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Any self-rpectg queer knows about the rampant homoeroticism ancient Rome and Greece, but the amb tome Gay Life and Culture: A World History (Universe, $49.95) will edify even the most hard-re history buff. In 14 chapters, expert Robert Aldrich, along wh a team of scholars om ne ...

Contents:

GAY LIFE AND CULTURE : A WORLD HISTORY

Gay Life & Culture: A World History : Aldrich, Robert: Books * gay life and culture a world history *

I never gused was be as good as book "gay" the broast sense.

Put this asi however and you will learn more about hidn gay history than you will fd any other you have any terted gayworld, then this book is a one-of-a-kd and har-hyenas-bookclub1, 282 reviews64 followersNovember 3, 2019A very prehensive study of gay life and culture om the Romans through to prent day.

GAY LIFE AND CULTURE (HARDBACK) /ANGLAIS

* gay life and culture a world history *

A really tertg read, pecially when you nsir the cyclil nature of "homosexualy" beg vogue, then srned upon, then vogue, then nmned. Overall though, a fantastic study of gay life and culture.

GAY LIFE & CULTURE: A WORLD HISTORY HARDVER – 17 OCTOBER 2006

Gay Life & Culture: A World History: Universe, New York, 2006. Hardver, 284 pp. A seri of says wh an extensive selectn of imag, many seen here for the first time. "A prehensive survey of all thgs gay, stretchg back to ancient Sumeria and rangg to the prent day." In fe ndn. * gay life and culture a world history *

"Um letânea artigos anizada por Robert Aldrich que, pela sua edição, nhecimento, perspetiva distanciada e pennte, mas simultaneamente "sir", é provavelmente um dos melhor livros sobre a história e cultura "gay". I would much rather read a sgle thor's take on the var chapter on the prent-day gay world is already outdated by the year 2018.

The suatn regardg gay marriage has changed much sce then, and feels funny readg the perspective om last chapter also strongly suggts that the gay world still needs more anizatn and outlets for all the different ways of life people n e up wh . Gay-library6 reviewsApril 22, 2017I only read about 60% of this book due to how transphobic and transmisogynistic got. I also don't like how they ed the h slur for tersex people a lot, as well as "homosexual" throughout the book.

GAY LIFE & CULTURE: A WORLD HISTORY

Durg Prohibn, gay nightlife and culture reached new heights—at least temporarily. * gay life and culture a world history *

Why n't you jt say gay or same genr attracted people?

There are a lot of thgsabout the gay life our past that needs to be seen, read and heard.

Aldrich divi il volume quattordici poli, ognuno curato da un diverso studso: abbiamo qudi una panorami generale sulla storia gay e lbi, l'omossualà Grecia e a Roma, il Medevo, l'Europa nella prima età morna, l'età i Lumi, lbiche e donne all'iz ll'età morna Europa, le Americhe, la Belle Epoque e il primo dopoguerra, il sendo dopoguerra, la mornà aver srso la lea l tempo, il disrso vira su un punto di vista spaziale: si parla qudi di terculturalà e si prendono ame Med Oriente, Nord Ai, e Asia. Notamment dans l parti centré sur l'homosexualé féme.

HOW GAY CULTURE BLOSSOMED DURG THE ROARG TWENTI

All about Gay Life & Culture: A World History by Robert Aldrich. LibraryThg is a talogg and social workg se for booklovers * gay life and culture a world history *

Pour prendre un exemple, une photo illtrant la gay pri (page 25) t trée "D lbienn à moto affichent lr sexualé d'une façon quelque p exubérante dans la dre du célèbre Mardi gras Sydney" ne cerne pas la nécsé c propos pour légenr la photo. 672 reviews15 followersDecember 29, 2019Kokoelma artikkelea, jotka kästelevät homoseksuaalisuun historiaa sekä yleisellä tasolla että eri aikaksien ja aluein näkökulmasta.

Me ha faltado un po más historia mujer, pero entiendo que tampo hay tanta rmació 18, 2022I really enjoyed this fun book filled wh pictur talkg about general gay culture! 11 reviews1 followerMay 1, 2022A readable llectn of says about the history of homosexualy and of the different forms of queerns throughout the tim.

GAY LIFE & CULTURE: A WORLD HISTORY (2006)

Even at more open-md tim, gays and gay culture is always seen as a ivolo—a rative, add bon of civilizatn. * gay life and culture a world history *

What is provokg is very rich preview about history and life of Gay life&culture, fluence of and how was impact on society.

