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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/culture/not-on-hollywood"><span class="RubricName-fVtemz cLxcNi">Not on Hollywood</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">About Brendan Fraser’s Fat Su “The Whale”</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">The actor’s performance as a lonely, obe man has earned Osr buzz, but many the fat-acceptance movement are anticipatg the movie wh dread.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/michael-schulman">Michael Schulman</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2022-12-07T11:01:29-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">December 7, 2022</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz IlXTP"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Brendan Fraser “The Whale.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">In Darren Aronofsky’s film “The Whale,” the actor Brendan Fraser appears beneath folds of photorealistic prosthetic fat. </span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph om A24</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" 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this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">The new film “<a href=">The Whale</a>,” which A24 will release on Friday, is about a man named Charlie. He liv alone a squalid apartment Idaho, grievg a male lover, and is tranged om his ex-wife and teen dghter. His only panns are a nurse and a young evangelist who shows up at his doorstep. Charlie teach an onle say-wrg urse, but he keeps his puter mera off out of shame, bee he weighs around six hundred pounds.</p><p class="paywall">Charlie is played by Brendan Fraser, beneath folds of photorealistic prosthetic fat. When I saw the film at the Toronto Internatnal Film Ftival, September, Fraser me onstage afterward, alongsi the director, Darren Aronofsky, to an avalanche of applse. At fifty-three, Fraser was heavier than his heartthrob days, though nothg close to his character “The Whale.” He seemed almost befuddled to be embraced so warmly, after years of neglect om Hollywood. In a 2018 <em>GQ <a href="></a></em><a href=">profile</a> tled “What Ever Happened to Brendan Fraser?,” he scribed fallg to a prsn after beg groped by Philip Berk, the former print of the Hollywood Foreign Prs Associatn. (Berk nied the allegatn.) The support for Fraser Toronto was palpable, and he now stands at the ont of the Amy’s Bt Actor race, wh two time-tted Osr narrativ behd him: the eback and the glamorizg “transformatn.”</p><p class="paywall">But, as enarg as Fraser was, the loveft left me uneasy. I wasn’t alone. “This is a mighty act of beg, the film seems to sist—and also one of empathy,” <em>Vany Fair’s</em> Richard Lawson <a href=">wrote</a>, of Fraser’s onscreen transformatn. “But what’s exprsed stead is a kd of leerg horror, a portra of a man gone to tastrophic so that we, the dience, may tap to our nobler, higher mds and see the worthy human beg beneath the ightful exterr.” The film is adapted om a play by Samuel D. Hunter, which I first read a ago, before s acclaimed Off Broadway n, at Playwrights Horizons, starrg the actor Shuler Hensley a bulbo bodysu. (<em>The New Yorker’s</em> John Lahr, his <a href=">review</a>, praised Hunter’s “promise as a bold theatril storyteller.”) On the page, the play transported me to Charlie’s md, where I uld share his yearng for nnectn; his voice, not his bulk, was what tugged at the imagatn. Onscreen, his body is a special effect, and the mera n’t help but take pri the craftsmanship. Aronofsky, no stranger to visceral body horror (“<a href=">Black Swan</a>,” “<a href=">The Wrtler</a>”), is fahful to the play, but cematic realism—the flh ma leral—creat an oglg effect. In “humanizg” Charlie, Aronofsky seems to want to repel the viewer so that we n pat ourselv on the back for fdg the man the monster. But is that empathy or py?</p><p class="paywall">Aubrey Gordon, a podster and thor (“<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">What We Don’t Talk About When We Talk About Fat</a>”), has been anticipatg the movie’s release wh dread. “The imprsn that I’ve gotten om pretty much every fat person I know has been, like, jt hunker down and wa for this to be over, bee ’s gog to be awful,” she told me recently. She hadn’t seen “The Whale,” but she had bought the play when she heard about the film. Gordon, who is part of a movement to embrace rather than pathologize fatns (cludg reclaimg the word “fat”), hadn’t rpond to the script as I had. “The pots that is makg about fat people are not distguishable to me om the pots that are ma on ‘1000-Lb. Sisters’ or ‘My 600-Lb. Life,’ ” she went on. “The overwhelmg vibe here was: Look at this wretched fat person who is doomed to die young! If only he’d gotten his sh together! It’s not actually a radil or edgy thg to say, like, ‘Oh, don’t you feel bad for this fat guy who’s fely gog to die alone?’ That’s the <em>ma</em> narrative about fat people.” Rellg the neteen-neti and two-thoands era of Hollywood fat-su edi, Gordon said, “People will say we’ve really moved past ‘Shallow Hal’ and ‘Norb’ and ‘The Nutty Profsor.’ I thk ’s gettg more entrenched. Now exists prtige world.”