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Contents:
- GAY CARNIVAL
- UNVEILG THE ME: THE LOST HISTORY OF GAY CARNIVAL NEW ORLEANS
- GAY MEN POSTERS AND ART PRTS
GAY CARNIVAL
* gay tableau *
Gay Carnival tradns began mid-twentieth-century New Orleans as a genr-bendg parody of ele Mardi Gras tradns, particularly the humorls ronatn balls of aristocratic, segregated clubs like Rex and the Mistick Krewe of Com. After the rise of gay Carnival krew the 1960s and 1970s, queer culture beme a mastay of Carnival New Orleans and a force for LGBTQ+ visibily and muny engagement Louisiana.
One of Mardi Gras Day’s great allur for gay men, therefore, was the abily to exprs onelf stume and, a sense, be seen public whout fear of arrt. Gay life and maskg beme rrelated ncepts this era, as gay men often lerally masked themselv while Mardi Gras stume and also symbolilly masked themselv as “bachelors” to avoid discrimatn when Carnival end. “I was raised to be a pole young gentleman, ” relled gay Carnival pneer John Henry Bogie the 2010 documentary The Sons of Tennsee Williams.
UNVEILG THE ME: THE LOST HISTORY OF GAY CARNIVAL NEW ORLEANS
“We did not discs my beg gay. Gradually, gay men challenged anti-maskg laws and societal nventns. The first gay Mardi Gras club, the Fat Monday Luncheon, began 1949.
This tradnal rtrant bnch for gay iends culmated the reveal of a tiara and the crowng of one gut as “queen” of the luncheon. When the Krewe of Yuga, the first gay Mardi Gras krewe, formed 1958, they took genr-play to a new level by holdg private drag balls, where gay men put on women’s attire and prented themselv as “queens, ” or godss figur.
The Yuga raid provoked a rponse that marked a turng pot for gay Carnival.
GAY MEN POSTERS AND ART PRTS
Dixie Fasnacht, owner of Dixie’s Bar of Mic, a popular Bourbon Street gay bar wh a si door “For Male Bachelors Only, ” knew many Yuga members. “The raid didn’t end gay Mardi Gras, ” remembered Ray Durand, who was at Dixie’s that eveng. It put more anger out on the street among gay guys.
Although Yuga was no more, s spir flourished through former members, and the krew of Petroni (1961), Amon-Ra (1965), Ganyme (1967), Olymp (1970), and Apollo (1970) formed out of whe gay cliqu, mirrorg the racial segregatn of Louisiana. The Krewe of Armei broke that barrier 1968 by beg the first gay krewe wh a Black -founr: Nat Hayl. As homosexual associatn remaed illegal, no gay krewe uld risk sponsorg a para or public event that would intify—or “out”—s membership and imperil their safety.
The Gay Heyday. Seekg legal ver 1966, Petroni beme the first gay krewe Louisiana to rporate and obta a state charter to operate a Mardi Gras anizatn. Gog “legimate, ” as Petroni -founr Bill Wooley put , had the effect of gay krew upgradg their balls to formal affairs requirg tuxedos, gowns, and/or upsle drag and tickets mand at the door.