The Story Of Marv Gaye's 'What's Gog On' : NPR

Contents:

• REMEMBERG MARV GAYE'S INIC 'WHAT'S GOG ON'
• MARV GAYE’S ‘WHAT’S GOG ON’ IS AS RELEVANT TODAY AS IT WAS 1971
• MARV GAYE’S ‘WHAT’S GOG ON’ GETS 50TH ANNIVERSARY DIGAL REISSUE
• WHAT'S GOG ON
• 50 YEARS LATER, WHY MARV GAYE'S SEMAL ALBUM 'WHAT'S GOG ON' ENDUR
• ‘WHAT’S GOG ON’: WHEN MARV GAYE UNVEILED A MASTERPIECE
• WHAT’S GOG ON AT 50: MARV GAYE’S MASTERPIECE IS STILL SO TE TO LIFE
• 50 THGS YOU NEED TO KNOW ABOUT MARV GAYE'S WHAT'S GOG ON
• THE STORY OF MARV GAYE'S 'WHAT'S GOG ON'
• MARV GAYE
• 50 YEARS AFTER MARV GAYE ASKED, ‘WHAT’S GOG ON?’ AMERI STILL SEARCHG FOR AN ANSWER
• WHAT’S GOG ONMARV GAYETRACK 1 ON WHAT’S GOG ON PRODUCED BYMARV GAYEWHAT’S GOG ON IS AN EXQUISE PLEA FOR PEACE ON EARTH, SUNG BY A MAN AT THE HEIGHT OF CRISIS. IN 1970, MARV GAYE WAS MOTOWN’S TOP MALE VOL STAR, YET HE WAS TRATED… READ MORE JAN. 17, 19713 VIEWERS591.9K VIEWS85 CONTRIBUTORSWHAT’S GOG ON LYRICS[INTRO]HEY, HEY-HEYHEY, WHAT'S HAPPEN'?HEY, BROTHER, WHAT'S HAPPEN'?BOY, THIS IS A GROOVY PARTY (HEY, HOW YOU DO'?)MAN, I N DIG YEAH, BROTHER, SOLID, RIGHT ONWHAT'S HAPPEN'?HEY, MAN, WHAT'S HAPPENG?WOOEVERYTHG IS EVERYTHGWE'RE GONNA DO A GET DOWN TODAY, BOY, I'LL TELL YA[VERSE 1]MOTHER, MOTHERTHERE'S TOO MANY OF YOU CRYGBROTHER, BROTHER, BROTHERTHERE'S FAR TOO MANY OF YOU DYGYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, YEAH[VERSE 2]FATHER, FATHERWE DON'T NEED TO LATEYOU SEE, WAR IS NOT THE ANSWERFOR ONLY LOVE N NQUER HATEYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, OH (OH)YOU MIGHT ALSO LIKE[CHOS]PICKET L (SISTER) AND PICKET SIGNS (SISTER)DON'T PUNISH ME (SISTER) WH BTALY (SISTER)TALK TO ME (SISTER), SO YOU N SEE (SISTER)OH, WHAT'S GOG ON (WHAT'S GOG ON)WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)OH, WHAT'S GOG ON[POST-CHOS]AH-AH-AH-AH (IN THE MEANTIME, RIGHT ON, BABY)WOO (RIGHT ON, BABY), WOOAH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YAWOO (RIGHT ON, BABY, RIGHT ON), WOOAH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOO, BOO-BOO-BOOBA-DA-BOO-BOO-BOO-DOO, BOO-BOO-BOO-BA-BA-DO[VERSE 3]MOTHER, MOTHEREVERYBODY THKS WE'RE WRONGOH, BUT WHO ARE THEY TO JUDGE SIMPLY 'E OUR HAIR IS LONG?OH, YOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME UNRSTANDG HERE TODAY, OH-OH[CHOS]PICKET L (BROTHER) AND PICKET SIGNS (BROTHER)DON'T PUNISH ME (BROTHER) WH BTALY (BROTHER)COME ON, TALK TO ME (BROTHER), SO YOU N SEE (BROTHER)OH, WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)TELL ME WHAT'S GOG ON (WHAT'S GOG ON)I'LL TELL YOU WHAT'S GOG ON (WHAT'S GOG ON)[POST-CHOS]WOO-OOH-OOH-OOH (RIGHT ON, BABY, RIGHT ON)AH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YA-YA-YAWOO, WOO (RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOOBA-DA-BOO-BOO-BOO-DOO, BA-DA-DA-DA-DA-DA-DA[OUTRO]WOO (RIGHT ON, BABY, E ON, RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YAWOO (RIGHT ON)LISTEN, AH-YA-YA-YA-YA-YA-YA-YADA-BOO-DOO, BOO-BOO-BOO-DOODA-BOO-BOO-DOO, BOO-BOO-BOO49EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

