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Lance Rgel is an award-wng novelist and playwright whose works explore liv that have all too often been hidn om history. His historil novel, Flower of Iowa, is a crilly acclaimed gay romance. Lance's work spans more than for s theatre, fictn, drama, and mils.

Contents:

THE SUBVERSIVE GAY SECRET BEHD THE "ARROW COLLAR MAN""HIS ART WAS GENUELY EXTRAORDARY, AND WE ARE STILL FEELG S IMPACT TODAY," SAYS PLAYWRIGHT LANCE RGEL OF J.C. {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}LIFEBY DAN AVERYNOVEMBER 8, 2017/9:52 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:574PX;WIDTH:1020PX;}BY DAN AVERYNOVEMBER 8, 2017 / 9:52 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"THE SUBVERSIVE GAY SECRET BEHD THE \"ARROW COLLAR MAN\"","THUMBNAILURL":","DATEPUBLISHED":"2017-11-09T02:52:47.000+0000","DATEMODIFIED":"2017-11-09T02:52:47.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"DAN AVERY","KEYWORDS":"THEATER","ARTICLESECTN":"LIFE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MORE THAN 60 YEARS BEFORE CALV KLE STUCK ANTON SABATO JR. BLACK BRIEFS ON A TIM SQUARE BILLBOARD, ANOTHER GAY MAN WAS G HOMOEROTICISM TO SELL MEN'S CLOTHG—ALTHOUGH A MUCH MORE SUBVERSIVE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}COMMERCIAL ILLTRATOR J.C. LEYENCKER IS BT REMEMBERED AS THE CREATOR OF THE "ARROW COLLAR MAN," DRAWG STRONG-JAWED HUNKS CRISP DRS SHIRTS, AND FOR DRAWG MORE THAN 300 VERS FOR THE SATURDAY EVENG POST. WHAT MOST PEOPLE DON'T KNOW IS THAT LEYENCKER'S LOVER, CHARL BEACH, WAS HIS CHIEF MOL AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A NEW PLAY, IN LOVE WH THE ARROW MAN, PREMIER THIS WEEK AT THEATRE 80 ST MARKS NEW YORK. WRTEN BY LANCE RGEL, CHARTS LEYENCKER'S AMAZG REER: HIS POST VERS POPULARIZED THE IA OF A ROSY-CHEEKED BABY NEW YEAR, A CHUBBY SANTA CLS A RED FUR-TRIMMED AT, AND OF GIVG FLOWERS ON MOTHER'S {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE SHOW ALSO ENPASS THE LIFE LEYENCKER (PLAYED BY IAN BRODSKY) HAD WH BEACH (JACK D. MART), HIS MENTORG OF NORMAN ROCKWELL ( SOME WAYS THE EVE HARRGTON TO LEYENNCKER'S MARGO CHANNG), AND HIS PLITED RELATNSHIP WH HIS ARTIST BROTHER FRANK, WHO WAS ALSO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"LEYENCKER’S STORY HAS EVERYTHG—AN ENDURG ROMANCE, SIBLG LOVE AND RIVALRY, SPECTACULAR FAME AND FORTUNE, EP SADNS AND LOSS," RGEL TELLS NEWNOWNEXT. "HIS ART WAS GENUELY EXTRAORDARY, AND WE ARE STILL FEELG S IMPACT TODAY."J.C._LEYENCKER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE POTS TO "THE OLD SPICE MAN" AND INSTAGRAM-HAPPY TOM DALEY AS TWO EXAMPL OF LEYENNCKER'S FLUENCE: "THERE IS SOMETHG ABOUT DALEY'S SELF-VENTN AS AN IN THAT FEELS TO ME LIKE SOME KD OF SCENDANT TO WHAT J.C. LEYENCKER CREATED," HE SAYS. "HE WAS A MAN WH A CLEAR AND SENSUAL APPRECIATN FOR MALE BETY—AND WAS NOT AAID TO PICT ."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RGEL HAS BEEN WH HBAND, CHUCK MUCKLE, FOR 41 YEARS, AND WAS DRAWN TO THE STORY OF A GAY UPLE WHO STAED THEIR RELATNSHIP FOR NEARLY A HALF-CENTURY AND MUCH MORE CHALLENGG TIM. (FORTUNATELY WE DON'T LIVE THOSE TIM ANYMORE: MUCKLE ACTUALLY DIRECTS THIS PRODUCTN.)J.C. LEYENCKER/ARCHIV OF AMERIN ILLTRATORS GALLERYWASHINGTON, DC - HANDOUT: "MEN READING," BY JOSEPH CHRISTIAN LEYENCKER. OIL ON NVAS, 1914. STRETCHER: 48.3 X 99.1CM (19 X 39"), FRAME: 66.7 X 116.8 X 7.6CM (26 1/4 X 46 X 3"). (PHOTO URTY ARCHIV OF AMERIN ILLTRATORS GALLERY, NYC; PYRIGHT 2010 AMERIN ILLTRATORS GALLERY, NYC/SMHSONIAN){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THOUGH CERTALY SUCCSFUL HIS TIME, LEYENCKER WAS NOT REGNIZED AS A GREAT ARTIST. AND CERTALY NOT AS A GAY IN. RGEL HOP DIENC TAKE AWAY AN APPRECIATN FOR BOTH HIS ART AND HIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"HE WAS MUCH TOO TALENTED AND FLUENTIAL TO BE FOTTEN. HE CREATED IMAG OF INIC MASCULY THAT WERE MUCH MORE EROTIC THAN PREVAILG STANDARDS. AND HIS AND CHARL'S LOVE STORY IS ONE FOR THE AG."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN LOVE WH THE ARROW COLLAR MAN NS NOVEMBER 8 TO DECEMBER 2 AT THEATRE 80 ST {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

