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Startg 1963, Vidal was a regular ntributor to <em>The</em> <em>New York Review of Books</em>, which published about three of his review-says every year, and rejected, as too borg or too ntent, some of his most substantial work this form—“French Letters: Theori of the New Novel,” “The Holy Fay,” about the Kennedys, and “Pk Triangle and Yellow Star,” origally lled “Some Gays and the Jews.” (The beneficiari were <em>Enunter</em>, <em>Esquire</em>, and <em>The Natn</em>, the magaze where much of Vidal’s later polil wrg appeared.)</p><p class="paywall">Pari nicely scrib the “lofty timacy” of Vidal’s style, and mak a strong se for Vidal as one of the crics who helped to “enlarge and refe” the book-review say. But, llg Vidal’s book reviews “his very own Harvard,” Pari miss both their strength and their weakns. Apart om a few exercis self-tn—such as “French Letters,” “Amerin Plastic,” and a review of the <em>Tim</em> bt-seller list—Vidal tend to wre on subjects which he was already expert. The virtue of his bt says—the source of their fluent thory and zty phrasg, along wh the equently heavy provisn of gossip—is that he knew the subjects backward and forward, eher as a rear (“Tarzan Revised,” “On Rereadg the Oz Books,” “The Goln Bowl of Henry Jam”) or as an acquatance (“Rememberg Orson Well”), or both, the se of Christopher Isherwood, whose “I am a mera” nce Vidal sctized an say om 1976:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Bee of those four words he has been wrten of (and sometim wrten off) as a naturalistic wrer, a rerr of surfac, a film director <em>manqué</em>. Although is te that, up to a pot, Isherwood often appears to be rerdg perhaps too impartially the lights, the shadows, the lns that e wh the area of his visn, he is never whout surpris; the urse of what looks to be an unmandg narrative, the thor will sudnly produce a Polaroid shot of the rear readg, an alarmg effect achieved by the sly e of the send person pronoun. You never know que where you stand relatn to an Isherwood work.</p></div></blockquote><p class="paywall">Like many before him, Pari says that Vidal is a better sayist than he is a novelist. It’s a posn that tends to emphasize the shortgs of Vidal’s fictn—all the thgs he didn’t try to do—while overlookg the vic of his says. Mart Amis, wrg, as he later admted, om snt faiary wh Vidal’s fictn, said that Vidal was too clever to wre novels but not too clever to wre says, bee “you n’t be too clever for them.” But you n be too angry and too anx, too cut off om the taproot of your own strong opns.</p><p class="paywall">Every sayist is a product of his own hobbyhors, but few claim as vehemently as Vidal to be offerg not a view but the Tth. If his novels turned his public persona to an athetic, his says tried to turn his private anxieti to pots of tellectual tegry. Sometim he succeed. In an exchange of letters <em>The</em> <em>New York Review of Books</em>, he advised John Bayley that “The Goln Bowl” is about force, not about love, vokg a readg of Jamian irony and makg work, jt about. At other tim, his arguments look merely like anim.</p><p class="paywall">Pari says that Vidal worried that “beg exclively gay . . . terfered wh” his theori about sexualy. But the reason Vidal me up wh those pansexual theori was so that he uld tell the world he was not exclively gay. It may be te, as Vidal equently mataed, that “gay and straight” are “nonexistent tegori,” but the pot was to tablish that although he lived wh a man, and had sex only wh men, he was not, and never uld be, merely a “homosexual.” (Vidal told Amis that he had been readg D. H. Lawrence: “Every page I thk, J, what a fag. J, what a <em>faggot</em> this guy sounds.”)</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="j7to7"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="m1mcjk"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">A general distaste for thory unrpned a number of Vidal’s posns. For years, he slammed practil cricism for what he lled s “slow killg of the work through a close textual analysis.” Yet, 1979, an attack on another bugbear—the emphasis, beyond ame, on a wrer’s personaly—he enlisted the New Crics to his e, and regretted that “the palads of the word have long sce fad away.” And his wrg on Ameri (the “natnal secury state” at home, the empire abroad) was beholn to a dark, clist view. In the age of the Pentagon Papers, Watergate, and the Iran-Contra affair, he looked nny. But when the facts changed he didn’t change his md, bee his md had not been formed by facts to beg wh. Vidal’s view of the world was the oppose of supple, and someone who says, “It always down to money,” is bound to be wrong at least some of the time. Proof posive that Vidal’s journalism was anythg but a voyage of disvery me 1971, when, at the requt of the Los Angel <em>Tim</em>, he reviewed a new book that he had known about for more than twenty years. “If there is one theme to Volume Four, is Anaïs’s formidable will to power,” Vidal wrote, and though he referred passg to N’s accurate portra of young “Litenant Vidal,” he ed the ocsn to tablish once aga what he believed were their differenc philosophy, knockg her “ntempt for tellect . . . her mystil belief Love”—as if slammg an old iend’s book her home-town newspaper (N had lived L.A. for years) did anythg but show that love might be a eful thg to have around.