K. Gayatri Prasanna has the requise tras but needs to make a few amends too
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K GAYATHRI
K Gayathri rnatic Mic Volist and disciple of Kalaimamani Smt. Suguna Pushothaman for the last twelve years. Prented ncert programm... * k gayathri *
K Gayathri rnatic Mic Volist and disciple of Kalaimamani Smt. Gayathri, the young volist has “Vaak spashtam.
Gayathri Prasanna gave a credable acunt of her mil talent at her ncert for. Gayathri’s voice throw is her strength, but n overpower sensivy as was the se Dhanyasi. Gayathri’s Sankarabharanam was chiselled betifully, explorg all the sweetspots around every clter of swaras over the 2 ½ octave.
Gayathri and Ganh Prasad bed admirably the niraval and swarams at ‘Sakshat Karaneeve Rama’. Gayathri ployed ‘Dhatu’ swara phras to good effect.
K. GAYATRI PRASANNA'S SHARP MIL SENSE
* k gayathri *
Gayathri is blsed wh a sthi alignment that has a six-sigma character. Gayathri. Gayathri MBBS, MD (Paediatrics).
Gayathri is a skilled Pediatrician, whtrag and experience om premier medil llege and hospals India. Gayatri and Aishwarya Shankar wh Nishanth Chandran on the vl and Delhi Sairam on the mridangam.
GAYATHRI K. BALJEPALLY, MD
Gayatri and Aishwarya Shankar along wh Nishanth Chandran on the vl and Delhi Sairam on the mridangam revealed the methods to master pallavi event was dited to one of the pallavi veterans, Suguna Pushothaman. Gayatri remembered how hard work and practice enabled her gu to prent even the most plex talas on stage wh ease. Wh Nishanth and Sairam ually acpanyg her at ncerts, Gayatri acknowledged that prentg a pallavi is a team effort, and that their ntributn is sgers explaed that though theoretilly Pallavi is pada-laya-vyasam, is the imagative exploratn of a meangful le of sahyam, havg a poorvangam (first part) and uttarangam (the send portn) wh adi karvai (the pse between them), and the sahyam fallg precisely ‘pada garbham’ (the part precedg the adi karvai).
Varnams different nadaisGayatri discsed and monstrated how to sg varnams var nadais, such as tisram, khandam, and sankeernam, by sgg the Sahana varnam var nadais. Speakg about anga talas, Gayatri explaed sarvangam wh 72 aksharam, monstrated the tala and sang a Simhanandana pallavi ‘Narasimha nandanapriya’.
Gayatri gave a glimpse of marga tala, a set of five talas that form the first of the 108 talas, and Aishwarya monstrated the pallavi ‘Panchamha panchanadheha’ Purvikalyani begng wh the tala Shatpaputrikam, followed by the other four talas, all of which have a number of beats divisible by four, to show how the same sahyam n be seamlsly adapted to different talas. In Navasandhi tala (a set of ne talas), Gayatri sang a pallavi le Mattabharanam tala wh 32 aksharas to show how the sahyam may be renred multiple talas at the same ppu.