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Chief’s Botched Elephant Hunt</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">Wayne LaPierre has cultivated his image as an exemplar of Amerin gun culture, but vio of his clumsy marksmanship—and tails regardg his Roo Drive shoppg trips—tells another story.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/mike-spi">Mike Spi</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2021-04-27T15:30:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA jsetgY">April 27, 2021</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP imbgVA"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG xAsRp"><div class="RowWrapper-UmqTg HEhan"><div class="BodyWrapper-kufPGa ejzFnZ body ArticlePageBodyGridContaer-jrMoA-d xjuw body__grid-ntaer" data-ttid="BodyWrapper"><div class="GenericCalloutWrapper-tojWn ecxUUd llout--has-top-borr" data-ttid="GenericCallout"><figure class="CneVioEmbedFigure-kCfJjN hdJOda e-vio-embed"><div data-ttid="script-ntaer"></div></figure></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg paywall">After the mass shootg at Sandy Hook Elementary School, 2012, Wayne LaPierre, the head of the Natnal Rifle Associatn, <a href=">told</a> Amerins agatg for new gun regulatns, “The only thg that stops a bad guy wh a gun is a good guy wh a gun.” Ls than a year later, LaPierre and his wife, San, travelled to Botswana’s Okavango Delta, where they hoped to show N.R.A. members that they had the gr to take on a different adversary: Ain bh elephants, the largt land mammals on Earth. The trip was filmed by a crew om “Unr Wild Ski,” an N.R.A.-sponsored televisn seri that was meant to boost the anizatn’s profile among hunters—a key element of s donor base. But the program never aired, acrdg to sourc and rerds, bee of ncerns that uld turn to a public-relatns fias.</p><p class="paywall">The Trace and <em>The New Yorker</em> obtaed a py of the footage, which has been hidn om public view for eight years. It shows that when guis tracked down an elephant for LaPierre, the N.R.A. chief proved to be a poor marksman. After LaPierre’s first shot wound the elephant, guis brought him a short distance om the animal, which was lyg on s si, immobilized. Firg om pot-blank range, LaPierre shot the animal three tim the wrong place. Fally, a gui had the host of “Unr Wild Ski” fire the shot that killed the elephant. Later that day, San LaPierre showed herself to be a better shot than her hband. After guis tracked down an elephant for her, San killed , cut off s tail, and held the air. “Victory!” she shouted, lghg. “That’s my elephant tail. Way ol.”</p><p class="paywall">For three s, LaPierre has led the N.R.A.’s fund-raisg efforts by railg agast out-of-touch “él” and sellg himself as an thentic champn of Amerin self-reliance and the unfettered right to protect onelf wh a gun. But the footage, as well as newly unvered legal rerds, suggt that behd his refully nstcted Everyman image, LaPierre is a ddled executive who is clumsy wh a firearm, and fearful of the vlent polil climate he has helped to create. The N.R.A. did not rpond to requts for ment.</p><hr class="paywall"/><p class="paywall"><em>This story was published partnership wh <a href=">The Trace</a>, a nonprof news anizatn verg guns Ameri.</em></p><hr class="paywall"/><le-embed name="" attrs="[object Object]" childTyp="" ntentType="llout:"><p class="paywall">The N.R.A. is weatherg an existential crisis, which began wh revelatns of rampant self-alg <a href=">first reported</a> 2019 and extends to an ongog <a href=">legal fight</a> wh the New York Attorney General and a huiatg <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">bankptcy trial</a>. Now, the vio and other materials offer a glimpse of the stage-managed, sular, and privileged life of the N.R.A.’s top official.</p><p class="paywall">The footage of LaPierre Botswana first shows him walkg through the bh drsed loose-ftg safari attire and an NRA Sports baseball p. He is acpanied by several profsnal guis and his longtime adviser, Tony Makris, a top executive at the N.R.A.’s former public-relatns firm, Ackerman McQueen, and the host of “Unr Wild Ski.” The heat, at tim, LaPierre to sweat. As he walks, his wire-amed glass sli down his nose. After a gui spots an elephant standg behd a tree, LaPierre tak aim wh a rifle. As LaPierre peers through the weapon’s spe, the gui repeatedly tells him to wa before firg. LaPierre is wearg earplugs, don’t hear the stctns, and pulls the trigger. The elephant drops. “Did we get him?” LaPierre asks.