A brief history of lbian, gay, bisexual, and transgenr social movements

Contents:

• A GLIMPSE INTO 1970S GAY ACTIVISM
• WHY BEG “GAY THE ’70S NEW YORK AND L.A. WAS MAGIC” — AND HOW HOLLYWOOD HAS CHANGED (GUT COLUMN)
• THIS IS WHAT GAY LIBERATN LOOKED LIKE IN THE '70S
• A BRIEF HISTORY OF LBIAN, GAY, BISEXUAL, AND TRANSGENR SOCIAL MOVEMENTS
• THE END OF GAY CULTURE
• GAY RIGHTS

A GLIMPSE INTO 1970S GAY ACTIVISM

A gay-rights monstratn New York's Greenwich Village, June 8, 1977 (AP)This article is the 11th a seri featurg clips om the Amerin Archive of Public Broadstg, which is workg to digize televisn and rad piec so that they may be prerved for years to e.

For more about the project, see our troductn to the seri, where you'll also fd a handy list of all the seri' piec so 1960s me to a close wh what is still perhaps the most nsequential event recent Amerin gay history: the Stonewall rts of June 28, Charl Kaiser put his history of gay New York, "No other civil rights movement Ameri ever had such an improbable unveilg: an urban rt sparked by drag queens. That's not to say that progrs followed a clear urse: The 1970s also saw Ana Bryant's succsful mpaign Miami to repeal a gay-rights legislatn and the assassatn of Harvey Milk, one of Ameri's greatt advot for gays and lbians and one of the first openly gay men elected to public office.

“The clone was a reactn to thgs you would see movi of gay men beg flty and nelly, ” says John Calendo, a wrer who lived LA and New York Cy throughout the 70s and 80s, and worked as an edor at the clone-cubatg sk mags Blueboy and In Touch for Men. ”) “That’s the kd of imagery”—backwards stereotyp that basilly villaized queer people—“that a lot of my generatn who beme the clone people grew up wh the ccible of the 60s, ” Calendo ntu, when the civil rights and gay liberatn movements were expandg ias of equaly and eedom.

WHY BEG “GAY THE ’70S NEW YORK AND L.A. WAS MAGIC” — AND HOW HOLLYWOOD HAS CHANGED (GUT COLUMN)

Drsg like a clone, he says, was a rejectn of those olr gay ’s not so easy to ppot precisely who origated the clone ial, guys who were alive at the time ually brg up Al Parker, an adult film star turned producer and director who worked om the 70s to the early 90s. “The clone look was certaly about a whe gay man’s rponse and engagement wh those archetyp, ” says Ben Barry, the an of the school of fashn at the New School’s Parsons School of Dign, whose rearch foc on fashn’s relatnship to masculy, sexualy, and the body. The years saw Ana Bryant’s homophobic csa through the “Save Our Children” mpaign 1977, the electn and assassatn of Harvey Milk 1978, and the Whe Night rts the followg summer after the lenient sentencg of Milk’s murrer, Dan Whe.

There was a powerful work of olr succsful gay men like theatril agent Milton Goldman and entertament attorney Arnold Weissberger who troduced younger gay men to succsful showbiz typ at their betiful apartment on Sutton Place overlookg the East River. Tommy Nutter, who was known for the betiful pipg on the cloth he signed for Mick and Bian Jagger, picked me up at a dis New York one night and I end up at Stigwood’s offic at 135 Central Park Wt, n by Peter Brown, who ed to be Tommy’s boyiend and who had worked for the very gay Beatl manager Brian Epste.

Many untri around the world have their own versn of queer slang, om Brish gay slang rived om the rhymg slang Polari to beki – the Philipp’ queer language that borrows om a slew of sourc, cludg pop culture, Japane, Spanish, and the untry’s lol languag.

THIS IS WHAT GAY LIBERATN LOOKED LIKE IN THE '70S

The Stonewall rts were a seri of spontaneo, vlent monstratns by members of the gay (LGBT) muny agast a police raid that began the early morng hours of June 28, 1969, at the Stonewall Inn the Greenwich Village neighborhood of New York Cy. Charl Piece 1926-1999 was what might be lled a female impersonator (he lled himself a Male Actrs) who found favor wh dienc both straight and gay wh his knowg imprsns of Bette Davis, Mae Wt, Tallulah Bankhead and Carol Channg, Such impersonatns were que tradnal for a ic performer of this sort. However, throughout 150 years of homosexual social movements (roughly om the 1870s to today), lears and anizers stggled to addrs the very different ncerns and inty issu of gay men, women intifyg as lbians, and others intifyg as genr variant or nonbary.