'' Well one error but small major gay culture ancient time was Theba not Athena..

THE HIDN GAY LIV FALLY BEG UNVERED

Socrat has been prosecuted and on the and killed bee of his homosexualy but was Athena totally different till I fish book, will post my all imprsns..

Sad to say, there are yet other exampl of Hupperts playg fast and loose wh his terpretatns, such as his "refutatn" of tercral sex, his sertn of 21st century gay slang his scriptns of Greek ctoms, and others too numero and too ted to mentn. Reviewed the Uned Stat on 16 January 2007Verified PurchaseMany books purportg to offer a history of homosexualy ncentrate maly on the last two centuri Europe and North Ameri. Unfortunately, is supported by a mistaken theory known as Social Constctn which holds, sence, that there was no homosexualy before .

Physilly, the book is sumpt, wh over 250 splendid illtratns gathered by the picture edor, the late Wendy Gay. Gay studi sential #1. Reviewed the Uned Stat on 30 September 2007Verified PurchaseFrankly, before this book me along gay studi had, for me, bee borg (Fouult, Weeks, post-mornists, and the policisg of gay studi all ntributed to this.

GAY CULTURE: ANCIENT WONR OR MORN CREATN?

I may be visible, or gay history, myself, but I enjoy beg able to dip to articl that tert me. It is a posive affirmatn of gayns.

GAY LIFE AND CULTURE: A WORLD HISTORY - SOFTVER

It is better than a ffee table book but not as borg as a the standpot of a public policy preofsnal I have found eful velopment of gay health an amic I fd this to be an semal work, sential to anyone wh an tert wh inty formatn or genr . Reviewed the Uned Stat on 3 July 2013Verified PurchaseThis book do a good job verg the history of gays and lbians world history. Any self-rpectg queer knows about the rampant homoeroticism ancient Rome and Greece, but the amb tome Gay Life and Culture: A World History (Universe, $49.

