‎Party Groove: Pri 08 (Contuo Gay Pri Mix) by Max Rodriguez on Apple Mic

Contents:

• BT OF GAY DANCE, VOL. 1
• THE ULTIMATE GAY ANTHEMS & PRIDE CLASSICS — VOLUME 1
• TOGETHER AGA | GAY PRI CLASSICS MEGAMIX
• PARTY GROOVE: PRI 08 (CONTUO GAY PRI MIX)
• GAY ANTHEMS FOR A NEW GENERATN 2021 | MORN GAY ANTHEMS PUBLISHED JUNE 18, 2021 IN THE WAKE OF OUR 14TH GAY PRI ANNIVERSARY, PARTY FAVORZ PRENTS THE ANNUAL PILATN OF GAY ANTHEMS FOR A NEW GENERATN WH THE BIGGT MORN GAY ANTHEMS FOR 2021, MERGG PAST INIC CLASSICS WH THE BOLD TUN OF TOMORROW’S LGBTQ+ MIC SCENE. CHER’S ANTHEMIC TRACK “BELIEVE” LEADS THE LIST WH S MORN TOUCH BY LIAM PFEIFER, REMDG TO KEEP FAH OURSELV AND OUR JOURNEY. RIHANNA’S “WE FOUND LOVE” SPIR TO HOLD ONTO HOPE, EVEN THE DARKT TIM. THE TRACKS EMBODY THE SENCE OF MORN GAY ANTHEMS BY OFFERG SOLACE, JOY, AND AN AVENUE FOR SELF-EXPRSN TO THE LGBTQ+ MUNY. CLASSICS LIKE ULTRA NATé’S “FREE,” AND WHNEY HOTON’S “I WANNA DANCE WH SOMEBODY,” GIVEN A H SP, ARE TIMELS ANTHEMS THAT UPLIFT THE SPIR, EMBOLNG DIVIDUALS TO EMBRACE THEIR INTY FEARLSLY. THEY ENPSULATE THE STGGL, TRIUMPHS, AND RILIENCE OF THE GAY MUNY, SERVG AS POWERFUL RALLYG CRI AT PRI PARAS AND CELEBRATNS. LADY GAGA’S “BORN THIS WAY,” REMIXED BY LIAM PFEIFER, ECHO THE MSAGE OF ACCEPTANCE AND SELF-LOVE, RERCG S STAT AS A MORN GAY ANTHEM. SIARLY, ROBYN’S “DANCG ON MY OWN,” LIL NAS X’S “MONTERO CALL ME BY YOUR NAME,” AND MADONNA’S “VOGUE,” EACH WH THEIR UNIQUE REMIX, REPRENT THE MUNY’S JOURNEY TOWARDS SELF-EMPOWERMENT, CLIVY, AND LIBERATN. SEVERAL TRACKS ON THE LIST, LIKE “YMCA” BY VILLAGE PEOPLE, “WE ARE FAY” BY SISTER SLEDGE, AND “I WILL SURVIVE” BY GLORIA GAYNOR, HAVE BEEN PILLARS OF THE GAY MUNY FOR S. THE SONGS HAVE EVOLVED TO MORN GAY ANTHEMS, CELEBRATG THE DIVERSY AND UNY OF THE MUNY. MOREOVER, NEW ADDNS TO THE GAY ANTHEMS PANTHEON, LIKE DUA LIPA’S “LEVATG,” MILEY CYS’ “MIDNIGHT SKY,” AND AVA MAX’S “MY HEAD & MY HEART,” RPORATE NTEMPORARY SOUNDS AND THEM THAT RONATE WH YOUNGER LGBTQ+ GENERATNS. THEY RERCE THE CLIVY OF THE GAY MUNY, ENSURG S MIL HERAGE REMAS H AND RELEVANT. SONGS LIKE “DON’T LEAVE ME THIS WAY” BY THELMA HOTON AND “IT’S A S” BY YEARS & YEARS ADDRS THE PLEXI AND CHALLENG FACED BY THE LGBTQ+ MUNY, OFFERG SOLACE AND SOLIDARY. THEIR CLN THIS LIST ENSUR THE NARRATIV REMA CENTRAL TO THE DISURSE OF GAY ANTHEMS. IN NCLN, THE LLECTN OF MORN GAY ANTHEMS FOR 2021 BY PARTY FAVORZ IS A TTAMENT TO THE EVOLUTN OF GAY ANTHEMS. FROM NOSTALGIC CLASSICS REIMAGED TO NEW ANTHEMS WH THEIR FECT BEATS AND POWERFUL LYRICS, THEY UNRLE THE RILIENCE, DIVERSY, AND UNY OF THE LGBTQ+ MUNY. MIC NTU TO PLAY AN STMENTAL ROLE THIS JOURNEY TOWARDS ACCEPTANCE AND EQUALY, WH EACH SONG OFFERG AN ECHO OF THE MUNY’S PAST, A SNAPSHOT OF S PRENT, AND A GLIMPSE OF S PROMISG FUTURE. H A P P Y   P R I D E   E V E R Y O N E!

