Ken Burns' Ernt Hemgway Doc: What Was Hemgway's Sexualy? | Esquire</tle><meta name="tle" ntent="Ken Burns' Ernt Hemgway Doc: What Was Hemgway's Sexualy? | Esquire" /><meta name="scriptn" ntent="Ken Burns and Lynn Novick’s new film explor the man beneath the myth, reopeng qutns about the macho wrer’s sexualy" /><meta name="keywords" ntent /><meta property="og:type" ntent="webse" /><meta name="theme-lor" ntent="#000000" /><lk href="/_assets/sign-tokens/quire/static/imag/" rel="in" /><meta property="og:se_name" ntent="Esquire" /><meta name="fb:app_id" ntent="1643411472613830" property="fb:app_id" /><meta name="article:publisher" ntent=" property="article:publisher" /><meta name="twter:se" ntent="@EsquireUK" /><meta name="google-se-verifitn" ntent="1vf5i9wM7chlCFc_0XI_e-oCfDf4sEvp32sTGKokQ" /><meta property="og:tle" ntent="Ernt Hemgway: The Old Man and the Androgyny" /><meta property="og:scriptn" ntent="Ken Burns and Lynn Novick’s new film explor the man beneath the myth, reopeng qutns about the macho wrer’s sexualy" /><meta name="robots" ntent="max-image-preview:large,max-snippet:-1,max-vio-preview:30" /><lk rel="apple-touch-in" href="/_assets/sign-tokens/quire/static/imag/" /><meta property="og:image" ntent="" /><meta property="og:image:width" ntent="1200" /><meta property="og:image:height" ntent="600" /><meta name="thumbnail" ntent="" /><meta name="" ntent="" /><meta name="" ntent=" /><meta name="twter:image" ntent="" /><meta ntent=" property="og:url" /><meta name="to-publish" ntent="timely" /><meta property="og:type" ntent="article" /><meta name="twter:rd" ntent="summary_large_image" /><meta name="article:opn" property="article:opn" /><meta ntent="Books" property="article:sectn" /><meta ntent="2023-04-06T10:11:55Z" property="article:modified_time" /><meta ntent="2021-04-05T07:00:00Z" property="article:published_time" /><meta name="sailth.excerpt" ntent="Bullfight-lover. Big game hunter. Deep sea fisher. Brawler. Boxer. Drker. War hero. Ladi' man. Even for his time, Ernt Hemgway was masculy hyperbole. The outsized wrer of stripped-back prose was also, a new documentary argu, an explorer of genr fluidy the bedroom – both his lerature and" /><meta name="" ntent="culture,Culture,books,Books" /><meta name="" ntent="2021-04-05 07:00:00" /><meta name="sailth.socialtle" ntent="Ernt Hemgway: The Old Man and the Androgyny" /><meta name="ntenttype" ntent="longform-article" /><meta id="m1" name="m1" emProp="cssSelector " ntent=".ntent-hed" /><meta id="m2" name="m2" emProp="cssSelector" ntent=".ntent-k p" /><lk href="/" emSpe emType=" emRef="m1 m2" /><lk rel="preload" as="image" image-src-set=" 640w, 980w, 1120w, 1200w, 1920w" image-siz="100vw" /><lk rel="prefetch" href="" as="image" /><lk rel="preload" as="image" image-src-set=" 640w, 980w, 1120w, 1200w, 1920w" image-siz="100vw" /><meta name="next-head-unt" ntent="47" /><meta name="next-font-prennect" /><script id="vice-tect" data-nscript="beforeInteractive">(()=>{nst o="ontouchstart" 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data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="Books" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10asp0m e1c1bym14"><span emProp="name">Books</span></a><meta emProp="posn" ntent="2" /></li><style data-emotn="css huh8md">{display:none;}{paddg:0.25rem;ntent:">";}</style><li emProp="emListElement" emSpe emType=" class="css-huh8md e9l0kn01"><a emProp="em" href="//culture/books/a36004141/ernt-hemgway-pbs-documentary-sexualy-ken-burns/" data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="Ernt Hemgway: The Old Man and the Androgyny" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10asp0m e1c1bym14"><span emProp="name">Ernt Hemgway: The Old Man and the Androgyny</span></a><meta emProp="posn" ntent="3" /></li></ol></nav><style data-emotn="css g4r5va">{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-weight:normal;grid-lumn:1/-1;marg-bottom:0.9375rem;marg-top:0.9375rem;}@media(max-width: 48rem){{font-size:2rem;le-height:1.25;}}@media(m-width: 48rem){{font-size:2.625rem;le-height:1.1;}}@media(m-width: 64rem){{font-size:3.125rem;le-height:1.1;}}@media(m-width: 73.75rem){{font-size:3.37499rem;le-height:1.1;}}</style><h1 class="css-g4r5va exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>Ernt Hemgway: The Old Man and the Androgyny<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 2qf7xf">{lor:#515150;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;}@media(max-width: 48rem){{font-size:1.0625rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:1.3125rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:1.3125rem;le-height:1.3;}} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:#000000;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-2qf7xf