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">The N review was a classic stance of what Michael Mewshaw, his recent memoir “Sympathy for the Devil: Four Des of Friendship wh Gore Vidal” (Farrar, Strs & Giroux), lls “the chilly, unrg misanthrope portrayed by the prs.” The man he knew was eager to please and sensive to slights—and not always happy to show . His late memoirs, “Palimpst” (1995) and “Pot to Pot Navigatn” (2006), Mewshaw wr, “ntaed strikgly ltle trospectn, few tly timate revelatns . . . almost nothg about the people he mixed wh on a daily basis”—and no hts that Vidal “was genero, hospable, loyal to iends.”</p><p class="paywall">Reprisg N’s rponse to “The Cy and the Pillar” half a century earlier, Mewshaw spends a few pag scratchg his head over “Palimpst,” an acunt of Vidal’s first four s. He grew bored by Vidal’s prentatn of himself as “the yoga master of world-wears” and exprsed bafflement as to “why so many of the emotns I had wnsed him over the years had been leted om this draft of his life.” (Wrg about “Pot to Pot Navigatn,” Pari admir the way Vidal “rtras his emotns.”) Mewshaw rells readg “Palimpst” when he was livg London and Vidal was town on a promotnal tour, and notg the dispary between the book’s announcement of personal happs—“I am past all ser sire for anythg. . . . The Buddha was right: To want is to suffer”—and “the man who jt the night before at the Connght had dnk himself to the brk of unnscns.”</p><p class="paywall">In the openg pag of “Sympathy for the Devil,” Mewshaw exprs the hope that the noise around Vidal has died down enough to “allow for” an “alternative asssment.” So far, the evince seems mixed. In a five-hundred-word “lightng raid” that appeared on the <em>Vany Fair</em> Web se, Jam Woltt—the thor of “The Gore Supremacy,” a Kdle Sgle published after Vidal’s ath—objected to the offscreen, life-size figure Mewshaw’s book, pecially his “glassy-eyed, fallg-down senr moments.” Vidal shouldn’t be remembered that way, Woltt said. He was suave and smooth. He amed whout effort. He didn’t re what people thought—and he didn’t re who knew that he didn’t re what people thought. Woltt nsoled himself wh pickg out the “hilar aperç and asis” reunted the book, as when Vidal challenged Mewshaw to name the three sadst words the English language, and supplied the answer: Joyce Carol Oat. This is the image of Vidal that seems sted to endure: rtoonish, two-dimensnal, other than human. But, although Vidal ma “harsh cril remarks” about Oat at every opportuny, Pari explas, he once ught him readg a volume of her says, and—“he admted”—enjoyg them. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="at9nbn"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM 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byle__preamble">By </span>Hilton Als</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/books/page-turner/gore-vidals-tective-novels" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Gore Vidal’s Detective Novels" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Page-Turner</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/books/page-turner/gore-vidals-tective-novels" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Gore Vidal’s Detective Novels</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Seth Colter Walls</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Fally, the Tmp Case We’ve Been Wag For" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Letter om Bin’s Washgton</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Fally, the Tmp Case We’ve Been Wag For</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">But, wh 2024 loomg, is already too late?</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>San B. 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Neoliberalism</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The ee market ed to be touted as the cure for all our problems; now ’s taken to be the e of them.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Louis Menand</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm hKqhyj ad ad--read-more"><div class="ad__slot 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was gore vidal gay

