More than half of Generatn Z gay, bisexual teenage boys report beg out to parents

Contents:

• 25 YEARS LATER, 'IN & OUT' REMAS A GOOD-HEARTED GAY FILM AHEAD OF ITS TIME
• MORE THAN HALF OF GENERATN Z GAY, BISEXUAL TEENAGE BOYS REPORT BEG OUT TO PARENTS

25 YEARS LATER, 'IN & OUT' REMAS A GOOD-HEARTED GAY FILM AHEAD OF ITS TIME

It’s a plat still lodged agast mastream queer films today—why do Hollywood still sist on nsirg straight actors for gay rol when there is an endls list of eligible queer actors?

Box office succs, no doubt, but the mentaly that an creasg number of queer moviegoers tend to hold where they won’t support films starrg straight actors as gay characters n also cloud our visn of enjoyg gay films that hold up spe their flaws.

MORE THAN HALF OF GENERATN Z GAY, BISEXUAL TEENAGE BOYS REPORT BEG OUT TO PARENTS

Released 25 years ago this week, In & Out stars Kev Kle as Howard Bracken, a high school English teacher Greenleaf, Indiana who is outed as gay by a former stunt, Cameron Drake (Matt Dillon), durg his acceptance speech for the Amy Award for Bt Actor. Referrg his speech to a former teacher and classmate as “two of the ft gay Amerins, two wonrful men that I had the good fortune to be associated wh, ” In & Out imag a fictnalized acunt om the perspective of one of those men, who didn’t believe himself to be gay until that very moment. I watched In & Out for the first time about a month ago and would be lyg if I said I didn’t watch wh bated breath for all the ways this gay edy film that was so obvly ma for straight dienc didn't age well.

The fight for gay rights was an entirely different place, pecially Hollywood, where the thought of stg gay actors gay rol was surely on no one’s radar. Whether ’s the fact that the film was perhaps mentg however subtly on Hollywood’s tenncy to shower straight actors wh aclas for gay rol (Cameron sr his Osr for playg a gay soldier what looks like a precursor to Brokeback Mounta) or Joan Cack’s brilliant performance as Howard’s fiancée who promptly has a breakdown when he announc he’s gay at the altar (“Fuck Barbra Streisand! ”), In & Out don’t so much make a mockery of gay people but allows them to be their te, unabashed selv, even if those selv happen to le up wh “tired” gay stereotyp.

Although do rporate homophobia when Howard’s stunts beg potg out his effemate mannerisms or when he ends up beg fired over his newfound sexualy, the film remds that those gay stereotyp only beme “tired” once straight people started g them agast . It would have been so easy to have Howard’s queerns be the punchle of every joke like most gay reprentatn up until this pot, but stead, the film mak society the punchle for not nsirg that there is more than one way to be a man.

Whether ’s the soundtrack’s repeated e of The Village People’s “Macho Man” or Tom Selleck’s legimately pellg portrayal of a gay tabloid reporter followg Howard and his story, In & Out subverts all. Ined, an era of “Don’t Say Gay” where rights for queer and trans people are still unr attack the Uned Stat, the film’s penultimate scene—where the high school’s graduatg class, as well as Cameron and several proment muny members, stand up for Howard beg gay the face of his firg—reads as at least a ahead of s time.

Perhaps helps that In & Out was wrten by a gay man (Pl Rudnick), but the film appears to have aged regardls a way that most films of s kd aspire to - socpolil mentary that might have seemed darg at the time that now reads as ahead of the game.

Upon wng an Amy Award, actor Cameron Drake (Matt Dillon) honors his high school teacher, Howard Brackett (Kev Kle), who he announc, before lns of viewers, is gay. Perhaps the most unfettable moment In and Out (wrten by Pl Rudnick and directed by Frank Oz) as Joan Cack, havg jt been jilted at the altar by Kev Kle, who has picked that moment to ci that he is gay ( “Was there any other time you uld have told me this? For a persistent feature of gay life and thought is the belief that everybody is gay, or at least that everybody has the potentialy to be gay and would secretly like, at some level, to be gay.

Kle’s character, a high-school English teacher Greenleaf, Indiana lled Howard Brackett, is the fairy prcs, awakened to his gayns by a kiss om Tom Selleck, who is a kd of media prce and a reporter for a sleazy tabloid TV show. Up until that moment, Howard has lived his life as an utter naïf, a man his late 30s or early 40s who has never married and who ador Barbra Streisand but who has apparently never nsired the possibily that he might be gay before a former pupil, now a famo movie star lled Cameron Drake (Matt Dillon), outs him on natnal televisn at the Osrs. Rudnick lov that is impossibly nocent, and he lov knowg that he and the gay culture om which he wr is experienced enough to know that is impossibly nocent.

This he appli when Cameron Drake returns to Greenleaf and nonts the bigoted prcipal of Greenleaf High, played by Bob Newhart, at the graduatn ceremony, ducg the entire town there assembled to stand up and proudly announce that they are gay orr to exprs solidary wh Howard when he is sacked. WASHINGTON — A majory of gay and bisexual Generatn Z teenage boys report beg out to their parents, part of an uptick g out among young people that rearchers have noted recent s, acrdg to rearch published by the Amerin Psychologil Associatn.

In the study, published the journal Psychology of Sexual Orientatn and Genr Diversy®, rearchers examed survey data om 1, 194 13-to-18-year-old boys, all of whom intified as gay, bisexual or as beg attracted to people regardls of genr. ” The edian Bill Maher said on his show that by 2054, if we follow what he se as the current trajectory, “we will all be gay, ” addg that the rise the number of younger people intifyg as transgenr seemed spic. Bee of the fluence of Schorr put siarly Natnal Review: “To suggt that social suggtibily uld be playg a role the skyrocketg numbers of young girls’ exprsg their sire to bee mal, for example, is not of urse to say that gay and transgenr people would not exist whout the topics’ beg discsed the public square.