A roundup of the gayt, queert, and most flamboyant mic vios om an already over-the-top : the 1980s." name="scriptn
Contents:
THE 13 GAYT MIC VIOS OF THE '80S
The overall queerns of pop 2020 has thkg back to the gayt pop mic ever experienced: the ‘80s. The ‘80s had all, and today we celebrate the moments where the gay really jumped OUT the ’s foremost art form: the mic vio. Ins like Whney and Madonna turned out plenty of hs durg the ‘80s that are today nsired gay anthems, but the classic vios—eher by LGBTQ+ artists or featurg queer subject matter—are gay a more leral sense.
BRONSKI BEAT - “SMALLTOWN BOY” (1984)This ‘80s dance h and s explicly queer vio about a smalltown gay boy the big cy broke new ground for LGBTQ+ visibily—and reached the top of the charts the procs. MARC ALMOND - “RUBY RED” (1987)Few ‘80s pop stars were more -your-face about their sexualy than Soft Cell ontman Marc Almond, and this kky Kenh Anger-spired visual is as gay as B-52s - “LOVE SHACK” (1989)As if The B-52’s John Waters-spired athetic and out-and-proud ontman Fred Schneir weren’t gay enough for you, this mpy vid for their late-’80s h featur a pre-fame meo by the one and only RuPl. - “CLUB TROPICANA” (1983)It would be another 15 years before he formally me out, but if Gee Michael a whe speedo vampg to this breezy 1983 bop don’t set off your gaydar…nothg will.
ERASURE'S ANDY BELL ON THE NEON, BEG LOVE, & THE '80S GAY SCENE
ERASURE - “CHAINS OF LOVE” (1988)If seeg Andy Bell spend om chas jt BASKING his gayns don’t make you feel like you’re an episo of Queer as Folk, you’ve got some homework to do.
" He go on to praise the Human League and his iend Clarke's work wh Yaz as some of his favore electronic the '80s, Bell was one of a uple of out gay sgers, along wh Jimmy Somerville (Bronski Beat and the Communards), who were chroniclg and celebratg the queer experience through song. While some classics do appear on our list, others do not – sorry, Gloria Gaynor, Kylie Mogue, RuPl, Brney and Cher, we still adore you — here are 25 sential pri songs om the 1970s to today. gay clubs but, wh a strg of hs, expand to natnal tours and TV.
Somewhat rctively lled the “Queen of Dis, ” the virtuosic, openly gay sger approached genr ( his performative and private liv) as a fluid, non-bary ncept a pre–Judh Butler era.