exadjwu8"><p>Ken Burns’ new film explor the man beneath the myth, reopeng qutns about the macho wrer’s sexualy</p></div><style data-emotn="css 18k4ks7">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-bottom:0.625rem;paddg-right:0.3125rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}} span{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0rem;text-transform:palize;}@media(max-width: 48rem){ span{le-height:2rem;font-size:0.875rem;}}@media(m-width: 48rem){ span{le-height:2rem;font-size:0.875rem;}}@media(m-width: 64rem){ span{le-height:2rem;font-size:0.875rem;}}</style><div class="css-18k4ks7 exadjwu7"><style data-emotn="css 1eqkg5m">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-style:normal;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><addrs class="css-1eqkg5m ehvvd9m2"><style data-emotn="css 19e0noj">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><span class="css-19e0noj ehvvd9m1">By Mary Kathare Tramontana</span><style data-emotn="css 1bcsdhu">{display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-left:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><time class="css-1bcsdhu exadjwu6">Published: 05 April 2021</time></addrs></div></div></div></hear><style data-emotn="css 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73.75rem) and (max-width: 100rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;paddg-right:0rem;}} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}{clear:both;ntent:" ";display:block;font-size:0.7rem;le-height:1.5rem;height:0rem;visibily:hidn;}</style><div class="article-body-ntent article-body longform-body css-woto36 ewisyje7"><style data-emotn="css d9wkvk">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;clear:both;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;marg-left:to;marg-right:to;width:100%;}@media(m-width: 20rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 30rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 40.625rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 48rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 64rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 73.75rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 75rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}}@media(m-width: 90rem){{marg:to lc(50% - 50vw) 0.9375rem;width:100vw;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="large" data-embed="body-image" data-no-id="0" class="align-center size-large embed css-d9wkvk e1xqj1sx4"><style data-emotn="css uwraif">{width:100%;display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-left:to;marg-right:to;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;}</style><div class="css-uwraif e1xqj1sx3"><img fetchPrry="high" alt="ernt hemgway" tle="Ernt Hemgway" width="6000" height="4616" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css 1gccgwy">@media(m-width: 20rem){{paddg-left:1rem;}}@media(m-width: 30rem){{paddg-left:1rem;}}@media(m-width: 40.625rem){{paddg-left:1rem;}}@media(m-width: 48rem){{paddg-left:1rem;}}@media(m-width: 64rem){{paddg-left:1rem;}}@media(m-width: 73.75rem){{paddg-left:1rem;}}@media(m-width: 75rem){{paddg-left:1rem;}}@media(m-width: 90rem){{paddg-left:1rem;}}</style><div class="css-1gccgwy e1xqj1sx2"><style data-emotn="css 8h7i7x">{width:0;m-width:100%;paddg-top:0.625rem;letter-spacg:0.02rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;} em, i{font-fay:her;font-style:alic;}</style><div class="css-8h7i7x e1xqj1sx1">Ernt Hemgway and his three sons wh blue marl on the docks of Bimi, The Bahamas. 20 July 20, 1935</div><style data-emotn="css 1am3yn9">{paddg-left:0rem;le-height:1;}</style><figptn class="css-1am3yn9 enfs9c50"><style data-emotn="css 1mcfn5x">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1mcfn5x e6iqd2">Ernt Hemgway Collectn. John F Kennedy Printial Library and Mm, Boston</span></figptn></div></div></div><style data-emotn="css aeyldl">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;}</style><p data-no-id="1" class="css-aeyldl et3p2gv0">Bullfight-lover. Big game hunter. Deep sea fisher. Brawler. Boxer. Drker. War hero. Ladi' man. Even for his time, Ernt Hemgway was masculy hyperbole. The outsized wrer of stripped-back prose was also, a new documentary argu, an explorer of genr fluidy the bedroom – both his lerature and his life. At a cultural moment which favours simplistic terpretatns of inic figur as villas or hero, Amerin filmmakers Ken Burns and Lynn Novick muddy the waters of the fallen lerary celebry <em>Hemgway</em>, their non-haggraphic, six-hour examatn of the ntradictn between the myth and the man.</p><p data-no-id="2" class="css-aeyldl et3p2gv0">“For 's about makg thgs more plex,” Burns tells me, on a ll om his home Walpole, New Hampshire. “Hemgway is monstro at tim and there's never a moment the film where we let him off the hook.” The wrer’s epic and, ultimately, tragic life allowed him to create lerature – nsired to be among the most fluential the English language – that Burns says beli the imprisong masculy that he’s known for. “He shows how credibly difficult is to have an on-off swch. That black-whe, good-bad labellg may be the rigur activy, but there's nothg bary about the world.”</p><p data-no-id="3" class="css-aeyldl et3p2gv0">This qut for nuance is key unrstandg Hemgway’s maral bed. In the film, bgrapher Mary Dearborn lls him “brave” for his “sexual preferenc” and admissn to an “tense sire” for role play. “He really had a thg about androgyny and he liked to swch sex rol bed, and he tells Mary [Walsh Hemgway, his fourth wife], ‘Let’s play around, I’m gonna ll you Pete, you ll me Cathere.’” </p><div supprsHydratnWarng data-no-id="4" data-embed="pullquote" class="embed css-0 e9hzx6g0"><style data-emotn="css 1eiql25">{text-align:center;marg:0rem;paddg-top:0.9375rem;paddg-bottom:0.9375rem;}</style><blockquote class="css-1eiql25 e1pe3zr91"><style data-emotn="css ow0dpz">{borr:0.3125rem solid #FF3A30;borr-radi:100%;ntent:'';display:block;height:2.1875rem;left:50%;marg:-0.99rem to 0 -1.33rem;posn:absolute;width:2.1875rem;}</style><span aria-hidn="te" class="css-ow0dpz eagam8p0"></span><style data-emotn="css la9czl">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:1.625rem;le-height:1.2;marg:0rem;}@media(max-width: 48rem){{font-size:1.75rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:2.375rem;le-height:1.2;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}{ntent:'＂';display:block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:3.4375rem;le-height:0.72;font-style:alic;paddg:0.3125rem 0.875rem 0 0;}</style><blockquote class="css-la9czl e1pe3zr90">Was Hemgway gay or straight? He was a fetishist</blockquote><span aria-hidn="te" class="css-0 eagam8p1"></span></blockquote></div><p data-no-id="5" class="css-aeyldl et3p2gv0">In her journal, Mary wrote that he was the bt man she’d been wh bed. He “wanted his wife to be both pletely obedient and sexually loose.” She “enjoyed the sexual part, cut her hair short and bleached platum, bee exced him, and sometim pretend that she was a boy and he was a girl,” the narrator (longtime Burns llaborator Peter Coyote) tells . “He dyed his hair too.” </p><p data-no-id="6" class="css-aeyldl et3p2gv0">The film voic a nnsed excerpt om Hemgway’s entry Mary’s diary while the two were on safari East Ai 1953: </p><style data-emotn="css 116jaoo">{borr-left:0.4375rem solid #15263D;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg:0.625rem 0 0;paddg-left:1.25rem;}@media(max-width: 48rem){{font-size:1.125rem;le-height:1.5;}}@media(m-width: 48rem){{font-size:1.125rem;le-height:1.5;}}@media(m-width: 64rem){{font-size:1.125rem;le-height:1.5;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}</style><blockquote data-no-id="7" class="body-blockquote css-116jaoo et3p2gv0">She has always wanted to be a boy and thks as a boy whout losg any of her femy. If you should bee nfed on this, you should retire. She lov me to be her girls, which I love to be, not beg absolutely stupid... In return she mak me awards, and at night we do every sort of thg which pleas her and which pleas me. […] I loved feelg the embrace of Mary, which me to me as somethg que new and outsi all tribal law.</blockquote><p data-no-id="8" class="css-aeyldl et3p2gv0">Was the genr swappg simply for Hemgway’s enjoyment of <em>every sort of thg outsi all tribal law</em> – like anal peratn? Do “beg the girl” jt mean beg the one perated? Was Hemgway an early, lerary proponent of peggg?</p><p data-no-id="9" class="css-aeyldl et3p2gv0">“I don't know,” Burns told me. “This is a really important qutn, somethg's clearly happeng that diary entry and <em>Garn of En</em>. It certaly opens a door to that nsiratn.”</p><p data-no-id="10" class="css-aeyldl et3p2gv0"><em>The Garn of En</em> is a posthumoly published novel that overlaps, many ways, wh Hemgway’s life – cludg the matchg hair and sex play. In the film, the wrer Michael Katakis says the novel expos thgs that “some people would fd shockg” about Hemgway. “He’s not hidg himself.” </p><p data-no-id="11" class="css-aeyldl et3p2gv0">The book foc on a uple honeymoong the French Riviera 1927 (the spot of Hemgway’s honeymoon wh his send wife, <em>Vogue</em> edor Ple Pfeiffer). David, an thor and war veteran, and Cathere spend their days eatg, tanng, drkg, and havg sex. One day Cathere returns to the hotel wh a surprise for David. She cut her hair "cropped as short as a boy's." Later bed, when David lls her "girl" Cathere tells him, "Don't ll me girl." Then she asks, "Will you change and be my girl and let me take you? [….] I'm Peter. You're my wonrful Cathere." The two meet and fall love wh Mara, who be a proto-polyamoro lover to both.