BT OF GAY DANCE, VOL. 1

I’m thrilled to announce that Party Favorz is officially kickg off the 2022 Gay Pri season early wh the first volume of our Ultimate Gay Anthems & PRIDE Classics seri.

THE ULTIMATE GAY ANTHEMS & PRIDE CLASSICS — VOLUME 1

We’re super exced to share the amazg sets wh you, as they are a massive update to the origal Gay Pri Classics sets that were ially released 2014. ” Wh this new seri, we’re primarily focg on gay anthems released om the 90s through the first half of the lennium.

However, we also regnize the importance of newer anthems that have bee stapl the Gay Pri arsenal. So fear not, we have a special release lled “Ultimate Gay Anthems For A New Generatn” g later this month, which will feature the majory of those newer tracks.

Our ma ntributors, Barry Harris and Dirty Dis have done an exceptnal job prervg and mornizg many of our favore gay anthems. While we currently have no plans to create such a seri (as would be somewhat rndant), we enurage you to nsir the fal Gay Anthem releas as exactly that.

TOGETHER AGA | GAY PRI CLASSICS MEGAMIX

Album: Ultimate Gay Anthems & Pri Classics Vol. Wh a diverse range of mic genr, cludg EDM, Dis Hoe, Peak Hour, Circu Anthems, Gay Anthems, Trash Dis, and Dance Classics, Party Favorz ters to all your dance mic needs. Album: Together Aga – Gay Pri Hoe Classics Artists: Var Genre: Circu, Hoe Length: 1:27:26 1.

” and Gloria Gaynor’s “I Will Survive” the ’70s to Christa Aguilera’s “Betiful, ” Lady Gaga’s “Born This Way” and Scissor Sisters’ “Let’s Have a Kiki” the 21st century, mic has helped LGBTQ people to both survive and thrive.

PARTY GROOVE: PRI 08 (CONTUO GAY PRI MIX)

I’ve worked wh Madonna for 25 years, and I cred her a lot for what she’s done for the gay muny.

