KD OF PLACE YOU WILL REMEMBER - ONE WAY OR ANOTHER.READ MOREWRTEN OCTOBER 2, 2021THIS REVIEW IS THE SUBJECTIVE OPN OF A TRIPADVISOR MEMBER AND NOT OF TRIPADVISOR LLC. TRIPADVISOR PERFORMS CHECKS ON REVIEWS AS PART OF OUR DTRY-LEADG TST & SAFETY STANDARDS. READ OUR TRANSPARENCY REPORT TO LEARN MORE.NOT IMPRSED3 NTRIBUTNS4BEWARENOV 2019THIS IS BASED ON MY TRIP TO THE COCK ON NOVEMBER 1-2 (I ARRIVED BEFORE MIDNIGHT AND LEFT SHORTLY THEREAFTER). THIS IS NOT BASED ON MOR, NUENDO OR HEARSAY. THE PLACE HAS A FLOOR THAT IS UNEVEN UPSTAIRS AND DOWNSTAIRS. ALSO, I WOULD NOT BE SURPRISE GIVEN THE LACK OF CLEANLS IF MRSA AND HEP A IS NOT A PROBLEM HERE. ABOUT 3/4 OF THE DOWNSTAIRS IS PCH BLACK WH THAT PORTN OF THE PLACE ON THREE LEVELS. TRIPPG ULD ALSO BE A PROBLEM. THE ENVIRONMENTS ARE ALSO NDUCIVE TO BEG PICK POCKETED. AS AN ADD ATTRACTN, I WAS APPROACHED ON THE WAY OUT AND ASKED IF I WANTED TO BUY METH, HERO OR E.READ MOREWRTEN NOVEMBER 25, 2019THIS REVIEW IS THE SUBJECTIVE OPN OF A TRIPADVISOR MEMBER AND NOT OF TRIPADVISOR LLC. TRIPADVISOR PERFORMS CHECKS ON REVIEWS AS PART OF OUR DTRY-LEADG TST & SAFETY STANDARDS. READ OUR TRANSPARENCY REPORT TO LEARN MORE.DAVID YBERL, GERMANY5 NTRIBUTNS3A PLE WH LOTS OF "FUN"SEP 2019THE ONLY PLACE NEW YORK THAT IS BOTH A BAR AND HAS AN ACTIVE DARKROOMIT'S JT A SHAME THAT THE PRICE OF DRKS IS HIGHMIXED DIENCE BUT YOUNGER.THE DARKROOM THE BASEMENT IS ONLY ACTIVE ON THE WEEKEND, BUT 'S A PY 'S SO DARK.READ MOREWRTEN NOVEMBER 16, 2019THIS REVIEW IS THE SUBJECTIVE OPN OF A TRIPADVISOR MEMBER AND NOT OF TRIPADVISOR LLC. TRIPADVISOR PERFORMS CHECKS ON REVIEWS AS PART OF OUR DTRY-LEADG TST & SAFETY STANDARDS. READ OUR TRANSPARENCY REPORT TO LEARN MORE.MIA4 NTRIBUTNS7THIS IS NOT A SAFE PLACE FOR THE LGBTQMAR 2019THIS IS NOT A SAFE PLACE FOR THE LGBTQ. THIS REVIEW IS MEANT TO ADD TO THE PROOF OF THE HOMOPHOBIC, AGGRSIVE, AND UNSAFE BEHAVR PATTERN OF THE SECURY PERSONNEL WORKG AT THE COCK, AT 93 2ND AVENUE, NEW YORK, NY 10009. ON SUNDAY MORNG, MARCH 24TH, 2019 AT BETWEEN 1:45 AM AND 2 AM, I WAS BULLIED, HARASSED AND FALLY GAY-BASHED BY BRIAN, THE LONG-TIME DOORMAN AND THE STRAIGHT-INTIFIED BOUNCER WHO CHASED ME DOWN THE STREET AND THREW ME TO THE SIWALK. HE THREATENED TO BREAK MY ARM AFTER DRIVG MY FACE OVER