</p><div supprsHydratnWarng data-no-id="12" class="embed css-0 e9hzx6g0"><style data-emotn="css 10klw3m">{height:100%;}</style><div data-embed="youtube" class="embed align-center css-10klw3m ez8lbhw1"><style data-emotn="css 63r9na">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;m-height:10rem;background-lor:#F5F5F5;lor:#000;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;height:100%;marg-bottom:0.9375rem;}</style><div class="css-63r9na ez8lbhw0"><style data-emotn="css 1msakm2">{width:3.125rem;height:3.125rem;}</style><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/social/;id=lk-out-embed" loadg="lazy" alt="youtube in" height="to" width="to" class="css-1msakm2 ez8lbhw2" /><a target="_blank" rel="noreferrer noopener" href=" aria-label="View full post on Youtube" class="css-0 e1c1bym14">View full post on Youtube</a></div></div></div><p data-no-id="13" class="css-aeyldl et3p2gv0">Hemgway said the book was “too sexually adventuro” to be published his lifetime, and he was right. It wasn’t released until 1986, 25 years after he shot himself his home Ketchum, Idaho. Rounds of electroshock therapy prcribed for prsn had ed a loss Hemgway's short-term memory, renrg him unable to wre. Numero ncsns, self-meditn wh prcriptn dgs, and s of alholism didn’t help, but prsn and suici ran the fay. His father, sister, brother, and granddghter also killed themselv. There’s a paful scene the film where Hemgway giv a rare terview, after wng his Nobel Prize 1954, wh his speech impaired. </p><p data-no-id="14" class="css-aeyldl et3p2gv0">After the book me out, Joan Didn – who, like Ralph Ellison, would retype Hemgway’s stori to learn his style – lamented s publitn <em>The New Yorker</em>. How ethil is to publish an unfished book agast an thor’s wish – an thor who red about every perd, ma, and article? </p><p data-no-id="15" class="css-aeyldl et3p2gv0">And yet, he didn't stroy eher.</p><style data-emotn="css qplj0i">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;marg-top:0.625rem;}@media(max-width: 48rem){{font-size:2.125rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:2.25rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:2.5rem;le-height:1.1;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}</style><h2 data-no-id="16" class="body-h2 css-qplj0i et3p2gv0"><strong>Peggg Papa</strong></h2><p data-no-id="17" class="css-aeyldl et3p2gv0">Ethics asi, the book do offer sential sight. For one, the anal peratn <em>The Garn of En </em>is “pretty well accepted” by crics faiar wh the origal mancript, acrdg to Debra Modlmog, an of the College of Liberal Arts at the Universy of Nevada, Reno. In <em>Readg Dire</em>, Modlmog pots out a revealg phrase Hemgway had crossed out, which ntas more explic tail: David felt “somethg that yield and entered.” In the published novel, </p><blockquote data-no-id="18" class="body-blockquote css-116jaoo et3p2gv0">[David] lay there and felt somethg and then her hand holdg him and searchg lower and he helped wh his hands and then laid back the dark and did not thk at all and only felt the weight and the strangens si and she said, “Now you n’t tell who is who n you?” </blockquote><p data-no-id="19" class="css-aeyldl et3p2gv0">What entered? <br /></p><p data-no-id="20" class="css-aeyldl et3p2gv0">“I thk this is digal anal peratn,” Modlmog tells me (a 2010 film adaptatn agre), “but there’s room for terpretatn.” Of urse, the “somethg” and the “weight” uld easily be an implement heavier than fgers. The game is repeated many tim. 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3samd3">{font-weight:normal;marg:0rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.8125rem;le-height:1.1;letter-spacg:0.06rem;text-ratn-thickns:0.125rem;text-transform:upperse;text-unrle-offset:0.25rem;}</style><h6 class="css-3samd3 ektooqb5">Pros</h6><style data-emotn="css 1rybwxh">{-webk-flex:1;-ms-flex:1;flex:1;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;-webk-hyphens:to;-moz-hyphens:to;-ms-hyphens:to;hyphens:to;list-style:none;marg-top:0;paddg:0rem;}@media(max-width: 48rem){{font-size:1rem;le-height:1.4;}}@media(m-width: 48rem){{font-size:1rem;le-height:1.4;}}@media(m-width: 64rem){{font-size:0.875rem;le-height:1.4;}}{marg-left:0;}</style><ul class="css-1rybwxh ektooqb4"></ul></div><div class="css-aqsj2r