GAY ANTHEMS FOR A NEW GENERATN 2021 | MORN GAY ANTHEMS PUBLISHED JUNE 18, 2021 IN THE WAKE OF OUR 14TH GAY PRI ANNIVERSARY, PARTY FAVORZ PRENTS THE ANNUAL PILATN OF GAY ANTHEMS FOR A NEW GENERATN WH THE BIGGT MORN GAY ANTHEMS FOR 2021, MERGG PAST INIC CLASSICS WH THE BOLD TUN OF TOMORROW’S LGBTQ+ MIC SCENE. CHER’S ANTHEMIC TRACK “BELIEVE” LEADS THE LIST WH S MORN TOUCH BY LIAM PFEIFER, REMDG TO KEEP FAH OURSELV AND OUR JOURNEY. RIHANNA’S “WE FOUND LOVE” SPIR TO HOLD ONTO HOPE, EVEN THE DARKT TIM. THE TRACKS EMBODY THE SENCE OF MORN GAY ANTHEMS BY OFFERG SOLACE, JOY, AND AN AVENUE FOR SELF-EXPRSN TO THE LGBTQ+ MUNY. CLASSICS LIKE ULTRA NATé’S “FREE,” AND WHNEY HOTON’S “I WANNA DANCE WH SOMEBODY,” GIVEN A H SP, ARE TIMELS ANTHEMS THAT UPLIFT THE SPIR, EMBOLNG DIVIDUALS TO EMBRACE THEIR INTY FEARLSLY. THEY ENPSULATE THE STGGL, TRIUMPHS, AND RILIENCE OF THE GAY MUNY, SERVG AS POWERFUL RALLYG CRI AT PRI PARAS AND CELEBRATNS. LADY GAGA’S “BORN THIS WAY,” REMIXED BY LIAM PFEIFER, ECHO THE MSAGE OF ACCEPTANCE AND SELF-LOVE, RERCG S STAT AS A MORN GAY ANTHEM. SIARLY, ROBYN’S “DANCG ON MY OWN,” LIL NAS X’S “MONTERO CALL ME BY YOUR NAME,” AND MADONNA’S “VOGUE,” EACH WH THEIR UNIQUE REMIX, REPRENT THE MUNY’S JOURNEY TOWARDS SELF-EMPOWERMENT, CLIVY, AND LIBERATN. SEVERAL TRACKS ON THE LIST, LIKE “YMCA” BY VILLAGE PEOPLE, “WE ARE FAY” BY SISTER SLEDGE, AND “I WILL SURVIVE” BY GLORIA GAYNOR, HAVE BEEN PILLARS OF THE GAY MUNY FOR S. THE SONGS HAVE EVOLVED TO MORN GAY ANTHEMS, CELEBRATG THE DIVERSY AND UNY OF THE MUNY. MOREOVER, NEW ADDNS TO THE GAY ANTHEMS PANTHEON, LIKE DUA LIPA’S “LEVATG,” MILEY CYS’ “MIDNIGHT SKY,” AND AVA MAX’S “MY HEAD & MY HEART,” RPORATE NTEMPORARY SOUNDS AND THEM THAT RONATE WH YOUNGER LGBTQ+ GENERATNS. THEY RERCE THE CLIVY OF THE GAY MUNY, ENSURG S MIL HERAGE REMAS H AND RELEVANT. SONGS LIKE “DON’T LEAVE ME THIS WAY” BY THELMA HOTON AND “IT’S A S” BY YEARS & YEARS ADDRS THE PLEXI AND CHALLENG FACED BY THE LGBTQ+ MUNY, OFFERG SOLACE AND SOLIDARY. THEIR CLN THIS LIST ENSUR THE NARRATIV REMA CENTRAL TO THE DISURSE OF GAY ANTHEMS. IN NCLN, THE LLECTN OF MORN GAY ANTHEMS FOR 2021 BY PARTY FAVORZ IS A TTAMENT TO THE EVOLUTN OF GAY ANTHEMS. FROM NOSTALGIC CLASSICS REIMAGED TO NEW ANTHEMS WH THEIR FECT BEATS AND POWERFUL LYRICS, THEY UNRLE THE RILIENCE, DIVERSY, AND UNY OF THE LGBTQ+ MUNY. MIC NTU TO PLAY AN STMENTAL ROLE THIS JOURNEY TOWARDS ACCEPTANCE AND EQUALY, WH EACH SONG OFFERG AN ECHO OF THE MUNY’S PAST, A SNAPSHOT OF S PRENT, AND A GLIMPSE OF S PROMISG FUTURE. H A P P Y   P R I D E   E V E R Y O N E!

He was signed to a label as an openly gay drag queen [ 1991], and that’s such a huge part of our history — and what Pri tly is about. Judy Garland was such a gay in. She is Gay Pri self.

She is the queen of Gay Pri. “Nobody’s Supposed to Be Here” has drama — and gays like drama.

She’s a legend the gay muny...

“Straight people were clumsy and had no rhythm, whereas gay men were right on. Manco’s crowd, which clud many gay men of lor, bellowed out the chos, refigurg the song’s addrsee as a new kd of Shore Commissn, ‘Free Man’ (1975)D.

-led dance spac that were exclive to gay men — ually whe, middle-class gay men — started to open Manhattan late 1972. Valento, ‘I Was Born This Way’ (1975)The first rerd to feature lyrics about beg an out-and-proud gay man me om the mil performer Charl “Valento” Harris, who released “I Was Born This Way” as an apparently one-off release on Gaiee.

“I’m happy, I’m reee and I’m gay, ” the sger hollers over soulful stmentatn.

” “The lyrics were perfect, ” she told me Summer, ‘I Feel Love’ (1977)Gay male dance crowds were drawn to rerdgs that featured Black female volists, often intifyg wh their emotnal exprsivens and strength the face of adversy, often to the surprise of the artists, who were ually gospel-traed.