AND OVER TO THE PAVEMENT. BRIAN THEN LLED THE POLICE AND HAD ME ARRTED. A TEAM OF OFFICERS ME BUT DID NOT ALLOW ME TO FILE A HATE CRIME OR FILE MY OWN CHARG. THE WNS BEG BRIAN, THE DG-ALG KIDS, AND THE BOUNCER WERE ALL THE POLICE LISTENED TO. NEVERTHELS, I WAS GRATEFUL THAT THEY WERE THERE AS I FEARED FOR MY LIFE. ALL THIS HAPPENED AFTER I EXED THE CLUB, BUT WAS UNABLE TO LEAVE PLETELY AS I WAS NSTANTLY THREATENED, LLED HOMOPHOBIC SLURS, AND SURROUND BY THE DG-ALG KIDS, WHO THOUGH NOT MALIC, PREVENTED ME OM WALKG AWAY. AFTER SIX MONTHS URT, THERAPY, $2,000 LEGAL FE; I AM FALLY ABLE TO WRE THIS REVIEW. MY SE WAS FALLY THROWN OUT, BUT WAS A NERVE-WRACKG ORAL THAT ONLY FURTHERED THE ABE THAT WAS IATED BY BRIAN, THE DOORMAN OF THE COCK, THAT EVENG. THGS I DON'T UNRSTAND. WHY WERE DG ALERS TOLERATED BY THE SECURY AND THE LOL POLICE, BUT I WAS NOT ALLOWED TO FILE A HATE CRIME REPORT? WHY DID THE OFFICER NTUE WH THE ARRT AS I HAD NO CRIMAL RERD AND WAS OBV THE VICTIM AS MY FACE WAS BATTERED? (I HAVE THIS MEDILLY DOCUMENTED.) THE MEN ACCG ME OF ATTACKG THEM WERE BOTH OVER SIX FEET TALL AND BUILT LIKE LEBACKERS. I AM MERELY 5FT8 AND UNR 160 LBS. WHY DID MY ARRTG OFFICER APPEAR HIGH WHILE FILG THE CHARG? WHY DID HE MENT ON MY CRED RDS AND THEN THE FOLLOWG DAY I HAD $500 OF DULENT CHARG MA ON MY VISA? WHY DID THE D A NOT THROW OUT THE SE ON THE FIRST DAY BUT FORCED ME TO RETURN TO URT TWICE? IT SHOWS ME THAT THERE IS LTLE PROTECTN FOR CIZENS ONCE YOU HAVE BEEN ARRTED. IN MY SE, I WAS ACCED OF WHAT WAS PERPETRATED AGAST ME. I STILL SUFFER OM SEVERE PRSN AND ANXIETY DIRECTLY RELATED TO THIS. ALL I N REALLY HOPE FOR IS THAT THE COCK WILL HIRE NEW SECURY WH SENSIVY TRAG. IF YOU ARE EVER THIS SUATN, PLEASE HAVE YOUR JURI MEDILLY DOCUMENTED, SEEK SUPPORT WH ANTI-VLENCE PROJECT (THIS IS THEIR HOTLE 212-714-1141) AND LLECT AND POST YELP AND GOOGLE REVIEWS.READ MOREWRTEN NOVEMBER 12, 2019THIS REVIEW IS THE SUBJECTIVE OPN OF A TRIPADVISOR MEMBER AND NOT OF TRIPADVISOR LLC. TRIPADVISOR PERFORMS CHECKS ON REVIEWS AS PART OF OUR DTRY-LEADG TST & SAFETY STANDARDS. READ OUR TRANSPARENCY REPORT TO LEARN MORE.AUGTO S2 NTRIBUTNS3SUCH A ZY PLACE! LOVED !FEB 2019THE EXACTLY PLACE I WAS LOOKG FOR. PERFECT ATMOSPHERE, LIC BREAKFAST AND A BETIFUL PLACE!! READ MOREWRTEN MARCH 15, 2019THIS REVIEW IS THE SUBJECTIVE OPN OF A TRIPADVISOR MEMBER AND NOT OF TRIPADVISOR LLC. TRIPADVISOR PERFORMS CHECKS ON REVIEWS AS PART OF OUR DTRY-LEADG TST & SAFETY STANDARDS. READ OUR TRANSPARENCY REPORT TO LEARN MORE.JOHNNYCMCM3PTSBURGH, PA12 NTRIBUTNS14THE BT REMAG GAY BAR NYCSEP 2018 • FRIENDSTHE COCK IS DARK, DIRTY AND WONRFUL. THIS IS ALL THAT REMAS OF THE SLEAZY NYC GAY BARS OF YORE AND THE LAST VTIGE OF PRAVY THE BIG CY. I HOPE NEVER CHANG. I LOVE . IF YOU N’T APPRECIATE A FABULO GAY DIVE BAR, STAY HOME.READ MOREWRTEN SEPTEMBER 20, 2018THIS REVIEW IS THE SUBJECTIVE OPN OF A TRIPADVISOR MEMBER AND NOT OF TRIPADVISOR LLC. TRIPADVISOR PERFORMS CHECKS ON REVIEWS AS PART OF OUR DTRY-LEADG TST & SAFETY STANDARDS. READ OUR TRANSPARENCY REPORT TO LEARN MORE.CARLOS P1 NTRIBUTN2GREAT BAR TERRIBLE BARTENRJUL 2018 • SOLOTHE BAR IS CLEAN, DRKS REASONABLY PRICED, ATMOSPHERE IS PRETTY GOOD. MAY BE A FLE BUT HAD A TERRIBLY RI ONT BARTENR ON 7/3/18 THAT BASILLY ED THE ENTIRE EXPERIENCE. HOPE OTHERS HAVE BETTER LUCKREAD MOREWRTEN JULY 3, 2018THIS REVIEW IS THE SUBJECTIVE OPN OF A TRIPADVISOR MEMBER AND NOT OF TRIPADVISOR LLC. TRIPADVISOR PERFORMS CHECKS ON REVIEWS AS PART OF OUR DTRY-LEADG TST & SAFETY STANDARDS. READ OUR TRANSPARENCY REPORT TO LEARN MORE.M TNEW ZEALAND106 NTRIBUTNS3OMGJUL 2017 • SOLOA IEND OF ME SUGGTED I GO TO THIS BAR ON MY FIRST NIGHT NYC. OMG WHAT AN EXPERIENCE! THE PLACE IS A CHEAP DIVE BUT AT LEAST THE DRKS WERE CHEAP. READ MOREWRTEN JANUARY 27, 2018THIS REVIEW IS THE SUBJECTIVE OPN OF A TRIPADVISOR MEMBER AND NOT OF TRIPADVISOR LLC. TRIPADVISOR PERFORMS CHECKS ON REVIEWS AS PART OF OUR DTRY-LEADG TST & SAFETY STANDARDS. READ OUR TRANSPARENCY REPORT TO LEARN MORE.TANGUY MPARIS, FRANCE18 NTRIBUTNS18NOT SER TOWARDS THE CTOMERSEP 2016 • FRIENDSYOU PAY 20 D TO ENTER. SO YOU EXPECT TO HAVE A SER CTOMER RELATNSHIP, BUT 'S NOT!I ME TONIGHT. THE SECURY GUY AT THE ENTRY TOOK MY BOTTLE OF WATER, TELLG ME THAT I ULD TAKE BACK WHEN LEAVG. WHEN LEAVG, THE SECURY GUY WAS SOMEONE ELSE. MY BOTTEL WASN'T THERE. I ASKED HIM AND HE WASN'T ABLE TO TELL ME WHERE MY BOTTLE WAS. I ME AGA AND ASKED EXPLANATNS TO THE STAFF. WHAT WAS CLEAR IS THAT THEY WEREN'T SORRY AT ALL, THEY DIDN'T RE AND DIDN'T PROPOSE ANY