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Worst of all, though, the shame attached to the memori of those first tim marred how I would approach sex for years.It was listeng to Years & Years’ new song “Sanctify,” and seeg the band’s out gay sger Olly Alexanr talk about how the song was spired his sexual trysts wh straight men, that I realized that the feelgs are way more mon than people let on. Sure, I know all about gay guys havg sex wh straight guys, but felt reassurg to see him scribe the “sat and sner role” he embodied durg those experienc, and to hear the uncertaty and melancholy weaved to the song.More than anythg though, was the repeated lyril mantra of “I won’t be ashamed.” Bee as queer people, we’re buried lifetime’s worth of shame so vivid and searg that oftentim ’s cripplg. Perhaps was the support of iends, nts, and those around me that ma me not want to feel ashamed about myself anymore, even if that meant God damng me to the begng of senr year, I went om “I’m gay” to whoever asked, to “Can you stop sayg faggot please?

A month later, I cid to no longer participate the mentorship program, and every time I was asked why, I ma exc about beg too time, I retreated to my fantasy world, where I was not sixteen and gay a homophobic environment, but a world where I was olr, the future, when I would arrive to a betiful home om a long day at work, and be weled by a hband who lov me and bears my burns on his shoulrs. Standard crime thriller terrory, you might thk, but for the fact that Angel and Nene are gay lovers known as the ‘tws” and Cuervo brgs his own sexual tensy along wh his hottie girliend Vivi, and BTW all of this is based on a te story. And Yenia Gaan’s Saturday “Taboo Nights” was billed as the bt mil show downtown Los New Jalis Bar weled people jt as they were — homosexual, transgeneros, s papel, drsed as vaqueros and old enough to feel out of place dancg to hoe mic Wt Hollywood.

’s only queer-foced ffee shop; Rage nightclub Wt Hollywood; San Francis’s olst gay bar, The Stud; Ltle Jim’s, the send-olst gay bar cle of gay bars started well before the panmic, part bee creased acceptance of queer people has lsened the need for bars as plac of refuge.

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In a new vio om Flama/Univisn, ntributor Gabe Gonzalez nstcts the nuanc of intifyg as both gay and Lato and the way this shap his life Amerin vio is cidly satiril, and tackl a number of issu about exotifitn among queer men, as well as sexual health the Lato muny.

Through this reflectn, I arrive at the ncln that the time was right for an agg twk performer to be hened-up by a transn to bareback—siar transns of which have bee wispread across the gay porn landspe the terveng years between the 2015 Johnny Rapid Go Bareback event and the prent day, thanks no small part to advancements HIV preventn technologi. Keywords: Agg, Bareback, Cultural studi, Gay-for-pay, Gay pornography, Johnny RapidIntroductnJohnny Rapid began his porn reer at the start of the 2010s as a h-faced 18-year-old, shootg scen wh Boys First Time and Bkake Boys before signg wh Men as an exclive and releasg his first scene November 2011. 1 He was also named as the send most searched for gay porn star Pornhub’s 2017 “Year Review” annual analytics report (beaten to the top spot by relative new-er William Seed, also a Men exclive)2 and was the 2017 recipient of Str8UpGayPorn’s Bt Gay-4-Pay Performer award.

Through reflectn, I arrive at the ncln that the time was right for an agg twk performer to be hened-up by a transn to bareback; siar transns of which have bee wispread across the gay porn landspe the years that have ticked over sce the 2015 Johnny Rapid Go Bareback event and our prent day (see Brennan, 2020a)—due to the wispread mastreamg of bareback mercial gay porn, which has been buoyed no small part by advancements HIV preventn Rapid Go BarebackJohnny Rapid’s bareback but served as the lnch event for Bromo; a se that shared a parent pany (MdGeek) wh Sean Cody and Men, the latter two s that 2018 held the distctn of beg the first and send most equented sourc of gay porn on the web, rpectively (Brennan, 2018). I observe that while Rapid’s first-time bareback performance is marketed as a up for viewers, the general nsens among Str8UpGayPorn’s rearship is more my readg of the disurse will show, the largt proportn of those mentg on the mpaign exprsed a cidly negative viewpot. Especially as this trend relat to the Johnny Rapid Go Bareback Barebackg CoupAnalysis of viewer receptivens to the Johnny Rapid Go Bareback mpaign offers particular sights to the functn of ‘bareback event marketg, ’ and wh the impact that the movement towards a “state of ndomlsns” (Brennan, 2020a, 131) gay porn has had on dience expectatns around what nstut a newsworthy performance—together wh dience views on the ethics of ndomls promotn self.

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Jt as the 2010s hered the equent prentatns of acts that would have been nsired extreme pornography a earlier—such as anal creampi—on s that are generally nsired “vanilla” gay porn (Kiss Nielsen & Kiss, 2015, 132), Morris has himself been forced to gravate towards more extreme portrayals orr to mata his radil reputatn.

The novelty of the Johnny Rapid Go Bareback mpaign, therefore, through the prentatn of a sue of scen pictg a prolific, yet still young, gay-for-pay performer beg perated ‘raw, ’ and perhaps ‘seed’ for the first time on screen. ” (see Florênc, 2018) Also, as John Mercer (2017) not, the “first time” vice is “one of the key disurs of youth that is summoned up gay porn, ” (89) which is an unrstandg of the genre that helps expla the stg of Rapid for this particular re of passage. Consirg first the reactns to the news of Rapid’s bareback performance, the failure of Bromo to stir up tert—and for s tend msage to land wh Str8UpGayPorn rears—is surmised by two them; namely: bareback as self now mundane, and Rapid’s bareback but as dangero.

’” (C55) The more plited of the two them that emerged the wake of the announcement is the healthism 2: As DangeroOf urse, bareback sex was once the norm gay pornography—before the HIV/AIDS era—, and was mpaigns of another kd—namely for safer sex—that have created the opportuni for harsh judgement, even censure, here and more broadly. Weeks wr that sexual inti are “necsary fictns” (1995, 98) shaped by historil circumstanc: the spread of HIV wh Wtern gay and queer male muni of which is a se pot, and a circumstance om which we vised a “grammar for safer sex. 21 We turn now to viewer asssment of the scen of Rapid’s barebackg but, such asssments that were thored the ments sectns of Str8UpGayPorn’s of the Johnny Rapid Go Bareback CampaignFour scen were released as part of the Johnny Rapid Go Bareback mpaign—one per week begng on Augt 6, 2015.

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It is a view that regniz the potential of the ter promotg certa sexual practic (see Rosenberger et al., 2011); but also, pots to the “risky bs” of a regrsive trajectory followg a perceived cle the threat of HIV—whereby “agast all good medil advice, ” the porn dtry is puttg profs ahead of muny health by “showg healthy lookg people engagg unhealthy behavr, ” and “sendg a bad msage, pecially to young gay men, ” for many of whom porn, is assumed, plays an important role their inty formatn. Not only do nfirm abundant e of pornography by gay men (also see Duggan & McCreary, 2004), but also, of the 20 participants who took part the study, three quarters of those terviewed attributed gay pornography as their primary means of learng about gay sex durg adolcence (Elr et al., 2015, 951) foregog viewer ment is ak to what Alex Carballo-Diéguez and José Bermeister (2004) found their paratively early ntent analysis of ments for and agast barebackg. Mercer mak the pot that while a theme of homophobia may be seen to unrsre certa scenars—such as sex prison (and perhaps hazg and gay-for-pay narrative settgs as well)—, to label such scenars as homophobic is “far too simplistic and rctive to acunt for the relatively plex range of disurs at play.

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