EarthGang’s Olu Covers Marv Gaye’s “What’s Gog On”: Watch | Pchfork

Contents:

• WHAT’S GOG ON AT 50: MARV GAYE’S MASTERPIECE IS STILL SO TE TO LIFE
• MARV GAYE WHAT'S GOG ON - 50TH ANNIVERSARY 2LP EDN
• MARV GAYE
• 50 THGS YOU NEED TO KNOW ABOUT MARV GAYE'S WHAT'S GOG ON
• MARV GAYE – WHAT'S GOG ON
• EARTHGANG’S OLU COVERS MARV GAYE’S “WHAT’S GOG ON”: WATCH
• MARV GAYE'S 10 GREATT SONGS EVER, RANKED

WHAT’S GOG ON AT 50: MARV GAYE’S MASTERPIECE IS STILL SO TE TO LIFE

Marv Gaye’s classic 1971 rerd What’s Gog On turns 50 this month, which means more people than ever will have ocsn to note how timely is. “He uld have wrten What’s Gog On yterday, ” poet Nikki Gvanni noted an terview last tumn, explag that the ver portra of her 2020 llectn, Make Me Ra, pays homage to Gaye’s album ver, picturg Gvanni a raat, her llar upturned. The rerd’s endurance – most movgly displayed by Nelson Manla, who, shortly after his release om prison 1990, reced l om the album at Tiger Stadium Detro – has practilly bee a one is wrong, of urse, to say that Gaye’s album cuts as eply today as did 1971.

A dively spired work driven by social rage – one that braid doo-wop harmoni, jazz and the hymns Gaye had loved as a child – What’s Gog On was also Gaye’s claratn of creative pennce om Berry Gordy’s Motown mache. After a of polished pop hs, Gaye, now his early 30s, revealed there was a lot on his md: the outrage of the war Vietnam (What’s Happeng Brother?

”What’s Gog On remas val, above all, for how turns away om that “Ameri” and stead addrs the tle qutn to a closer-kn group – those people gathered at the hoe party Gaye stag the album’s openg moments; the “mother, mother” and “father father” he lls out to (and that the party settg might emboln him to ndidly addrs). ” the speaker asks What’s Happeng Brother?, checkg the claims of those power agast the thory of everyday Black is one thg to celebrate Gaye’s endurg and prcient mo of creatn; another to appld the ntued ronance of his album’s ncerns.

MARV GAYE WHAT'S GOG ON - 50TH ANNIVERSARY 2LP EDN

We should not be sangue, for stance, that Gaye’s unrstated blu crique of “trigger-happy policg” has stayed so relevant; or that anti-Black vlence has so persisted over the last 50 years that remas necsary for Black artists and everyday people to approach the task of survivg and thrivg Ameri wh the energy, elegance and grace that Gaye molled this landmark work. Maybe he was tired – was the last song of a long set – but the 40-year-old Gaye, his illed whe shirt and sequned red su jacket, appears to not jt work the crowd but panr to wh some ntempt: “This was our very first No 1 rerd ever the world, ladi and gentlemen.

MARV GAYE

Photograph: US Army/Getty ImagThis is precisely the kd of galvanisg work that Gaye was dog wh What’s Gog On, for his own people his own time – a historil pot that is often obscured when we fixate on the rerd’s timelsns. Gaye’s crique of the Vietnam war, for example, which was rmed by his brother Frankie’s experienc of the nflict, was disarmgly distctive. ”Vcent se Gaye’s actns as “the drivg force” behd Stevie Wonr’s polil turn at Motown, as well as the rigoro funk of Sly and the Fay Stone and the righteo soul of Aretha Frankl’s 1972 album Young, Gifted and Black.

The stars, along wh untls ssn micians, were “dog their bt work ever at this ccial moment time” – settg the standard, the se of Gaye and his llaborator David Van De Pte’s meticulo strg, nga, bass and vol arrangements – for what Vcent lls “soul mic as high art” be sure, What’s Gog On is an impecbly posed sue. Listen to how Gaye cranks the volume back up jt as the tle track starts to fa out – a sign of rilience as well as a petty refal to let a track that Gordy hated end whout a fight.

Photograph: Jim Brt/Getty ImagWhat I listen for now are moments like the, which, spe repeated plays, ver versns and sampl of Gaye’s songs, still sound disrdant and unrolved.

