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THE IMPACT OF DIS ON THE GAY SUBCULTURE THE 1970S
Durg the early to mid-70s, gay rights advanced more quickly than had durg the prr two s bed; many stat, sodomy laws were repealed, and * discotheque gay 71 *
“Straight people were clumsy and had no rhythm, whereas gay men were right on. Manco’s crowd, which clud many gay men of lor, bellowed out the chos, refigurg the song’s addrsee as a new kd of Shore Commissn, ‘Free Man’ (1975)D. -led dance spac that were exclive to gay men — ually whe, middle-class gay men — started to open Manhattan late 1972.
Valento, ‘I Was Born This Way’ (1975)The first rerd to feature lyrics about beg an out-and-proud gay man me om the mil performer Charl “Valento” Harris, who released “I Was Born This Way” as an apparently one-off release on Gaiee.
“I’m happy, I’m reee and I’m gay, ” the sger hollers over soulful stmentatn. ” “The lyrics were perfect, ” she told me Summer, ‘I Feel Love’ (1977)Gay male dance crowds were drawn to rerdgs that featured Black female volists, often intifyg wh their emotnal exprsivens and strength the face of adversy, often to the surprise of the artists, who were ually gospel-traed. A pneerg reprentative, Gloria Gaynor was crowned the first queen of dis by gay D.
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Patrick Cowley, ‘Mutant Man’ (1982)Patrick Cowley fed his reputatn as one of the world’s most progrsive synthizer players durg rerdgs wh the dis pneer Sylvter, cludg “You Make Me Feel (Mighty Real), ” perhaps the ultimate gay male anthem.
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”A versn of this article appears prt on, Sectn D, Page 5 of the New York edn wh the headle: Sp Some Gay Dis.
Dis and Gay Culture the 1970s. Durg the early to mid-70s, gay rights advanced more quickly than had durg the prr two s bed; many stat, sodomy laws were repealed, and many ci the Uned Stat, civil rights protectns for gay people were adopted. In addn, for the first time lbians and gay men who were open about their sexual orientatn succeed beg elected to public offic.
1. Mart H. Leve, Gay Macho (New York: New York Universy Prs, 1998), 53.2. Edmund Whe, Stat of Dire: Travels Gay Ameri (New York: Plume, 1980) * discotheque gay 71 *
Durg the entire era, the drivg beat of dis mic was the soundtrack for a new era gay awarens (Rose. ) As a rult, the subculture that rived om the disthequ of the 1970s mt be regnized as some of the greatt proponents of civil rights for the gay and lbian muny.
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Above all, the culture of dis reprented a gay fashn style that allowed the gay muny to rist nformg to the stereotyp that had exclud them for s.
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) In hdsight, is clear that although many of the clubs were characterized by people dancg together while high on dgs, their actual signifince remas as ccial a player as any gay liberatn rally or group of protters for gay rights. Clearly, the emergence of dis the 1970s had a tremendo cultural fluence the Uned Stat, and was exemplified by artists om Donna Summer to the Village People, both of them were extremely popular the urban gay culture New York Cy (Falner, 1973.
) The mic self me at the ial time for a wi variety of people who had been on the margs, young people om the workg-class, many disenanchised groups, and as scribed, the gay muny.