Maxen is the first ever male ach Amerin men's sports to e out as gay. * arrow collar man gay *

In earlier s, people jt wouldn't have had the nversatns, and there's also qutnable relevance—so what if the Arrow Collar Man and his creator were gay?

JACKSONVILLE JAGUARS ASSISTANT COACH KEV MAXEN COM OUT AS GAY HISTORIC ANNOUNCEMENT

Black briefs on a Tim Square billboard, another gay man was g homoeroticism to sell men's clothg—although a much more subversive way. Mart), his mentorg of Norman Rockwell ( some ways the Eve Harrgton to Leyenncker's Margo Channg), and his plited relatnship wh his artist brother Frank, who was also gay. "Rgel has been wh hband, Chuck Muckle, for 41 years, and was drawn to the story of a gay uple who staed their relatnship for nearly a half-century and much more challengg tim.

And certaly not as a gay in. Leyencker brought homoeroticism to Madison Avenue.

Leyencker, whose ads were suffed wh homoeroticism. The two shared a home New Rochelle, New York, for nearly 40 are few primary sourc to rroborate Leyencker’s sexual orientatn, but many morn historians — and the Historil Society exhib — prent him as a gay man.

PALM SPRGS GAY MEN’S CHOS HOSTS SCHOOL SUPPLI DRIVE

To provi some historil ntext, though, Albrecht also clud imag of gay life New York between the wars, cludg a photo of butch blu sger Gladys Bentley a whe tux and top hat and a patg of a gay bathhoe by artist Charl Demuth. ” The exhib also prents an alternative to the homogeney of Leyencker’s work. “Some of may have been homophobia, ” Nash said.

Leyencker’s immense populary me primarily om his 322 vers for the Saturday Eveng Post, as well as for the e of his art advertisg – most notably the Arrow Collar Man, wh Beach as the origal ’s play explor the challenge of balancg love, art, and merce at a time when homosexualy was a crime, and how Leyencker achieved an unlikely triumph on all onts. “As a gay man, [Leyencker] was pecially apt at pictns of the male body and of male behavr and teractns, ” says Albrecht.

NEW PLAY OFFERS FASCATG SLICE OF NORMAN ROCKWELL-ERA GAY HISTORY

While Leyencker almost exclively picted whe men, the exhibn juxtapos his work wh documentatn of his nonwhe queer and genr-fluid ntemporari, such as Langston Hugh and Gladys the morn gay rights movement marks s 54th anniversary this month, what should we make of the fact that one of the most formative imag of 20th century masculy was a pictn of a gay mol by a gay illtrator? First, that gay people have always been here.

Leyencker is the subject of a small, but potent, exhibn at the New-York Historil Society that seeks to fd homoerotic ntent his ostensibly “All Amerin” imag and reclaim the work of a highly fluential LGBTQ+ artist to the natnal narrative. Although no wrten acunts nfirm his sexualy, the exhibn’s this plaly stat that Leyencker was gay, while the e of phras such as “most likely” and “might have been” other wall texts give a sense of njecture. Yet the work’s tent, beyond sellg products, ultimately remas unclear, particularly as om a time before mp was dified and male homosocial behavr was prevalent.