REMEMBERG MARV GAYE'S INIC 'WHAT'S GOG ON'

Gay, Sr., Anna Ruby, Gordy Gaye, Marv Pentz Gaye III, Mike Cooper, Frankie Gay, Pl and Gerald Comedy, Zeola “Sweetsie” Gay, Mable Jean Gay, Clarence Pl, Aunt Zeola, Parisee Monyel, Harvey Fuqua and Gee Maxilian. What's Gog On is not only Marv Gaye's masterpiece, 's the most important and passnate rerd to e out of soul mic, livered by one of s ft voic, a man fally ee to speak his md and so move om R&B sex symbol to te rerdg artist. Wh What's Gog On, Gaye medated on what had happened to the Amerin dream of the past -- as related to urban y, environmental wo, ary turbulence, police btaly, unemployment, and poverty.

Bis cementg Marv Gaye as one of the most important artists pop mic, What's Gog On was far and away the bt full-length to issue om the sgl-domated Motown factory, and arguably the bt soul album of all time. Conceived as a statement om the viewpot of a Vietnam veteran (Gaye's brother Frankie had returned om a three-year hch 1967), What's Gog On isn't jt the qutn of a baffled soldier returng home to a strange place, but a promise that listeners would be rmed by what they heard (that missg qutn mark the tle certaly wasn't a typo).

MARV GAYE’S ‘WHAT’S GOG ON’ IS AS RELEVANT TODAY AS IT WAS 1971

Instead of releasg listeners om their troubl, as so many of his sgl had the past, Gaye ed the album to reflect on the climate of the early '70s, rife wh civil unrt, dg abe, abandoned children, and the spectre of rts the near past. Alternately prsed and hopeful, angry and jubilant, Gaye saved the most sublime, eply spired performanc of his reer for "Mercy Mercy Me (The Elogy), " "Inner Cy Blu (Make Me Wanna Holler), " and "Save the Children. " The songs and performanc, however, furnished only half of a revolutn; ltle uld've been acplished wh the Motown sound of prev Marv Gaye hs like "Stubborn Kd of Fellow" and "Hch Hike" or even "I Heard It Through the Grapeve.

(SOUNDBITE OF SONG, "AIN'T NO MOUNTAIN HIGH ENOUGH")MARVIN GAYE: (Sgg) Listen, baby, a't no mounta high, a't no valley low, a't no river wi enough, TERRELL: (Sgg) If you need me ll me, no matter where you are, no matter how (Sgg) Don't worry, Tammi Terrell's ath 1970 vastated Marv Gaye. (SOUNDBITE OF MARVIN GAYE SONG, "MERCY MERCY ME")CERMAK: The song "Mercy Mercy Me" sort of stood out to me - oil wasted on the ocean and upon our seas, fish full of mercury. (SOUNDBITE OF SONG, "MERCY MERCY ME")GAYE: (Sgg) Oil wasted on the oceans and upon our seas, fish full of That one really h me bee I was an environmental science scholar studyg the world's oceans, lerally, and studyg the creatur the oceans and startg to learn that same bad news all over aga.

(SOUNDBITE OF SONG, "MERCY MERCY ME")GAYE: (Sgg) Oh, mercy, mercy In the late 2000s, I found myself dog outreach tn wh high schoolers and teachg this environmental science g standardized textbooks and realizg that I wasn't really engagg the stunts - right? (SOUNDBITE OF MARVIN GAYE SONG, "MERCY MERCY ME")JEFFERSON PATERSON: The other song that actually guts me is the song - and I feel like I'm gog to choke up now talkg about , but 's the song "Inner Cy Blu.

MARV GAYE’S ‘WHAT’S GOG ON’ GETS 50TH ANNIVERSARY DIGAL REISSUE

(SOUNDBITE OF SONG, "INNER CITY BLUES")GAYE: (Sgg) Oh, make me want to holler the way they do my life, yeah, make me want to holler the way they do my life. (SOUNDBITE OF SONG, "INNER CITY BLUES")GAYE: (Volizg) That was Eva Jefferson Paterson, a civil rights lawyer who -found the Equal Jtice Society and also sgs a Motown ver band Oakland, Calif. Both Gaye and Wonr have been relatively pennt at Motown, their reers followg their own fluctuatns outsi the mastream stud trends, but the latt albums are partur even for them.

