Gay Sex the '70s - Rotten Tomato

Contents:

• 16 MT-SEE CLASSIC GAY MOVI FROM BEFORE YOU WERE BORN
• GAY SEX THE '70S
• QUEER KO: 1970S AND ‘80S GAY GERMAN ARTHOE CEMA
• INTERNATNAL GAY CEMA: 33 LGBTQ MOVI TO SEE OM AROUND THE WORLD

16 MT-SEE CLASSIC GAY MOVI FROM BEFORE YOU WERE BORN

The lp clus plenty of romance, tear jerkers, German ps havg gay shower sex, and classic tal of nocent young n check out the full movie scriptns and curated clips of their selected "Netflix and Chill" favor at the webse.

Spoiler alert: Sebastian ed Cathere to lure attractive young men for him to have sex wh, and a group of them killed Sebastian an pecially barbaric the time, the release of a film pend on whether met the standards of the Productn Co (this was before the Motn Picture Associatn of Ameri's ratg system) and the film was approved to pict Sebastian as gay only "sce the film illtrat the horrors of such a liftyle, n be nsired moral theme even though als wh sexual perversn. Spoiler alert: One of the women is ed gay and love wh her worker, and thgs don't end well for a box office flop, the movie opened to cril acclaim, and received five Amy Award nomatns and three Goln Globe nods, cludg one for MacLae for Bt (1962)This Brish film, wrten by a woman (Ja Green wh John McCormick), was a repudiatn of that natn's harsh antigay laws.

GAY SEX THE '70S

A blackmailer is targetg London's gays, mandg money exchange for keepg secret their same-sex affairs; many fancially strapped victims m suici rather than face prison or huiatn. The sidns of ernment-sponsored homophobia is at the foreont of the movie, which is revolutnary for s pictn of a bisexual protagonist not to be msed wh; he's the furtht thg om a victim.

QUEER KO: 1970S AND ‘80S GAY GERMAN ARTHOE CEMA

Midnight Cowboy (1969)This prsg drama om gay director John Schlger stars Jon Voight and Dt Hoffman as htlers who enter to a "plited" bs relatnship while workg the streets of New York. The film received an X ratg om the MPAA due to s "homosexual ame of reference and possible fluence upon youngsters, " and end up beg the only X-rated film to w the Bt Picture Amy Award.

The homosexualy was more implied than featured -- the relatnship between Voight and Hoffman is not what you'd ll passnate -- but there is a memorable scene wh Voight beg serviced by a young man at a movie theater. You n cred gay director John Schlger for that; y, the same John Schlger who directed the ld Midnight Cowboy and the absolutely rid Madonna vehicle The Next Bt Daniel Day-Lewis, then a teenager, has a small, uncreded role. Wrten by mored lovers Stephen Sondheim and Anthony Perks (that would be the famo poser and the star of Psycho), The Last of Sheila lifted a mpy veil on the gay athetic that remas so tegral to Trouble (1974)For any lennial unfaiar wh out wrer-director John Waters: Shame on you!

The movie attacked every Amerin nventn (for example, an obe nt played by Edh Massey repeatedly tri to nvce her straight nephew to go gay bee "If they're smart they're queer, if they're stupid they're straight") Cage x Foll (1978)This French-Italian film about a middle-aged gay uple, Renato (Ugo Tognazzi) and Alb (Michel Serrlt), who try to pose as straight to w over their son's fiancee and her nservative parents, walked the tightrope between homage and stereotype -- the gay characters were over-the-top but still lovable (pare that to The Boys the Band).

INTERNATNAL GAY CEMA: 33 LGBTQ MOVI TO SEE OM AROUND THE WORLD

That clip appears The Celluloid Closet, Rob Epste and Jefey Friedman’s documentary based on Vo Rso’s study of homosexualy the movi, along wh untls exampl of how gay characters showed up, per narrator Lily Toml, as “somethg to lgh at, or somethg to py, or even somethg to fear. Some have been documents of a moment or era of gay history, some have been ed as rrectiv to s of negative clichés, and others have simply celebrated the fact that the movi n be queer, they’re here, get ed to . It is nowhere near a prehensive ndown of every great movie to feature out-and-proud hero and villas, or a queer sensibily, or even jt visible (and/or risible) exampl of gay life cema; we uld have easily ma this list twice as long.

The performanc are staggerg: Al Paco as the ignom Roy Cohn; Jefey Wright is the sharp-wted gay nurse who tends to him; Mary-Louise Parker as a pill-poppg hoewife wed to a closeted Mormon; Emma Thompson as an imper (and sometim sassy) angel; and Meryl Streep four rol, cludg the ghost of Ethel Rosenberg. Yet the film remas one of the first ank big-stud treatments of uncloseted gay and bisexual men, as follows eight iends (and one htler) who’ve gathered a New York Cy apartment to celebrate a birthday party. L like “show me a happy homosexual and I’ll show you a gay rpse” will still make you crge, but the film remas a time psule of a moment when men were nflicted wh how they “got” to be gay.

It works bt as a signpost and a throwback — jt ask the all-gay st who starred the a major Broadway revival, or Ryan Murphy, who’s adaptg the cematic remake as a savage, ic perd piece for a new generatn. It was still nsired a bad reer move for a movie star to play a gay role 2005, and Hollywood’s track rerd was ls than stellar when me to treatg homosexual romanc wh the same pth as heterosexual on (if emed f to tackle such stori at all). A page-to-screen take on Vo Rso’s semal book regardg LGBTQ reprentatn (and misreprentatn) the movi, Rob Epste and Jefey Friedman’s documentary prents the perfect show-and-tell plement to the late scholar’s work — you n lerally see the evolutn of cematic homosexualy as progrs om punchle to social pundry, sikick-and-stock-villa fodr to queers beg the hero of their own stori.