Netflix's Voyr Miss Ccial Pots About Gerald Foos and Gay Tale | Wtword

gay telese

Lookg for books by Gay Tale? See all books thored by Gay Tale, cludg Thy Neighbor's Wife, and Honor Thy Father, and more on

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GAY TALE

* gay telese *

Gay Tale is a journalist and ternatnal bt-sellg thor whose works clu The Bridge (Walker & Company 2003), The Kgdom and the Power, Honor Thy Father, Thy Neighbors Wife, and Unto the Sons. BgraphyTriviaActorWrerPlay trailer2:00The Booksellers (2019)More at IMDbProContact Agent RumeView ntact at IMDbProKnown for: Wrer1973Boom Boom Room Celebry2016Gay Tale2003Self1976ActorPrev2Bld5. Author and journalist Gay Tale (right) and Gerald Foos, the Colorado motel owner who for years spied on his guts, are the foc of the Netflix documentary Voyr.

There's a fascatg moment the new Netflix documentary Voyr when the filmmakers ask the protagonist, Gerald Foos — who allegedly spied on guts om the attic of the now-funct Manor Hoe Motel Aurora that he owned — whether he regretted tellg his story to renowned journalist Gay Tale, who published a New Yorker article, then book, about Foos 2016. That’s why I didn’t tell Gay [Tale] about , " Foos said. Gay Tale’s Other Problem.

Gay Tale. Gay Tale probably wish he’d had a ld. AdvertisementSKIP Marchant/Getty ImagJuly 1, 2016In Gay Tale’s forthg book, “The Voyr’s Motel, ” about a Colorado motel owner who spied on his guts for years whout their knowledge, Mr.

GAY TALE

Gay Tale. Wrer: Honor Thy Father. Gay Tale was born on 7 Febary 1932 Ocean Cy, New Jersey, USA. He is an actor and wrer, known for Honor Thy Father (1973), Bld (2016) and Shortcut to Happs (2003). He has been married to Nan Tale sce 10 June 1959. They have two children." data-id="ma * gay telese *

“Gay is gog to do all his planned promotn and publicy, and we’ll make any necsary rrectns, as any publisher do, ” Mr. “Gay is an impassned person and he tak what he do very serly, and he’s trated alg wh this guy who isn’t pletely reliable.

GAY TALE’S OTHER PROBLEM

Wtword's Chris Walker reunts his nversatns wh "voyr" Gerald Foos, the subject of a new Netflix documentary lled Voyr and a book by Gay Tale * gay telese *

“The fact that he uld sometim prove an unreliable and accurate narrator is also somethg that Gay Tale mak clear to the rear, repeatedly, and is part of the way Foos is characterized throughout the article. “You n’t make this stuff up, ” Gay Tale says the begng of Voyr, the new documentary chroniclg the velopment of his book The Voyr’s Motel, which was excerpted as a ntroversial New Yorker article, and, as of Friday, is available on Netflix.

In hdsight, some errors are glargly obv: There are some obv and damng genr dynamics at work here, between Gay and Nan and between Foos and his wife, Ana, but Kane and Koury do ltle to lve to the sexual polics that make Foos’s motel an enavor of masculy, and an credibly vlatg and disturbg one at that. The level of meta-storytellg they attempt to tell lv to all the most superficial rners, like watchg Tale’s dghter, an artist, pat Foos’s motel for her father’s book; Tale and Foos, when they first meet 2013, stay at a motel, se you didn’t know what they’re gettg at faiar wh Gay Tale’s brand of lerary journalism, which has bee a fg style, is likely faiar wh another pneer, Ja Mallm, who said this of her chosen genre, bgraphy: “The voyrism and bybodyism that impel wrers and rears of bgraphy alike are obscured by an apparat of scholarship signed to give the enterprise an appearance of bank-like blandns and solidy.

Gay Tale liv on the East Si of Manhattan, a four-story brownstone he moved to 1958, at age 26. Gay Tale: Harold Hay, Esquire‘s edor, gave me a one-year ntract to do six piec.

GAY TALE DEFENDS ‘THE VOYR’S MOTEL’ AFTER SOURCE IS UNRCUT

Gay Tale probably wish he'd had a ld. Instead, the 84-year-old journalist ventured out to Boston Universy last week, and ma a seri of... * gay telese *

” “Look, Gay, ” said Hay, “’s all set up. Where do this fall your hierarchy of Gay Tale piec? By Gay Tale.

