The queerns of "Sailor Moon" pneered LGBTQ reprentatn kids show and n help bat harms om anti-LGBTQ laws like Don't Say Gay.
Contents:
- THIS GAY MARE VET JT MA A MOVIE BASED ON HIS LIFE THE CORPS DURG 'DON’T ASK, DON’T TELL'
- IS ‘SAILOR MOON R: THE MOVIE’ TOO GAY?
THIS GAY MARE VET JT MA A MOVIE BASED ON HIS LIFE THE CORPS DURG 'DON’T ASK, DON’T TELL'
Fairly classic set-ups like "I sulted my gay iend and oh no, my dick end up his mouth! The CITIZEN KANE of Gay Porn. It's a strange thg when you watch vtage gay "films" for their ntent stead of their tend purpose.
"The Inspectn" is a new feature about a young man who turns his life around the Mare Corps after beg kicked out of the hoe as a teen for beg gay and livg homels for several years. Bratton lived on the streets for a after beg kicked out of the hoe for beg gay. The trailer for Bratton's film brgs a lot of the Mare Corps' re valu, so looks like we n expect a movie that portrays lead character Ellis French's ary experience a posive light spe of the herent problems a gay Mare would have faced that era.
It’s nsired by many to be one of the first exampl of gay imagery film, and a remr that homosexual reprentatn has been wh the medium om the very begng. That clip appears The Celluloid Closet, Rob Epste and Jefey Friedman’s documentary based on Vo Rso’s study of homosexualy the movi, along wh untls exampl of how gay characters showed up, per narrator Lily Toml, as “somethg to lgh at, or somethg to py, or even somethg to fear. Some have been documents of a moment or era of gay history, some have been ed as rrectiv to s of negative clichés, and others have simply celebrated the fact that the movi n be queer, they’re here, get ed to .
IS ‘SAILOR MOON R: THE MOVIE’ TOO GAY?
It is nowhere near a prehensive ndown of every great movie to feature out-and-proud hero and villas, or a queer sensibily, or even jt visible (and/or risible) exampl of gay life cema; we uld have easily ma this list twice as long. The performanc are staggerg: Al Paco as the ignom Roy Cohn; Jefey Wright is the sharp-wted gay nurse who tends to him; Mary-Louise Parker as a pill-poppg hoewife wed to a closeted Mormon; Emma Thompson as an imper (and sometim sassy) angel; and Meryl Streep four rol, cludg the ghost of Ethel Rosenberg.
The work tak back to a time when AIDS was stigmatized as a “gay plague. Yet the film remas one of the first ank big-stud treatments of uncloseted gay and bisexual men, as follows eight iends (and one htler) who’ve gathered a New York Cy apartment to celebrate a birthday party. L like “show me a happy homosexual and I’ll show you a gay rpse” will still make you crge, but the film remas a time psule of a moment when men were nflicted wh how they “got” to be gay.