Dear lennials, the generatn born durg the '80s, the are the gay-themed movi — some wonrful, some wonrfully terrible — worth your time.
Contents:
- 16 MT-SEE CLASSIC GAY MOVI FROM BEFORE YOU WERE BORN
- THE GAYT MOVI THAT AREN’T ACTUALLY GAY, OM ‘BARBIE’ AND ‘BURLQUE’ TO ‘VENOM’ AND ‘ROAD HOE’
16 MT-SEE CLASSIC GAY MOVI FROM BEFORE YOU WERE BORN
* gay movies with older characters *
Y, Tman Capote was gay, y he is portrayed as such, y shows his partner, BUT the primary foc of the film was Capote's alholism and his wrg of “In Cold Blood” (and that is FINE, aga, was an EXCELLENT film, jt not a LGBT film my opn). Terrific st wh excellent chemistry and some genuely funny moments, Fourth Man Out is a rehg gay edy that I thk many would enjoy (even the "manlit" men of this world), thanks to the rehg and likable performance of Evan Todd as the likable, awkward, r-mechanic Adam and all his goofy, well-meang, straight "bros.". A young man returns to his fay farm, after a long stay ex-gay nversn therapy, and is torn between the expectatns of his emotnally distant father, and the memori of a past, lovg relatnship he has tried to bury.
Not nearly as good or funny as Borat, but the film do a good job revealg the nonsense that is homophobia (Brüno viss a gay-to-straight nverter, a group of redneck hunters, and a martial arts expert who shows him how to "fend himself agast the gays"). Spoiler alert: Sebastian ed Cathere to lure attractive young men for him to have sex wh, and a group of them killed Sebastian an pecially barbaric the time, the release of a film pend on whether met the standards of the Productn Co (this was before the Motn Picture Associatn of Ameri's ratg system) and the film was approved to pict Sebastian as gay only "sce the film illtrat the horrors of such a liftyle, n be nsired moral theme even though als wh sexual perversn. Spoiler alert: One of the women is ed gay and love wh her worker, and thgs don't end well for a box office flop, the movie opened to cril acclaim, and received five Amy Award nomatns and three Goln Globe nods, cludg one for MacLae for Bt (1962)This Brish film, wrten by a woman (Ja Green wh John McCormick), was a repudiatn of that natn's harsh antigay laws.
The homosexualy was more implied than featured -- the relatnship between Voight and Hoffman is not what you'd ll passnate -- but there is a memorable scene wh Voight beg serviced by a young man at a movie theater. You n cred gay director John Schlger for that; y, the same John Schlger who directed the ld Midnight Cowboy and the absolutely rid Madonna vehicle The Next Bt Daniel Day-Lewis, then a teenager, has a small, uncreded role. Wrten by mored lovers Stephen Sondheim and Anthony Perks (that would be the famo poser and the star of Psycho), The Last of Sheila lifted a mpy veil on the gay athetic that remas so tegral to Trouble (1974)For any lennial unfaiar wh out wrer-director John Waters: Shame on you!
THE GAYT MOVI THAT AREN’T ACTUALLY GAY, OM ‘BARBIE’ AND ‘BURLQUE’ TO ‘VENOM’ AND ‘ROAD HOE’
The movie attacked every Amerin nventn (for example, an obe nt played by Edh Massey repeatedly tri to nvce her straight nephew to go gay bee "If they're smart they're queer, if they're stupid they're straight") Cage x Foll (1978)This French-Italian film about a middle-aged gay uple, Renato (Ugo Tognazzi) and Alb (Michel Serrlt), who try to pose as straight to w over their son's fiancee and her nservative parents, walked the tightrope between homage and stereotype -- the gay characters were over-the-top but still lovable (pare that to The Boys the Band). Cast a few top-shelf gay ins there — your Bette Middlers, your Joan Crawfords, your Faye Dunaways playg Joan Crawford — and pecially have them reparteeg bchy l tearg each other to piec, and have an athetic that’s outre and unironilly mp, and you’ve got the wng-formula starter-pack for somethg licly fabulo and queer, even if not by tentnal sign.
But settg a precent for movi now nonized by gay culture that don’t technilly have any (non-d, anyway) gay characters were some of Hollywood’s most all-time legendary actrs: Bette Davis “All About Eve” ma “’s gog to be a bumpy ri” an idmatic quip, while Elizabeth Taylor then ma Bette Davis’ “what a dump” even more inic aga the openg le of “Who’s Aaid of Virgia Woolf, ” livered while gnawg down on a chicken wg. Ed Bianchi’s 1981 “The Fan, ” meanwhile, livered perhaps the greatt gift to gay film fans of a certa era stg Lren Ball as an agg actrs stgglg to hold onto her legacy while beg stalked by, what else but, a psychotic gay fan. Films like “9 to 5” and “Steel Magnolias” keep ptivatg bee their sts are all top-to-toe, inic-among-the-gays women who n duce tears and lghs and shout unfettably quotable l the same scene.
There’s also, of urse, the trend many of the movi of men beg huiated and based — somethg the gay mal the dience love to partake — leavg our inic women wh all the chips the end and whom we n leave the theater rootg for.