*BEAR-MAGAZINE.COM* GAY LIFE AND CULTURE A WORLD HISTORY

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Robert Oppenheimer." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Cillian Murphy portrays Oppenheimer as wrahlike and hnted, a cipher who bears his burns blankly as he’s buffeted by his circumstanc.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph urty Universal Pictur</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">Leavg the theatre after seeg “<a href=">Oppenheimer</a>,” I was tempted to ll a movie-length Wikipedia article. But, after a look onle, I realized I was givg Wikipedia too ltle cred—or Christopher Nolan, the movie’s wrer and director, too much. A simple fact-heavy article about J. Robert Oppenheimer, the physicist whose learship of the Manhattan Project, durg the Send World War, <a href=">produced the atom bomb</a>, turns out to offer more plexy and more enticg tail than Nolan’s script do. And has more to say about the movie’s sential them—the ironi and perils that arise when science, ambn, and polil power mix—than the movie self do.</p><p class="paywall">Nolan’s b-pic, three hours long and based on <a href=">Kai Bird</a> and Mart J. Sherw’s Pulzer-wng bgraphy “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Amerin Promeths</a>,” charts the two ma strands of Oppenheimer’s life: the scientific work that ma his reer and the leftist sympathi that, thanks to the untry’s postwar anti-Communist csa, were to prove <a href=">his undog</a>. We meet Oppenheimer (played by Cillian Murphy) as a stunt makg the grand tour of European science pals, the neteen-twenti—Cambridge, Göttgen, Lein—before returng to the Uned Stat and takg up jot appotments at Caltech and Berkeley. At Berkeley, he be a unn anizer and donat to the anti-Fascist e the Spanish Civil War. (The money is nveyed via a Communist-affiliated group.) He hangs out wh Communist Party members, cludg his brother Frank (Dylan Arnold), also a physicist, and Frank’s wife, Jackie (Emma Dumont). Although not himself a Party member, he is spied on by the F.B.I. He meets a Communist medil stunt named Jean Tatlock (Florence Pugh) and they beg an ill-fated relatnship.</p><p class="paywall">In 1942, General Llie Grov (Matt Damon), who is charge of the Army’s effort to velop a nuclear bomb, taps Oppenheimer to oversee the program. Polil spicn clouds Oppenheimer’s name, but Grov vouch for him. Now Oppenheimer’s scientific life and his polil one lli. He prov himself a master not only of the scientific aspects of his assignment but also of s admistrative and polil dimensns. But, once the Red Sre tak hold, his emence, his proximy to known Communists, and his postwar efforts to prevent a nuclear-arms race make him an easy target. (He was stripped of his secury clearance 1954.)</p><p class="paywall">The movie is stctured as a sort of mosaic. Deftly eded by Jennifer Lame, tercuts the var perds of Oppenheimer’s life—rise, stggle, fall, aftermath—ntually nnectg the early leftism and later pacifism wh the tribulatns durg the McCarthy era. It’s natural to figure that such a actured chronology would have a stabilizg effect—Nolan directed “Memento,” after all—but, fact, the temporal scheme mak “Oppenheimer” ls plex rather than more. The sistence on rrelatn means that events get rced to their functn wh a larger moraly tale. Nolan cuts his scen to f together like a jigsaw puzzle, and tails that don’t f—ntradictns, subtleti, even ltle random peculiari—get left out, and, wh them, the feelg of experience, whether the protagonist’s or the viewer’s. What remas is a movie to be solved rather than lived.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The cx of “Oppenheimer” is, of urse, the tensn between the abstractns of physics and the btal exigenci of war, between the eewheelg rearcher and the project manager pursug worldly goals, between the man of prciple and the man whose work is directly rponsible for the loss of hundreds of thoands of Japane liv. Oppenheimer, who is Jewish as well as a leftist, fervently vot himself to the creatn of an atomic bomb bee he knows that Nazi Germany is far ahead velopg one and he assum that Hler won’t hate to e . Once Germany surrenrs— May, 1945—he gets a shock: work on the bomb not only ntu but accelerat. This missn drift pos a moral crisis for Oppenheimer that term the urse of the rt of the film, and of his life. It be clear that jog the Manhattan Project has left him tragilly promised, mted to creatg a weapon of unparalleled stctivens while havg no say how will be ed.</p><p class="paywall">Then aga, the film is so tent on makg Oppenheimer an in of nflicted nscience that pays ltle attentn to his character over all. He was a renowned athete wh a bearg so charismatic that his stunts would try to emulate , but we get ltle more than a uple of artsy name-drops to suggt that he has any cultural life at all. The “overweeng ambn” that Grov saw Oppenheimer is never evince, nor is there any mentn of his chillg reads to go along wh a plan (one that was never put to actn) to poison German food suppli wh radactive strontium. There’s no glimpse of the ailg Oppenheimer, who was sufferg om tuberculosis and jot pa even while nng Los Alamos. It don’t help that Murphy portrays Oppenheimer as wrahlike and hnted, a cipher, a black hole of experience who bears his burns blankly as he’s buffeted by his circumstanc but giv off no energy of his own. The performance, no ls than the script, rc the protagonist to an abstractn created to be analyzed. “Oppenheimer” reveals self to be, sence, a History Channel movie. Detached om the rich particulars of personaly and thought, the moral dilemmas and historil stak that Oppenheimer fac are rced to an ternnected set of trolley problems—wh the historil ntext flattened to green-screen backgrounds.