Although both albums suffer om this over-exposure of lyric stiffns, Gaye’s work is much more supple and nversatnal ultimately smoothg self out on what is a very fe rerd while Wonr’s is too self-nsc and edg to pretentns (“Suffote the new high Ri the thorny mule that cri ‘Dig your grave and step right '”) the recently-veloped Curtis Mayfield Syndrome beg nearly prehensible when sung.

WHAT'S GOG ON

Where Stevié was ntent to liver his msag — however blurred — three or four songs, Gaye has signed his album as one many-faceted statement on ndns the world today, ma nearly seamls by reful transns between the cuts. The style is set the first cut, “What’s Gog On, ” wh s sweet horn openg le; Gaye’s soft, simmerg voice reflectg on self betifully om two or three tracks; the ntrast of ngas and strgs; the breaks an excg jumble of street-rner jive and sttg.

” “Mercy, Mercy Me” is one of the most bearable elogy songs, a genre that don’t seem to spire pecially subtle or telligent lyrics; Gaye’s are offensive and the song self is lovely. As Sly & The Fay Stone channeled their anger to to bter funk (1971’s There’s a Rt Go’ On), Gaye sublimated his lh strg sectns and Lat percsn—signals not jt of mil gentlens, but cultural sophistitn. The revelatn is that polil mic don’t have to be nontatnal— n be mellow and vg too, the provce not jt of radils, but the same mixed, middle-class dienc that had been buyg Gaye’s albums all along.

50 YEARS LATER, WHY MARV GAYE'S SEMAL ALBUM 'WHAT'S GOG ON' ENDUR

You tch more fli wh honey than wh vegar, and as Gaye seems to say on What’s Gog On, you don’t have to be a hippie to be worried by what you see—you jt have to be human. Released on May 21, 1971, at the height of the Vietnam War, Marv Gaye’s album beme a monster, spawng three h sgl on s way to beg Motown’s bt-sellg album to date. And the host of the weekly rad show “Soul Stori, ” I am stck by how many of the them Gaye explor rema as relevant today as they were when he first wrote about them 50 years ago.

‘WHAT’S GOG ON’: WHEN MARV GAYE UNVEILED A MASTERPIECE

Motown/UMe has marked the 50th anniversary of Marv Gaye’s sgle release for “What’s Gog On” — the tle track om Rollg Stone’s Greatt Album of All Time — wh an all-enpassg digal reissue of the 1971 LP out now on streamg servic. To honor the sgle’s 50th birthday, Motown/UMe grouped together all that bon mic for the digal release dubbed What’s Gog On: Deluxe Edn/50th Anniversary, which ntas the origal album pl 12 bon tracks cludg sgle versns, mos and more, the “Detro Mix” of the album and the llectn of “Funky Natn” stmentals om Gaye’s post-What’s Gog On rerdg ssns.

“The Detro Mix” of What’s Gog On, Gaye’s origal versn of the album before ncelg and reworkg Los Angel, prevly featured on the 30th anniversary reissue of the album 2001. “Through the regnn of What’s Gog On Day, we hope to brg awarens to Marv Gaye’s profound words as his timels mic remas our hearts and mds and ntu spirg generatns to e. Fd that d Marv Gaye's rerd "What's Gog On" me out 1971, unemployment was at a high of 6%, people were prottg police btaly, and Amerins were angry over the Vietnam War.

WHAT’S GOG ON AT 50: MARV GAYE’S MASTERPIECE IS STILL SO TE TO LIFE

“Motown was not a pany that was built on any kd of personal statements, ” says Nelson Gee, a mic journalist, thor and cultural cric who terviewed Gaye durg the sger-songwrer’s the 1970s, Motown Rerds was known for s “superb productn le, ” which clud the stud band, The Funk Brothers, Gee says.

”“That kd of polil, social, personal work was not a signature of the pany, ” Gee a tour stop Berkeley, California, Renaldo “Obie” Benson of Motown giant the Four Tops was spired to wre “What’s Gog On” after wnsg a scuffle between police and monstrators at an anti-Vietnam War Benson brought the song to him, Gaye was reluctant to rerd .

