Knowledge is power: If we learned anythg the gay male muny durg the early days of the HIV/AIDS epimic the Uned Stat, was that. No one knew what had h , and people were dyg huge numbers all around . The muny lost iends, lleagu, and timate partners. Inially mislabeled gay-related immune ficiency (GRID), valuable time was lost rpondg to the crisis bee most felt safe the belief that they were not at risk. Sce early victims were predomantly gay men, the stigma attached to homosexualy the medil, erng, law enforcement and eccliastil stutns beme a barrier to unrstandg, preventn, and treatment.
Contents:
- THE 13 GAYT MIC VIOS OF THE '80S
- HIV/AIDS AND EDUTN: LSONS OM THE 1980S AND THE GAY MALE COMMUNY THE UNED STAT
THE 13 GAYT MIC VIOS OF THE '80S
While there have, undoubtedly, been signifint ton LGBT history earlier s, I believe the Eighti was a particularly important perd. That saw a major shift towards the emergence of a global gay culture. The gay genie me right out of s ltle pk bottle and to the streets (and the * gay in the 80s *
In the UK, the Thatcher ernment created Sectn 28 of the Lol Government Act, makg illegal for lol thori to support anythg that might promote homosexual relatnships as a viable alternative to heterosexual ‘fay life’.
And even the US Army, who had clared homosexualy to be “patible wh ary service” 1982, were forced to adm 1989 that gay recs were “jt as good or better” than heterosexuals. Amid the flurry of rabow-lan rporate logos, sponsored events and news ems about gay pengus, is difficult to turn on a televisn or set foot public durg June whout the remr that is Pri Month for LGBT and queer people.
HIV/AIDS AND EDUTN: LSONS OM THE 1980S AND THE GAY MALE COMMUNY THE UNED STAT
Beg Asian Amerin and LGBTQ+ n feel lonely, wh stutns such as ethnic church often disavowg non-heterosexual relatnships while tradnal LGBTQ+ spac such as gay bars n be unwelg. * gay in the 80s *
Gee Dudley, a photographer and artist who also served as the first director of New York Cy’s Llie-Lohman Mm of Gay and Lbian Art, documented scen om pri paras New York Cy om the late 1970s through the early ‘90s. The years saw Ana Bryant’s homophobic csa through the “Save Our Children” mpaign 1977, the electn and assassatn of Harvey Milk 1978, and the Whe Night rts the followg summer after the lenient sentencg of Milk’s murrer, Dan Whe. “It was, a sense, the year we buted on the larger public stage, ” says Jim Saslow, a profsor of art history at the Cy Universy of New York and an early gay activist.
“We were beg acceptable enough that a gay person uld have a signifint polil reer, but we also beme very aware of how much of a nerve that was touchg for nservative people. But as the number of out gay people grew, says Saslow, the paras transned om timate gathergs of like-md people to events attend by a broar array of participants.
“The muny started to attract more mastream folks who weren’t necsarily polilly radil or untercultural — they jt happened to be gay. “The guy a drs wh a beard, nng ont of the task force banner, ptur a lot of the atmosphere of the early gay liberatn muny, bee so much of me out of the hippie movement, ” says Saslow. Partners Charl Llie and Frz Lohman began to exhib art by gay artists their SoHo loft 1969, the same year the Stonewall uprisg took place.