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">This moral reckong is oddly unrplayed the dramatic actn of the film, largely bee of one specific athetic nce of Nolan’s. After the bombg of <a href=">Hiroshima</a>, Oppenheimer is brought to speak to a rly triumphal assembly of Los Alamos employe. His speech betrays no misgivgs, but, while he’s at the podium, Nolan shows what Oppenheimer imag: overwhelmg flash of stctn, nflagratns that burn his dience to crs. Reprentg nscience this way, wordlsly, enabl Nolan to fill the screen wh visual fizz, but don’t nvey the prence, the ner experience, of a te moral reckong. That’s bee imag alone—at least, those which Nolan offers here—n’t suggt the terr bat that mt be pulsg through such a nflicted md at this ghastly moment. Perhaps, a movie that told s story while rangg further to the realm of visual imagatn, the cisn would e off as an athetic mment. But, given the plethora of dialogue “Oppenheimer,” Nolan’s choice to nvey Oppenheimer’s ner life solely imag off as merely a cematic prejudice. In “Memento,” Nolan was sufficiently terted his protagonist’s thoughts to let hear them, as voice-over; all the more puzzlg, then, that we are granted no such accs to the ner monologue of someone as lerate, reflective, and fascatg as Oppenheimer. Although the movie is unually and even gratifygly talky, movg most of s actn ahead by way of dialogue, we almost never hear Oppenheimer speak about his guilt—not even timate discsns wh his wife, Kty (Ey Blunt). The key moment which he do verbalize misgivgs is an enunter wh Harry S. Tman, after the end of the war: Oppenheimer adms to feelg as if he has blood on his hands; Tman risively offers him a handkerchief and then dismiss him as a “crybaby.” The scene is powerful, but s power is limed by Nolan’s failure to nvey Oppenheimer’s opn of the Commanr--Chief who’d orred the attacks on Hiroshima and Nagasaki.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The extend scen of the closed-door secury-mtee hearg which Oppenheimer’s polil rerd and personal life are subjected to celly tsive scty e off as a surgg that he endur wh a sense of self-punishment. Other scen, of his persecutor Lewis Strss (Robert Downey, Jr.), a Cabet nomee, facg his own tsive quiri at a Senate mtee hearg, evoke the Machiavellian realm of power to which Oppenheimer, naïvely nfint the wisdom of his missn, has ventured. Yet the notns, too, are unexplored om Oppenheimer’s own perspective. Rather than illumatg him or his tim, the scen seem pched to spark post-screeng bate, to seek an importance beyond the experienc and ias of the characters.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">A hallmark of Nolan’s method—as such tr-fg big-budget works as “Inceptn” and “<a href=">Interstellar</a>”—is to take the plexi of science, turn them to sensatnalist science fictn, and then refe the rult wh brow-furrowg serns. The last step is often achieved by means of chronologil or visual trici that renr objectivy as ep subjective strangens; strip away such effects, however, and one se characters nceived simplistilly sentimental terms that are pure melodrama. In “Oppenheimer,” sentimentaly and melodrama are plentiful supply, but visuals ls so, wh the exceptn of Oppenheimer’s visns of nflagratn. Even the are strangely subdued, generic imag of churng fire standg for the stctive power of atomic weapons—and is temptg to image that Nolan is, spe of himself, admtg to the mensurabily of cematic reprentatn for the historic tastrophe of nuclear vastatn. For long stretch of the film, Nolan’s directn is a merely leral pictn of actors dispensg dialogue wh efficiency but whout flair; if his name weren’t attached, the directn might well be ascribed to a serial-televisn journeyman.</p><p class="paywall">What’s missg, above all, om Nolan’s nnect-the-dots versn of Oppenheimer’s life is the kd of utterly outlandish tail which that life abound. For stance, Nolan shows Oppenheimer, as a stunt at Cambridge, jectg potassium cyani to an apple belongg to a profsor who huiat and punish him for poor laboratory technique—apparently to no nsequence. Later, Oppenheimer lets on, a quick asi, that he was forced to psychoanalysis as a rult. In fact, he was threatened wh crimal charg and wh expulsn, and only the pleas of his father, a prospero bsman, spared him. In the movie, this reckls, potentially adly whim out of nowhere, but there are plenty of other episos Oppenheimer’s life to suggt that a tly vlent personaly lurked wh, as when he physilly attacked a iend who announced plans to marry. Nolan shows Oppenheimer to be an eager class participant his physics tour of Europe; fact, he was an obnoxly aggrsive one, whose fellow-stunts signed a petn mandg that the profsor silence him. Throughout his life, he was highly mercurial—expansive and sociable and whimsil when the ocsn mand , as at Los Alamos, where he took a ic role a play and was an enthiastic party host.</p><p class="paywall">It wouldn’t have taken a six-hour miseri to show Oppenheimer om more angl and do jtice to his range of character: the movie is as sluggish as if Nolan were unrlg the script’s most salient passag onscreen, and, wh a more vigoro pace, uld have amplified the script whout addg a mute of screen time. As is, the pcy of teemg, loose-end tails is renred all the more dismayg by ntrast wh the movie’s ft touch—particularly one volvg Oppenheimer’s brief meetg wh the elrly Albert Este (Tom Conti). Oppenheimer has e to head up the Instute for Advanced Study, Prceton, New Jersey, where Este has been seemgly put out to pasture, and the pair discs guilt and fame, fad glory and the passg of time. In terms of the film’s plot, the scene is signifint, but the lightng flash of worldly wisdom offers is exactly what most of the movie fails to give . Unfortunately, Nolan parsimonly whholds to the end—like a banknote that, thanks to the flatn of the rt of the movie, has lost most of s value by the time ’s ed. “Oppenheimer” sacrific much of s dramatic force to the importance of s subject, and to Nolan’s pri at havg tackled —which is to say, to his own self-importance. ♦</p><p class="paywall"><em>An earlier versn of this article misstated the affiliatn of the Instute for Advanced Study.