ektooqb6"><h6 class="css-3samd3 ektooqb5">Cons</h6><ul class="css-1rybwxh ektooqb4"><style data-emotn="css 4kwcq1">{display:grid;grid-template-lumns:0 1;grid-gap:1.5rem;marg-top:0.625rem;-webk-align-ems:start;-webk-box-align:start;-ms-flex-align:start;align-ems:start;}</style><li class="css-4kwcq1 ektooqb2"><style data-emotn="css 4bs81v">{-webk-text-ratn:her;text-ratn:her;text-transform:none;text-renrg:to;webk-font-smoothg:antialiased;moz-osx-font-smoothg:graysle;}</style><span aria-hidn="te" class=" css-4bs81v 31yw60"><style data-emotn="css 23kqqm">{width:1rem;height:1rem;marg-top:0.25rem;}</style><img data-dynamic-svg src="/_assets/sign-tokens/e/static/ins/" loadg="lazy" alt="Con" role="img" tle="Con" height="to" width="to" class="css-23kqqm ektooqb0" /></span></li></ul></div></div></div><p data-no-id="22" class="css-aeyldl et3p2gv0">The late Richard Fanta’s “<style data-emotn="css umdwtv">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:her;-webk-transn:background 0.4s;transn:background 0.4s;background:lear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webk-background-size:100% 200%;background-size:100% 200%;}{lor:#000000;text-ratn-lor:borr-lk-body-hover;-webk-background-posn:100% 100%;background-posn:100% 100%;}</style><a href=" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Peggg" class="body-lk css-umdwtv et3p2gv0"><u>Peggg</u></a> Ernt Hemgway”, om his book <em><a href=" target="_blank" rel="nofollow" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Straight Wr Queer" data-vars-ga-product-id="cd21a3c6-58a0-4168-b490-3400a00312" data-vars-ga-lk-treatment="sale | (not set)" data-href=" data-product-url=" data-affiliate="te" data-affiliate-url=" data-affiliate-work="{"id":"67a1c675-44b4-45cd-bd62-a1001851fad5","se_id":"190ce153-424a-469c-a2ee-0521e9e2c5cb","metadata":{},"work":{"id":"469ce69f-4798-416d-9432-eaa9954b4053","name":"Amazon","metadata":{}}}" data-vars-ga-product-brand="McFarland & Company" data-vars-ga-product-price="£37.11" data-vars-ga-product-retailer-id="3223e044-8988-46ae-8ed4-ce8a893b8820" data-vars-ga-product-sem3-brand="McFarland & Company" data-vars-ga-product-sem3-tegory="Cril Theory" class="body-lk product-lks css-umdwtv ebsw2pb0">Straight Wr Queer</a></em>, offers another take. “In Hemgway’s work the male hero seldom perate women but rather are sometim perated themselv,” he wr. Male submissn is part of the back door sex for Fanta: “The ial Hemgway woman”, like sexually liberated Brett Ashley <em>The Sun Also Ris</em> (1926), “monstrat power and a will to domate.” In <em>The Garn of En</em>, Hemgway “celebrat a woman who ntrols the sexual relatnship wh her hband and who iat female-on-male sodomy.” Sodomy, Fanta argu, is a “polymorpho practise that transcends tegori of genr and sexual preference.”<br /></p><p data-no-id="23" class="css-aeyldl et3p2gv0">In her diary, durg that prevly mentned 1953 Ain sex safari, Mary Hemgway wrote: “Papa’s fn of buggery: ‘Sodomy when practised by those who are not gentlemen.’” A few l away om that is an acunt of their afternoon nap: a “love-feast, love-ft, love fita,” and another entry later that night noted “a bigger, happier, lovelier, love-ft-feast.” There’s also her acunt of Hemgway’s mock terview:</p><blockquote data-no-id="24" class="body-blockquote css-116jaoo et3p2gv0">REPORTER: ‘Mr. Hemgway, is te that your wife is a lbian?’<br />PAPA: ‘Of urse not. Mrs Hemgway is a boy.’<br />REPORTER: ‘What are your favore sports, sir?’<br />PAPA: ‘Shootg, fishg, readg and sodomy.’<br />REPORTER: ‘Do Mrs Hemgway participate the sports?’<br />PAPA: ‘She participat all of them.’<br />REPORTER: ‘Sir, n you pare fishg, shootg and cricket, perhaps, wh the other sports you practise?’<br />PAPA: ‘Young man, you mt distguish between the diurnal and the nocturnal sports. In this later tegory sodomy is fely superr to fishg.’</blockquote><h2 data-no-id="25" class="body-h2 css-qplj0i et3p2gv0"><strong>Icebergs and Enemas</strong></h2><p data-no-id="26" class="css-aeyldl et3p2gv0">In 1918, Hemgway was hospal Milan after beg wound while volunteerg as an ambulance driver on the Italian ont durg World War I. In preparatn for an operatn, he was likely given an enema by nurse Agn von Kurowsky – his first great love. This enema was replited <em>A Farewell to Arms</em>, when Cathere admisters one to Freric, a litenant of the ambulance re, before his operatn. </p><p data-no-id="27" class="css-aeyldl et3p2gv0">The word 'enema' is never ed. The rear mt fer om his lover-nurse makg him “clean si and out.” </p><p data-no-id="28" class="css-aeyldl et3p2gv0">In Hemgway’s pared-down 'iceberg' technique of layered wrg, 's what’s unsaid, left beneath the surface, that matters. That omissn entailed excisg chunks of text and givg the rear the genero cred to tu the absence. In his 1927 short story, “Hills Like Whe Elephants,” a man prsur a woman to get an abortn, and the word abortn is never mentned.