After the celebrated wrer divulged that he fed a gay subtext to Ben-Hur, he and the film's star, Charlton Hton, ded out prt.

Contents:

GORE VIDAL’S SPAT WH CHARLTON HTON OVER GAY ‘BEN-HUR’ SUBTEXT

Gore Vidal's spat wh Charlton Hton over gay 'Ben-Hur' subtext * was gore vidal gay *

It wasn’t as bad as “faggot, ” but rried a dose of ntempt as strong or stronger than most of the other risive ephets for those whom, back then, only gay people lled gay. The ldly clil term “homosexual, ” which some now fd to be as dub as “Negro, ” was seldom seen as herently rogatory. “Gay” is too male, “gay and lbian” sufficiently clive, L.

)Though Vidal never “intified” as gay—he never “me out”— was hardly a secret that the thor of “The Cy and the Pillar” was, to e his own favored term, a homosexualist. Buckley was a reactnary, arguably a racist, and arguably a homophobe.

”And Vidal had some unorthodox ias about the reasons why Judah Ben-Hur, played by Charlton Hton, and the Roman tribune Msala (Stephen Boyd) had gone om boyhood pals to adly enemi, culmatg their chart-race triggered the smackdown between Hton and Vidal was the release of the 1995 documentary film “The Celluloid Closet, ” which outed the d gay subtexts -- and closeted gay performers -- a number of Hollywood films. Directed and wrten by Rob Epste and Jefey Friedman, the documentary’s most talked-about sequence was an terview wh Vidal which the wrer scribed how he’d nvced Boyd and director William Wyler that there had to be a eper motive to expla Msala’s lethal hatred of his old iend Ben-Hur -- namely, that the two men once had a homosexual relatnship that Msala wanted to rume but Ben-Hur did not. ”“Vidal’s claim that he slipped a scene implyg a homosexual relatnship between the two men sults Willy Wyler and, I have to say, irrat the hell out of me, ” Hton, never one to back down om a verbal brawl, rpond to Hton’s terse letter wh a much longer elaboratn of his role “Ben-Hur, ” and tntg Hton as “the spokperson for the Natnal Rifle Assn.

GORE VIDAL'S DEFENSE OF BEN-HUR'S GAY SUBTEXT

Gore Vidal always hted at a sexual element between the Jewish prce and his Roman betrayer, but the remake seems unterted explorg gay subtext * was gore vidal gay *

He claimed there was no such thg as beg "gay, " only gay sexual acts.

Vidal also claimed that he didn't believe gay people, jt gay sexual acts. Vidal first enuntered Aten at one of New York's gayt lotns of s time. His first novel, The Cy and the Pillar, is very graphic s scriptn of a gay relatnship and ed a sensatn when was first published, 1948.

HOW ONE SEXY GAY NOVEL RAILED GORE VIDAL'S LERARY REER

'Tryg to make tegori is very Amerin, very stupid, and very dangero.' Gore Vidal’s refal to intify as gay was nsistent wh a man who worshipped ancient Greece, but was out of step wh the tim which he lived. * was gore vidal gay *

would promently feature gay male characters, and Gore found soon.

GORE VIDAL'S ITALIAN FILMS: ROMA, CALIGULA AND A GAY BEN-HUR

The acerbic wrer Gore Vidal once said that there was, his opn, “no such thg as a homosexual or a heterosexual person”.