SOLUTN. AT THE END, I FOUND MY BOTTLE THE PUBLIC TRASH. THEY ARE UNABLE TO MUNITE BETWEEN EACH OTHER TO NSIR THE CLIENT WHO PAYS 20 D. THEY FET THAT WHOUT THEIR CLIENTS, THEY DON'T EARN MONEY. *** I WON'T E BACK ***READ MOREWRTEN SEPTEMBER 4, 2016THIS REVIEW IS THE SUBJECTIVE OPN OF A TRIPADVISOR MEMBER AND NOT OF TRIPADVISOR LLC. TRIPADVISOR PERFORMS CHECKS ON REVIEWS AS PART OF OUR DTRY-LEADG TST & SAFETY STANDARDS. READ OUR TRANSPARENCY REPORT TO LEARN MORE.12SHOWG RULTS 1-10 OF 15JASON HLOS ANGEL, CA22 NTRIBUTNSANY POT GOG ON A WEEKNIGHT?ADD A REPLYCHARLIE E1 NTRIBUTNHEY THERE TOM - THE COCK NYC - YOU LIKED , SEEMS - DO YOU KNOW IF YOU NEED ID TO GET ? XXXX THANKS!DAVID HASTORIA, NY30 NTRIBUTNSY, MOST BARS NYC WH A DOORMAN REQUIRE AN ID, EVEN IF YOU’RE CLEARLY OF AGE... ’S RIDICULOREAD ALL REPLICOMPASS102051WHAT IS VER CHARGE ON SUNDAYJOHNNYCMCM3PTSBURGH, PA12 NTRIBUTNSSORRY MAN. I DON’T KNOW. I ONLY GO ON FRIDAYS.READ ALL REPLIVIEW ALLALSO POPULAR WH TRAVELERSSEE ALL2023BIG APPLE JAZZ TOURS629BAR, CLUB & PUB TOURS • CULTURAL TOURSOPEN NOW • MIDTOWN2023PUB CRAWL NEW YORK547BAR, CLUB & PUB TOURSGREENWICH VILLAGETERRA BLU455BARS & CLUBSGREENWICH VILLAGE2023BIRDLAND850JAZZ BARSHELL'S KCHENCOMEDY CELLAR1,048COMEDY CLUBSGREENWICH VILLAGE2023MCSORLEY'S OLD ALE HOE1,400BARS & CLUBSOPEN NOW • EAST VILLAGESMALLS418JAZZ BARSGREENWICH VILLAGE2023RUDY'S BAR & GRILL652BARS & CLUBSOPEN NOW • HELL'S KCHEN2023DIZZY'S CLUB854JAZZ BARSHELL'S KCHENTHE VILLAGE VANGUARD439BARS & CLUBS • JAZZ BARSGREENWICH VILLAGEIS THIS YOUR TRIPADVISOR LISTG?OWN OR MANAGE THIS PROPERTY? CLAIM YOUR LISTG FOR EE TO RPOND TO REVIEWS, UPDATE YOUR PROFILE AND MUCH MORE.CLAIM YOUR LISTGTHE COCK (NEW YORK CY) - ALL YOU NEED TO KNOW BEFORE YOU GO (WH PHOTOS)

Eric Bach is an openly gay broadster for the Frericksburg Natnals. He has major league aspiratns, but his path has been much lonelier than he would prefer. * gay play nyc *

Nor do homosexuals suffer om an “emotnal-psychologil illns, ” as he sually mentns — for this was an era which such public slurs were chic and permissible, pecially the guise of lerary cricism.

*BEAR-MAGAZINE.COM* GAY PLAY NYC

Tom Holland’s Gay Sex Scene 'The Crowd Room' Defend by Fans .

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