Such eyewns acunts the era before other media were of urse riddled wh the bias of the (often) Wtern or Whe observer, and add to beliefs that homosexual practic were other, foreign, savage, a medil issue, or evince of a lower racial hierarchy.

The European powers enforced their own crimal s agast what was lled sodomy the New World: the first known se of homosexual activy receivg a ath sentence North Ameri occurred 1566, when the Spanish executed a Frenchman Florida. Biblil terpretatn ma illegal for a woman to wear pants or a man to adopt female drs, and sensatnalized public trials warned agast “viants” but also ma such martyrs and hero popular: Joan of Arc is one example, and the chillg origs of the word “faggot” clu a stick of wood ed public burngs of gay men. The blu mic of Ain-Amerin women showsed varieti of lbian sire, stggle, and humor; the performanc, along wh male and female drag stars, troduced a gay unrworld to straight patrons durg Prohibn’s fiance of race and sex s speakeasy clubs.

A BRIEF HISTORY OF LBIAN, GAY, BISEXUAL, AND TRANSGENR SOCIAL MOVEMENTS

This creasg awarens of an existg and vulnerable populatn, upled wh Senator Joseph McCarthy’s vtigatn of homosexuals holdg ernment jobs durg the early 1950s outraged wrers and feral employe whose own liv were shown to be send-class unr the law, cludg Frank Kameny, Barbara Gtgs, Allen Gsberg, and Harry Hay.

Fstrated wh the male learship of most gay liberatn groups, lbians fluenced by the femist movement of the 1970s formed their own llectiv, rerd labels, mic ftivals, newspapers, bookstor, and publishg ho, and lled for lbian rights mastream femist groups like the Natnal Organizatn for Women. And polil actn explod through the Natnal Gay and Lbian Task Force, the Human Rights Campaign, the electn of openly gay and lbian reprentativ like Elae Noble and Barney Frank, and, 1979, the first march on Washgton for gay rights. The creasg expansn of a global LGBT rights movement suffered a setback durg the 1980s, as the gay male muny was cimated by the Aids epimic, mands for passn and medil fundg led to renewed alns between men and women as well as angry street theatre by groups like Aids Coaln to Unleash Power (ACT UP) and Queer Natn.

In the same era, one wg of the polil gay movement lled for an end to ary expulsn of gay, lbian, and bisexual soldiers, wh the high-profile se of Colonel Margarethe Cammermeyer publicized through a ma-for-televisn movie, “Servg Silence. Wh greater media attentn to gay and lbian civil rights the 1990s, trans and tersex voic began to ga space through works such as Kate Boernste’s “Genr Outlaw” (1994) and “My Genr Workbook” (1998), Ann Fsto-Sterlg’s “Myths of Genr” (1992) and Llie Feberg’s “Transgenr Warrrs” (1998), enhancg shifts women’s and genr studi to bee more clive of transgenr and nonbary inti.

THE END OF GAY CULTURE

Men and women gather on the beach, drk ffee on the ont porch of a store, or meet at the Film Ftival or Spir, of urse, week after week this summer, uple after uple got married—well over a thoand the year and a half sce gay marriage has been legal Massachetts. East Village bohemians drift throughout the summer; quiet male upl spend more time browsg gourmet groceri and realtors than cisg nightspots; the predictable populatn of artists and wrers—Michael Cunngham and John Waters are fixtur—mix wh openly gay lawyers and ps and teachers and but unmistakably, gay culture is endg.

This was the era of the post-Stonewall New Left, of the Castro and the Wt Village, an era where sexualy fed a new meang for gayns: of sexual adventure, polil radilism, and cultural fact that openly gay muni were still relatively small and geographilly ncentrated a handful of urban areas created a distctive gay culture.

Popular culture was suffed wh stunng displays of homosexual burlque: the mic of Queen, the stum of the Village People, the flamboyance of Elton John’s but; the advertisg of Calv Kle; and the toxitn of dis self, a gay creatn that beme emblematic of an entire heterosexual era.

GAY RIGHTS

And those gay men and lbians who wnsed this entire event beme altered forever, not only emotnally, but also polilly—whether through the theatril activism of Act-Up or the fur anizatn of polil gays among the Democrats and some Republins.