50 THGS YOU NEED TO KNOW ABOUT MARV GAYE'S WHAT'S GOG ON

At this pot his reer, Gaye was famo for his pop duets and love ballads, such as “A't No Mounta High Enough” wh Tammi Terrell and “I Heard It Through the Grapeve. One of the most notable chang Gaye ma was the fal versn of the song, there was no qutn mark the song illtrat the challeng society durg the 1960s — “spirualy, brotherhood, the onens of man” — and speaks to what Gaye thks are solutns, Gee explas. ”Gaye Captured A ‘Sense Of Confn And Sadns’The send song on the album, “What's Happeng Brother” was wrten for Gaye's brother, Frankie, who had jt returned om a tour Vietnam and was stgglg to fd a 1971, the Amerin people were learng through the Pentagon Papers how the U.

4 on the Billboard pop sgl chart and even had a rare appearance for Gaye on the adult ntemporary sound of that song has an “herent spirual dimensn” that embrac many tradns om European and Black church, Gee says.

(Gems/Redferns)‘A Betiful Piece Of Art’In the followg years after the album was released, Gaye stggled wh prsn and dg abe, survivg a suici attempt 1979.

THE STORY OF MARV GAYE'S 'WHAT'S GOG ON'

To unrstand the seismic shift the reer of Marv Gaye that was brought about by his bold new artistic directn on What’s Gog On, ’s worth steppg back to the Motown mastay’s prev LP release. The album, unveiled on May 21, 1971, was hailed by Billboard as “a cross between Curtis Mayfield and that old Motown spell, and outdo anythg Gaye’s ever done.

MARV GAYE

“He uld have wrten What’s Gog On yterday, ” poet Nikki Gvanni noted an terview last tumn, explag that the ver portra of her 2020 llectn, Make Me Ra, pays homage to Gaye’s album ver, picturg Gvanni a raat, her llar upturned. The rerd’s endurance – most movgly displayed by Nelson Manla, who, shortly after his release om prison 1990, reced l om the album at Tiger Stadium Detro – has practilly bee a one is wrong, of urse, to say that Gaye’s album cuts as eply today as did 1971. A dively spired work driven by social rage – one that braid doo-wop harmoni, jazz and the hymns Gaye had loved as a child – What’s Gog On was also Gaye’s claratn of creative pennce om Berry Gordy’s Motown mache.

”What’s Gog On remas val, above all, for how turns away om that “Ameri” and stead addrs the tle qutn to a closer-kn group – those people gathered at the hoe party Gaye stag the album’s openg moments; the “mother, mother” and “father father” he lls out to (and that the party settg might emboln him to ndidly addrs). ” the speaker asks What’s Happeng Brother?, checkg the claims of those power agast the thory of everyday Black is one thg to celebrate Gaye’s endurg and prcient mo of creatn; another to appld the ntued ronance of his album’s ncerns.

50 YEARS AFTER MARV GAYE ASKED, ‘WHAT’S GOG ON?’ AMERI STILL SEARCHG FOR AN ANSWER

We should not be sangue, for stance, that Gaye’s unrstated blu crique of “trigger-happy policg” has stayed so relevant; or that anti-Black vlence has so persisted over the last 50 years that remas necsary for Black artists and everyday people to approach the task of survivg and thrivg Ameri wh the energy, elegance and grace that Gaye molled this landmark work. Maybe he was tired – was the last song of a long set – but the 40-year-old Gaye, his illed whe shirt and sequned red su jacket, appears to not jt work the crowd but panr to wh some ntempt: “This was our very first No 1 rerd ever the world, ladi and gentlemen.

Photograph: US Army/Getty ImagThis is precisely the kd of galvanisg work that Gaye was dog wh What’s Gog On, for his own people his own time – a historil pot that is often obscured when we fixate on the rerd’s timelsns. ”Vcent se Gaye’s actns as “the drivg force” behd Stevie Wonr’s polil turn at Motown, as well as the rigoro funk of Sly and the Fay Stone and the righteo soul of Aretha Frankl’s 1972 album Young, Gifted and Black. The stars, along wh untls ssn micians, were “dog their bt work ever at this ccial moment time” – settg the standard, the se of Gaye and his llaborator David Van De Pte’s meticulo strg, nga, bass and vol arrangements – for what Vcent lls “soul mic as high art” be sure, What’s Gog On is an impecbly posed sue.

