From Fassbr to Pasoli and Sciamma, here are some of the bt gay movi om the global arthoe.
Contents:
- QUEER KO: 1970S AND ‘80S GAY GERMAN ARTHOE CEMA
- INTERNATNAL GAY CEMA: 33 LGBTQ MOVI TO SEE OM AROUND THE WORLD
QUEER KO: 1970S AND ‘80S GAY GERMAN ARTHOE CEMA
The dashgly charmg -founr of the Llie-Lohman Mm v si his SoHo apartment—an unbelievable monument to gay creativy and art. " data-reactroot=" * gay arthouse *
Its programmer, filmmaker Wieland Speck, says that “qutng our parents’ generatn, the war generatn, had a strong impact on the velopg gay movement, pecially the first femist ceast. Speck scrib the attu among German gay men at the time was ma: “every possible STD was ridiculed as the vcibily of the gay psyche ma s first appearance history. ” He adds: “This high time was met hard by the ‘gay ncer’ which ma s way to the nscns of German society about 1986 — an awarens spearhead by Arthur J.
Rosa von Prnheim’s nontatnal It Is Not the Homosexual Who Is Perverse, But the Society Which He Liv (1971) has been creded wh spirg the German gay liberatn movement, although Speck scrib this tone as “already strag at the leash. Prnheim regnized the danger stemmg both om the vis self and the rurgence homophobia led to, envisng a near-future versn of a leper lony.
INTERNATNAL GAY CEMA: 33 LGBTQ MOVI TO SEE OM AROUND THE WORLD
* gay arthouse *
Collectively wrten, stars the director as a bathhoe owner who profs om allowg his gay ctomers to have unsafe sex while stgglg wh AIDS and his own homophobia.
The film juggl several narrative l, cludg an edor who spreads misrmatn her tabloid paper and a woman who fetishiz sex wh gay men, endg up a dystopian 1987, where 70% of German prisoners are HIV-posive and the ernment has ma HIV tts mandatory. “It Is Not the Homosexual Who Is Perverse, But the Society Which He Liv” (Rosa von Prnheim). 30 years later, the narrative of Heer Carow’s Comg Out (1989) seems a b basic: Philipp (Matthias Freihof), who is married to a woman, realiz that he’s gay after beg attracted to Matthias (Dirk Kummer).
It avoids the mon impulse of queer cema towards tragedy, spe the openg scene’s pictn of Matthias gettg his stomach pumped after a suici attempt driven by self-hatred about his gayns. Afterwards, he embraced munism and remas satisfied by — he says, “we stopped mankd’s exploatn by mankd” — but plas that ignored the problems of gays.
As art holds an sential place the LGBT muny, The Advote striv to she a light on the work of gay, lbian, bisexual, and transgenr artists who are movg the cultural needle wh the artists spotlight sectn. Disver slishows om gay art opengs across the world wh mediums that range om photographs, to oils, to sculpture, and more. Read terviews and profil of ntemporary artists who portray LGBT history, sex, culture, and polics wh their works. Browse through the artist spotlight and other sectns that celebrate gay culture. * gay arthouse *
(Gay men were eer legally East Germany than the Wt after World War II, where the Nazi law that crimalized homosexualy stayed on the books until 1969.
) Comg Out was the only gay-themed film produced East Germany, and took Carow years to get permissn to direct . At the 1990 Berl Film Ftival, won the Silver Bear and the Teddy (the ftival’s prize for bt gay-themed film. ) The novelty of s gay subject matter may have gotten more attentn than other East German films of the ‘80s, but genuely feels like a precursor to Andrew Haigh’s Weekend (2011).
The fact that AIDS killed off half a generatn of gay men, while the closet renred many of the survivors visible, meant that our imag of gay life the ‘70s and ‘80s are domated by that tragedy, which wiped out filmmakers like Marlon Riggs, Bill Sherwood, Derek Jarman, and Arthur J. Films like Comg Out and Wtler offer a snapshot of a different gay ‘80s, and a culture whose central nflict is much different.
Man's Country, Chigo's olst gay bathhoe, closed forever on New Year's Day 2018. Here's a last look si s hallowed halls. * gay arthouse *
The enigmatic actor, art llector, gay activist, globetrotter, and doyenne of the SoHo scene has, along wh his late partner J. Together, the pair found the Llie-Lohman Mm of Gay and Lbian Art—the first stutn of s kd—which is down the block, on Wooster, unassumg Llie happened to poke his head out to the hallway to terme the e of the ck; before he uld shut the door, a group om the art magaze I worked for had charged their way through. This somewhat jad crew of crics was ankly awed to fd every available surface the dky, crimson Prce Street loft absolutely vered—let me repeat: vered—wh explicly homoerotic art all styl and media, cludg var se-specific murals.
At the start of his and Lohman’s llectg days, more than 60 years ago, “gay imagery was unfortunately the hands of pornographers exclively, ” Llie lamented. Photo by Max Burkhalter for wi-rangg llectn gently illtrat the changg landspe of public gay life and the civil rights advanc crementally gaed sce he began discreetly buyg homoerotic art the 1950s.