People say, “Oh, Gay, how did you get that? But when Gay Tale wr about Italian-Amerins, there are very few people this untry who n tell me more than I know about that subject.

And when I see this guy — Vcent DeRosa, who I hadn’t met and never saw after that — I, Gay Tale, n unrstand .

GAY TALE

Voyr, the new Netflix documentary starrg Gay Tale about his article and book The Voyr’s Motel, is a nfed illtratn of te-crime’s pfalls. * gay telese *

Gay Tale is a btsellg thor who has wrten fourteen books.

GAY TALE EXPLAS WHY HE WROTE INIC ESQUIRE PROFILE “FRANK SATRA HAS A COLD”

Gay Tale is Gay Tale is the thor of thirteen books, among them “The Bridge: The Buildg of the Verrazano-Narrows Bridge” and “Frank Satra Has a Cold,” which clus photographs by the late Phil Stern. on The New Yorker. Read Gay Tale's b and get latt news stori and articl. Connect wh ers and jo the nversatn at The New Yorker. * gay telese *

Gay Tale was born Ocean Cy, New Jersey, and currently liv New York Cy. Gay Tale and Tom Wolfe, June 5, 2017 ©Natan Dvir.

OTHER BOOKS BY GAY TALE

Official webse of wily acclaimed wrer Gay Tale. * gay telese *

Gay Tale, January 2017, ©Robyn Twomey/The Village Voice.

GAY TALE'S LEGACY WILL SURVIVE THE VOYR'S MOTEL SNDAL

Gay Tale near the Edmund Pett Bridge Selma, Ala., Febary 2015, © Josh Haner/The New York Tim. Gay Tale wh Tony Danza at the New York Athletic Club for Table 4 Wrers Foundatn, March 7, 2013, by Mike Coppola/Getty Imag. Gay Tale wh Joe Girardi © New York Yanke, October 2012.

GAY TALE

'High Not' ntas all the reasons I've been teachg Gay Tale's work to my stunts at Yale for a , and all the reasons they love . Other books by Gay Tale.

