The ease wh which Gayatri traversed the sthayis, her extensive swaras and niraval brought out the richns of the raga
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K. GAYATRI’S BHAVA-RICH VARALI
Gayatri’s petence should now evolve to clu swanubhava * k gayatri *
Gayatri belongs to this club, and her ncert for the Mic Amy showed this well.
Gayatri began her le-up wh Tyagaraja’s Kovur Pancharatna kri, ‘Eevasudha ni vanti’, Sahana. The Varali raga alapana that followed took a more bhava urse wh s characteristic karvais prented good measure by both Gayatri and vlist Vtal Rangan.
K. GAYATRI BROUGHT OUT THE BT SHAS OF KAMBOJI
* k gayatri *
Some young sgers like Gayatri seem to unt on the former. Gayatri embraced the vilamba mood well. Then ‘Parakela nannu parapalimpa’ Kedaragowla (Syama Sastri) wh s own rakti yet brisk wh chtaswaram brought back the pep that Gayatri thriv better the Karaharapriya alapana, Gayatri’s exploratn of the lower not of madhya stayi was elegant.
K GAYATHRI
K. Gayatri, Aishwarya Shankar, Nishanth Chandran and Delhi Sairam monstrated the art of sgg Pallavi to different nadais and talas * k gayatri *
Both Gayatri and Vtal Rangan were facile and smooth their executn.
‘Tanami varai en swami’, a javali by gu Suguna Pushothaman is a lovely creatn Behag, and Gayatri renred her own charmg style. Vtal Rangan is the big league now, performg effortlsly to the mands of a by-on-stage volist like Gayatri.
Like Gayatri, he too will need to embrace self-enjoyment and bhava more than the rattle.
K. Gayatri’s ncert was too brisk to nvey the joy of mic * k gayatri *
Wh a malleable voice, Gayatri too opted to don only the warrr role.
Gayatri has the pacy for that evolutn. Gayatri performg for Kartik Fe Arts at Narada gana Saba i 2022.
Gayatri was full of energy.