WHAT’S GOG ONMARV GAYETRACK 1 ON WHAT’S GOG ON PRODUCED BYMARV GAYEWHAT’S GOG ON IS AN EXQUISE PLEA FOR PEACE ON EARTH, SUNG BY A MAN AT THE HEIGHT OF CRISIS. IN 1970, MARV GAYE WAS MOTOWN’S TOP MALE VOL STAR, YET HE WAS TRATED… READ MORE JAN. 17, 19713 VIEWERS591.9K VIEWS85 CONTRIBUTORSWHAT’S GOG ON LYRICS[INTRO]HEY, HEY-HEYHEY, WHAT'S HAPPEN'?HEY, BROTHER, WHAT'S HAPPEN'?BOY, THIS IS A GROOVY PARTY (HEY, HOW YOU DO'?)MAN, I N DIG YEAH, BROTHER, SOLID, RIGHT ONWHAT'S HAPPEN'?HEY, MAN, WHAT'S HAPPENG?WOOEVERYTHG IS EVERYTHGWE'RE GONNA DO A GET DOWN TODAY, BOY, I'LL TELL YA[VERSE 1]MOTHER, MOTHERTHERE'S TOO MANY OF YOU CRYGBROTHER, BROTHER, BROTHERTHERE'S FAR TOO MANY OF YOU DYGYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, YEAH[VERSE 2]FATHER, FATHERWE DON'T NEED TO LATEYOU SEE, WAR IS NOT THE ANSWERFOR ONLY LOVE N NQUER HATEYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, OH (OH)YOU MIGHT ALSO LIKE[CHOS]PICKET L (SISTER) AND PICKET SIGNS (SISTER)DON'T PUNISH ME (SISTER) WH BTALY (SISTER)TALK TO ME (SISTER), SO YOU N SEE (SISTER)OH, WHAT'S GOG ON (WHAT'S GOG ON)WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)OH, WHAT'S GOG ON[POST-CHOS]AH-AH-AH-AH (IN THE MEANTIME, RIGHT ON, BABY)WOO (RIGHT ON, BABY), WOOAH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YAWOO (RIGHT ON, BABY, RIGHT ON), WOOAH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOO, BOO-BOO-BOOBA-DA-BOO-BOO-BOO-DOO, BOO-BOO-BOO-BA-BA-DO[VERSE 3]MOTHER, MOTHEREVERYBODY THKS WE'RE WRONGOH, BUT WHO ARE THEY TO JUDGE SIMPLY 'E OUR HAIR IS LONG?OH, YOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME UNRSTANDG HERE TODAY, OH-OH[CHOS]PICKET L (BROTHER) AND PICKET SIGNS (BROTHER)DON'T PUNISH ME (BROTHER) WH BTALY (BROTHER)COME ON, TALK TO ME (BROTHER), SO YOU N SEE (BROTHER)OH, WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)TELL ME WHAT'S GOG ON (WHAT'S GOG ON)I'LL TELL YOU WHAT'S GOG ON (WHAT'S GOG ON)[POST-CHOS]WOO-OOH-OOH-OOH (RIGHT ON, BABY, RIGHT ON)AH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YA-YA-YAWOO, WOO (RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOOBA-DA-BOO-BOO-BOO-DOO, BA-DA-DA-DA-DA-DA-DA[OUTRO]WOO (RIGHT ON, BABY, E ON, RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YAWOO (RIGHT ON)LISTEN, AH-YA-YA-YA-YA-YA-YA-YADA-BOO-DOO, BOO-BOO-BOO-DOODA-BOO-BOO-DOO, BOO-BOO-BOO49EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

Listen to how Gaye cranks the volume back up jt as the tle track starts to fa out – a sign of rilience as well as a petty refal to let a track that Gordy hated end whout a fight.

Photograph: Jim Brt/Getty ImagWhat I listen for now are moments like the, which, spe repeated plays, ver versns and sampl of Gaye’s songs, still sound disrdant and unrolved.

If at first Gaye seems ncerned wh parsg good om bad actors, “those of who simply like to socialise” v “those of who tend the sick and heed the people’s cri, ” he also gathers them all to an affirmative, right-on roll ll that mellows out to an oblique paean to sex: “And my darlg, one more thg / If you let me, I will take you to live where love is kg. The squawkg tenor saxophone solo wh which Wild Bill Moore tears through Mercy Mercy Me might be the most dramatic performance of the “holler” Gaye sgs about Inner Cy Blu – but which Gaye himself livers, at the end of that song, as a stylised cry: “Owwww! What Gaye performs stead is the virtuosic, ant ntrol required, the midst of panic, of Black people Ameri, no ls than that other war elements are not easily absorbed or nscripted to narrativ about Gaye’s moment or our own; precisely bee they are the rerd’s jagged edg, they keep reachg out to grab listeners through time.