Durg an appearance on the Nelk Boys’ “Full Send” podst, Donald Tmp said “Y.M.C.A.” is his go-to song when playg DJ at Mar-a-Lago. “They ll the gay natnal anthem. ‘Y.M.C.A.’ gets people up and gets them movg,” he said.
Contents:
- HAPPY PRIDE! HOW “Y.M.C.A.” BEME A GAY ANTHEM!
- THE TOP 75 MOST INIC GAY ANTHEMS DERVG OF THE TLE OF BEG CALLED THE "GAY NATNAL ANTHEM"
- 32 SONGS THAT NEED TO BE THE GAY NATNAL ANTHEM
- TMP EXPLAS HIS LOVE OF ‘Y.M.C.A.,’ WHICH HE CLAIMS IS THE ‘GAY NATNAL ANTHEM’
HAPPY PRIDE! HOW “Y.M.C.A.” BEME A GAY ANTHEM!
Billboard Explas div to what mak a gay pri anthem, and discsed the hs that has ntribut to the LGBTQ+ muny. * the gay national anthem *
” Though, today, you’ll hear the track at everythg om a school dance to a 50th anniversary party, has also been adopted by the gay muny as one of s unofficial anthems.
THE TOP 75 MOST INIC GAY ANTHEMS DERVG OF THE TLE OF BEG CALLED THE "GAY NATNAL ANTHEM"
* the gay national anthem *
The songs targeted a niche rerd buyg dience: gay disthequ and their patrons.
The tl were self-explanatory: “Fire Island” (the East Coast’s gay summer retreat); “San Francis (You’ve Got Me)” (the Wt ast’s premier gay statn); “Village People” (a look at the habants of New York Cy’s largely gay Greenwich Village); and “In Hollywood (Everybody is a Star), ” the promise of artistic acplishment the word’s entertament pal. Village People nsisted of six members, each of whom personified a popular gay archetype.
32 SONGS THAT NEED TO BE THE GAY NATNAL ANTHEM
Only Willis and Rose participated on the “Village People” LP–wh Rose roly creded as “Felipe ‘Indian From the Anvil’“ (the Anvil was a gay NYC sex club). The gay msagg their songs, the gay fantasy stripper-stum, the gay dancg and fx macho posturg seemed to go over the heads of the dience–or they jt didn’t re. “Key Wt” (a gay rort statn), “Jt a Gigolo, ” “I Am What I Am” (a gay claratn), and “Sodom and Gomorrah” reached their re dience–but the sgle “Macho Man” reached further.
An energetic chant song whose lyrics extoled the male form, exercise and gym culture, “Macho Man” was heard by straight dienc as ls gay and more sports/athletics/ol-du fun mic. Neteen seventy-ne’s double entendre-tled “Cs’” (referencg gay cisg) h stor jt seven months after “Macho Man.
” was not a “gay” song, but “a song for everyone. Addnally, lyrics like “lger on the siwalk where the neon signs are pretty” and “someone who is jt like you and needs a gentle hand to gui them along” were tac vatns for a gay listeng dience.
TMP EXPLAS HIS LOVE OF ‘Y.M.C.A.,’ WHICH HE CLAIMS IS THE ‘GAY NATNAL ANTHEM’
” was more than a h rerd, was a cultural tone: a world anthem built on, for, and about gay life and sensibili that was, neverthels, fully embraced by mastream dienc. Among her imprsive talogue of dance-pop gems, “All The Lovers” marked the first time the sger seemed to directly addrs her gay fanbase, along wh the acpanyg vio that featur a mass of upl of all strip makg out around her. From the song’s openg synths and Jimmy Somerville’s unmistakable falsetto, “Smalltown Boy” marked a historic moment pop mic, pecially g om an openly gay group durg the peak of the AIDS crisis.
Co-wrten by Tom Robson (who gave “Glad To Be Gay”), ’s one of the rare LGBTQ songs that chews the dancefloor for a more tenr moment.