50 THGS YOU NEED TO KNOW ABOUT MARV GAYE'S WHAT'S GOG ON

In this portn of the rerd, timg and melody e unmoored, as Gaye mak room for hard, even spairg qutns: is possible to “save a world that is sted to die”? If at first Gaye seems ncerned wh parsg good om bad actors, “those of who simply like to socialise” v “those of who tend the sick and heed the people’s cri, ” he also gathers them all to an affirmative, right-on roll ll that mellows out to an oblique paean to sex: “And my darlg, one more thg / If you let me, I will take you to live where love is kg.

The squawkg tenor saxophone solo wh which Wild Bill Moore tears through Mercy Mercy Me might be the most dramatic performance of the “holler” Gaye sgs about Inner Cy Blu – but which Gaye himself livers, at the end of that song, as a stylised cry: “Owwww! ” It often seems to me that that holler, the culmatn of the growlg ton Gaye sgs on the track, should be fiercer, more unhged. What Gaye performs stead is the virtuosic, ant ntrol required, the midst of panic, of Black people Ameri, no ls than that other war elements are not easily absorbed or nscripted to narrativ about Gaye’s moment or our own; precisely bee they are the rerd’s jagged edg, they keep reachg out to grab listeners through time.

13, 2021 /PRNewswire/ -- Throughout 2021, the world has been celebratg the life and legacy of R&B pneer Marv Gaye to honor the 50th anniversary of the release of his groundbreakg rerd What's Gog On.

MARV GAYE – WHAT'S GOG ON

Wh a vulnerable pth and plexy, Marv Gaye opened the door milly, culturally, and polilly for untls micians over the last five s to addrs the jtic of our world.

Wh progrs, 100 years we'll look back on the rerd as an album that broke down barriers and beme the blueprt on how to live harmonly wh each other and our, though, let's take a closer look at the makg of Gaye's masterpiece as the album reach s mid-life surround by a world still crisis. The boss at Motown thought Gaye was jeopardizg his reer wh this albumIn the fall of 1970, Gaye was so exced about the prott album he had md — and the song "What's Gog On" that he'd jt fished — that he tracked down the head of Motown Rerds, Berry Gordy, who was on vatn the Bahamas, to tell him the ia. Bettg on 30 days of What's Gog OnAfter Gordy had been proven wrong about the succs of the sgle "What's Gog On, " he drove to Gaye's hoe to ask for the full album.

This irked Gaye, bee Gordy had actively tried to stop the song om beg Gordy knew that one sure-fire way to get mic out of Gaye was to make a bet wh the sger. Gaye flew across the untry to fulfil an actg mment, all the while nstantly addg to the songs, even until the last moments before the fal mix. 'What's Gog On' almost beme a song for vol group the OrigalsIn mid-1970, after workg on the song wh lyricist Al Cleveland, Benson fally had a chance to play for Gaye after trackg him down on a golf urse.

EARTHGANG’S OLU COVERS MARV GAYE’S “WHAT’S GOG ON”: WATCH

Gaye loved the song but didn't hear for himself — he wanted to cut the track wh a vol group he was producg lled the Origals. What's Gog On was a statement, not a qutnThe qutn mark Benson had origally fixed to the album's tle track was liberately removed by Gaye. The album hered a new look for GayeTo separate himself om the fishg-school look of other Motown artists, Gaye changed his image while rerdg this album.

MARV GAYE'S 10 GREATT SONGS EVER, RANKED

Many of his fans pied his fashn sense, but Gaye later admted to bgrapher David Rz that he wore them to ver up a growg bald spot on the top of his head, and was tickled to see people wear them to look Gaye, wearg his signature toque. Unlike most producers, Gaye sat down the Snakep wh the micians, leadg the rhythm sectn and playg piano stead of producg om behd the glass the Snakep, where What's Gog On was rerd.

This was due to the cln of a fay-photo montage on the ner sleeve wh a special emphasis on the children the Gaye/Gordy fay.

Art supervisor Curtis McNair chose the now-famo shot, but his boss rejected bee he thought you uld see too far up Gaye's nostrils. McNair fought for the photo, and enlisted Gaye's opn; Gaye backed McNair's choice five sends flat sayg, "This is fely the ver right here. The end of 'The Sound of Young Ameri'Both the ont and rear ver shots for the album were taken the backyard of the hoe where Gaye and his wife were livg wh their son, Marv III.