*BEAR-MAGAZINE.COM* WAS GORE VIDAL GAY

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class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/hendrik-hertzberg">Hendrik Hertzberg</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2015-07-31T07:01:40-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">July 31, 2015</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" 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22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">“Bt of Enemi,” openg select theatr on July 31st after months on the ftival circu, is <a href=">an entertag documentary</a> about the gladiatorial bat between William F. Buckley, Jr., and Gore Vidal that ABC News staged as a way of spicg up s verage of the 1968 Printial nomatg nventns. The Democratic Conventn, at least, required no special sce, what wh hippi, Yippi, billy clubs, tear gas, and what Abraham Ribiff, his nomatg speech for his Senate lleague Gee McGovern, lled “Gtapo tactics the streets of Chigo.” But ABC, then the unrfund, unrstaffed No. 3 work, was dire need of a dash of Tabas. Hence the nightly Buckley-Vidal knockdowns, a foretaste of the “Crossfire”-Fox News-MSNBC future.</p><p class="paywall">The climactic moment of the movie, as was of the bat, after the morator, Howard K. Smh, refers to the fact that some of the antiwar monstrators Grant Park had brandished Vietng flags prr to the police onslght. Here, full, is the relevant ank exchange of views:</p><p class="paywall"><strong><em class="small">SMITH</em>:</strong> Mr. Vidal, wasn’t a provotive act to try to raise the Vietng flag the park the film we jt saw? Wouldn’t that ve—raisg the Nazi flag durg World War II would have had siar nsequenc.</p><p class="paywall"><strong><em class="small">VIDAL</em>:</strong> You mt realize what some of the polil issu are here. There are many people the Uned Stat who happen to believe that the Uned Stat policy is wrong Vietnam and the Vietng are rrect wantg to anize their own untry their own way polilly. This happens to be pretty much the opn of Wtern Europe and many other parts of the world. If is a novelty Chigo, that is too bad, but I assume that the pot of the Amerin mocracy—</p><p class="paywall"><strong><em class="small">BUCKLEY</em>:</strong> (terptg)<strong><strong>:</strong></strong> —and some people were pro-Nazi—</p><p class="paywall"><strong><em class="small">VIDAL</em>:</strong> —is you n exprs any view you want—</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall"><strong><em class="small">BUCKLEY</em>:</strong> —and some people were pro-Nazi—</p><p class="paywall"><strong><em class="small">VIDAL</em>:</strong> Shut up a mute!</p><p class="paywall"><strong><em class="small">BUCKLEY</em>:</strong> No, I won’t. Some people were pro-Nazi and, and the answer is they were well treated by people who ostracized them. And I’m for ostracizg people who egg on other people to shoot Amerin Mar and Amerin soldiers. I know you don’t re—</p><p class="paywall"><em><strong>VIDAL</strong></em> (loftily): As far as I’m ncerned, the only pro- or crypto-Nazi I n thk of is yourself. Failg that—</p><p class="paywall"><strong><em class="small">SMITH</em>:</strong> Let’s, let’s not ll nam—</p><p class="paywall"><strong><em class="small">VIDAL</em>:</strong> Failg that, I n only say that—</p><p class="paywall"><em><strong>BUCKLEY</strong></em> (snarlg, teeth bared)<strong>:</strong> Now listen, you queer, stop llg me a crypto-Nazi or I’ll sock you your goddam face, and you’ll stay plastered—</p><p class="paywall">(Everybody talks at once. Untelligible.)</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall"><strong><em class="small">SMITH</em>:</strong> Gentlemen!</p><p class="paywall">And so on. So on, ed, for many years, wh the two gentlemen pursug their ungentle quarrel magaz, televisn studs, and urtrooms, as “Bt of Enemi” chronicl.</p><p class="paywall">The film pretty clearly impli that was this skirmish that won the battle—won for Vidal, the moment Buckley, shockgly, said the words “you queer.”</p><p class="paywall">I happen to have watched this nontatn live, on a bulbo black-and-whe TV set, and that was certaly my imprsn, too—at the time. No doubt I was fluenced by my opn of the war: like Vidal, I was very much agast (if for somewhat different reasons). Revisg the as forty-seven years later, I’m not so sure. Buckley’s feral hatred still seems margally nastier than Vidal’s sneerg nscensn. But the fullns of time, who, really, “won”?</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">To beg wh, ’s worth notg that Smh, not Buckley, is the one who lights the fe by drawg a parallel between the Nazis and the Vietng. Buckley follows su, specifyg that what the two had mon is that both shot and killed Amerin soldiers and Mar. And he remends that Vietng supporters, like Nazi sympathizers, should be ostracized, not that they should be imprisoned or reprsed. (Vidal’s riposte—sentially, that flyg the Vietng flag was O.K. bee eedom of speech is good—is bi the pot.) In any se, Buckley do not, personally and so many words, attack Vidal as the equivalent of a Nazi. It’s Vidal who do that to Buckley.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">A quibble? Perhaps. But here’s the larger qutn: Which was the bigger sult, “queer” or “crypto-Nazi”?</p><p class="paywall">In 1968, V-E Day was only as far back time as Bill Clton’s first guratn is now, and both Buckley and Vidal had done ary service (though neher saw bat) the war agast Hler. Yet so much has changed over the s that “queer” then seemed much worse. It wasn’t as bad as “faggot,” but rried a dose of ntempt as strong or stronger than most of the other risive ephets for those whom, back then, only gay people lled gay. The ldly clil term “homosexual,” which <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">some now fd</a> to be as dub as “Negro,” was seldom seen as herently rogatory.</p><p class="paywall">Nowadays, “queer” is well on s way to beg rehabilated (or jt habilated). Dozens of lleg and universi offer urs and grant gre queer studi. There are queer film ftivals, queer arts ftivals, queer theatre pani, and queer news outlets like and No doubt there are still people who ploy “queer” as a slur, as Buckley did. Dependg upon the ntext, their targets may have a different unrstandg.