</p><p class="paywall">The gui at first says y, but then, as he approach the elephant, appears that the animal is still breathg. The gui brgs LaPierre wh a few stris of the elephant, which lays motnls on the ground. He tells LaPierre that another bullet is need. “I’m gog to show you where to shoot,” the gui says. “Listen, hold your rifle—I’m gog to tell you when. Jt hold up.” The gui ph the rifle’s barrel skyward as other men volved the expedn move around the distance. “I’m gog to pot for you where to shoot. Jt wag for the guys.”</p><p class="paywall">The gui walks over to the elephant, crouch down, and pots near the animal’s ear, tellg LaPierre to shoot the elephant there. Makris directs LaPierre to shoot low, acuntg for the rifle spe.</p><p class="paywall">LaPierre fir and a nfed exprsn over his face. Once aga, he shoots the elephant the wrong place. It’s still alive. The gui tells LaPierre to s down and remds him to reload, as he physilly mov LaPierre to place. Now on one knee, the N.R.A. lear asks, “Same spot?” and then shoots aga. The bullet miss the mark.</p><p class="paywall">“I don’t thk ’s que done yet,” the gui says to Makris. “Do you want to do for him?” The gui then says to LaPierre, “I’m not sure where you’re shootg.”</p><p class="paywall">“Where are you tellg me to shoot?” LaPierre rponds, soundg trated. The gui aga walks over to the elephant and pots toward the ear. “Oh, O.K.,” LaPierre says. “All right, I n shoot there.” He tak a third shot at pot-blank range.</p><p class="paywall">“Uh-uh,” the gui says, ditg that LaPierre has missed his mark aga.</p><p class="paywall">“No?” LaPierre asks.</p><p class="paywall">As the gui chuckl, Makris asks, “Do you want me to do ?”</p><p class="paywall">“Go ahead, fish him,” the gui says.</p><p class="paywall">Makris cks his rifle and shoots. “That’s ,” the gui clar, before turng to the N.R.A. chief to ngratulate him.</p><p class="paywall">Makris, ignorg his own role, prais LaPierre’s marksmanship, “You dropped him like no tomorrow.”</p><p class="paywall">Later, LaPierre and the gui chat bi the ad elephant, a speci that was <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">clared endangered</a> earlier this year. LaPierre acknowledg that his ial shot wasn’t “perfect.” The gui enurag him. “He went down, so that’s what unts.” Lookg sheepish, LaPierre lets out a lgh and says, “Maybe I had a ltle luck.”</p></le-embed><p class="has-dropp has-dropp__lead-standard-headg paywall">Over the urse of LaPierre’s tenure at the N.R.A., Makris was one of his two most important advisers. The other was the late Ang McQueen, who, until he died, 2019, ran the firm that bore his name. For forty years, Ackerman McQueen vised bative msagg mpaigns that succsfully placed the N.R.A. at the foreont of the culture wars. The once-close relatnships unravelled a seri of bter <a href=">legal battl</a> over ntracts, unpaid bills, and allegatns of ceptive bs practic.</p><p class="paywall">In September, 2019, LaPierre sat for a private posn one of the s volvg Ackerman McQueen. Although the document remas sealed, The Trace and <em>The New Yorker</em> reviewed a py. In his sworn ttimony, LaPierre’s manner is nsistent wh the swaggerg, nontatnal public persona he has cultivated for s. When asked about lavish spendg, he plead ignorance or blamed his advisers.</p><p class="paywall">LaPierre’s life style, as scribed the posn, is a stark ntrast om the Amerins the N.R.A. claims to reprent. Lawyers prsed LaPierre about nearly three hundred thoand dollars payments that Ackerman McQueen ma to Ermenegildo Zegna, a luxury men’s fashn retailer on Roo Drive, Beverly Hills, to drs LaPierre between 2004 and 2017. <a href=">Acrdg to an N.R.A. ad</a>, the group’s aln clus “steelworkers,” “wboys,” “hard-rock mers,” “swamp folks Cajun untry who n wrtle a full-grown gator out of the water,” “the mounta men who live off the land,” and “the brave ps who fight the good fight the urban war zon.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">When a lawyer for Ackerman McQueen asked LaPierre about the upsle sus, he said, “Ang told me, ‘Wayne, get wardrobe. Go get wardrobe.’ Ang actually set up the billg.”</p><p class="paywall">The lawyer replied, “But, let me jt say, you’re a big boy, right?”</p><p class="paywall">“Y.”</p><p class="paywall">“You n make your own cisns about what cloth you need and what cloth you don’t need,” the lawyer said. “You’ve been drsg yourself for a number of years.”