</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">When I spoke to Samuel D. Hunter, who adapted his play for the screen, he relled those same fat-su edi wh a shudr. “Maybe subnscly that was one of the reasons I wanted to wre this, bee I was jt sick of seeg that ployed so often,” he said. A sensive forty-one-year-old, Hunter grew up Idaho, where nearly all his plays are set, and attend an evangelil Christian school, where he was outed as gay eleventh gra. “When I got to llege, I jt started fallg eper and eper to prsn, and—this is not everybody—but for me personally manifted pretty rapid weight ga throughout my early twenti.” He lost the weight over the next ten years, he said, thanks to the support of his parents, a therapist, and his partner. In 2009, when he started wrg “The Whale,” he was teachg an exposory-wrg class at Rutgers and “sperately tryg to nnect wh my stunts,” he relled. “At one pot, I jt begged them to wre me somethg hont. And one of my stunts wrote a le that end up the play and the movie, which was: ‘I thk I need to accept that my life isn’t gog to be very excg.’ ”</p><p class="paywall">By the time the play was produced, 2012, Hunter was sheddg “the fal pounds that I had been rryg around,” he said. “When I lost the weight, I was shocked at how much nicer people were to me general, like shiers or people on the street. And gay men, I should say. It was really, really jarrg.” Charlie’s oby grew out of Hunter’s lived experience, but also out of worst-se speculatn. “What would happen to me if I hadn’t turned that rner? If I didn’t have the support system? I was lookg at the way I was gag weight back then and how rapidly was happeng—I was, like, ‘This uld have been me.’ ” Aronofsky saw the Off Broadway productn and immediately showed tert—onstage Toronto, he said that he was attracted to the play’s “rich, human characters”—but took nearly a for the film to get ma, part bee of stg. Aronofsky mentned Fraser early on, but wasn’t until early 2020 that the actor did a readg of the script, the East Village, and “there was no qutn as to who uld bt tell this story,” Hunter relled. “He’s able to navigate the sadns through hope.”</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Contemplatg the dience’s potential revulsn, Hunter told me, “I do thk that, when people brg certa prejudic or prenceptns, Brendan’s performance and, hopefully, the pth of this character start to melt that all away.” But even the fact of puttg an actor a fat su is a trope too far for some viewers. “So long as fat people are beg reprented by half a puppet, you’re never gog to be able to see that character as wholly human,” the actor and edian Guy Branum told me. Like Gordon, Branum had not seen the film but had read the play anticipatn. “Some people I really rpect were tellg me what a great and betiful play is,” he relled. “But, you know, ’s a play that opens wh somebody who’s not that much fatter than me almost masturbatg himself to ath. And jt sort of go om there.” In the gay rom- “<a href=">Bros</a>,” Branum plays the ma character’s scy sikick, a bon vivant who go to parti and cracks wise. “The Whale,” ntrast, has turned fatns to what Branum lled “a metaphor for gay pa,” unable to image a life for s protagonist beyond “beg locked a sad apartment eatg KFC.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="jre7w"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="x6ma4r"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Branum’s tratn was unrsred by the rary of Hollywood’s cln of fat characters—and the fact that, even then, the opportuni don’t always go to fat actors. “It’s not that I thk that this movie is a ripe opportuny that should have been me,” he said. “I thk <em>is</em> a weird attempt to e the existence of someone like me to make people who <em>aren’t</em> like me feel better about how they’re not like me.” The e of prosthetic fat movi and televisn has ed backlash recent years, whether directed toward Sarah Plson’s performance as Lda Tripp, “<a href=">Amerin Crime Story: Impeachment</a>,” or <a href=">Emma Thompson</a>’s portrayal of Miss Tnchbull, the new Netflix film “Matilda the Mil.” Even when the character’s weight isn’t the butt of the joke, n be dismayg. “Like everybody else on the pla, I’m rootg for Brendan Fraser,” Gordon said. “Come on back! So happy to see you! I’ll see you the next thg! I uldn’t be cheerg for him more, and I also uldn’t be more troubled by this movie.” Branum dread the evable awards-season hype around the arduons of transformg Fraser the makp chair. “This movie is not jt gog to w an award for Brendan Fraser—’s gog to w an Amy Award for whoever ma the fake fat,” he said glumly.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Fraser himself addrsed the issue at the film’s Brish première, tellg <em>Newsweek</em>, “I’m not a small man. And I don’t know what the metric is to qualify to play the role. I only know that I had to give as hont a performance as I n.” The nversatn is nnected to a larger one about thenticy Hollywood stg, spanng a range of unrreprented inti. One scene “Bros,” which has an all-L.G.B.T.Q. st, tak aim at prtige gay dramas such as “Brokeback Mounta” and “Milk,” which star straight actors who are then garland wh priz for their “bravery.” Sarah Silverman has cricized the tenncy to st Gentile actors Jewish rol, llg “Jewface” on a planned miseri about <a href=">Joan Rivers</a> that was to star the non-Jewish actrs Kathryn Hahn. (The project has sce been scrapped, owg to rights issu.) The stg of Javier Barm, a Spaniard, as the Cuban entertaer Di Arnaz, the film “<a href=">Beg the Rirdos</a>,” also drew <a href=">backlash</a> for nflatg European Spanish and Lat Amerin inty. After Srlett Johansson got blowback for acceptg the role of a transgenr man, a film lled “Rub and Tug,” she sisted that “as an actor I should be allowed to play any person, or any tree, or any animal.” (She has sce relquished the role, which will be played by a trans actor what has bee a seri.)