Leyencker, ” rejects notns that somethg homoerotic is visible the work, argug that such terpretatns ame the artist as a “stereotype of the shadowy, v homosexual vertly suatg an ‘unnatural’ sire, ” and that “this approach is a mimizg, morizg, and homophobic form of cultural terpretatn. This parallels the “moral outcry” leadg to the Hays Co, adopted 1930, which rtricted, among other thgs, pictns of homosexualy Hollywood films.

J.C. LEYENCKER: NORMAN ROCKWELL, BUT FIRST AND MAKE IT GAYIN HIS TIME ONE OF AMERI'S MOST CELEBRATED ILLTRATORS, LEYENCKER FAD OM NSCNS AFTER HIS ATH, BUT HE'S MAKG A {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}LIFEBY JEFF TAYLOROCTOBER 23, 2019/4:52 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:955PX;WIDTH:731PX;}LEYENCKER/SATURDAY EVENG POSTBY JEFF TAYLOROCTOBER 23, 2019 / 4:52 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"J.C. LEYENCKER: NORMAN ROCKWELL, BUT FIRST AND MAKE IT GAY","THUMBNAILURL":","DATEPUBLISHED":"2019-10-23T20:52:19.000+0000","DATEMODIFIED":"2019-10-23T20:52:19.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"JEFF TAYLOR","KEYWORDS":"LGBTQ HISTORY MONTH, ART","ARTICLESECTN":"LIFE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHANC ARE YOU'VE HEARD THE NAME NORMAN ROCKWELL, FAMED PATER OF IDYLLIC AMERINA SCEN THAT GRACED THE VERS OF HUNDREDS OF EDNS OF THE SATURDAY EVENG POST DURG THE 1900S, BUT JT AS LIKELY YOU HAVEN'T HEARD OF HIS PRECSOR: ONE JOSEPH CHRISTIAN (J.C.) LEYENCKER.PUBLIC DOMAPORTRAS OF ARTISTS OM ARCHIV OF AMERIN ART, SMHSONIAN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PORTRAS OF ARTISTS OM ARCHIV OF AMERIN ART, SMHSONIAN INSTUTN (PUBLIC DOMA, PHOTOGRAPHER UNKNOWN){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ROCKWELL SAW LEYENCKER AS ONE OF HIS MA SPIRATNS, AND HE IS REGULARLY LLED ROCKWELL'S "MENTOR." HE TOO CREATED HUNDREDS OF VERS FOR THE SATURDAY EVENG POST, AND CREATED ADVERTORIAL ILLTRATNS, MOST NOTABLY THE FAMO "ARROW COLLAR MAN," AND THE "CHTERFIELD MAN," BOTH OF WHICH WERE SEEN AS THE ULTIMATE MALE SEX SYMBOL THEIR DAY, PECIALLY THE FORMER, WHO WAS LIVERED WH A MIX OF GGEDNS AND REFEMENT THAT HELPED FE THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN FACT, 'S BELIEVED THE ARROW COLLAR MAN IS WHO IS BEG REFERENCED BY DAISY THE GREAT GATSBY WHEN SHE TELLS THE NOVEL'S NAMAKE THAT HE LOOKS "SO OL," REMBLG "THE ADVERTISEMENT OF THE MAN."2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHASE, ARROW COLLAR, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ROCKWELL WAS SO TAKEN BY LEYENCKER AND HIS WORK THAT HE DID EVERYTHG HE ULD TO ABSORB THE MAN'S ARTISTIC STYLE, AND EVEN HIS VERY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS HE WROTE HIS TOBGRAPHY, MY ADVENTUR AS AN ILLTRATOR, WHERE HE SAID HE, AS AMERIN ILLTRATORS GALLERY SUMMARIZED, "FOLLOWED LEYENCKER AROUND NEW ROCHELLE, NEW YORK, EMULATG LEYENCKER’S SWAGGER, OR LIMP AS WERE, AND 'ATTU.'"LEYENCKER/(C) 2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, NYRERD TIME, COOL SUMMER COMFORT —HOE OFKUPPENHEIMER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RERD