</p><p class="paywall">LaPierre then fend the purchas, argug that he was the N.R.A.’s “primary brand spokperson” and that he “didn’t see anythg wrong wh ” sce his job required “lookg good on TV terms of your image.” He said that McQueen remend certa typ of sus. “There was a perd where Ang wanted me light sus bee he thought that women rpond better light sus. There was another perd of time where he thought my sus were outdated bee style—style had changed.”</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">LaPierre said that he lled McQueen “Yoda,” after the “Star Wars” character that serv as a symbol of unparalleled wisdom. “I thought that om a brandg and imagg and crisis management skill,” LaPierre elaborated, “I thought that he had a certa amount of exceptnal, unique, geni qualy.”</p><p class="paywall">At another pot the posn, an attorney asked LaPierre if he ever wore the sus to non-N.R.A. events. “I hardly ever—I don’t really put on a su except when I have to for N.R.A. work,” he said. “I get so harassed. The mute I put on a su, I get I.D.’ed and somebody starts yellg at me.” LaPierre then beme emotnal. “So to tell you the hont tth,” he said, “I’m walkg around most of the time—almost all the time jeans and sunglass and a ball p bee I am sick and my fay is sick and tired of beg yelled at, shouted at, screamed at, harassed, <a href=">swatted</a>, hacked, and generally abed.”</p><p class="paywall">Lawyers also asked about spendg related to San LaPierre. An unpaid volunteer at the N.R.A., she is one of the anizatn’s most visible fund-raisers. San -chairs the Women’s Learship Fom, a program signed to reward and cultivate high-dollar female donors. Though she don’t draw a salary, full-time N.R.A. employe work on her projects, and the anizatn also provis her wh ample rourc. At a 2015 fund-raisg luncheon, for example, rerds show that the anizatn paid the untry band Rasl Flatts three hundred and fifteen thoand dollars to play a half-hour atic set.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">The posn reveals, for the first time, the name of a makp artist, Brady Wardlaw, who was hired May and September of 2016, for an N.R.A. nventn Louisville, Kentucky, and a retreat McLean, Virgia. Wardlaw is based Nashville, and his <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">clients</a> have clud Taylor Swift, LeAnn Rim, and other untry mic stars. Bills for the makp servic for the events amounted to seventeen thoand dollars.</p><p class="paywall">In rponse to qutns om lawyers, LaPierre stated that he wasn’t sure whether San specifilly requted Wardlaw for the events. He claimed that Ackerman McQueen “remend the makp” and that his wife, “who is a plete volunteer,” was not the only woman at the events who received Wardlaw’s servic. When San later learned the st of the makp, LaPierre asserted, she put a stop to .</p><p class="paywall">It is important to the N.R.A. that supporters view San as a genue member of the huntg and outdoor muny. Durg the bankptcy trial, LaPierre ttified that his wife’s attendance on the Botswana trip was “part of projectg her image for the N.R.A.” Internally, some N.R.A. employe rid the Women’s Learship Fom as the “San LaPierre Life Legacy Project.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">In the vio footage om Botswana, San’s hair is pulled back a ponytail, her nails are manicured, and her large stud earrgs sparkle the sun. She walks through the dry vegetatn, until two elephants e to view and a gui sets up a stand that San to steady her rifle. The elephant ont star directly at San and the gui. “O.K., you want to do a ont or you want to do a si?” the gui whispers. “Which one do you feel more fortable wh?”</p><p class="paywall">“Well, right now I’ve got him right the ont,” she says.</p><p class="paywall">The gui tells her to aim for a crease between the elephant’s ey. When she fir, the bullet enters the creature’s head, s tnk immediately flops toward the sky, and llaps onto s belly before rollg onto s si. The elephant appears to be ad, but San, om closer range and at the gui’s directn, fir one more bullet s cht “for surance.”</p><p class="paywall">“That was amazg,” San says, pattg her cht. “Wow. My heart is racg. I feel great.” She walks over to the elephant. “That was awome. Awome. Awome. Awome.” She spects the elephant, bends at the waist, and seems to thk the elephant is still alive. “Aww, he’s still there. Look at his ey.” She plac her hand on her cht, lghs, walks around the elephant, and pats one of s tks. “Betiful animal,” she says, and then, speakg to the elephant, “You’re a good old guy. A real good old guy.”