</p><p class="paywall">Johansson’s pot was unrsred a recent <em>Tim</em> <a href=">Op-Ed</a> by Pamela Pl, headled “Let Actors Act.” Pl, who has ed her lumn to rail agast the petty digni of polil rrectns, real or imaged, lamented, “If … the real problem is actors not beg able to unrstand what feels like to be part of a mographic group or to have a sexual orientatn outsi the nf of their own experience, then none of the actors should be able to play anyone unlike themselv. In other words, no one should ever be allowed to play a part.” You n gus the extreme she has md: some dystopian future, only a fifty-three-year-old bisexual Norwegian horticulturist will be allowed to play a fifty-three-year-old bisexual Norwegian horticulturist. (Can someone please greenlight whatever movie I jt ma up?) The “let actors act” school n be rctive—no one would apply that argument to <a href=">blackface</a>—but so n the ironclad mand for thenticy. K Connor, who stars on the gay g-of-age seri “Heartstopper,” was so hound by accatns of “queerbag” that he <a href=">me out</a> as bisexual, a bter tweet that said, “Congrats for forcg an 18 year old to out himself. i thk some of you missed the pot of the show.”</p><p class="paywall">The tth is that each margalized group fightg for cent reprentatn is havg a related but distct nversatn, rooted s of systemic absence or distortn, wh many shas of gray. As a gay man, I don’t always md when straight actors play gay rol—I wouldn’t tra anyone for Timothée Chalamet “<a href=">Call Me by Your Name</a>,” or Trevante Rhos “<a href=">Moonlight</a>”—but the stctural equy ma the queer stg of “Bros” a thrillg rrective. (As for Fraser playg gay “The Whale,” I’m ntent to file that unr “not the biggt problem here.”) And there are good reasons why Plson was the woman to play Lda Tripp, among them her longtime llaboratn wh Ryan Murphy and her track rerd of fdg nuance maligned women of the neti. (See: <a href=">Marcia Clark</a>.) “Feelgs among the fat people that I know vary wily on that one,” Gordon said, of the Tripp role. “I feel really mixed.”</p><p class="paywall">The discsn around fatns onscreen brgs up s own particular wounds, and Hunter was sympathetic. “I unrstand that, when people read a one-sentence synopsis, their guards go up—and they should,” he said. “Bee cema has not been good s portrayals of people wh oby. It’s been terrible, actually.” But he add, “I’m openg a door and vg you to e si, and if you take that vatn wh any amount of cynicism or spicn then ’s kd of hard to get past that.” He uld have been speakg directly to Branum, who told me, “Last year, when I was on vatn, I took my py of ‘The Whale’ to the Louvre and the Eiffel Tower and a beach Corsi, jt bee the ia of what this fat, gay guy’s life uld be was so limed, and I wanted my py of ‘The Whale’ to do some fun thgs s life.” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="dl3gdp"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="LkStackWrapper-NFLYw kgtXXB lkstack" data-ttid="LkStack"><div class="SectnTleRoot-dBGvdq hpRFVl LkStackHear-lKjbE hejl lk-stack--headg" data-ttid="SectnTle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet bVCFRm jfOfxc QVDXy">New Yorker Favor</h2></div><div class="LkStackContent-jyKicS gPhyME"><ul class="LkStackList-gGcjdZ dnMwpz"><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Why facts <a href="/magaze/2017/02/27/why-facts-dont-change-our-mds" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">don’t change our mds</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>How an Ivy League school <a href="/magaze/2022/04/04/mackenzie-fierceton-rhos-scholarship-universy-of-pennsylvania" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">turned agast a stunt</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>What was about Frank Satra that <a href="/magaze/1997/11/03/ank-satra-profile-john-lahr" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">no one else uld touch</a>? </p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The <a href="/science/maria-konnikova/the-secret-formula-for-rilience" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">secret formula for rilience</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>A young Kennedy, Khnerland, <a href="/magaze/2020/09/28/a-young-kennedy--khnerland-turned-whistle-blower" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">turned whistle-blower</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p><a href="/news/dispatch/the-biggt-potential-water-disaster--the-uned-stat" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">The biggt potential water disaster</a> the Uned Stat.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Fictn by Jhumpa Lahiri: “<a href="/magaze/2003/06/16/gogol" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">Gogol</a>.”</p></div></li></ul><div class="LkStackFooter-KfRyO ebnmps lk-stack--footer"><div><p><a href=">Sign up</a> for our daily newsletter to receive the bt stori om <em>The New Yorker</em>.</p></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/michael-schulman"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/michael-schulman">Michael Schulman</a>, a staff wrer, has ntributed to The New Yorker sce 2006. His most recent book is “<a href=">Osr Wars: A History of Hollywood Gold, Sweat, and Tears</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/movi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Movi</span></a><a href="/tag/darren-aronofsky" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Darren Aronofsky</span></a><a href="/tag/oby" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Oby</span></a><a href="/tag/discrimatn" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Discrimatn</span></a><a href="/tag/homosexualy" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Homosexualy</span></a><a href="/tag/lgbtq" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">LGBTQ</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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