</em></p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="emr53j"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="778fbr"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" 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class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="LkStackWrapper-NFLYw kgtXXB lkstack" data-ttid="LkStack"><div class="SectnTleRoot-dBGvdq kjAxEG LkStackHear-lKjbE hejl lk-stack--headg" data-ttid="SectnTle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">New Yorker Favor</h2></div><div class="LkStackContent-jyKicS gPhyME"><ul class="LkStackList-gGcjdZ dnMwpz"><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The killer who <a href="/magaze/1995/06/05/rejectg-ga" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">got to Harvard</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>A thief who <a href="/magaze/2004/05/17/the-silver-thief" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">stole only silver</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The light of the <a href="/tech/annals-of-technology/the-first-light-of-the-try-atomic-tt" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">world’s first nuclear bomb</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>How Steve Mart <a href="/magaze/2007/10/29/-the-bird-ge" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">learned what’s funny</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Growg up as the <a href="/magaze/1998/11/16/the-ln-and-me" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">son of the Cowardly Ln</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Amelia Earhart’s <a href="/magaze/2009/09/14/amelia-earhart-last-flight" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">last flight</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Fictn by Milan Kunra: “<a href="/magaze/1984/03/19/the-unbearable-lightns-of-beg" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">The Unbearable Lightns of Beg</a>.”</p></div></li></ul><div class="LkStackFooter-KfRyO ebnmps lk-stack--footer"><div><p><a href=">Sign up</a> for our daily newsletter to receive the bt stori om <em>The New Yorker</em>.</p></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/richard-brody"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/richard-brody">Richard Brody</a> began wrg for The New Yorker 1999. He wr about movi his blog, <a href=">The Front Row</a>. He is the thor of <a href=">“Everythg Is Cema: The Workg Life of Jean-Luc Godard</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/movie-reviews" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Movie Reviews</span></a><a href="/tag/film-cricism" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Film Cricism</span></a><a href="/tag/christopher-nolan" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Christopher Nolan</span></a><a href="/tag/send-world-war-world-war-ii" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Send World War (World War II)</span></a><a href="/tag/atomic-bomb" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Atomic Bomb</span></a><a href="/tag/manhattan-project" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Manhattan Project</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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summary-llectn-grid--DenseDktopStack"><div class="GridItem-buujkM kHPPIF grid--em"><div class="SummaryCollectnGridContent-eVUpRm jTGbEO"><div class="SectnTleRoot-dBGvdq kjAxEG SummaryCollectnGridSectnTle-fCmYwG izjbVn" data-ttid="SectnTle"><hear class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">Read More</hear></div><div class="SummaryCollectnGridItems-DZShR eOCboB hi-read-more-ad" data-ttid="SummaryCollectnGridItems"><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How “Wter Kills” Nails the Paranoid Style" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Front Row</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">How “Wter Kills” Nails the Paranoid Style</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How “Wter Kills” Nails the Paranoid Style" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">William Richert’s 1979 neo-noir ph the nspiracy-theory genre to s lims.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Richard Brody</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Cosmic Comedy of “The Plot Agast Harry”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Front Row</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Cosmic Comedy of “The Plot Agast Harry”</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Cosmic Comedy of “The Plot Agast Harry”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Michael Roemer’s neglected masterpiece about New York Jewish gangsters mak absurdy eerily plsible.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Richard Brody</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Passag” and an Art Monster’s Fierce Pury" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Front Row</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">“Passag” and an Art Monster’s Fierce Pury</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Passag” and an Art Monster’s Fierce Pury" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The sufferg Ira Sachs’s remarkable film rults not om celty but om tth.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Richard Brody</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Hangman” Turns the Novel of Migratn Upsi Down" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Page-Turner</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">“Hangman” Turns the Novel of Migratn Upsi Down</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Hangman” Turns the Novel of Migratn Upsi Down" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div 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