K. Gayatri, Aishwarya Shankar, Nishanth Chandran and Delhi Sairam monstrated the art of sgg Pallavi to different nadais and talas
Contents:
K. GAYATRI’S BHAVA-RICH VARALI
Gayatri’s petence should now evolve to clu swanubhava * k gayatri *
Gayatri belongs to this club, and her ncert for the Mic Amy showed this well. Gayatri began her le-up wh Tyagaraja’s Kovur Pancharatna kri, ‘Eevasudha ni vanti’, Sahana.
K. GAYATRI BROUGHT OUT THE BT SHAS OF KAMBOJI
The ease wh which Gayatri traversed the sthayis, her extensive swaras and niraval brought out the richns of the raga * k gayatri *
The Varali raga alapana that followed took a more bhava urse wh s characteristic karvais prented good measure by both Gayatri and vlist Vtal Rangan. Some young sgers like Gayatri seem to unt on the former.
Gayatri embraced the vilamba mood well.
K GAYATHRI
* k gayatri *
Then ‘Parakela nannu parapalimpa’ Kedaragowla (Syama Sastri) wh s own rakti yet brisk wh chtaswaram brought back the pep that Gayatri thriv better the Karaharapriya alapana, Gayatri’s exploratn of the lower not of madhya stayi was elegant. Both Gayatri and Vtal Rangan were facile and smooth their executn. ‘Tanami varai en swami’, a javali by gu Suguna Pushothaman is a lovely creatn Behag, and Gayatri renred her own charmg style.
K. Gayatri’s ncert was too brisk to nvey the joy of mic * k gayatri *
Vtal Rangan is the big league now, performg effortlsly to the mands of a by-on-stage volist like Gayatri.