*BEAR-MAGAZINE.COM* GAY TELESE

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class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs hbOl ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp kjLxCB"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT hsydfY"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX eNRqSb bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fTtYjx bric__lk" href="/culture"><span class="RubricName-fVtemz cLxcNi">Culture</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd bwDymH isouMH"><em>Voyr</em>, on Netflix, Arriv at a Very Bad Time for Creepy Old Men</h1></div><div class="ContentHearAccredatn-lfctVB eDhhwT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH uMYIE byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd hHRAkO haUSoQ eErqIx byle__name-lk button" href="/ntributor/bridget-read">Bridget Read</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2017-12-01T09:30:56-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd eNpMLJ jDQNvc">December 1, 2017</time></div></div></div></div><div class="ContentHearLeadAsset-hGbumP cAlrhp lead-asset ContentHearLeadAssetWrapper-hfXHEc bjtV lead-asset--width-small" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb cZenhb"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz kIIRok"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb cZenhb rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="This image may nta Human Person Light Buildg Neon and Hotel" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE bViSGz ptn ContentHearLeadAssetCaptn-hPWmSN dWhfyS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Image: Courty of Netflix</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh SFwwF viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU dPbgNk bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh fOiOQm viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU gdCxmM bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div></div></div><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>“You n’t make this stuff up,” Gay Tale says the begng of <em>Voyr,</em> the <a href=">new documentary</a> chroniclg the velopment of his book <em>The Voyr’s Motel</em>, which was excerpted as a ntroversial <em>New Yorker</em> <a href=">article</a>, and, as of Friday, is available on <a href=">Netflix</a>. The “stuff” qutn refers to the explos of a man named Gerald Foos, who, the 1960s, bought and rigged up a motel suburban Colorado so that he uld spy on guts om an attic twalk through the ceilg vents. Foos wrote to Tale 1980 wh his story, gusg rrectly that would pique the tert of the wrer, who had ma a name for himself as a kd of unrver reporter the jungl of ee love wh his book <em>Thy Neighbor’s Wife.</em> But Foos was unwillg to reveal himself to be “the voyr,” so Tale abandoned the ia, left behd his many archiv the basement of his Upper East Si townhoe.</p><p><em>Voyr</em> starts 2013, when Tale and Foos are back touch, wh the latter ready to e forward on the rerd and the former ready to pick up the thread. Immediately, the film ti the figur of Tale and Foos together—or, rather, Tale ti himself to the voyr, explicly, when he says matter-of-factly, “I’m a voyr myself.” He giv a tour of his obssive archiv, materials kept box vered llag wh headl and imag om articl on and by Tale. We get a Cliffs Not versn of Tale’s ntroversial reer, cludg his most famo say, <a href=">“Frank Satra Has a Cold”</a> <em>Esquire</em>, and his talk show appearanc after <em>Thy Neighbor’s Wife,</em> which st Tale as a sexual renega.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>Foos, of urse, is not famo, and this ntext is a crimal, but he also nsirs himself a sort of eelance social scientist, an Aled Ksey–type, and says that he bought the Manor Hoe Motel as a “laboratory.” In a set of typed diary entri hundreds of pag long, Foos logged the sexual acts he wnsed, as well as the mundani of the daily liv of the guts a middle-of-the-road Colorado motel: posns, numbers of asms (and who had them); as well as pacg, televisn-watchg, and bedspread piic-eatg. It’s a level of obssn that echo Tale’s own: To him, the voyr provis an unparalleled look to a particular slice of post-war Amerina—sex, a motel—one that’s so thorough that, like he said, you n’t make up.</p><div class="Contaer-bkChBi byNLHx"></div><p>Except that, apparently, you n. After the publitn of Tale’s <em>New Yorker</em> article on Foos 2016, but before the release of the book om which was excerpted, a <em>Washgton Post</em> reporter <a href=">lled to qutn</a> how long Foos had fact owned the motel, whom he had sold to, and whom he had bought om. And was exposed that one of the juicit tidbs of Tale’s book, when Foos wns a man strangle a woman a room below 1977, has strikg siari to a crime that occurred a motel a few away, but no rerds uld be found to rroborate the event that Foos scribed. When the news broke, Tale <a href=">lashed out</a> at his subject, who he lled “certifiably unreliable” and “dishonorable,” and trashed his own book: “How dare I promote when s credibily is down the toilet?” For his part, Foos chalked up the mistak to his diary keepg, sayg he uld have ma errors when typg up his handwrten diari.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="he381"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="20y15q"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>The succs of some kds of documentari n often be traced to what is, ankly, serendipy. <a href="><em>The Jx,</em></a> for example, the vtigatn to the crim of Robert Durst, pivots around Durst nfsg on a hot mic. <a href="><em>Weer</em></a> was ially nceived as a eback for disgraced Democratic Congrsman Anthony Weer but beme a mmerizg portra of narcissism and addictn, and his downfall, stead. The latter ia is closer to what directors Myl Kane and Josh Koury got out of <em>Voyr,</em> which begs as a return to the spotlight for Tale, who visibly brims wh excement and speratn for rurgent relevance at 81, and ends as a nfed, regrettable illtratn of two men’s unstoppable egos. If only the filmmakers weren’t jt as ught up the need for a good story as Foos and Tale are.