Digagahi Supir Tk | Gay Mal

Contents:

• LBIAN UPLE W IVF ‘GAY TAX’ BATTLE
• JAGUARS ASSOCIATE STRENGTH ACH OUT AS GAY A FIRST FOR US-BASED PRO LEAGU
• HAVG A GAY OLD TIME TURKEY
• WHAT’S IT LIKE TO BE GAY … MOROC?
• FORD ROLLS OUT 'VERY GAY' TCK RPONSE TO HOMOPHOBIC TROLL
• GENR BENRS, GAY INS AND MEDIA: LBIAN AND GAY VISUAL RHETORIC TURKEY
• GAY MAL

LBIAN UPLE W IVF ‘GAY TAX’ BATTLE

A lbian uple who lnched a legal battle over equali IVF treatment between heterosexual and same-sex upl have dropped their fight after their lol re board pledged to make treatment sts media fluencers Megan and Whney Ban-Evans lnched a landmark “gay tax” discrimatn se after NHS Frimley Integrated Care Board (ICB) said same-sex upl, sgle women and upl unable to have vagal terurse would have to pay for 12 rounds of IVF before qualifyg for NHS assistance. SiegedSec, a self-scribed group of gay furry hackers, took s skills to state ernments late June, breachg agenci across five stat and releasg a wealth of data.The stat targeted on June 27 were Texas, Nebraska, Pennsylvania, South Dakota, and South Carola. "Uwu gay furri pwn you~ We'll be back aga soon to ntue our chaos and stctn!"Some news outlets, such as Them, raised ncerns that the group's actns uld expose random people to harm, not jt the targeted ernments.

For those who heard about the se of Ray Cole—a Brish tourist arrted last year Marrakech, Moroc, on spicn of mtg “homosexual acts” and sentenced to four months’ hard time a Morocn jail prr to his early release— is perhaps difficult to image that Moroc was somethg of a gay paradise for whe men of standg the aftermath of World War II. Gay life tak place the pths of certa hammams (Turkish baths) and the back rows of cemas, if people happen to know the right spots; needls to say, cisg plays an important role. Seen this light, the se of Ray Cole n be said to be another part of the story of the wherg away of gay life Moroc, or at the very least, the end of turng of a bld eye to .

But what is more signifint about Cole’s se is that monstrat the te realy for gay men Moroc, namely, that while the laws on homosexualy are enforced nsistently, there is evintly a double standard employed their applitn.

JAGUARS ASSOCIATE STRENGTH ACH OUT AS GAY A FIRST FOR US-BASED PRO LEAGU

The lerature available to potential gay travelers to Moroc—of which there is a great al sce, spe of laws and social norms there, Moroc remas a prime statn for package holiday-goers om Bra, France, and Germany—is very clear settg out what is and isn’t acceptable.

The scen of Cole’s fay greetg him at Bra’s Gatwick Airport ntrast starkly wh how gay men are treated Morocn society: looked down upon, rejected by their fai, dismissed wh the Maghrebi Arabic slur zamel.

“More than [Cole’s] own se, what happened to him shows how vulnerable gay Morocns are, ”Abllah Taïa, a Morocn wrer and filmmaker who now liv exile, wrote The Guardian, “They are at the mercy of anyone. ” To the qutn of what is like to be gay Moroc, then, the answer very much means one thg to a Wtern visor and que another to Morocn natnals, who are nsired by their society and their state to be of lser value.

HAVG A GAY OLD TIME TURKEY

” What happened next was a masterclass shuttg down homophobic a vio released on Twter by Ford Europe, the tomaker revealed s new and improved “Very Gay Raptor” cked out rabows and gold glter. A 60-hour procs saw the vehicle draped rabow and gold glter Alpha foil, then topped wh rabow and heart isn’t even the first time that Ford has cked out a Gay Pri vehicle.

WHAT’S IT LIKE TO BE GAY … MOROC?

In 2007, Kaos GL, a bimonthly publitn of the Kaos Gay and Lbian Cultural Rearch and Solidary Associatn Ankara, Turkey, voted s November/December issue to “Turkiye’n Gay Ikonlari” (Turkey’s Gay Ins). “Indian Gay Ins: Queers Like Us, A Tribute to Indian Gay Ins” was scribed by Bombay Dost, a lol LGBT magaze, as “an exhibn of Indian gay ins featurg some of the te lears of the queer stggle who also spell excellence their profsn” (The Bombay Dost Team).

The projects Turkey and India provi evince for the emergence and creasg importance of visual reprentatns, cludg gay ins, the formatn and bolsterg of ternatnal gay muni non-Wtern ntexts.

In this article’s discsn of the Turkish gay ins popular culture and the ntemporary lbian and gay practic of visual rhetoric Turkey, I analyze three sets of ntemporary reprentatns and the acpanyg practic of visual rhetoric: 1) two Turkish celebri who are wily visible genr transgrsors Turkey: the late Zeki Muren (1931-1996), a flamboyant queer male sger, [2] and Bulent Ersoy, a male-to-female transsexual sger, both of whom Kaos GL rears voted “gay ins”; 2) the gay ins issue of Kaos GL, a Turkish LGBT muny magaze prt, which adapted the Wtern ncept of gay ins to the needs of the Turkish LGBT muny through a cril engagement wh the ncept; and 3) the llegiate lbian and gay fliers, webse, and “fanz” (Turkish transleratn for “fanze, ” i. E., fan magaze) of Legato, the acronym for Lezbiyen Gay Topluluğu (Lbian and Gay Associatn), a llegiate stunt group anized through the Inter g mailg lists and a webse.

FORD ROLLS OUT 'VERY GAY' TCK RPONSE TO HOMOPHOBIC TROLL

In this manner, I monstrate that while visual rhetoric n empower non-Wtern lbian and gay populatns to rist the domant lol reprentatns of homosexualy and produce and dissemate affirmg alternativ, the medium utilized and the uneven ndns of productn and circulatn om one medium to another terme the extent of the relative fluence of existg reprentatns. I nclu the article by discsg the implitns of this rearch terms of global queerg and the related practic of visual rhetoric by ternatnal lbian and gay young adults.

GENR BENRS, GAY INS AND MEDIA: LBIAN AND GAY VISUAL RHETORIC TURKEY

For Turkish lbian and gay dividuals the 1980s and 1990s, this search often began wh the genr-bendg celebri Zeki Muren and Bulent Ersoy, who appeared extensively on stage and mastream Turkish media on televisn, films, and newspapers. Yet, paradoxilly, this visibily did not mean that Turkish society accepted non-normative sexual and genr inti, cludg homosexualy, and the knowledge about sexual subcultur still remaed “fugive” spe the mass-mediated queer visibily of the two celebri. In Figure 2, Muren is also pictured on the ver of one of his albums (both Figure 1 and 2 were published Kaos GL‘s special issue on gay ins, which I discs the next sectn).

GAY MAL

To illtrate how Muren has bee a figure of genred cency, spe his genr bendg, Stok discs what he lls Muren’s “astute tactil mov” (310) terms of his overall public image, relign, and his homosexualy. [4] Muren’s tactics to steer his public image clear of his homosexualy this manner, through his claim to ancient, allegedly heterosexual masculy, were also supported by other mass media reprentatns.