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">The termology of genr and genr inty is flux. But eventually, once the flux settl, “queer” uld end up supplantg all the rt. “Gay” is too male, “gay and lbian” sufficiently clive, L.G.B.T. unwieldy and untuive. In a popular variant, L.G.B.T.Q., the “Q” already stands for “queer” or “qutng.” In another, L.G.B.T.Q.Q., stands for both. But the chunky alphabet soups are beg creasgly digtible.</p><p class="paywall">There is a history of margalized, unpopular, or not-yet-popular groups of people adoptg sobriquets that started out as terms of ridicule, abe, or negativy. Jt ask a Quaker, a Tory, a Whig, a <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">neonservative</a>, or the creator of Obamare. “Queer” is a venerable English word of one syllable, and, as the “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Queer Life at Wleyan</a>” page of Wleyan Universy’s Web se explas, ’s the only one that vers everybody ncerned:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Many people the Wleyan muny e the word “queer”, a non-genr specific and anti-normative word, place of other terms that do not fully enpass the variety of sexual and genr inti of our muny members. While this term was ed as an ephet agast LGBTQQI… people the past, many have sought to reclaim . Radil activists the 1990s pecially ployed “queer” to signify empowerment and a sense of uny agast the opprsive heteronormative sex/genr system Ameri.</p></div></blockquote><p class="paywall">(The “I” “LGBTQQI” stands for “tersex.” And the ellipsis is Wleyan’s—prumably as a placeholr for more ials to e. <a href=">Somethg’s gotta give</a>).)</p><p class="paywall">Though Vidal never “intified” as gay—he never “me out”— was hardly a secret that the thor of “The Cy and the Pillar” was, to e his own favored term, a homosexualist. He lived large a villa, not sred a closet. When Buckley lled him a queer, he meant to be mean and ugly, and was. It was what we now ll hate speech. He immediately regretted , and eventually wrote that he had returned to his drsg room a state of spair. He knew he had done himself . Vidal had no such regrets about llg his opponent a crypto-Nazi. He knew he had triumphed.</p><p class="paywall">Leavg the malice the word was imbued wh to one si, though, what Buckley said about Vidal was <em>te</em>. What Vidal said about Buckley was not jt malic but false. Buckley was a reactnary, arguably a racist, and arguably a homophobe. His magaze, <em>Natnal Review</em>, was a passnate admirer of Francis Fran, the Spanish dictator, and has always had <a href=">a hab of likeng liberals to fascists and Nazis</a>. But William F. Buckley, Jr., was not an adherent of genocidal anti-Semism. He was not a Nazi, crypto or otherwise. To ll someone a Nazi is to acce him of embracg evil. To ll someone “queer” is merely to acce him of embracg a fellow-human beg. Vidal won the fight 1968, but he los 2015.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="acwgdq"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="3pi5o8"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/hendrik-hertzberg"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/hendrik-hertzberg">Hendrik Hertzberg</a> first joed the magaze 1969. His books clu “<a href=">Polics</a>” and “<a href=">One Milln</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/documentari" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Documentari</span></a><a href="/tag/gay-rights" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Gay Rights</span></a><a href="/tag/gore-vidal" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Gore Vidal</span></a><a href="/tag/homophobia" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Homophobia</span></a><a href="/tag/jr" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Jr.</span></a><a href="/tag/movi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Movi</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Daily</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">The bt of <i>The New Yorker</i> today, cludg sential reads, fictn, humor, and a peek behd the scen of our biggt stori.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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Buckley, Jr.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Thomas Mallon</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/books/double-take/gore-vidal--the-new-yorker" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Gore Vidal The New Yorker" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Double Take</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/books/double-take/gore-vidal--the-new-yorker" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Gore Vidal The New Yorker</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jon Michd</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Conspiracy Theori of Robert F. Kennedy, Jr." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Polil Scene Podst</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Conspiracy Theori of Robert F. Kennedy, Jr.</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The anti-vacce activist and ligator wh a famo name and a long history of addictn has cid to n for Print. David Remnick prob what his ndidacy is all about.</div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div 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summary-em__hed" data-ttid="SummaryItemHed">The Louis Armstrong Center Celebrat the Heroic Jazz Tmpeter</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">A new venue wh an archive, an exhibn space, and a theatre has opened up across om the Louis Armstrong Hoe Mm, Corona, Queens.</div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm hKqhyj ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="mjmkmr"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="TaboolaWrapper-hMVdpE iYfBhy"><div class="TaboolaWidgetWrapper-egPIjc hkSrgt TaboolaWidget-eUSdED hQCCRa" data-ttid="TaboolaWidgetWrapper"><div class="TaboolaWidgetContent-iBEQTO eXroXG TABOOLA" id="taboola-below-article-thumbnails---f" data-ttid="TaboolaWidgetContent"></div></div></div></div><div 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