</p><p class="paywall">She grows emotnal and appears to choke up, then asks a gui about the elephant’s age.“Mt be close to fifty years old, I would say,” the gui says. “You thk so?” she asks. “That’s exactly what I wanted. An old bull. Near the end of his age.”</p><p class="paywall">The gui tells her she’s allowed to cry. “What an experience this is,” she says. “Once a lifetime.” She rts a hand on the elephant’s forehead. “I was practicg this shot all day long.” She lghs aga. “He wasn’t sure what we were dog. Amazg. That’s jt credible. Que a day. Two betiful Ain elephant one day.” San touch the animal’s feet. “He’s so wrkly. . . . Wow. A podiatrist would love workg on him.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">Soon, Wayne enters the ame. He hugs his wife, ngratulat her, and says, “I’m proud of you. That is really neat.” A person off-mera asks San if the elephant looked like was gog to charge her, and she says no, but that the animal “was checkg out.” Wayne rponds, “But if he was lookg at you like that, he uld’ve charged.”</p><p class="paywall">Later, a gui v San to cut off the elephant’s tail, a rual he says hunters performed the “oln days” to claim their animal. San hat, but begs cuttg the tail wh a knife. “Oh, ’s like a fish almost, wh the center rtilage,” she says.</p><p class="paywall">Once the tail is off, she rais the air, and stretch out her arms, the bloody knife one hand and the tail the other. “Here Botswana, the Okavango Delta, wh ‘Unr Wild Ski,’ ” she says, and then lghs aga.</p><p class="paywall">Hunts Botswana n st tens of thoands of dollars per person, and, acrdg to ttimony the bankptcy se, a pany that belongs to Makris vered the LaPierr’ sts. After the trip, late September of 2013, footage of Makris shootg an elephant on a different expedn <a href=">aired</a> on NBC Sports, which then hosted “Unr Wild Ski.” The episo ed an immediate public backlash.</p><p class="paywall">The footage of the LaPierre hunt never aired, but rerds show that the uple still wanted their trophi. To avoid bad publicy—and at San’s wrten requt—body parts om both elephants were shipped to the U.S. a hidn manner. A man travelled two hours to Johannburg to remove the uple’s nam om shippg crat. The Master Airway Bill was the name of a taxirmist, whom Makris’s pany paid to turn the animals’ ont feet to stools for Wayne and San’s home.</p><p class="paywall"><em>The Trace is a nonprof newsroom that vers gun vlence Ameri. Sign up for s <a href=">newsletters</a>.</em></p></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 PaywallInleBarrierWhWrapperGrid-fyrGfS jyGBoi"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__le-barrier article__body article__body--grid-margs"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ContentWrapperGrid-fvkmBv jfHKjr"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG bGJnrW ArticlePageContentFooterGrid-ccsXYy fzwwkW article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/mike-spi">Mike Spi</a> is a senr wrer at The Trace and a 2017 Livgston Awards falist.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div 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summary-em__hed" data-ttid="SummaryItemHed">The Transn</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Lyndon Johnson and the events Dallas.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Robert A. Caro</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Blood Ti" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Crime</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Blood Ti</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Two brilliant llege lovers were nvicted of a btal slayg. All the years later, why has the se bee a e?</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Nathan Heller</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center 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class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Crime</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Chameleon</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The many liv of Frédéric Bourd.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div 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