TIME, COOL SUMMER COMFORT—HOE OF KUPPENHEIMER ADVERTISEMENT, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHILE ROCKWELL WAS TRANSPARENT ABOUT HIS FLUENCE, AND WHILE LEYENCKER WAS WELL KNOWN HIS DAY, HIS NAME HAS BEEN LARGELY FOTTEN, WH ROCKWELL'S WORK REPLACG HIS THE LLECTIVE AMERIN NSCNS AS THE QUTSENTIAL 20TH CENTURY AMERIN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PART OF THIS NEWFOUND TERT THE MAN AND HIS WORK HAS LED TO A EPER DISCSN OF HIS PERSONAL LIFE, CLUDG THE FACT THAT HE WAS GAY.J.C. LEYENCKER/LIBRARY OF CONGRS/CORBIS/VCG VIA GETTY IMAG"ARROW COLLARS & SHIRTS" ADVERTISG POSTER BY JOSEPH CHRISTIAN LEYENCKER (PHOTO BY LIBRARY OF CONGRS/CORBIS/VCG VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARROW COLLARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER, WHO EMIGRATED TO THE UNED STAT OM GERMANY WH HIS FAY, WHICH CLUD HIS BROTHER, FRANK XAVIER (F.X.) LEYENCKER—A TALENTED ILLTRATOR HIS OWN RIGHT, WHO IS ALSO BELIEVED TO HAVE BEEN GAY—MET 17-YEAR-OLD MOL CHARL BEACH WHEN HE WAS 29. HE WAS TAKEN BY THE YOUNG MAN'S GOOD LOOKS AND BEGAN G HIM HIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE WOULD BEE THE PROTOTYPE FOR THE ARROW COLLAR MAN, AND ALSO BE ED AS A REFERENCE MOL FOR A NUMBER OF HIS OTHER PROJECTS. THE TWO WOULD GO ON TO LIVE TOGETHER FOR THE MAJORY OF THEIR ADULT LIV, PRUMED TO BE PARTNERS. BEACH WOULD ALSO SERVE AS LEYENCKER'S BS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHILE LEYENCKER'S ILLTRATNS MIGHT SEEM TAME BY TODAY'S STANDARDS, HIS LOVE FOR THE MALE FORM AND MASCULY GENERALLY IS EVINT. HE WAS FOND OF PICTG MEN ATHLETIC AND HEROIC SCEN, AND MANY OF HIS WORKS HAVE BEEN NOTED FOR NTAG MEN ENGAGED WHAT SOME HAVE READ AS LONGG GAZ.LEYENCKER/ARROW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARROW ADVERTISEMENT ILLTRATN, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN A PIECE ON THE ARTIST FOR THE LOS ANGEL TIM, PUBLISHED 2008 AND PROMPTED BY THE PUBLITN OF THE BOOK J.C. LEYENCKER: AMERIN IMAGIST, REPORTER CAROLYN KELLOGG OFFERS SOME SIGHT TO HOW HE PTURED THE PHYSIQUE OF HIS BELOVED "MANLY MEN":{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER’S EARLY STYLE—A CROSSHATCHED BSH STROKE THAT TURNED SOFT SURFAC TO SHARP PLAN—RERCED BEACH’S CHISELED GOOD LOOKS. WHEN HIS DYNAMIC CROSSHATCHG FAD TO SOFTER FILLS, LEYENCKER ENHANCED THE MANLS OF HIS SUBJECTS OTHER WAYS: HE L A SGLE LIGHT AND OILED THE MCL OF HIS MOLS FOR DRAMATIC NTOURG. IN AN EARLY MOCK-UP OF AN IVORY SOAP AD, AN ERECTN IS PROMENT THE FOLDS OF A BATHROBE. DES BEFORE FEMIST LRA MULVEY WROTE ABOUT THE MALE GAZE OBJECTIFYG WOMEN, LEYENCKER TURNED HIS GAZE TOWARD HANDSOME MEN AND CREATED WILY CIRCULATED INS OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"WHAT YOU DO NOT FD LEYENCKER’S WORK IS THE NAKED FEMALE BODY," LLECTOR ALEDO VILLANUEVA-COLLADO HAS NOTED. "IT IS NEVER SHOWN ANYWHERE. AND ’S TERTG BEE ONE OF HIS FLUENC WAS ALPHONSE MUCHA, WHO DID MANY SEMI-EXPOSED WOMEN, BUT LEYENCKER DID NOT. I’VE LOOKED AT ENOUGH OF HIS WORK TO SAY THIS WH A GREE OF CERTATY."2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, NY. ATHLETE