<strong> “</strong>The Sea Change” (1931) featur a woman talkg to a man a bar about how she's gog to leave him for another woman, yet her bisexualy is never stated directly. Elisn and subtext are Hemgway's signature style. And this certaly applied to sex. </p><p data-no-id="29" class="css-aeyldl et3p2gv0">The quiet enema <em>A Farewell to Arms</em> is sexualised, subtly, as is the moment directly after:</p><blockquote data-no-id="30" class="body-blockquote css-116jaoo et3p2gv0"> ‘What would you like me to do now that you’re all ready?’ <br />‘Come to the bed aga.’ <br />‘All right. I’ll e.’ <br />‘Oh, darlg, darlg, darlg,’ I said. <br />‘You see,’ she said. ‘I do anythg you want.’ <br />‘You’re so lovely.’ <br />‘I’m aaid I’m not very good at yet,’ <br />‘You’re lovely.’ <br />‘I want what you want. There isn’t any me any more. Jt what you want.’</blockquote><p data-no-id="31" class="css-aeyldl et3p2gv0">Hemgway’s enema timacy was possibly his foray to adulthood anal pleasur.</p><h2 data-no-id="32" class="body-h2 css-qplj0i et3p2gv0"><strong>A Moveable Fetish</strong></h2><p data-no-id="33" class="css-aeyldl et3p2gv0">Years earlier, a young Ernt wore a flouncy summer drs. His mother, Grace, ptned a snapshot of him: “summer girl.” He and his sister Marcelle, who was a year-and-a-half olr, were always drsed alike – wh intil haircuts. In that time, was mon for young boys to wear drs. However, at the Hemgway’s, his mother also referred to him as a girl, and this went on long enough for Ernt to worry aloud that Santa Cls would not know he was a boy. </p><p data-no-id="34" class="css-aeyldl et3p2gv0">Beg raised as the psdo-tw of his sister is what many crics attribute to his fascatn wh matchg haircuts, which is repeated his adult eroticism, letters, and fictn, and the genr swappg – which often allus to brother/sisters.</p><p data-no-id="35" class="css-aeyldl et3p2gv0">“You’ll almost never see an erotic scene Hemgway whout a good al of attentn to hair,” Carl Eby, the print of The Hemgway Foundatn and thor of <em>Hemgway’s Fetishism</em> tells me by phone om Boone, North Carola. “People always ask me, ‘Was Hemgway gay or straight?’</p><p data-no-id="36" class="css-aeyldl et3p2gv0">“He was a fetishist.” </p><style data-emotn="css 1mtk2uq">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;}@media(m-width: 20rem){{clear:both;marg-left:to;marg-right:to;width:100%;}}@media(m-width: 30rem){{clear:both;marg-left:to;marg-right:to;width:100%;}}@media(m-width: 40.625rem){{width:70%;marg-left:1rem;marg-right:0rem;float:right;clear:right;}}@media(m-width: 48rem){{width:70%;marg-left:1rem;marg-right:0rem;float:right;clear:right;}}@media(m-width: 64rem){{width:60%;marg-left:1rem;marg-right:0rem;float:right;clear:right;}}@media(m-width: 73.75rem){{width:60%;marg-left:1rem;marg-right:lc(-30% - 1rem);float:right;clear:right;}}@media(m-width: 75rem){{width:60%;marg-left:1rem;marg-right:lc(-30% - 1rem);float:right;clear:right;}}@media(m-width: 90rem){{width:60%;marg-left:1rem;marg-right:lc(-30% - 1rem);float:right;clear:right;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="large" data-embed="body-image" data-no-id="37" class="align-right size-large embed css-1mtk2uq e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><img alt="ernt hemgway" tle="Ernt Hemgway" loadg="lazy" width="1921" height="2782" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css 78jldq">{paddg-left:0rem;}</style><div class="css-78jldq e1xqj1sx2"><div class="css-8h7i7x e1xqj1sx1">Ernt Hemgway’s send wife, ple pfeiffer, cuttg his hair</div><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Ernt Hemgway Collectn. John F Kennedy Printial Library and Mm, Boston</span></figptn></div></div></div><p data-no-id="38" class="css-aeyldl et3p2gv0">Fetish, which are typilly lked to experienc childhood, are “an obligatory prop – for stance, sho, unrwear, or Hemgway’s se, hair—that mak sexual gratifitn possible,” said Eby. “The fetishist will e as a tool to disavow sexual difference a partner, so the person wearg the fetish n bee a girl-boy. As Robert Stoller betifully puts , ‘a fetish is a story masqueradg as an object.’” </p><p data-no-id="39" class="css-aeyldl et3p2gv0">In Hemgway’s fictn, the “heterosexual sodomisg” of men is nnected to a set of patterns, acrdg to Eby, like fetishised haircuts, genr transformatn, and the male protagonist enterg a state of “not thkg.” </p><p data-no-id="40" class="css-aeyldl et3p2gv0">(Though, isn’t a state of not thkg an aim of all sex?)