“Gay Play”: La obra trenada en la Universidad Yale llega a Lima – Ernto Jerardo

Contents:

• GAY PLAY
• “GAY PLAY”: LA OBRA TRENADA EN LA UNIVERSIDAD YALE LLEGA A LIMA
• PRóXIMO TRENO LA OBRA “GAY PLAY”
• A BRIEF HISTORY OF GAY THEATER, THREE ACTS
• THE VOICE OF CHICAGO'S GAY, LESBIAN, BI, TRANS AND QUEER COMMUNITY SINCE 1985
• GAY SIMULATOR
• GAY PORN GAM: FREE GAY SEX GAM ONLE

GAY PLAY

rputa a dos aspectos la vida una persona gay: Los ínos que suputamente "fen" lo que signifi ser gay y una versión bizarra l tortuoso y liberador proco salir l clóset... “Gay Play”, dirigida por Nella ‘Samoa’ Alvarez y Gonzalo Rodriguez Ris, se prentará en el Nuevo Teatro Julieta los viern y sábados a las 11 p. Origalmente cribió “Gay Play” en glés, logrando trenarla por primera vez en 2008, en el Cabaret la Universidad Yale (Estados Unidos).

Mad show drag, mad obra teatral, Gay Play se plantea o rputa a dos aspectos la vida una persona gay: Los ínos que suputamente “fen” lo que signifi ser gay y una versión bizarra l tortuoso y liberador proco salir l clóset…. Mad show drag, mad obra teatral, “Gay Play” se plantea o rputa a dos aspectos la vida una persona gay: Los ínos que suputamente “fen” lo que signifi ser gay y una versión bizarra l tortuoso y liberador proco salir l clóset. Here are ten of the plays that have ntributed to LGBTQ+ theatre's rich Drag by Mae WtThe Drag follows Rolly, a gay man who marri a woman to hi his sexualy, and the nsequenc of this.

“GAY PLAY”: LA OBRA TRENADA EN LA UNIVERSIDAD YALE LLEGA A LIMA

As an avid and unrelentg supporter of gay rights throughout her life, Mae Wt ma wav wh The Drag 1927, which she wrote unr pen name Jane Mast. Wh a st of exclively gay actors om a Greenwich Village club, the play was a huge fancial succs, but was wily panned by crics and shut down due to obsceny laws and never ma to Broadway as planned.

Bt plac for LGBTQ+ theatre LondonBent by Mart ShermanMart Sherman’s harrowg play sh a light on the persecutn of gay men durg the Holot. Max (played by Ian McKellen the origal n at the Royal Court) is a gay man Berl the 1930s, taken to Dach wh his boyiend Rudy after the Night of Long Kniv. It is by no means as ntroversial as many plays wh central male gay them, but has to work doubly hard bee of this lack of other lbian storyl on the stage, somethg that is dire need of changg and that Fun Home self uld In Ameri by Tony Khner The exploratn of AIDS 1980s Ameri an epic unrtakg, and Angels Ameri is a suably epic play.

PRóXIMO TRENO LA OBRA “GAY PLAY”

Hot on the heels of the Angels Ameri revival, Matthew Lopez asks what is like for the next generatn of young gay men New York, growg up and livg the shadow of the AIDS crisis. Penned by Tarell Alv McCraney (whose tobgraphil play beme spiratn for the Osr wng Moonlight) this 2008 play talks about what means to be black and to be gay.

A BRIEF HISTORY OF GAY THEATER, THREE ACTS

It remas jt as pertent today, alg wh the stggl that arise om the batn of misogyny and homophobia that are far om beg stamped out today’s society.

CultureLa dipennza affettiva e la dipennza ssuale: a teatro “Love Me Tenr” – Intervista a Shi Yang Shi "Il problema è molto diffo nella unà gay, più di quanto ci immagiamo". CorpiOsceno scena: tra eros gay e rpi ecceznali Vi prentiamo il gppo che vuole mbiare le regole l g e spogliare l'omossualà lla sua vte drammatizzante. In wrg , Crowley had liberately taken up the challenge tossed down by the theater cric Stanley Kffmann, who a 1966 New York Tim say headled “Homosexual Drama and Its Disguis” asked why that era’s most famo gay playwrights — meang Edward Albee, Tennsee Williams and William Inge — didn’t wre about themselv and leave straights alone.

