The film Put don’t want the world to see: Firebird, a gay love story about fighter pilots | World cema | The Guardian

Contents:

• ‘FIREBIRD’ REVIEW: A HEARTFELT BUT HEAVY-HAND TALE OF HIDN GAY LOVE THE SOVIET AIR FORCE
• THE FILM PUT DON’T WANT THE WORLD TO SEE: FIREBIRD, A GAY LOVE STORY ABOUT FIGHTER PILOTS
• FIREBIRD REVIEW – STORY OF GAY LOVERS THE SOVIET ERA IS BROKEBACK THE USSR
• ‘FIREBIRD’ REVIEW: STEAMY GAY COLD WAR DRAMA RELLS RSIA’S PAST ATROCI
• FIREBIRD: GAY LOVE STORY TO GET WORLD PREMIERE AT BFI FLARE: LONDON LGBTIQ+ FILM FTIVAL

‘FIREBIRD’ REVIEW: A HEARTFELT BUT HEAVY-HAND TALE OF HIDN GAY LOVE THE SOVIET AIR FORCE

Subtlety is short supply “Firebird, ” a swoong gay romance that firmly supplants “Top Gun” as the queert film ever set the air force; may even top Tony Stt’s closeted kschft for most phallic ary imagery per ame. Abive treatment om his hyper-macho manrs is balanced out by jovial iendships wh dorm-mate Volodja (Jake Thomas Henrson) and base secretary Luisa (Diana Pozharskaya) — who rri a torch for dreamy Sergey that anyone wh a passable gaydar might sense is not mutual. It’s not long before suave, cultured Roman is whiskg his awed junr off to Talln to watch the ballet (specifilly the Stravsky work that lends the film s tle) and teachg him to velop photographs very hands-on darkroom ssns — all while seethgly homophobic KGB heavy Zverev (Marg Prangel) surveys them spicly, wag for the one false move that would land both men prison unr Rsian law.

THE FILM PUT DON’T WANT THE WORLD TO SEE: FIREBIRD, A GAY LOVE STORY ABOUT FIGHTER PILOTS

New gay film Firebird offers a fascatg sight to love agast the backdrop of war. “Beg gay was a crimal offence. ” Rebane knew he was gay at the age of ne.

”Remarkably for a film wh such overtly gay ntent, several exterr scen were filmed Mosw.

FIREBIRD REVIEW – STORY OF GAY LOVERS THE SOVIET ERA IS BROKEBACK THE USSR

“After that, ” adds Prr, “there was a plat about beg ‘homosexual propaganda’. This isn’t a tale of angst-ridn gays; both men are at ease wh their sexualy, but the Soviet Unn is not.

It’s an aspect that mak this an tertg pann piece to Sebastian Meise’s Great Freedom—part of which is set a siar perd Germany when gay men ntued to be crimalized followg the Send World War—and Arthur Dong’s excellent documentary Comg Out Unr Fire, examg the history of the treatment of LGBTQ members of the ary by the US ernment.

There is an unniable tensn Firebird between s aspiratn to be a grty perd piece and s sire to be an exhibn of homoerotic beekkery, and I’m not sure the film’s director (Peeter Rebane) effectively signals to which si he’d prefer his dience to lean.

‘FIREBIRD’ REVIEW: STEAMY GAY COLD WAR DRAMA RELLS RSIA’S PAST ATROCI

The disproportnate foc that gay romance films have on whe, cisgenr, mcular leadg men is a symptom of larger issu the queer muny, and ’s time we started to curate a more reprentative non of LGBTQ+ films. Also prent is the ‘homophobic gnt’, who mak a missn to ensure our lovebirds spend more time jail than they do each other's arms.

FIREBIRD: GAY LOVE STORY TO GET WORLD PREMIERE AT BFI FLARE: LONDON LGBTIQ+ FILM FTIVAL

The film's very missn statement is to tail the life of Sergey Fetisov, who is played wonrfully here by Tom Prr, and Fetisov lived durg a time and a regime which the two-dimensnal homophob did exist. Firebird's 'other woman' character, Luisa, did exist, and further rearch to Firebird reveals that her and Sergey's relatnship was far more straed the origal script; effort has clearly been ma to make her character feel ls like a moralistic judgement on the ma relatnship and more like a real and nuanced the two-dimensnal homophobe character which hnts our pair throughout the film is ground by a sister post-creds scene, which didn't add nuance to the character per se, but grounds him as a metaphor for the ghoulish queerphobic vlence which still plagu ex-soviet stat today.