BEFORE A MOSAIC, C. 1910, OIL ON {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ATHLETE BEFORE A MOSAIC, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH HIS REER BOOMG, LEYENCKER AND BEACH THREW LAVISH PARTI WH FAMO GUTS ATTENDG. WHILE THEY MIGHT HAVE BEEN RTRAED SOME REGARDS DUE TO THE HOMOPHOBIA AT THE TIME, THEY WERE CLEARLY NOT LIVG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE GOOD TIM WERE NOT TO LAST, HOWEVER, WH MISSNS BEGNG TO DWDLE OVER TIME. BY THE LATE 1930S AND EARLY 1940S, WH TAST CHANGG, HE WAS BARELY GETTG ANY WORK. WHEN HE DIED 1951 OF A HEART ATTACK, AT THE AGE OF 77, HE HAD LTLE THE WAY OF WEALTH PARED WH HIS HEYDAY. HIS ASSETS WERE SPL BETWEEN BEACH, WHO DIED NOT LONG AFTER, AND HIS TRANGED SISTER—HIS BROTHER HAVG DIED 1924 OM A DG OVERDOSE.LEYENCKER/SATURDAY EVENG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"LIFEGUARD, SAVE ME!"—SATURDAY EVENG POST COVER, AUGT 9, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ACRDG TO COLLECTORS WEEKLY, MANY OF HIS ORIGAL PATGS WERE SOLD AT A MMAGE SALE FOR $75 {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT RECENT YEARS, LEYENCKER HAS BEGUN TO REEMERGE AS AN IMPORTANT ARTIST AND CULTURAL FIGURE, WH EXHIBNS OF THE ARTIST'S WORK POPPG UP AROUND THE UNTRY, CLUDG ONE CURRENTLY TAKG PLACE RALEIGH, NORTH CAROLA, AT REYNOLDA HOE MM OF AMERIN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MORE OF HIS WORK FOLLOWS.LEYENCKER, PHOTO BY SWIM K 2/CORBIS VIA GETTY IMAGTHE DISC THROWER ILLTRATN BY J.C. LEYENCKER (PHOTO BY SWIM K 2/CORBIS VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DISC THROWER, 1906J.C. LEYENCKER/JOHN KANU PHOTOGRAPHY/SPORTS STUD PHOTOS/GETTY IMAGUNDATED: VTAGE FOOTBALL ILLTRATN. 1913 FOOTBALL ILLTRATN BY JOSEPH CHRISTIAN LEYENCKER OM THE SATURDAY EVENG POST. (PHOTO BY JOHN KANU PHOTOGRAPHY/SPORTS STUD PHOTOS/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOOTBALL PLAYERS, 1913J.C. LEYENCKER/BETTMANN/GETTY IMAG1920 ADVERTISEMENT FOR CHTERFIELD CIGARETT FEATURG AN EDDIE RICKENBACKER-TYPE AVIATOR, SIGNED BY JOSEPH CHRISTIAN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHTERFIELD CIGARETTE ADVERTISEMENTJ.C. LEYENCKER/UNIVERSAL HISTORY ARCHIVE/UNIVERSAL IMAG GROUP VIA GETTY IMAGWORLD WAR ONE US MAR POSTER TLED 'SOLDIERS OF THE SEA' ENURAGG MEN TO ENLIST. CREATED BY JOSEPH CHRISTIAN LEYENCKER (1874-1951) PREEMENT AMERIN ILLTRATORS. DATED 1917. (PHOTO BY: UNIVERSAL HISTORY ARCHIVE/UNIVERSAL IMAG GROUP VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SOLDIERS OF THE SEA, 1917LEYENCKER/SWIM INK 2, LLC/CORBIS/CORBIS VIA GETTY IMAGAMERI CALLS RECMENT POSTER BY JOSEPH CHRISTIAN LEYENCKER (PHOTO BY �� SWIM INK 2, LLC/CORBIS/CORBIS VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AMERI CALLS RECMENT POSTERLEYENCKER/INTERWOVEN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER INTERWOVEN SOCKS ADVERTISEMENT, CIR {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}LGBTQ HISTORY {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

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