</p><p data-no-id="41" class="css-aeyldl et3p2gv0">“For Hemgway, sodomy rried a homosexual unrtone,” Eby said. “Like David <em>The Garn of En, </em>he'd image himself a female role while gettg perated by a female partner playg a male role. A sort of genr-swappg heterosexualy. But he uld never ee himself om a sneakg spicn that there was somethg ‘homosexual’ about .” His characters often seem to be tryg to fend that off. </p><h2 data-no-id="42" class="body-h2 css-qplj0i et3p2gv0"><strong>Secret Pleasur </strong></h2><p data-no-id="43" class="css-aeyldl et3p2gv0">Was the macho posturg a ont to ver Papa’s secret pleasur? </p><p data-no-id="44" class="css-aeyldl et3p2gv0">That’s the pop psychology take. But Hemgway was likely aware of his kks. He was an avid fan of the pneerg sexologist Havelock Ellis, who wrote extensively on all thgs sexually viant – cludg hair fetish – and even remend his books to his first wife, Hadley, and iends. Aled Ksey, another non-judgmental taxonomer of sexual behavur, was also on his bookshelv. After Hemgway found his trans son his mother’s nylons he said, “Gigi [a nickname for Gregory, who transned to Gloria after Hemgway’s ath], we e om a strange tribe, you and I.”</p><p data-no-id="45" class="css-aeyldl et3p2gv0">Papa, who helped lnch<a href=" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn=" this magaze" class="body-lk css-umdwtv et3p2gv0"> <u>this magaze</u></a>, really did love those “manly” hobbi. The manls was fely hyperbolic, thanks to the prs and Hemgway’s mastery of brandg (back when self-promotn was still a social embarrassment). He knew the public wanted the he-man, and was the taboo of s oppose that exced him.</p><p data-no-id="46" class="css-aeyldl et3p2gv0">Like a femist who gets off on beg subservient to men bed, the erotic li the <em>verboten</em>. For Hemgway, born 1899, beg bad meant “beg the girl” and gettg perated.</p><div supprsHydratnWarng data-no-id="47" data-embed="pullquote" class="embed css-0 e9hzx6g0"><blockquote class="css-1eiql25 e1pe3zr91"><span aria-hidn="te" class="css-ow0dpz eagam8p0"></span><blockquote class="css-la9czl e1pe3zr90">The plexy of human nature and sire is, ultimately, unknowable, even ourselv</blockquote><span aria-hidn="te" class="css-0 eagam8p1"></span></blockquote></div><p data-no-id="48" class="css-aeyldl et3p2gv0">The hair stuff was a cheeky public prelu to all of that. Transgrsg cultural taboos is often an element of fetishism. Like his wrg, you uld see the haircuts on the surface, and the “vil thgs” they got up to privately (as they ll <em> Garn</em>) were the bottom part of that hair iceberg. </p><p data-no-id="49" class="css-aeyldl et3p2gv0">In the safari entry Hemgway lls Mary “prce of vils.” In “Secret Pleasur,” a chapter cut om <em>A Moveable Feast</em> – his glossed-up tobgraphil acunt of livg Paris the Twenti wh Hadley – he gh over their matchg hair (his grown out, hers cut) and “how much fun was to be damned... [We] kept our own tribal l and had our own ctoms and our own standards, secrets, taboos and lights.” </p><p data-no-id="50" class="css-aeyldl et3p2gv0">None of this is new. That sodomy terview was prted <em>The New York Tim </em> 1977, a feature lled “A Farewell to Machismo.” What’s bafflg is that after<em> Garn </em>was published 1986, reviewers foced on the hair stuff and ignored the sodomy. Wh the mystery of his unrstatement and tntn, surely many crics jt missed . After all, the pleasur of prostate stimulatn aren’t part of the standard hetero sex script (vagal peratn + phall) – Hemgway’s pictn is remarkable for s rarens lerature. Bottomg don’t exactly f the (homophobic) archetypal epome of masculy eher. Then, too, there’s no doubt that some crics who were clued- about the analy were too self-nsc to wre about . What might that awarens suggt about their own liv?</p><div data-ad-exclu="(m-width: 90rem)" data-embed="embed-product" data-no-id="51" size="medium" class="size-medium align-right embed css-1bsfgxp etrqhn80"><div id="product-a45035f0-b821-4c0f-b222-13913867358b" class="css-17pp2fn etrqhn81"></div><div size="medium" class="size-medium align-right css-60ezry eyaokey4"><div class="top css-10ck1xh eyaokey2"><h2 class="css-6nsryy e8seki10">The Garn of En</h2></div><a target="_blank" rel="nofollow noopener" href=" aria-label="$17 at Blackwell's for The Garn of En" data-href=" data-product-url=" data-affiliate="false" data-affiliate-work data-vars-ga-ll-to-actn="$17 at Blackwell's" data-vars-ga-media-role data-vars-ga-media-type="Sgle Product