</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="3szdx7s"></div></div><p>“I would have done anythg for the story; I sold my soul,” Tale says of wrg <em>Thy Neighbor’s Wife,</em> and s effects on his wife, the publisher Nan Tale, and his children. The same impulse is shared by the entire “Voyr” project—the article, book, and documentary—which tras so heavily on lurid tails (which aren’t even that lurid) that giv up any artistic or tellectual center. In hdsight, some errors are glargly obv: There are some obv and damng genr dynamics at work here, between Gay and Nan and between Foos and his wife, Ana, but Kane and Koury do ltle to lve to the sexual polics that make Foos’s motel an enavor of masculy, and an credibly vlatg and disturbg one at that. Instead, they glamorize both Foos’s story and Tale’s storytellg. When Foos scrib the first time he watched a woman, his nt, undrs, he the phrase “the wdow beckong,” the poetics of which Tale go gaga over. “Beckong wdow is perfect,” he exclaims. “She had big boobs,” Foos ntu, which gets an “Oh, my god” out of Tale—’s like watchg two middle schoolers share a <em>Playboy</em>. As the film go on, more and more people appear to fend <em>Voyr</em> as a lerary enavor, om Tale’s book publisher to his edor at <em>The New Yorker.</em> They even unver the discrepanci later revealed by <em>The Washgton Post,</em> but are unterred. It’s astonishg that, on so many levels, Tale’s work was validated, and fund, to such an extent (the documentary clud).</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ou3xm"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-6"><div 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Weddg</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY kLWdHC summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Alexandra Man</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff iDAxyG summary-em summary-em--has-borr summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cWJwCN" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="The Bt Street Style Photos From the Sprg 2024 Shows Copenhagen" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX eNRqSb bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Runway</span></div><a class="SummaryItemHedLk-civM jRfyII summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ bfdOCB summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">The Bt Street Style Photos From the Sprg 2024 Shows Copenhagen</div></div></div></a></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw fkGtfq ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="r489i4"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="nv0fge"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>That’s what mak <em>Voyr</em> both a product of s time and a pletely outdated one. Tale and Foos are sentially two old whe men tryg to go out wh a bang (sorry), drsg up an act of sexual viancy and illegal voyrism wh an old-fashned wk that, much like ’s nce, no longer que works the strgent light of late 2017. Not once the film do anyone, edors clud, ever show ncern for those who stayed Foos’s motel, who were watched and rerd whout their nsent. A few mentns of the fact that most people who stayed the motel are likely ad (qutnable, given that Foos is still alive) serve to amelrate any guilt or regret. That word, <em>nsent</em>, is pecially charged now, a time where powerful men om the very dtri that <em>Voyr</em> is ncerned wh—journalism, publishg, and film—<a href=">have been rocked</a> by accatns of not knowg or rg to thk about what exactly that word means. That Foos’s s-long misnduct is exced by the disputable fact that is “fascatg” marks the film’s tonal dissonance. This is no time for old perverts.</p><p>And yet the methods by which the documentarians exce are hallmarks of a media genre that is very much of-the-zegeist: <a href=">te crime</a>. Kane and Koury employ the qutsential background stments of the genre, the <em>Serial</em>-que xylophone and harp, to make scen plucky and quirky, if creepy, but never edgg to outright disturbg. And the adorable mol of the motel they e to show how Foos spied on his ctomers is a twee reprentatn of what was sentially a crime scene. The level of meta-storytellg they attempt to tell lv to all the most superficial rners, like watchg Tale’s dghter, an artist, pat Foos’s motel for her father’s book; Tale and Foos, when they first meet 2013, stay at a motel, se you didn’t know what they’re gettg at here.</p><p>Anyone faiar wh Gay Tale’s brand of lerary journalism, which has bee a fg style, is likely faiar wh another pneer, Ja Mallm, who said this of her chosen genre, bgraphy: “The voyrism and bybodyism that impel wrers and rears of bgraphy alike are obscured by an apparat of scholarship signed to give the enterprise an appearance of bank-like blandns and solidy.” Nowadays we n replace “apparat of scholarship” wh “apparat of televisn,” the most prolific mo of te-crime storytellg, and the pfalls of which <em>Voyr</em> illtrat. There’s such a huge drive for ntent now that our bast stcts n be fed not only quickly and efficiently, but wh the trappgs of prtige and tellectualism. Y, ’s paful to scroll through reboot after reboot of ’90s televisn shows, or artful miseri, but te-crime packag the liv of real people for nsumptn. It mak the qutn of what kds of stori, and which storytellers, we’re rewardg—and y, ’s rewardg when money is volved—all the more imperative to reckon wh.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="9ojgi9"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-7"><div 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class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="cq6tg"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>It’s the women <em>Voyr</em> who uld have divulged the most tertg tails about their partners, but who rema the background. I would give as much money as Tale’s book advance to hear what Nan Tale has to say about all of this. Ana, Foos’s quiet and strange wife (who should be played by Kate McKnon if the scrapped <em>Voyr</em> movie ever gets ma), says she “miss” the motel, and even cri when the documentary crew viss s molished plot. When Foos worri that the media will portray him as “nothg but a creep,” she rponds, sg placidly, “Well, you are.”</p><figure class="CneVioEmbedFigure-kCfJjN hdJOda e-vio-embed"><div data-ttid="script-ntaer"></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="hi707y"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk 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