Gore Vidal always hted at a sexual element between the Jewish prce and his Roman betrayer, but the remake seems unterted explorg gay subtext
Contents:
- GORE VIDAL’S SPAT WH CHARLTON HTON OVER GAY ‘BEN-HUR’ SUBTEXT
- GORE VIDAL'S DEFENSE OF BEN-HUR'S GAY SUBTEXT
- HOW ONE SEXY GAY NOVEL RAILED GORE VIDAL'S LERARY REER
- GORE VIDAL'S ITALIAN FILMS: ROMA, CALIGULA AND A GAY BEN-HUR
GORE VIDAL’S SPAT WH CHARLTON HTON OVER GAY ‘BEN-HUR’ SUBTEXT
Gore Vidal's spat wh Charlton Hton over gay 'Ben-Hur' subtext * was gore vidal gay *
It wasn’t as bad as “faggot, ” but rried a dose of ntempt as strong or stronger than most of the other risive ephets for those whom, back then, only gay people lled gay.
The ldly clil term “homosexual, ” which some now fd to be as dub as “Negro, ” was seldom seen as herently rogatory. “Gay” is too male, “gay and lbian” sufficiently clive, L.
GORE VIDAL'S DEFENSE OF BEN-HUR'S GAY SUBTEXT
* was gore vidal gay *
)Though Vidal never “intified” as gay—he never “me out”— was hardly a secret that the thor of “The Cy and the Pillar” was, to e his own favored term, a homosexualist.
HOW ONE SEXY GAY NOVEL RAILED GORE VIDAL'S LERARY REER
'Tryg to make tegori is very Amerin, very stupid, and very dangero.' Gore Vidal’s refal to intify as gay was nsistent wh a man who worshipped ancient Greece, but was out of step wh the tim which he lived. * was gore vidal gay *
Buckley was a reactnary, arguably a racist, and arguably a homophobe. ”And Vidal had some unorthodox ias about the reasons why Judah Ben-Hur, played by Charlton Hton, and the Roman tribune Msala (Stephen Boyd) had gone om boyhood pals to adly enemi, culmatg their chart-race triggered the smackdown between Hton and Vidal was the release of the 1995 documentary film “The Celluloid Closet, ” which outed the d gay subtexts -- and closeted gay performers -- a number of Hollywood films.
GORE VIDAL'S ITALIAN FILMS: ROMA, CALIGULA AND A GAY BEN-HUR
Directed and wrten by Rob Epste and Jefey Friedman, the documentary’s most talked-about sequence was an terview wh Vidal which the wrer scribed how he’d nvced Boyd and director William Wyler that there had to be a eper motive to expla Msala’s lethal hatred of his old iend Ben-Hur -- namely, that the two men once had a homosexual relatnship that Msala wanted to rume but Ben-Hur did not.
”“Vidal’s claim that he slipped a scene implyg a homosexual relatnship between the two men sults Willy Wyler and, I have to say, irrat the hell out of me, ” Hton, never one to back down om a verbal brawl, rpond to Hton’s terse letter wh a much longer elaboratn of his role “Ben-Hur, ” and tntg Hton as “the spokperson for the Natnal Rifle Assn.