Embed" data-vars-ga-outbound-lk=" data-vars-ga-product-id="a45035f0-b821-4c0f-b222-13913867358b" data-vars-ga-product-price="$17.27" data-vars-ga-product-retailer-id="a8e0b433-f7-41be-901b-b4296a61ffd9" data-vars-ga-lk-treatment="(not set) | (not set)" data-vars-ga-sku="9780684804521" data-vars-ga-magento-trackg="1" class="product-image-lk eyaokey0 en6kra60 css-15xslai e1c1bym14"><div class="css-zjhp4x e729n7u1"><div data-optimizely="product-image-ntaer" class="css-1pc0key e729n7u0"><img srcSet=" 640w, 980w" alt="The Garn of En" tle="The Garn of En" src="" width="400" height="611" dg="async" loadg="lazy" /></div></div></a><div size="medium" class="css-y6pcxk eyaokey1"><div class="css-10ck1xh eyaokey2"><h2 class="css-6nsryy e8seki10">The Garn of En</h2></div><div size="medium" class="size-medium css-g3y2dc e1a1omje0"><a target="_blank" rel="nofollow noopener" href=" aria-label="$17 at Blackwell's for The Garn of En" data-href=" data-product-url=" data-affiliate="false" data-affiliate-work data-vars-ga-ll-to-actn="$17 at Blackwell's" data-vars-ga-media-type="Sgle Product Embed" data-vars-ga-outbound-lk=" data-vars-ga-product-id="a45035f0-b821-4c0f-b222-13913867358b" data-vars-ga-product-price="$17.27" data-vars-ga-product-retailer-id="a8e0b433-f7-41be-901b-b4296a61ffd9" data-vars-ga-gallery-id data-vars-ga-lk-treatment="(not set) | (not set)" data-vars-ga-sku="9780684804521" data-vars-ga-magento-trackg="1" role="button" data-ab-label="ProdClick" class="product-btn-lk en6kra60 css-1i4dhmq e1c1bym14">$17 at Blackwell's</a></div></div></div></div><p data-no-id="52" class="css-aeyldl et3p2gv0">I’m still not nvced that too much fs isn’t beg ma about Papa’s genr trouble. After all the posturg and the bravado, knowg more about Hemgway’s private life and wrg remds that “we have very ltle unrstandg of the timate liv of other people,” -filmmaker Lynn Novick tells me, on a ll om her apartment New York Cy. “Wh a famo person who's left a lot of breadcmbs, we're so cur and we want to expla everythg, but maybe that's oversimplifyg the plexy of human nature and sire, which is, ultimately, unknowable – even ourselv.”</p><p data-no-id="53" class="css-aeyldl et3p2gv0">It’s worthwhile to keep md how much overblown analysg we do wh the art and liv of legendary figur. We project our sir as part of our existential cravg for meang our own liv, and dog so, we often place meang where none may be. Hemgway was a pleasure-seeker, and his wrg is unniably sensual, that much is clear his erotic scriptns of food and drk alone (tastg “the ld bottle of whe we wrapped a newspaper” at the beach; the “flow of the butter” meltg on eggs at breakfast). </p><p data-no-id="54" class="css-aeyldl et3p2gv0">An appreciatn of blon hair and prostate sensatn are not exactly unique pleasur eher. Before rearchg this story, I told a male iend, who sleeps exclively wh women, that after mullg over the film’s vaguens about his sexual ambiguy, I wonred if the big androgyny mystery of “beg the girl” wasn’t much of a mystery at all. “I thk Hemgway jt liked stuff his ass,” I said. His rponse: “Who don’t?”</p><p data-no-id="55" class="css-aeyldl et3p2gv0"><em>'</em><em>Hemgway' airs on PBS om 5-7 April, and on the BBC later this year</em></p><style data-emotn="css 6s2y3d">{background-lor:#F5F6F8;borr:none;borr-radi:0.625rem;box-shadow:0.4rem 0.4rem 0 #15263D;clear:both;lor:#000;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-bottom:1.875rem;marg-top:1.875rem;paddg:1.875rem 1.25rem;text-align:center;}@media(max-width: 48rem){{font-size:1.1875rem;le-height:1.4;paddg:1.25rem;}}@media(m-width: 48rem){{font-size:1.1875rem;le-height:1.4;}}@media(m-width: 64rem){{font-size:1.25rem;le-height:1.4;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}</style><p data-no-id="56" class="body-tip css-6s2y3d et3p2gv0"><em><em>Mary Kathare Tramontana is a wrer verg sexual polics and culture for The New York Tim, Playboy, and other outlets. You n follow her on Twter at <a href=";!!Ivohdkk!3DmMCdZdM-jmRnlVb421IwQC6XPlavWEFJbfB7LJ9eCZCFSg31UDcQeR7-ZFCCHbT8lK-Q$" target="_blank" data-vars-ga-outbound-lk=";!!Ivohdkk!3DmMCdZdM-jmRnlVb421IwQC6XPlavWEFJbfB7LJ9eCZCFSg31UDcQeR7-ZFCCHbT8lK-Q$" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="@MKTramontana" class="body-lk css-umdwtv et3p2gv0">@MKTramontana</a> or on Instagram at <a href=";!!Ivohdkk!3DmMCdZdM-jmRnlVb421IwQC6XPlavWEFJbfB7LJ9eCZCFSg31UDcQeR7-ZFCCFXbSUCDw$" target="_blank" data-vars-ga-outbound-lk=";!!Ivohdkk!3DmMCdZdM-jmRnlVb421IwQC6XPlavWEFJbfB7LJ9eCZCFSg31UDcQeR7-ZFCCFXbSUCDw$" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="@marykatharetramontana" class="body-lk css-umdwtv et3p2gv0">@marykatharetramontana</a>. 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