The Gay Divorcee (1934) - Full Cast & Crew - IMDb

Contents:

• THE GAY DIVORCEE
• THE GAY DIVORCEE
• THE GAY DIVORCEE
• THE GAY DIVORCEE
• MIL MONDAY: THE GAY DIVORCEE (1934)
• THE GAY DIVORCEE
• THE GAY DIVORCEE

THE GAY DIVORCEE

Based on the mil The Gay Divorce, book by Dwight Taylor, mil adaptatn by Kenh Webb and Samuel Hoffenste, mic and lyrics by Cole Porter (New York, 29 Nov 1932).

A classic pairg of one of the Hollywood mil's most famo upl, The Gay Divorcee (1934) was the send film team-up of Fred Astaire and Gger Rogers and follows the tratg efforts of Amerin dancer Guy Holn (Astaire) to woo an unhappily married woman, Mimi Glossop (Rogers), who's the procs of divorcg her adbeat hband. The batn of smashg mil numbers and loopy ic cint The Gay Divorcee is bt exemplified by the film's openg number ("Don't Let It Bother You") at a Paris nightclub floorshow, where a bevy of betiful dam on a rotatg stage make ty lady hand puppets dance chos le synchronizatn.

THE GAY DIVORCEE

Other dance numbers The Gay Divorcee prove more reprentative of the magic Astaire/Rogers touch.

Meant to palize on their succs wh Flyg Down to R (1933), The Gay Divorcee was the first time the team's ne llaboratns that they received top billg after havg only sendary rol R. Oddly enough, the amount of time the uple spent actually dancg The Gay Divorcee totals a meager 10 mut.

THE GAY DIVORCEE

Director Mark Sandrich's film was actually based on a Broadway mil by Dwight Taylor and Cole Porter lled The Gay Divorce which Astaire, Erik Rhos and Eric Blore all appeared. Hollywood's censorship-prone Hays Admistratn sisted that the tle be changed to The Gay Divorcee wh the strange reasong that divorce uld not be a happy. Consired one of the bt Deprsn-era mils, The Gay Divorcee was nomated for a slew of Amy Awards and won the first Bt Song Osr® for that tchy tune, "The Contental.

A publicy stunt for The Gay Divorcee which RKO anized "Contental" monstratns and parti never really helped the dance tch on, but one thg that extravagant number did start a fad. mil play The Gay Divorce by Dwight Taylor and Cole Porter.

THE GAY DIVORCEE

The Gay Divorcee - The Gay Divorcee. The origal movie on which this mil was based was lled "The Gay Divorce", but bee of problems arisg om the sensor, was renamed "The Gay Divorcee" (one 'e' add) for the silver screen. The mil The Gay Divorce was based on the unproduced play An Adorable Adventure by J.

MIL MONDAY: THE GAY DIVORCEE (1934)

The workg tle of the film was The Gay Divorce. In his tobgraphy, Fred Astaire claims that director Mark Sandrich told him that the tle The Gay Divorcee was selected bee the stud "thought was a more attractive-soundg tle, centered around a girl.

" Morn sourc claim that stud executiv changed the word "divorce" to "divorcee" bee, while they believed that a divorcee uld be gay, a divorce uld not. When RKO's actg productn head, Pandro Berman, suggted that The Gay Divorce, then a h play on Broadway, be ed as a follow-up to Rad Cy Revels, Lou Brock, who had produced Flyg Down to R and was slated to produce the follow-up pictur, ridiculed the ia. ) After Berman chose to produce The Gay Divorce himself, he asked Cole Porter to wre new songs for the film but was turned down.

THE GAY DIVORCEE

(mil play "Gay Divorce") (uncreded). The superb Fred and Gger seri always end wh a big, big set piece where the two of them uld dance, and 'The Gay Divorce(e)' is no exceptn. They're ably supported by Edward Everett Horton (as 'Aunt' Egbert), Alice Brady (the towerg matriach, Rogers' nt), Eric Blore (as an irratg waer who lik talkg about rocks and playg wh words), Erik Rhos (as a daft Italian), and Betty Grable (as a hotel gut who has a terrific number wh Horton, 'Let's K-knock K-kne') you might gus, the story revolv around a divorce, which might be a gay one ( the 1930s fn of the word, of urse), and, as so often this seri, mistaken inti.

Ty rol go to William At (as Rogers' blterg geologist hubby), and Lilian Mil (an Alice Faye lookalike who gets to reprise 'The Contental' all to herself) is one of the better entri the seri, ably directed by Mark Sandrich, and featurg a mix of songs cludg Cole Porter's 'Night and Day', and the jnty 'Lookg for a Needle a Haystack' 20, 2004Contribute to this pageSuggt an ed or add missg ntentBy what name was The Gay Divorcee (1934) officially released India English? EdDon't Let It Bother You(1934)Mic and Lyrics by Mack Gordon and Harry RevelDance performed by Fred AstaireA Needle In a Haystack(1934)Mic and Lyrics by Con Conrad and Herb MagidsonSong and dance performed by Fred AstaireLet's K-nock K-ne(1931)Mic and Lyrics by Mack Gordon and Harry RevelSong performed by Betty Grable and Edward Everett HortonDance performed by Betty Grable, Edward Everett Horton, chosNight and Day(1932)Mic and Lyrics by Cole PorterPlayed durg the openg credsSong and dance performed by Fred Astaire, Gger RogersThe Contental(1934)Mic and Lyrics by Con Conrad and Herb MagidsonSong performed by Fred Astaire, Gger Rogers, Erik Rhos, Lillian MilDance performed by Fred Astaire, Gger Rogers, chosThe Contental(1934)Mic by Con ConradInstmental repriseDance performed by Fred Astaire, Gger RogersContribute to this pageSuggt an ed or add missg ntentTop GapBy what name was The Gay Divorcee (1934) officially released India English?

“The Gay Divorcee” (1934)– Mil #121. -Based on the 1932 Broadway show “The Gay Divorce, ” which starred Fred Astaire and Claire Luce.

THE GAY DIVORCEE

“The Gay Divorcee” is probably my favore Fred Astaire and Gger Rogers.

In regards to film history, “The Gay Divorcee” is a landmark, as was the first film to w the Amy Award for Bt Song, which went to “The Contental.

And while “Gay Divorcee” is siar to this formula, still feels different and is entertag. “The Gay Divorcee” is also fun bee along wh Astaire and Rogers, we have some other dividuals who hop and sg a song.

Somehow, "The Gay Divorcée" is one of their bt llaboratn.

After their h dancg of the "Car" "Flyg Down the R, " RKO gave the teamg of Fred Astaire and Gger Rogers a star role "The Gay Divorcée" 1934.

"The Gay Divorcée" was based on a Broadway mil (of which the only number retaed is "Night and Day") and appears that a few of s plot vic were adopted later Astaire-Rogers films as well.