Nor do homosexuals suffer om an “emotnal-psychologil illns, ” as he sually mentns — for this was an era which such public slurs were chic and permissible, pecially the guise of lerary cricism.

THE VOICE OF CHICAGO'S GAY, LESBIAN, BI, TRANS AND QUEER COMMUNITY SINCE 1985

”) Still, there was no nyg that ank plays about gay male life had never reached the mastream, never perated the circl which Kffmanns and Roths and social Crowley wrote the bt and funnit and gayt play he uld, about ne gay men (or maybe eight and a half) at a birthday party. Though some of the men fse the ambient homophobia of the time better than others, almost all of them suffer om the self-hatred that seemed then, and maybe now, to filtrate even the bt-fend personaly. It is also an acknowledgment of a larger urgency about the reprentatn of gay men popular entertament: a moment that, the theater at least, is both sprgboard and logy.

At a time when many of the classic gay plays are returng to the Broadway stage — “Boys the Band, ” “Angels Ameri” and “Torch Song Trilogy” among them — almost no new on are on the horizon to jo them. When Luckbill, then 33, agreed to play Hank — the “straightt” of the gay men, who’d left his wife and children — his agent said he might as well bid goodbye to his reer. But so heavy and lgerg was the perfume of gayns g off the project that even a heterosexual actor like Luckbill was thought to be mtg theatril suici to book .

GAY SIMULATOR

William Friedk’s fahful movie versn, released 1970 and starrg the entire stage st, turned to a touchstone of gay style and sufferg for gays and straights well beyond New York. I wre that admirg many of s spirual forebears, om Tennsee Williams’s “The Glass Menagerie” 1945 to Robert Anrson’s “Tea and Sympathy” 1953 to the early works of Doric Wilson, Lanford Wilson, Robert Patrick and many others who helped spark an efflorcence of downtown gay drama centered at Caffe Co, wh s makhift k-crate stage, startg while buildg on those — and, Crowley says, on Arthur Lrents’s screenplay for Aled Hchck’s 1948 film, “Rope, ” which two gay men murr a classmate for sport — “The Boys the Band” has had the more nsequential gay trajectory. They and the rt of the starry st are succsful, openly gay men, as are the producers, Ryan Murphy and David Stone, and the director, Joe was a liberate statement, meant to acknowledge how far the world has e sce 1968.

“The guys that are the leads, ” Murphy says, “are the first generatn of gay actors who said, ‘We’re gog to live thentic liv and hope and pray our reers rema on track’ — and they have. In 1968 he sent his play to a world that, however much might lgh at his gay zgers, seemed likely to rema forever and fundamentally hostile.

Mantello pots out the startlg paradox that all the gay members of the origal pany felt pelled to stay the closet “even though they were a groundbreakg play about gay men. ”But the way the world se gay people and the way gay people see themselv have changed so much, and of late so fast, that plays om even jt a few years ago n seem like Ken Burns documentari.

GAY PORN GAM: FREE GAY SEX GAM ONLE

In one sense, then, the classic gay plays are tnal: remdg a placent generatn of the stggl and tragedi (and fabulons) that unrlie the glossy image of rapid progrs. In the aftermath of the Stonewall rts of 1969, while the play still ran, s portrayal of gay male life me to be seen as unterrevolutnary, which was exactly backward, if unrstandable light of the rebrandg unrway.

The characters’ promiscuo, boa-flgg, “Oh, Mary”-spoutg, drown-your-troubl--a-vodka-bottle histrnics were distctly off-msage durg the years when gay men were tryg to cultivate lawmakers and police wh their new imag as activists or pillars of the muny, not of Sodom. Even Albee, who Crowley spects vted secretly the origal productn, once tarred the play as “a highly skillful work that I spised” bee “did ser damage to a burgeong gay rpectabily movement. Between 1984 and 1993, five of the gay men the origal productn, as well as the director, Robert Moore, and the producer, Richard Barr, died of the disease.